This capelet belonged to Ellen Grace Snowball, nee Anketell, (1866-1945), who lived with husband Oswald Robinson Snowball (1859-1928) at 'Wolsingham', 11 Boxshall Street, Brighton. Oswald Snowball was a solicitor and politician who was active in the Freemasons and the Orange Order. Active in Protestant moral crusades during the 1990s, he was a vocal opponent of liquor and gambling and advocated Bible reading in public schools. In 1909 he succeeded Sir Thomas Bent as Brighton's representative in the Victorian Legislative Assembly, a seat he held for close to twenty years until his death in 1928. During his last year of life, despite serious illness, he served as Speaker of the Legislative Assembly under the Hogan government.White ostrich feather capelet. Feathers sewn onto crescent-shaped cream cotton fabric, with an elaborate silk tassel at either end.ellen grace snowball, ellen grace anketell, oswald snowball, capelet, ostrich feather, 1920s

This item is part of the Dodgson Collection, which was bequeathed to Queen's College in 1892 by the Rev. James Dodgson. The collection was created by Aquila Dodgson, brother of James. Aquila Dodgson was a friend of the English Egyptologist Flinders Petrie, and it was through this friendship the Aquila was able to acquire ancient Egyptian artefacts. A detailed study of the collection was made by Christine Elias "Discovering Egypt: Egyptian Antiquities at the University of Melbourne", M.A. thesis 2010.Coarse, gritty fabric almost sandy. Plastered surface has a dark brown paint with a star like pattern in yellow over the top. Small paper label inscribed with 'B9' attached to back of largest fragment. wall plaster, james dodgson, aquila dodgson, flinders petrie

Used to signal ships from lightstation. White flags are semaphore flags used for signalling alphabet letters. Salvaged from junk pile and mounted on wooden block. The identical, white hand held flags, which were used as a pair, are each stapled to a dowel. Information on both items indicates they were made by a well known flag, pennant and banner makers, Evan and Evans who were then located at 680 Elizabeth Street, Melbourne and are now in Spencer Street West Melbourne. Founded in 1877, the firm was a co designer of the Australian Flag in 1901. The flags are likely to date from c.1960 - 70 and are currently displayed in the former Keepers' quarters/ weather room mounted on a wooden block. Similar pairs of semaphore flags are held in Wilsons Promontory and Cape Nelson collections. The flags have second level contributory significance for their provenance to the lightstation and flag makers Evan & Evans. Thet have historic value for increasing our understanding of the semaphore signalling system formally used at the lightstation.Two identical white fabric flags stapled to a wooden dowel and secured to a wooden base on an angle.They have blue writing, on tags, on the flags.On tags on both flags, "EVAN & EVANS FLAGS P/L / FLAGMAKERS / 680 ELIZABETH ST / MELB. 3000 3475755"

This lace was possibly made in Italy and collected by Nan Warner while on a European trip and later given to Elizabeth Ligeti, a fellow member of a local Lace Group.Cream Venetian needle lace insert made of cotton with a motif of a boy or king in a church window. The lace is inserted cream cotton fabric. venetian needle lace, church window motif

Seat fabric sample green vinyl as used in W class trams with a light green background. Three samples held, varying sizes."W4" in black pen on the rear.trams, tramways, w class, public transport, equipment, seats, fabric

Part of the Cooper Collection.Two sets of rank insignia consisting of three gold coloured chevrons below a gold coloured Queen's Crown. Background is black fabric.cooper collection, rank insignia, staff sergeant

Female librarians at the Kew Municipal Library in the City of Kew (Vic) were in the past required to wear standard royal blue uniforms. This uniform, the earlier of two in the collection was manufactured by Neat & Trim Career Wear.Uniform that reflects the values of the period in the attempt to professionalize and homogenise the status of women workers.Royal blue Kew Library uniform, manufactured by Neat & Trim Career Wear. The fabric is 65% polyester and 45% viscose. It is buttoned at the front. uniforms - public libraries - kew (vic), women's clothing - uniforms, kew municipal library

1. Jacket - Khaki colour wool serge fabric, battle dress style, belted at the waist with metal buckle. Green colour plastic buttons. Collar, shoulder epaulettes, two front pockets with button down flap. Shoulder sleeve insignia, navy blue colour with gold embroidered lettering "ROYAL AUSTRALIAN ELECTRICAL AND MECHANICAL ENGINEERS". Rank Insignia - lower sleeve - Warrant Officer, Class 1. Manufacturers white cotton fabric label, inside left pocket. 2. Trousers - Khaki colour wool serge fabric. green plastic button, metal zipper fly, Fob pocket, two side pockets, one back pocket with button down flap. Manufacturers white cotton fabric label, back inside waistband.1. & 2. Manufacturers information - black ink print "BERENSEN PTY LTD/VICTORIA 1961/62/ NAME/ SERVICE NO./ DRY CLEAN ONLY/ PRESS IN ORIGINAL/ CREASE LINE/ USE DAMP CLOTH OR/ STEAM IRON/ MEDIUM TO HOT RANGE/ CREASE SET BY SIRO SET. Black ink stamp "DM FIELD/ WO2/ 313679".uniform, army, battle dress

