A property illustration by Margaret Picken Commissioned by a real estate agency for the purpose of advertising 444 Mitcham Rd., Mitcham. This property is listed as having sold for $78,000 in 1985 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 444 Mitcham Rd., Mitcham depicting a black and white line drawing of a single story brickhouse, viewed from the gated driveway, which leads to a separate garage at the end of the driveway. on the left is a front lawn enclosed by the brick fence. There are two holepunch holes centred just under the upper edge.444 Mitcham Rd., Mitcham Marg. Picken '87 Woodards - boxhillwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, mitcham

A property illustration by Margaret Picken Commissioned by a real estate agency for the purpose of advertising 518 Mitcham Rd., Mitcham in 1995. This property demolished has since been subdivided. Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Maragret Picken, of An angled elevated view of a single story house situated on a long block of land. A driveway leading off of the street curves to the left of the house and under a connected carport and double garage, as well as through to the backyard to a stand along garage/shed. There are two hole punch holes along the left edge518 Mitcham Rd., Mitcham Margaret Picken - 95 Woodards - C'Wellwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, mitcham

A property illustration by Margaret Picken Commissioned by the real estate agency Fletchers Real Estate for the purpose of advertising 26 Highview Gve., Burwood in 1994 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. This property is listed as having sold for $160,250 in 1994 Since being sold the land has been redeveloped, with nothing remaining of the house depicted in this drawing. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 26 Highview Gve., Burwood East. An angled birds eye view from the street of a weatherboard house and carport. Extending to the backyards with pool, pagoda, and shed in the background. There are two hole punch holes on near the left edge. There are some crinkles in the paper near the top centre of the work. There is a two centimetre long mark along the centre top edge.26 Highview Gve., Burwood E Margaret Picken -94 Woodards B/Burnwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, burwood, house, garden

Coloured photos of Fluming Water Supply in the Grampians. a. Grampians Exit of tunnel through Mt William Range built 1874. b. Halls Gap Fyan's Creek with buried pipe from new diversion Weir Nov 24/91 (Fume Main). c. Halls Gap New Diversion Weir (Keith Phillips) Nov 24/1991. d. Halls Gap Old pipe to open flume adapter Nov 24/1991. e. Halls Gap Old metal open flume Nov24/91. f. Halls Gap Old metal flume and man made stone supporting wall. g. Halls Gap Overhanging rocks above old fume line Nov 24/1991. h. Halls Gap Old pipe to open flume adapter Bill Holmes Nov 24/91. i. Grampians Old hut for controlling flow valves etc. at Stawell side of Mount William Range after tunnel exit. Nine colour photographs of various views around a tunnel through a hill site.grampians water supply flume

Printed embossed postcard of a view from the Town Hall looking over the Queen Victoria statue and Charing Cross. The former mining plant at this location is not in the view There is one ESCo tram in the view. Card by Valentine & Sons, printed in Great Britain. The card has a sprigg of wattle on the left-hand side and a kangaroo in the bottom right-hand corner, which have been embossed into the card.Demonstrates a embossed card of a view over Charing Cross Bendigo.Postcard coloured - divided back - unused, embossed.Has the "K J Magor No. " stamp along the bottom edge on the rear.tramways, trams, bendigo, esco, pall mall, charing cross

Printed embossed postcard of a view looking at the Bendigo Post Office, Town Hall and Law Courts buildings. There is one ESCo tram in the view along the bottom edge. Card by Valentine & Sons, printed in Great Britain. The card has a sprigg of wattle on the left-hand side and the stars of the Southern Cross in the bottom right-hand corner, which have been embossed into the card.Demonstrates a embossed card of a view of Bendigo's Government buildings.Postcard coloured - divided back - unused, embossed.Has the "K J Magor No. " stamp along the bottom edge on the rear.tramways, trams, bendigo, esco, post office, town hall

