Produced and acted by members of the Heidelberg Theatre Company and all supporting areas including set design, set building, lighting and sound design and operation, costumes, front of house, ticket sales, publicity and administration were undertaken by members of the Heidelberg Theatre Company Program Photos Reviews Newsletter Poster Articlesheidelberg theatre company, htc, pride and prejudice, 2017, director, tim scott

Produced and acted by members of the Heidelberg Theatre Company and all supporting areas including set design, set building, lighting and sound design and operation, costumes, front of house, ticket sales, publicity and administration were undertaken by members of the Heidelberg Theatre Company.Program Photos Reviews Poster Articlesheidelberg theatre company, htc, all my sons by arthur miller, chris mclean, 2017

Produced and acted by members of the Heidelberg Theatre Company and all supporting areas including set design, set building, lighting and sound design and operation, costumes, front of house, ticket sales, publicity and administration were undertaken by members of the Heidelberg Theatre Company.Program Photos Review Newsletter Poster Articles2017, blood brothers by willy russell, director bruce akers, director, heidelberg theatre company, htc

Produced and acted by members of the Heidelberg Theatre Company and all supporting areas including set design, set building, lighting and sound design and operation, costumes, front of house, ticket sales, publicity and administration were undertaken by members of the Heidelberg Theatre Company. Program Photos Review Newsletter Poster Articlesheidelberg theatre company, htc, director, the club, gavin williams, david williamson, 2017, 420

Produced and acted by members of the Heidelberg Theatre Company and all supporting areas including set design, set building, lighting and sound design and operation, costumes, front of house, ticket sales, publicity and administration were undertaken by members of the Heidelberg Theatre Company.All items in good conditionthe patrick pearse motel, heidelberg theatre company, director, peter spackman, playwright hugh leonard, 2001, 317

Produced and acted by members of the Heidelberg Theatre Company and all supporting areas including set design, set building, lighting and sound design and operation, costumes, front of house, ticket sales, publicity and administration were undertaken by members of the Heidelberg Theatre Company.Artistic aesthetic social significance for the members, subscribers and audience of the Heidelberg Theatre CompanyAll items in good conditionheidelberg theatre company, kindertransport, htc, director, joan moriarty, playwright diane samuels

Produced and acted by members of the Heidelberg Theatre Company and all supporting areas including set design, set building, lighting and sound design and operation, costumes, front of house, ticket sales, publicity and administration were undertaken by members of the Heidelberg Theatre Company.All items in good conditiondirector, bruce akers, sylvia, playwright a.r. gurney, heidelberg theatre company, htc

Produced and acted by members of the Heidelberg Theatre Company and all supporting areas including set design, set building, lighting and sound design and operation, costumes, front of house, ticket sales, publicity and administration were undertaken by members of the Heidelberg Theatre Company.All items in good conditionheidelberg theatre company, htc, the mystery of edwin drood, directors morgan thomas-connor & julian adams, playwright rupert holmes

Produced and acted by members of the Heidelberg Theatre Company and all supporting areas including set design, set building, lighting and sound design and operation, costumes, front of house, ticket sales, publicity and administration were undertaken by members of the Heidelberg Theatre CompanyAll items in good condition1953, 7, geoffrey dean, heidelberg theatre company

Produced and acted by members of the Heidelberg Theatre Company and all supporting areas including set design, set building, light and sound design and operation, costumes, front of house, ticket sales, publicity and administration were undertaken by members of the The Heidelberg Theatre Company.All items in good conditionhtc, noises off, director chris mclean, 346, heidelberg theatre company inc, 2005

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the nineteenth and twentieth centuries.These were produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. The McIntyre Collection forms one of the largest single donations to our Fashion & Design collection. It includes clothing worn by women in the Cohen and McIntyre families. The collection is significant historically and aesthetically, demonstrating changing tastes in fashion over an 80-year period. It includes the work of a large number of Melbourne designers from the 1950s to the 1980s. Dark green coloured taffeta and organza short evening culottes with separate black velvet evening jacket. The outfit, confidently dated to 1985, is from one of the earliest ready-to-wear collections by Martin Grant, who began his career in Melbourne at the age of 16.A note by Dione McIntyre, describing the outfit, of which this item is a part reads: "Martin Grant outfit, including black satin and velvet shoes. Martin Grant was originally from Melbourne, now internationally and renowned and designing and living in Paris. The outfit was worn by Annie McIntyre on her 21st birthday, 1985"martin grant, women's clothing, australian fashion -- 1980s