Uniform issued to "W.O.1 D.M. Field" 313679 - Regimental Sergeant Major.1. Jacket - Khaki colour wool/polyester fabric. Service dress style old plastic buttons, Collar, shoulder epaulettes, four front pockets, top with buttons and two metal press studs on flap, lower button down flap. Sleeve insignia Australian Coat of Arms embroidered on patch, gold, green, blue, red, black and white for W.O.1. Buttons have raised emblem, globe, horse and crown R.A.E.M.E. Green polyester fabric lining with manufacturers label on inside left. 2. Trousers, Khaki colour wool/polyester fabric, service dress style, With fob pocket, two side pockets and one back pocket. Green polyester fabric waist and pocket lining with manufacturers white cotton label inside on back pocket.Manufacturers information on labels - black ink print. 1. "CARBONE APPAREL/ VICTORIA/ 6/ DRY CLEAN ONLY/ RE-PRESS USING IRON AND/ DAMP CLOTH OR MEDIUM/ TO HOT STEAM IRON/ CREASE UPPER HALF OF/ LAPEL ONLY./ SERVICE NO/ NAME" Handwritten blue ink pen "2332/ FIELD" . 2. Print and information on label - illegible.uniform, army, service dress, wo1 d.m. field

For Service History Refer Cat No. 7877.61. Jacket - white colour polyester viscose fabric, mess dress style - Summer. Collar and long lapels. Shoulder tapes for epaulettes. Gold colour plastic buttons with shank and metal pin. Raised emlem, crown and wings - RAAF. Lining - white colour polyester fabric. White cotton manufacturers label inside right side of jacket. 2. Shirt - white colour polyester/cotton fabric, dress shirt, collar, stiff front with buttonholes for studs and long sleeves with double cuff and buttonholes for cufflinks. White colour plastic buttons. White colour polyester manufacturers label, below collar inside. 3. Bowtie - black colour polyester/cotton fabric. Bowtie is prefolded and stitches on ribbon with black metal hook and ring closer.Manufacturers information - black ink print. 1. "ADI/ VICTORIA/ 1993^/ 8405-66-131. 8010/ SIZE 110R/ TO FIT CHEST 110/ SERVICE NO/ NAME/ 65% Poly 35% Visc/ Dry Clean Only". 2. "RA/ PHILIPPE ANTON/ MADE IN AUSTRALIA/ 44".uniform, raaf, mess dress, summer

Cream coloured knee length dress of crimplene fabric. Fabric has all over pattern of horizontal rows of looped knot pattern. Fabric also has silver thread woven into fabric. Dress has a high round neckline both front and back. Dress is A line, with front having side darts at bust line and two 30cm darts – vertical on either side of centre front from bust line to hip line. At lower end of each dart is a false pocket flap (11cm x 5cm). Back opening from centre neckline has 54cm nylon zipper with hook and loop at neckline. Back has two vertical darts on either side of centre back. Dress has short set-in cap sleeves. Part of ensemble with 11400.521.Top inside back below neckline: Fashioned by Gina of Melbourne Registered TMS Crimplene. Made from terylene polyester fibre. Wash by hand or machine in warm water. Rinse thoroughly. Gently squeeze out surplus water. Drip dry.costume, female daywear, dress

Cotton off white men's waistcoat with six 1.6cm white plastic buttons. High collarless V neckline. Cotton fabric has checked pattern with small red crosses on corners of checks. Fully lined with cream coloured cotton fabric. Three flat pockets on front each with 2 cm band across top edge. One breast pocket on LHS. Two pockets above waist fob watch button hole at front, 12 cm above hem. Pockets lined with cream coloured cotton fabric. Back of vest made of plain cream coloured cotton fabric. Half belt at back (tapering from 4.5cm at back to 2.5cm at centre) fastened with gold coloured metal buckle with two prongs. Buckle attached with button down flap.Imprinted on buckle ''PARIS'' ''SOLIDE''costume, male, men's white cotton waistcoat

