St Hilary's Anglican Church in Kew was established in 1888 on land granted to the congregation by the Dumaresq family. The brick building shown here replaced an earlier wooden structure.Small black and white photographic positive, one of four, of a Christmas party for children at St Hilary's Church, 12 John Street, Kew. The children, surrounding an adult Santa Claus, are dressed in festive costumes and a number carry balloons. The foundation plaque is on the wall to the children's left. The photo was tentatively dated to 1932 by the donor. Inscribed verso: "St Hilary's Christmas Party ?1932"churches -- kew (vic.), st hilary's church -- kew, anglican churches -- melbourne (vic.)

St Hilary's Anglican Church in Kew was established in 1888 on land granted to the congregation by the Dumaresq family. The brick building shown here replaced an earlier wooden structure.Small black and white photographic positive, one of four, of a Christmas party for children at St Hilary's Church, 12 John Street, Kew. The children, surrounding an adult Santa Claus, are dressed in festive costumes and a number carry balloons. The foundation plaque is on the wall to the children's left. The photo was tentatively dated to 1932 by the donor. Inscribed verso: "St Hilary's Christmas Party ?1932"churches -- kew (vic.), st hilary's church -- kew, anglican churches -- melbourne (vic.)

Used for proofing the design of PTC scratch tickets. Scratch tickets were in use during the 1990s, replaced by Metcard. The reference article gives a good background to their poor acceptance.Printed object belonging to a now-superceded transit agency (since the 1990s) at the time that scratch tickets were in use.A large rectangular piece of laminated paper. A total of 40 copies of 2-hour adult zones 1+2 tickets are printed on top. This is indicated on the left front side of the paper, along with the logo of the PTC and a disclaimer: "This is not a valid ticket." On the reverse side is the condition of use for the tickets (as would appear on actual scratch tickets).public transport, ptc, public transport corporation, tickets, scratch tickets

These small collection tins were distributed to homes to encourage the 'banking' of small coins which would then be donated to assist the work of the Spastic Society of Victoria. Founded in 1948, and now known as "Scope" this is a not-for-profit organisation providing disability services throughout Victoria to thousands of children and adults with physical and multiple disabilities An example of mid 20th century fund raising.Cardboard cylinder with metal ends. Top has slot for coins. Cream coloured outer with red writing.On label "Spastic Children need your help" "Home Bank"spastic society of victoria, home bank, fundraising

A blonde haired boy with glasses and earphone attached to a device strapped to his body, manipulates various boxes with a handle and openings in it. On one box is written 'Not be used without adult supervision'. The wooden boxes are homemade and most likely used at the Burwood school to assist teachers in developing coordination skills in their students.3 digital images of a blonde boy with glasses and a hearing aidrvib burwood school, occupational therapy

Notice to traffic staff, dated 30 Dec 1959 about the "Carriage of shopping pushers, jeeps and golf club buggies" being allowed to be carried on all routes during off peak hours at a charge of a full adult fare. This allowed for the carriage of these items in the first and second sections from the City.Yields information about the carriage of "Carriage of shopping pushers, jeeps and golf club buggies"Notice - printed on foolscap size paper with handwritten notes and a date stamp.Has hand date stamp of 31 Dec. 1959 and Mr Misson's initials.tramways, golf, shopping pushers

Set of 10 Monthly tickets for the Sandringham based Co-ordinated Motor Coach service. See reference 165 and figure 7-78 for an example. Tickets were available for unlimited bus travel and were introduced in Sept. 1957. All dated July 1964 using blue card except for one dated June 1962 and most likely used as a training set. AF - Adult Female, AM - Adult Male 1 - Sandringham Beaumaris AF - 001, 002 2 - Sandringham Balcombe Rd AF 002, 004 and 005 3 - ditto - AM - 004, 005 4 - Sandringham - Royal Ave - AM - 001 5 - ditto - AF - 000 6 - Sandringham - Haydens Rd - June 1962, pink card - AM - unnumbered.Demonstrates a set of Victorian Railways monthly tickets used on the former Sandringham - Black Rock service replacement bus service.Set of 10 printed card tickets, all with trimmed or 45 degree corners.tickets, vr, vr trams, victorian railways, sandringham to black rock, buses, monthly