Cream coloured folded card. On the front : Royal Historical Society of Victoria Bendigo Branch - Dean Backhaus Centenery Celebrations German Masked Costume Ball. At the centre a drawing of a wooden chair and underneath the words ''Chair used by Dean Backhaus hwen from a tree stump'' Programme, City Hall, Bendigo Saturday, 4th September, 1982. On the inside the programme with listing 16 songs.entertainment, dance, rhsv bendigo victorian ball

Coloured slide transparency. Image is of a female dressed in costume. She is wearing a short dress of shiny material over a white long sleeved blouse, a conical hat and white knee high boots. She is posed standing with one arm straight and the other bent upwards. On the lower white border of the slide the words Fancy Dress Party Narina Lindrea have been handwritten.Kodachrome Transparencyslide, bendigo, bendigo institute of technology

Coloured slide transparency. Image is of a male dressed in costume. He is wearing baggy white printed pants with white long sleeved top, a face mask and metal bra. Various chains are around his neck and waist. He is posed standing with one foot on a stool. On the lower white border of the slide the words Fancy Dress Party Marc de Glas have been handwritten.Kodachrome Transparencyslide, bendigo, bendigo institute of technology

Jantzen is a brand of swimwear that was established in 1916 and first appeared in the city of Portland, Oregon, United States. The brand name later replaced the name of the parent company that manufactured the branded products. The brand featured a logo image of a young woman, dressed in a red one-piece swimsuit and bathing hat, assuming a diving posture with outstretched arms and an arched back. Known as the Jantzen "Diving Girl", the image in various forms became famous throughout the world during the early twentieth century. (Wikipedia). .Black men's woollen swimming trunks made by Jantzen. Inside label - "Jantzen" (red print), "Made in Australia" (faint green print). The trunks have a bone coloured cotton belt threaded through tabs at the waist. A silver coloured buckle has "Rustless" imprinted. Late 1940s. On the front at lower right is the Jantzen symbol of a costumed female swimmer in a diving position with arms outstretched.swimming trunks, jantzen, diving girl

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of members of the cast of the "Q" Theatre Guild in their 1959 production of Michael Balfe's The Bohemian Girl. Beatrice Oakley was the producer and John Trotter the musical director. The costumes were designed and made by Marion Tilley while the scenery was designed by Claude Ward and Lachlan Stebbins. An annotation, in the corresponding programme, records that Joan Carden (later a star of the Australian Opera) performed in the Ladies of the Chorus.Marion Tilley, the creator of the scrapbook, wrote the following names underneath the photograph: "Fred C., Esme M., Val Breen, Jeanette R., Alan Wilson, B. Meagher, Irene T., Gwen Bolden".performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, theatre programmes, musical comedy -- melbourne -- victoria

The Surrey Dive was formed on the site of a quarry from which clay had been extracted for brick-making. From 1905 Council was petitioned by the newly-formed Surrey Park Swimming Club to develop the site. Improvements including bathing sheds, spring boards and a 10-lane course but it remained a challenging site for inexperienced swimmers because of the sheer cliffs and the drop of 30m. The dive was the site of many swimming carnivals and attracted large spectator crowds. Frank Beaurepaire competed in the first carnival held in 1907 and won the one-mile race in record time. The dive was closed following the drought of 1967-1968 and redeveloped as an ornamental lake.The Surrey Dive was the first Olympic standard pool in Australia. Black and white photo of the Surrey Dive taken in January 1931, probably during a swimming carnival. The dive is in the foreground with 2 buildings on the LHS. One is brick with a chimney and at the water's edge; the other is of timber construction and is on the far LHS on the bank above the water. There is a large group of people in bathing costumes and a crowd which extends up the bank towards the right. There are mature conifer trees in the background. surrey dive, swimming, sports and recreations, ron falconer