Long sleeved full length dress of black synthetic silk fabric. Fabric has silken feel with a smooth satin like backing. Front has U shaped neckline with panel of cream silk lace extending from shoulder to below neckline(28cm). Back neckline faced with lace fabric. Front and back have a narrow central panel(16cm) of fabric extending from shoulders to hemline. The panels are extended at the waistline to join the front and back with loose tabs.The centre panel on the front bodice is edged with a finely pleated frill of synthetic fabric. The centre panels at front and back are also edged with finely pleated frills, from 42cms above hemline to the hem. The bodice is completed with side panels attached to the centre panel The skirt is completed with side panels attached to the centre panels. Set in sleeves have a squared extension that extends to the elbow. From the elbow the sleeves taper to narrow fitting at the wrist. The upper seam of the sleeves from the elbow to the wrist are edged with a finely pleated frill of synthetic fabric. The upper seam of each sleeve from elbow to wrist have fifteen decorative back and gold buttons stitched along the lower edge of the frill. Dress is unlinedcostume, female, black synthetic silk dress

This Edwardian-era mourning outfit was worn by a wealthy woman from the rural area of Willaura, southeast of the Grampians. It was inherited by the donor from his mother, who had purchased it from a clearing sale in the 1960s. The jacket has a peplum or flounce below the waistline, a fashion that was seen in the 1860s and is still around in the 1900s. The outfit represents the female mourning fashion and wardrobe from the late 19th to early 20th centuries. Such garments were a necessary inclusion as death often occurred to the young, due to illness, accidents and hard work - it was a regular part of life in rural Victoria. Mourning outfits were part of a person’s wardrobe and often passed from one generation to the next. This particular outfit appears to have been adjusted at some stage to allow for a wider waistline. The original skirt may have been replaced by the one that is now part of this outfit; the skirt is all machine-sewn, unlike the jacket and petticoat. The fabric of the skirt may be silk or it could be a synthetic fibre such as artificial silk or rayon; both were available in the 1800s,but nylon wasn’t invented until the 1930s. This skirt has sunray pleating, which was advertised on skirts for sale in the 1890s, and 1909, and was part of a fashionable bridal gown train in the 1930s. The mourning of death was part of both family and community life, particularly in rural and remote areas. People were bonded through work, religion, disasters, tragedy and social activities, supporting one another. They came together from near and far on such an occasion, giving each other the care that was needed and showing respect for the member who had passed away.This three-piece silk Edwardian mourning outfit is significant historically for its connection with rural Victoria and the social and religious customs surrounding the death of a family or community member. The high-quality outfit is also significant for representing the financial management of the times, being tailored by a dressmaker for a person of means and then adjusted to fit at least one different-sized person. Ladies’ Edwardian mourning outfit; three-piece tailored suit comprising of a black silk long sleeve, short-waist fitted and lined Jacket, a long sunray pleated skirt and long, lined petticoat. Items have been machine-sown and hand-sewn by a dressmaker. The skirt has handmade buttons of the same fabric.Handwritten in ballpoint pen “Jenny” and “Mrs Sheila Handscombe, Wallaura, Jenny”flagstaff hill maritime museum and village, warrnambool, shipwreck coast, edwardian era, tailor-made, dressmaker, mourning outfit, handmade garment, mourning dress, death mourning, sunray pleats, western district victoria