The Silver Gull is more commonly referred to as the 'Seagull'. Found all along the coast of mainland Australia and Tasmania, it can also be found in New Caledonia and New Zealand. These birds are a common nuisance at beaches and urban areas, such as shopping centres. Since the 1950s, humans have become increasingly wasteful, leading to an explosion of the Silver Gull population due to the availability of rubbish to scavenge. They feed mainly on small marine life, but they are a versatile scavenger. The population increase has impacted the breeding of other bird species, as Silver Gulls have dominated offshore island breeding grounds. Their breeding season is from August to December, when they nest on the ground, however mating can occur year-round. This species has a harsh, high-pitched call 'kwarwh', well known to all Australians. Although protected under Australian Environmental Law, there are many strategies in place to discourage increasing the numbers of Seagulls. This specimen is an inaccurate example of a Silver Gull, which although is in good condition and intact, does not look like an accurate representation of this species. The legs have been mounted too far towards the tail on this specimen, giving it an unbalanced appearance. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This adult Silver Gull has a white head, body, underpart and tail. Its wings are silver-grey, with black and white tips. It has an orange-red bill, feet and beak, indicative of its maturity. The irises are white. This specimen stands upon a wooden platform and has an identification tag tied around its leg.Swing-tag: 11a / Silver Gull / See catalogue, page, 40. taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, seagull, silver gull, australian bird, nuisance

The photo shows the first pool in the Halls Gap Picnic & Camping Reserve being cleaned.The photo shows an empty swimming pool There is a man wearing a large hat in the pool using a long handled brush. A number of people, both adults and children, are seated and walking around the edge of the pool. A wood log seat can v=be seen to the right of the pool with a woman sitting on it. There is a building visible among trees in the background.recreation, swimming pool

Black and white photo on engraved cream card. Studio portrait of forty eight young adults in evening dress. All wearing name tags. Four tennis racquets in front of photo. Inscriptions: Hand written on card at bottom. On card 'Tasma, Flashlight Photo, High Street, Bendigo'. On reverse 'picture frame 3A'.Tasmaperson, group, sports team

Clothing. Cream guipure lace collar with floral curvaceous design. A large petalled motif at the centre back (or front) with a peaked effect at the front (or back). Delicate threads and small ''balls'' of cotton thread fill between the larger motifs. This collar is of a quite small size and nay have been worn by a younger adult or teenager.costume accessories, female, cream guipure lace collar

Story of the internees and pow's behind the barbed wire veil that was drawn around people deemed threats to Australia's security. Soft covered book. Front cover has 6 photos of internees with their id numbers. In middle is title. Authors name at bottom. Spine is brown coloured with title, author and photo of internee. Back cover has two photos, Group of adults and children and a soldier with gun and five men with hands in air. 266 pagesCaptured Lives Australia's Wartime Internment Campsaustralian internment camps, australian pow's, peter monteath, loveday internment camp

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Photograph of a group of adults attending an exhibition entitled Artists of Kew. Two people have been identified in the photograph - Cr WHS Dickinson and Alma Figuerola at centre. The location of the exhibition is at the old Kew Town Hall in Walpole Street. Both Miss Figuerola and Cr Dickinson were foundation members of the Kew Historical Society.Reverse: "Artists of Kew Exhibition. Founder of KHS Cr Dickinson in dark suit. Miss Alma Figrierola [sic] to his left". "KH-97" kew historical society - members, alma figuerola, cr whs dickinson, exhibitions - kew (vic), southesk - cotham road - kew (vic), kew town hall - walpole street

This is one of eight embroidered panels, completed during the 1988 Australian Bi-Centennial, and carried out under the auspices of City of Kew Council and the Kew Historical Society. Nearly 600 residents, including many children, participated in their production by adding a few or more stitches. A book records their names and the panels upon which they worked. Artist: Joy Stewart / Co-ordinator: Dorothy Benyei.4. Boroondara Cemetery, established 1859. A framed embroidery created by adults and children of the City of Kew as a Bicentennial project, based on a design by the artist Joy Stewart. Five of the six completed embroideries created in the project are/were displayed in the Kew Library. [The five embroidered panels have now been temporarily removed for conservation reasons].Inscription: "BOROONDARA CEMETERY / Established 1859. Horse drawn trams from Victoria Bridge terminated at gates, bringing visitors to the graves of relatives and friends, and sightseers to view the impressive pioneer memorials." Embroidered signature of the artist: "(c) JStewart, 1988"bicentennial project (kew), joy stewart, boroondara general (kew) cemetery, australian bicentennial