The Reverend Horner was vicar at St Paul's Church, Linton, between 1922 and 1926.Sepia postcard photograph of a woman wearing two-piece mid-calf-length costume and hat. Dress has large lace collar and belt at waist. Woman is standing with right arm around handbag, left arm by her side, next to a taller man wearing long overcoat, clerical collar and hat standing with left hand in coat pocket, right arm by his side."Rev. and Mrs Horner Vicar of St Pauls Linton June 1922 - October 1926". st paul's church of england linton, rev. albert george horner, mrs horner

The carte de visite features a photograph of Charles Sherwood Stratton (professionally known as General Tom Thumb) and his wife, Lavinia Warren Stratton. The image was taken in Paris, France in 1864. Charles Sherwood Stratton and Lavinia Warren Stratton were American performers who traveled with the Barnum & Bailey Circus, founded by Phineas Taylor (P. T.) Barnum in 1871. They each participated in various acts including singing, dancing, miming, and celebrity impersonations. Both Charles and Lavinia gained international fame for their successful careers and small physical stature. The duo performed in Australia in August 1870. They were joined by their touring party as part of the Barnum & Bailey Circus "Round the World" tour. The "Australian Tom Thumb", real name John David Armstrong, made his "audaciously competitive" stage debut alongside the popular Stratton couple when the circus performed at the Prahran Popular Entertainments in Melbourne. Charles, Lavinia, P. T. Barnum and the circus inspired the musical drama film, "The Greatest Showman" (2017).The carte de visite is historically significant due to Charles Sherwood Stratton's status as an internationally renowned performer. In a general sense, it also provides insight into the arts in Victoria during the late nineteenth century, illustrating the type of entertainment that was enjoyed by the public during this time. The record's historical significance is further enhanced by its medium as a "carte de visite"; a specific photographic method popularised in the nineteenth century. The record has a valid interpretive capacity for those interested in history and museum studies. It develops our understanding of the sensationalised "human curiosities" exhibition genre that was championed by the West during the late nineteenth and early twentieth centuries. Considering the record's historic context, it is a useful resource for discussing the ethics of representing live human beings for entertainment in a public exhibition context.Sepia rectangular photograph printed on matte photographic paper mounted on card.Obverse: General Tom Thumb and Wife, / in the identical costumes worn before Emperor Louis / Napoleon and the Empress Eugenie, at the Palace of / the Tuilleries, Nov. 29, 1864 / Reverse: 3707 / Compliments of / Charles SStratton. / Lavinia Warren Stratton. / Published by / E. & H. T. Anthony & Co. / CA / 591 Broadway New York. / MANUFACTURERS / of the best / PHOTOGRAPHIC ALBUMS / A02539 /entertainment, entertainment album, circus, general tom thumb, australian tom thumb, charles stratton, lavinia stratton, performance, arts, carnival, p. t. barnum, melbourne, prahran, john david armstrong, film

Galen Catholic College has usually put on at least one theatrical production every year and in 2005, The much loved Wizard Of Oz was produced. These photos show the performers rehearsing their parts, having their make up applied, during the production itself and afterwards in full costume.galen catholic college, galen college, wizard of oz, school theatrical productions, 2005, students

Diving Tower Valentine Series Card No. 1815. Post card is a view of the diving platform with the change rooms at the lake. On the verandah of the change room are people in swimming costumes and one person about to dive into the lake. There is also an enlarged photo of the post card. c 1930-1940.Valentine Series Post Card No 1815 of the Diving Tower and Change rooms at Lake c 1930 - 1940. The post card is black & white with trees along the lake and behind the change room. Valentine Series No. 1815 THE SWIMMING POOL, STAWELL on the back Published by the Valentine Publishing Co. Pty. Ltd., Queen St., Melb.stawell