Items in the collection of SQD LEADER "SHANE WRIGHT". Enlisted RAAF 1982 Regiment number 0323963/ 8194842. Became radio technician on Electrical systems on Orion and F111. 1990 became Electrical Systems Specialist promoted to Sgt. 1996 Commissioned as an Officer. Postings: HQ Logistic Command. Aerospace Equipment Systems. OTS as Specialist Military Training Flight Command. 2005 Promoted Sqn Leader. Posted Executive Officer RAAF Williamtown. 2018 Discharged from RAAF.1. 2. 3. Service dress style, dark blue colour wool/polyester fabric. 1. Jacket - collar, four front patch pockets with button down flap. Buttons - gold colour plastic with shank and raised emblem - crown and wings - RAAF. On right pocket, metal RAAF Badge, above metal name badge. Above left pocket - service ribbons. Blue and yellow ribbon - long service with three rosettes, black, red, white ribbon - Defence medal. Sleeves - three rank stripes, black and blue ribbon. Lining - dark blue polyester fabric with concealed pocket. White colour cotton/polyester fabric. Manufacturers label inside left side. 2. Belt - fabric with gold colour plastic buckle with dark blue plastic buttons and strap belt keepers. 3. Trousers - waist band with belt loops, fob pocket, two side pocket and one inset back pocket. Nylon and metal zipper fly and metal closer. Lining - dark blue polyester fabric to waistband and pockets. White colour cotton/polyester fabric. Manufacturers label on back pocket lining.. 4. Shirt - light blue cotton/polyester fabric. Long sleeves, collar, shoulder epaulettes with fabric rank slides - 3 stripes, black and blue ribbon - Sqdn Leader. Top left sleeve - dark blue and white oval shoulder patch, embroidered - wings and "AIR FORCE". Clear plastic buttons. Manufacturers label - illegible. 5. Tie - dark blue colour necktie. polyester/wool. 6. Cap - peaked, Service dress Officer, dark blue colour fabric with black cloth band around exterior of cap. Black colour patent leather chinstrap secured by two gold RAAF buttons around the front half of the brim. RAAF badge on front, Queens Crown with red insert over gold coloured wings over laurel leaves. Interior - black sateen fabric with clear plastic lining. Brown leather look sweatband, White cotton manufacturers label.Manufacturers information - black ink print. 1. "A73/ADA/VICTORIA 2003/ NSN:/ NAME: / SERVICE NO:/ 70% WOOL, 30% POLYESTER/ LAUNDRY INSTRUCTIONS/ DRY CLEAN ONLY/ PRESS ON ORIGINAL CREASES/ USE DAMP CLOTH OR MEDIUM/ TO HOT STEAM IRON/ MADE IN AUSTRALIA" 3. "A72/ADA/ VICTORIA 2003/ NSN:/ NAME: SERVICE NO:/ 70% WOOL 30% POLYESTER/ DRY CLEAN ONLY/ MADE IN AUSTRALIA" 1. 3. Handwritten blue/black ink "S. WRIGHT/ 40594" 5. Black label white embroidered print "NOONE/ IMAGE WEAR/ MADE IN / AUSTRALIA/ 2002" 6. "MOUNT CASTLE PTY LTD/ BRISBANE 1999/ SIZE 59^". Handwritten black ink "S. WRIGHT"uniforms, raaf, service dress, shane wright

The daybed cover here is same fabric as some of the cushions (items F088-F092 and F099-F103) located on the Penleigh's bed.Mustard and white stripe cotton made to fit single bed (item F086), with calico lining. Has a curved edge.walsh st furnishings, robin boyd

1. & 2. Shorts, black coloured nylon fabric with black colour polyester cotton lining, inside fob pocket, elastic and draw cord waistband. Yellow, red and black embroidered "Rising Sun Badge" with lettering "THE AUSTRALIAN ARMY" on lower left leg. White colour cotton/polyester fabric manufacturers label - inside back waistband.Manufacturers information on label - black ink print. 1. & 2. "afw/afw pty ltd/ Size: XX Large/Nylon outer/ Polyester Cotton Lining/ CC? CVC/ NSN; 8415-66-139-3924/ Apr. 2016/ Made in China/ Care Instructions/ Nylon Outer/Polyester Cotton Lining/ Warm hand wash/ Do Not Bleach/ Warm Rinse/ Drip Dry in Shade/ Warm Iron".uniform, army, physical training shorts

Worn by Swinfield in IraqGloves, Flyers, Summer. Dark green fabric upper stiched with grey leather on the usage side (palm side) from finger tips to wrist area. White printed identification label located on the fabric wrist area of the left glove. 4mm elastic stiched for 3.5cm length on the inside of the glove located at the lower wrist area below the thumb. Left glove: Size marking 11. Gloves, Flyers, Summer. Type GS,EBN-237. MIL-G-81188B. TRANSLERO.INC. CAGE 27547. NSN 8415-01-029-0116. The cloth portion of this glove is fabricated from an intermediate fire resistant material (MCMEN) that does not melt or drip. Can be laundered without losing its fire resistant protection and no retreatment is necessary.iraq, gloves

Gold lame fabric evening bag - triangular shape. Copper coloured metal frame with decorative filigree two piece ball clasp. Body of bag gathered onto yoke section below clasp. Base of bag with ruching. Lined with dark green taffeta fabric with woven floral pattern. Gold chain attached at either side of opening frame.costume accessories, female, gold lame evening bag