Printed embossed postcard of a view from the Shamrock Hotel looking over Pall Mall, the Court House, and Town Hall. There is one ESCo tram in the view. Card by Valentine & Sons, printed in Great Britain. The card has a sprigg of wattle on the left-hand side and an emu in the bottom right-hand corner, which have been embossed into the card.Demonstrates a embossed card of a view over Bendigo Pall Mall and Government buildings.Postcard coloured - divided back - unused, embossed.Has the "K J Magor No. " stamp along the bottom edge on the rear.tramways, trams, bendigo, esco, pall mall

Printed colour postcard with a view from the City Family Hotel of Pall Mall Bendigo, Two ESCo trams, one possibly tram 15, along with the mine poppet head, the Town Hall, the Shamrock Hotel, and Henderson & Goodisson Beehive building. Card by Valentine & Sons, printed in Great Britain. Yields information about Charing Cross c910Postcard coloured - divided back - used as a letterHas the "K J Magor No. " stamp along the bottom edge on the rear and short note from a M Law.tramways, trams, bendigo, esco, town hall, pall mall, tram 15

Coloured photograph of the side view of the original home of Mr. Edward and Mrs. Mary Pearce built in 1870s. Home is still standing (2002) at rear of 9 Mall Court, Blackburn, with two units in front.pearce, ronald, harry, mary, mall court, blackburn, no. 9, edward

Folded buff-coloured land sale advertisement for Kardinia Park Estate in Warranwood area of North Ringwood, including terms of sale, area map, layout plan of the estate, and summary of local facilities and services. Front page features photograph of a man and dog in front of a house captioned as Lot 1 on four acres shown on the estate layout as cnr of Brysons Road and Range View Parade (later Omeo Parade). Second page includes bushland swimming pool photograph and promotional information for prospective buyers.Subdivision includes Kardinia Crescent, Wonga Road, Brysons Road, Range View Parade (later Omeo Parade), Motor Coach Road (later Wonga Park Road, then Warranwood Road). (Agent/s) T.A.W. Burkitt, Main Street, Ringwood, Phone (9 to 6) Ringwood 242, Evenings, Ringwood 157, and J. McEwan & Co, 317 Collins Street, Melbourne, Phone 6750 Central.

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and coloured pencil landscape drawing on paper.Obverse: MILLS / DISPENSARY / MARCUSE 83 / YACKANDANDAH Reverse: Y 12 / ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program, yackandandah

The international cards depict a range of view of items such as nature shots of America to photos of abbeys and cathedrals in Europe and views in England Scotland and Ireland. The views in Australia are a similar eclectic mix from shots of the Melbourne cemetery to images of statues in the Ballarat gardens. By placing the card with two images of the same subject, in the stereoscope, it provided a three dimensional view of the photo.Provides a snapshot of general interest items and views of early Australia and Australians.A collection of 76 cards with various scenes and topics. Each card displays two photos of the same view or item on various coloured card backgrounds. There is a mixture of sepia Black and white and coloured photographs.A number of the cards with international scenes have typed on the reverse “Photographed and published by Kilburn Brothers Littleton N.H. Others depicting scenes in Australia are stamped Theodor Bloch. warrnambool, stereoscope, stereoscope photographs

Printed postcard of a view from the Bendigo Town Hall looking south-west with one ESCo tram in Pall Mall. Shows the mine works and poppet head. Looks over Charring Cross and the View Point area. Card by Valentine & Sons, printed in Great Britain.Demonstrates a Bendigo postcard featuring Charing Cross, Pall Mall and shows an active mining plant at View Point.Postcard coloured - divided back - unused.tramways, trams, bendigo, charing cross, esco, pall mall, mining

Printed postcard with a coloured image of the Alexandra Fountain, Bendigo, View Point A tram is travelling in View St away from Charing Cross. Signs visible are a Library on the left side and H Jackson Stationer.Demonstrates a Bendigo postcard featuring the Alexandra Fountain and View Point building.Postcard colour - divided back unusedtramways, trams, bendigo, alexandra fountain, charing cross, view point