Kindergarten students in the classroom, Shakespeare Grove, 1960s. Students dressed in costume, possibly for Purim celebrations. Students: unknown, Roger Behrend, 3 unknown students, Nathan Erlich. May possible include: Mark Newhouse Please contact [email protected] to request access to this record.purim, elc, early learning centre, judaism

This display at the 1992 Wildflower Show in the Halls Gap Hall replicated the D'Alton home "Glenbower". The seated mannequin represents Henrietta D'Alton (artist) and the standing mannequin represents Ellen D'Alton. For further information about "Glenbower" and the Misses D'Alton see "Victoria's Wonderland", pp 79 & 123. ** copy is actually a second original from a slightly different angle.The photo shows a stage display - a house can be seen on the right - set up to replicate "Glenbower". Two mannequins dressed in period costume are in front of the house, one standing and one seated at a table. A flower garden has been created around the scene and a mural showing rocky peaks can be seen in the background. The front of a stage with another display and two grey chairs can be seen in the foreground."92 6 11" imprinted into bottom, right corner of photo.events, wildflower show

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia..1) Black and white photograph of three men in bathing costumes standing with arms crossed on a diving board. In the background are changing rooms, a grassy bank and trees. The place is Calembeen Park at Creswick and the men are Jack Zilles, Jack Cartasso and Frank Wright. .2) Black and white photo taken at Creswick, The men on the diving board are Ron Hammond, Norman Jebart, Harley Chapman, Jack Cartasso and Frank Wright..1) Written in pencil on back - Jack Zilles, Jack Cartasso, Frank Wright, Creswick, Feb 3rd 1930 .2) Written on the back in pencil - Ron Hammond, Norman Jebart, Harley Chapman, Jack Cartasso, Frank Wright. Creswick Feb 3rd 1930bathing costumes, swimming, changing sheds, creswick, frank wright, calembeen park, jack zilles, jack cartasso, ron hammond, norman jebart

Sepia image mounted on board. Image shows three men, two on either wide are standing alongside a bike and are dressed in fancy dress costume. Man in centre is wearing black trousers, white waistcoat, white shirt and tie. Two bikes in background leaning on wall of building. Extreme RH side head/shoulders of man wearing hat, leaning on wall of building alongside small paned window.person, group, fancy dress, bendigo, bicycle, bike riding, fancy dress, costume

Seven assorted postcards with various themes, (a) ' Good Luck ' card with the faces of various actresses depicted., (b) Ruins of Bolton Abbey., © Sunset over an island with fishing boats in the foreground., (d) ' Morning Mists' , a ,lady walking thorough a gate out of a field of cattle., (e) Christmas theme., (f) young lady in costume., (g) Embossed, Cartoon, young child and a dog sitting under an umbrellapostcard, various themes, good luck, bolton abbey, a coppola, morning mists, rotary photo, toddler with dog

Kodak photographic postcard. Black and white with some green colourisation that has deteriorated. Photograph depicts young ladies, one dressed in Dutch costume sitting on a box on wheels. The second young lady is standing behind holding rope reins and is dressed in fancy dress polka dot patched overalls, blouse and hat. They are both smiling. The rear contains the words Post Card at the top and is otherwise blank.Kodakpostcard

Coloured slide transparency. Image is of a male dressed in costume. He is wearing a long white tiered skirt, with a grey and white coat over a red and white top. A white cummerbund is fastened around his waist and a white headdress is on his head. He is posed standing against a wall. On the lower white border of the slide the words Fancy Dress Party Brian Taylor have been handwritten.Kodachrome Transparencyslide, bendigo, bendigo institute of technology

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of Val Breen and members of the cast of the "Q" Theatre Guild production of Michael Balfe's The Bohemian Girl in 1959. Beatrice Oakley was the producer and John Trotter the musical director. The costumes were designed and made by Marion Tilley while the scenery was designed by Claude Ward and Lachlan Stebbins. An annotation, in the corresponding programme, records that Joan Carden (later a star of the Australian Opera) performed in the Ladies of the Chorus.Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Val Breen in my wedding dress".performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew light opera company, kew recreation hall, musical comedy -- melbourne -- victoria