The “Northrop” is an American copy of the “Zogling” which was designed in Germany in the 1920s as a training glider. Apparently, the Northrop primary glider takes its name from a Marvin Northrop of Minneapolis who imported a Zogling from Germany and from that glider had plans drawn and published in a magazine called Modern Mechanics in 1930. The Australia Gliding Museum’s Northrop was built over the period of 1970 to 1974. The project was conceived by a pioneer of Australian gliding, Ken Davies, about 1969, as a hobby project and to experience afresh gliding flight of the early years. By that time, few primary gliders, which performed a fundamental role for gliding clubs in the 1930s and 1940s, remained in Australia. Ken began construction and was helped to finish the project by two old time Gliding Club of Victoria members, Dave Darbyshire and Rudi Feil. The glider was test flown on 8 March 1975 at Benalla. The glider was stored at the Gliding Club of Victoria and flown on special occasions in the 1980s. Later it was damaged at the 1996 vintage glider rally at Ararat as a result of a heavy landing. Storage was then provided for the glider by the Victorian Motorless Flight Group at Bacchus Marsh until it was returned to Dave Darbyshire for restoration in 1998. Fully restored, the glider was donated by Iris Davies and Dave Darbyshire to the Australian Gliding Museum in April 2001. This exhibit is the type of machine that formed the basis of the sport of gliding from 1929 to about 1945. The glider consists of an open (uncovered) wooden framed fuselage (painted blue) with a brown vinyl covered seat, fabric covered wooden framed wings of constant chord (painted silver) with provision for attachment of semi-circular cane wing skids, and fabric covered wooden framed tailplane, elevators and rudder (painted silver). When assembled the airframe is wire braced.australian gliding, glider, northrop, zogling, davies, darbyshire, feil, gliding club of victoria, victorian motorless flight group

Clothing. Women's white sleeveless linen nightgown. Below knee length cut from two straight pieces of fabric gathered into casing across the top. Two rectangular pieces of fabric attached to the casing to form shoulders. Arm holes edged with 1.5 cm broderie lace. Square neckline edged with .5 cm lace scalloped edge.costume, female, women's white sleeveless linen nightgown

Clothing. Woman's black light weight wool crepe coat. Sweetheart neckline with appliquéd piping flowers on either side. Front opening fastened at waist with four X 1.5 cm fabric covered buttons and fabric loops. Long straight sleeves with appliqué piping flowers at wrist. A-shaped coat widens to hem. Unlined. Padded shoulders.costume, female, woman's black light weight coat

Textiles, pink cotton fabric handkerchief bag. Front has an overlay of cream coloured tapestry fabric embroidered with cross stitch and lines of pattern. Bag has a 4 cm cream coloured frilled lace edge on all sides. One side is hemmed and open. Decorative 2 cm pink ribbon bow in one corner. Hand made.textiles, domestic, pink handkerchief bag

A silk scarf souvenir from Egypt. It was embroidered with military symbols and a personal message from someone called William to Nellie. The connection with Legacy is not known. The founders of Legacy were all returned servicemen who returned from overseas service in World War One so would be familiar with similar sentimental souvenirs that were purchased in Egypt and sent home to loved ones.Founding Legatees would have been familiar with Egyptian souvenirs from World War 1.Purple and yellow fabric scarf with machine embroidered text, decorative flag and floral motifs and decorative brocade edging. Scarf is made from two panels of fabric (possibly silk) machine stitched together with '14th Inf. Batt / Souvenir / of Egypt / 1916 / From William to Nellie with best love' on front face. Similar items see 00182, 00179.Embroidered '14th Inf. Batt/ Souvenir of Egypt 1916. From William to Nellie with best love'.souvenir scarf, 14th infantry battalion, egypt, world war one

BHS CollectionKnee length fur fabric coat, lined with soft black satin-like fabric. Long sleeves, revere collar and five black button fastening at front, five machine stitched button holes. Shoulder pads give a broad shouldered profile. One button at top is high under the collar, allowing the coat to button up to the throat.costume, female, black fur fabric coat

This dress belonged to Nola Jennings, a long-time Brighton resident. Nola purchased and wore this in the 1960s; she recalls that navy and fluorescent yellow were a popular colour combination at the time.Sleeveless navy blue crepe dress. Scoop neck and high waist. Bodice features three self-covered fluorescent yellow buttons and fluorescent yellow bow. Two fluoresecent yellow stripes around hem. Zip at back. Label, cream with green text: "STYLED BY / Zal Miller / OF MELBOURNE" Two smaller labels attached underneath: "crepe / Finesse / an Alcorso fabric / 100% TRIACETATE / washable" and "XSSW".nola jennings, zal miller, 1960s, melbourne designers, flinders lane

Pte L FORBES sent fabric home to his sister. There are four L Forbes on the nominal roll, unknown which one.Orange silk, rectangular scarf/cloth. Embroidered in 2 diagonally opposite corners with motif incorporating crescent moon, star, globe and part wreath of leaves in blue, purple & white. Fringed in lattice and tassel design 12 cm deep.manchester, nappery, costume, female, handcraft - embroidery