This is one of eight embroidered panels, completed during the 1988 Australian Bi-Centennial, and carried out under the auspices of City of Kew Council and the Kew Historical Society. Nearly 600 residents, including many children, participated in their production by adding a few or more stitches. A book records their names and the panels upon which they worked. Artist: Joy Stewart / Co-ordinator: Dorothy Benyei.8. Kew. City of Parks and Gardens. A framed embroidery created by adults and children of the City of Kew as a Bicentennial project, based on a design by the artist Joy Stewart. Five of the six completed embroideries created in the project are/were displayed in the Kew Library. [The five embroidered panels have now been temporarily removed for conservation reasons].Inscription: "KEW: City of Parks and Gardens / Proclaimed a Municipality December 1860 / Created a Borough 1st October 1863 / Gazetted a Town 14th December 1910 / Declared a City 9th March 1921." Embroidered signature of the artist: "(c) JStewart, 1988"bicentennial project (kew), joy stewart, charles grimes expedition, australian bicentennial

This is one of eight embroidered panels, completed during the 1988 Australian Bi-Centennial, and carried out under the auspices of City of Kew Council and the Kew Historical Society. Nearly 600 residents, including many children, participated in their production by adding a few or more stitches. A book records their names and the panels upon which they worked. Artist: Joy Stewart / Co-ordinator: Dorothy Benyei.3. East Kew State School. A framed embroidery created by adults and children of the City of Kew as a Bicentennial project, based on a design by the artist Joy Stewart. Five of the six completed embroideries created in the project are/were displayed in the Kew Library. [The five embroidered panels have now been temporarily removed for conservation reasons].Inscription: "EAST KEW STATE SCHOOL / Typical country school attended by children from surrounding farms and market gardens." Embroidered signature of the artist: "(c) JStewart, 1988"bicentennial project (kew), joy stewart, charles grimes expedition, australian bicentennial

at an outdoor celebration at Inglewood Punt Rd Metung.Black and white photograph showing fifteen adults and five children of Howlett and associated families identified are Ethel, Mabel, Alfred, Marion, James, Herb, Albert and Ivy Howlett and Sylvia and Fred Gasson, Florence, Eric, Phyllis and Muriel Hancock, Alfred James Legg . Also another black and white photograph of Howlett familygenealogy, families

Taken in the 1880s, depicted is a large group of children and adults dressed in formal clothing picnicking upon the bank of Lake Kerferd. The five members of the group are holding union jack flags that have been hoisted upon portable flag poles. The group is seated by the lakeside in a grassed area beneath eucalyptus trees.This image was taken in the 1880s at Lake Kerferd. Lake Kerferd was created in 1862 to retain water for gold mining purposes from the Hurdle Swamp, and to additionally serve as Beechworth's main water supply. It was named after George Briscoe Kerferd, a Beechworth businessman and councillor, who later became the tenth Premier of Victoria.Sepia rectangular photograph printed on matte photographic paper mounted on boardentertainment album, picnic, lake kerferd, beechworth, burke museum, kerferd

Taken in c. 1902, depicted is a group of adults and children dressed in formal clothing, with some of the women in the crowd carrying parasols, standing and sitting around and upon the rock at Queen Victoria Park on the Ford Street side of the park. This group is celebrating the official opening of the park. On top of the rock is a gas lamp post.Originally known as the Beechworth Botanical Gardens, the Queen Victoria Park features a extensive collection of historic trees and plants, which have been listed on the Indigo Shire’s Significant Tree Register. Sepia rectangular photograph printed on matte photographic paperReverse: 3716 (in black pen)/ 97.2273 (in pencil)/entertainment album, beechworth, queen victoria park, gardens & parks, opening, burke museum

Rationing of food, clothing and many other consumables was introduced during World War 2 in Australia. Each adult received 112 coupons per annum for clothing from 12 June 1942. Rationing of clothing was abolished 6 years later. This card would have represented 6 months of coupons.Printed in red on white, comprising 56 couponsIssued to H. J. Black, Bundoorarationing, black family, harold fraser