Printed postcard with a coloured image looking from the City Family Hotel over Charring Crossing and looking along Pall Mall. There are four tramcars in the view. Given the tram track colour, the photo was taken possibly soon after the opening the electric tramways in Bendigo in 1903. In the view is a gold mine poppet head, the Town Hall and the various buildings along Pall Mall. Published by E W Cole Book Arcade, part of their 48 views Cole's Sunny Australia Series.Demonstrates a Bendigo postcard featuring Charing Cross and Pall Mall.Postcard colour - divided back - unusedtramways, trams, bendigo, alexandra fountain, charing cross, esco, pall mall

Printed coloured postcard of the Eaglehawk Town Hall, a Bendigo Suburb, with an ESCo Bendigo tram. On the rear is a message to a person in Collingwood saying that this is the second of three views of Eaglehawk - see also item 9083.Yields information about Eaglehawk Bendigo and ESCo trams.Postcard - colour divided back usedHand written message written on the rear - card 2tramways, trams, bendigo, eaglehawk, town hall, esco

The Alfred Hospital commissioned architect Charles Webb to design the hospital. [Picture submitted 1869. Open for inspection Dec 1870.]A historical record of the original Alfred Hospital designFramed photo print of original design of Alfred HospitalPerspective of original design of Alfred Hospital / by C Webb, Architectstreet view of building elevation, horse and carriage in foreground, alfred hospital, architects drawing

Illustration, wall hanging, printed on a yellow coloured cloth background with sewn edges of a scene looking east along Collins St from about Queen St. Has a number of cable trams in the view. Has the 1970 calendar underneath. Has two pieces of wood stapled at top and bottom with a hanging cord. Has the words "Collins St Melbourne Victoria 1880" under the image and "hand printed in Australia by Rodriquiz" along the bottom edge.Has a price label on the top edge "$1.00"trams, tramways, collins st, cable trams, illustrations

Divided back postcard featuring a hand coloured black and white photograph of a view looking from Flinders St towards Government House, c1900, or from the roof of the Flinders St Station which could be under construction. Embossed Photograph enclosed within an artists palette, surrounded by roses. Note the buildings between the bridge and Government house - a former asylum? Card from the SEMCO Series Box 545 GPO Melbourne. Addressed to Miss V Hall of Blackwood.trams, tramways, princes bridge, cable trams, flinders st, flinders st station

Black and white negative, by Wal Jack, of SW6 923 (Camberwell Route 7) decorated as the RAAF tram during late 1953 at the Victoria St shunt, in Swanston St alongside the signal box and waiting room. Has W2 361 coming into the view. In the background is the City Baths and the works of Greer & Ashburner wire works See also Reg Item 4655 for a coloured photo of the tram.trams, tramways, sw6 class, victoria st, swanston st, decorated trams, raaf, route 7, tram 923

Coloured postcard of the Melbourne Town Hall, Swanston, and Collins Sts. Has three cable car sets in the view, one with two trailers southbound in Swanston St. In the bottom right-hand corner can be seen a shelter and signalman for the control of the intersection. The card was printed in Germany.Yields information about the Melbourne Town Hall and a signal box.Colour postcard, divided back unused. Has number "09 871" in bottom right hand corner.tramways, collins st, swanston st, signalmen, trailers, cable trams, melbourne town hall

Photo shows one of the horse trams and staff that operated the line that ran from Hawthorn Bridge via Burwood Road, Power Street, and Riversdale Road to Auburn Road, opening in 1890. There are 8 uniformed men and three officers in the photograph. In the background are many undeveloped housing blocks, and the Hawthorn Town Hall tower. The tramway operated until 1916 when it was replaced by an electric tram. See item 6159 for a wider view showing a man at the rear of the tram used in the 1989 Australia Post Stamp Fair.Yields information about the crews that worked the Hawthorn Bridge to Auburn Road horse tram service.Black and white print mounted with in pink coloured card with bevelled edges.Has a caption which is incorrect.tramways, tramcars, horse trams, hawthorn, crews, auburn road, riversdale road, trams