Common Starlings are a noisy bird that typically inhabit urban and rural areas, especially those with short grass for easy foraging, though can occasionally be found in open forests or along costal areas. They are native to a wide area of Eurasia and the North of Africa, though have been introduced to North America, some nations in South America, Fiji, South Africa, Australia, and New Zealand. They live in large flocks that fly together in strong unison, and have a range of loud calls. Male Common Starlings usually have brown eyes, in contrast to the light coloured eyes of the taxidermy mount. Otherwise, the specimen bears a reasonable resemblance to a typical Common Starlings. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This male Common Starling is covered in black feathers that each have a metallic orange edge. This gives the appearance of small dots across its head and neck, larger dots along its underbelly and back, and lines along the outer feathers of the wings. Its beak is yellow and its eyes are a light blue with a black pupil. The bird is stretched tall with its head turned towards the left and slightly tilted right. The specimen stands on a brown, wooden perch with a circular bar, curved stand, and circular base. The left leg has a metal tag and a swing-tag tied around it and the right leg has two swing-tags tied around it, one of which is torn.Metal Tag: 4256 Swing-Tag 1: Sturnus vulga[illegible]is / male, adult / 25 January 1861 / near Leiden / Swing-Tag 2: Tris grey-brown / Feet black - brown / Bill brown / 4256 / Swing-Tag 3 (torn): ng / e Page 58taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, starling, european starling, common starling, european bird

3 Shire of Diamond Valley Rates assessments issued jointly to Trevor and Gary Partington and their sisters, Mrs Elinor Rowe and Mrs Faye Fort. The locations of the land are Lot 41 Church Street and Lot 67 Scotland Avenue Greensborough. It is possible that this land was purchased by Alan Partington in his adult children's names.Part of the property owned by the Partington family in the original Greensborough farmland. 3 Rates notices, printed in red text with black typed details.Date stamped with rubber stampalan partington, william alan partington, partington family, land deals greensborough, church street greensborough, scotland avenue greensborough

Pam SNOWDON worked in the office at Graham Street Primary School for 40 years and was there when the school had a badge making machine. This machine was used to produce badges from adults & students own designs.The school was still known at this time as Graham Street Primary to distinguish it from Nott Street State School. Round badge with black & white drawing of the school on a green foreground.education - primary schools, graham street primary school, social activities - celebrations, pam snowdon

These three rocks were given to KVHS on the understanding that they were Indigenous rocks used as tools.No knowledge of their origins.These rocks have been stored in the Kiewa Valley on the understanding that they are Indigenous tools. It is not known where they came from.1. Dark grey rock with smooth surfaces and ridges with one flat side. Size of an adult's hand 2. Grey rock with smooth surfaces and ridges with one flat side. Smaller than no. 1 3.Narrow dark grey rock with beige section on rounded side. One flat side and a sharp pointed end.rocks, aboriginal tools, kiewa valley

"Protest against the depradation of the State Electricty Commission 1956" - Alistrair Knox (1980), We are what we stand on, pp48-49Photocopy of an original which was published in the Herald 2 Aug 1958 showing a group of Eltham residents protesting against tree felling undertaking a ceremonial tree planting L-R foreground (adults): Susan, Mavis and Laurel Gill; Hal Peck; Alistair Knox (centre); Tim Burstall; Jack Gill; Gordon Ford; Matcham Skipperevents, susan gill, mavis gill, laurel gill, jack gill, hal peck, tim burstall, gordon ford, matcham skipper, alistair knox, trees

Two small portrait photographs by Fred.K.Cornell Photographer Sale Victoria, 1 family portrait with 2 adults & 6 children and one of a young adolescent male. Back of photographs reads, patronized by his Excellency Sir Geo.F.Bowen, awarded prize medal Melbourne & London international exhibition 1873 Honourable mention Melbourne 1867 Dublin 1865.Fred.K.Cornellphotograph, portrait, male & female

B & W Photograph of adult male in uniform stanging beside a pony, holding the reins. Three children in the photograph. A boy is standing in front of the pony holding th ebridle. A younger boy si standing near the back of the pony. A small child is seated on a saddle on th epony. In the background is a picket fence in front of fruit trees.recreations, pets, pony

Coloured photograph. Mayor of City of Bendigo Cr. Chris D Stoltz unveiling plaque to open Hargreaves Mall 13 May 1982. Adults and children in background. Inscriptions: in image, on plaque 'Hargreaves Mall City of Bendigo …by His Worship the Mayor of Bendigo Cr. Chris D Stoltz, JP'. On back - in ballpoint pen 'AAZ-4'.Shirley Stone (bought from her by Felicity Kingerlee)person, individual, mayor of bendigo, see also 2001.064.01, 2001.065.01, 2001.066.01, 2001.067.01, 2001.066.01