Coloured postcard of the Sorrento Pier looking towards the Beach. Has many people on the pier, waiting to board the ferry along with other people walking out. Has the buildings of Sorrento including the Hotel in the view. Postcard has been used and appears to have been taken from an album given the paper damage on the rear. No publisher details.Yields information about the Sorrento pier and its beaches.Coloured postcard, divided back type has been used.sorrento, piers, ferries

Divided back postcard with a view of the corner of Spring and Bourke St with Parliament House in the background and two cable car sets. Has the Treasury building in the background. C1905. Coloured postcard. Titled "Parliament House & Treasury Melbourne", along lower edge. Also has the Windsor hotel on the right hand side. On rear - postcard divided into two, part for address only, and part for correspondence. Part the "The BP Series". The dividing line is a wavy line.In pencil in top right hand corner "$19" which has been crossed out and "$9"trams, tramways, spring st, melbourne, cable trams, bourke st

Motel built on site of home of Misses Phillips. Home was transported, half to 15 Coates Road, half to Lakes Tyers Beach Road, 1965c. Motel built by Terry Ledwith, managed by family until sold.|Also three other colour photographs similar viewsColour photograph of the Golden Beach Motel, showing a fawn coloured double storey building comprising managers residence, office and motel units. External steps to upper units. Lake front in foreground is undeveloped, on 607 Esplanade Lakes Entrance Victoriaaccommodation, tourism

Image of Collins St looking west from Russell St with two cable trams in the view. Includes the Town Hall. Printed mid-1900's. Titled "A Glimpse of Collins St Melbourne Victoria". On the rear is a handwritten message and address - the removal of the stamp has obscured name. No printer details other than a number "B135/841" and in the bottom right hand corner "No. 8". Second copy in good order.Yields information about Collins St eastern end.Divided back postcard featuring a coloured image - Two copies held.trams, tramways, collins st, cable trams, town hall

The four photographs on the post card are well-known places in the town. They are the 1930s Royal Hotel building which was build on the same site of the original building on the corner of Evans and Brook Streets, Rupertswood Mansion, built 1874-45, the historic bluestone road bridge over Jacksons Creek and a view of the township in the 1970s taken from Francis Boulevard.The four views of Sunbury give an overview of the township in the 1970s before the increased development took place from the 1980s onwards.A coloured collection of four non-digital photographs of places in Sunbury in post card format. The edges of the post card are rippled. the back of the card gives details of the places as well as the maker.Sunbury Victoriaroyal hotel, rupertswood mansion, bluestone road bridge, sunbury, post cards

Although the post card was available in Sunbury in the 1960s - 1970s, the picture is not an actual view of Sunbury. As the information supplied on the back of the postcard indicates that the colourful Poinciana Tree grows in tropical climates around Brisbane and further north.A coloured photograph in Post Card format of a Poinciana Tree in full bloom. Information about the tree is written on the back in the lower LH corner.n Printed in gold in the top RH Corner - 'Greetings from Sunbury' and in black in the lower LH corner ' Poinciana Tree, Australia'.

Plan drawn on buff coloured waxed paper. Written on bottom: 'No. 1 Arrangement New Boiler for Lansells Proprietary Little 180 Mine Bendigo. Scale 1/4 inch = 1 foot. Hargraves & Daggar, Consulting Engineers, Victoria Chambers Bendigo' Plan shows entry of tramway, fuel store, boiler room, stack (75 ft), driving platform, winding engine, view to shaft.mining, lansell's little 180 mine, george lansell, gold mining, bendigo

Laminated plan, hand coloured, with side elevations and floor plans of Fortuna Villa entrance area. Basement, ceiling and first floor plans, with side elevations labelled Section A, B and (front view) Section C, D. On bottom of plan signed 'W. Beebe Architect' and 1/4' equals 1 foot.bendigo, buildings, fortuna villa