Yellow laminated card with three photos. The first are Laura Gromley, Rodney Green, Jamie Penrose and Brett Thompson at their desks. The second a picture of Lance Bennett with a dog and the third is Colin Chan and Sarah Todd splashing at the pool.education, primary, golden square laurel st p.s., golden square primary school 1189 collection - newspaper cuttings, laura gromley, rodney green, jamie penrose, brett thompson, lance bennett, colin chan, sarah todd

Bendigo Sub-Branch R.S.S.A.I.L.A. Annual Victory Ball, Town Hall, Bendigo. Held on August 12th, 1947. Cream bifold card with gold printing and shaped edges. Inside is the Dance Program for 28 dances. On the back is the list of debutantes, Chaperone and Flower Girls. Debutantes are: Dorothy Herbert, Norma Knopp, Daphne Green, Eileen Simpson, Elvie Walker, Eileen Clarke, Olive Tope, Inez Somerville, Doris Purtell, Patricia Young, Judith Waters and Joy Taylor. Chaperone was Mrs. W. Evely and the Flower Girls were Wendy Brock and Evelyn Harris.event, social, victory ball, r.s.l. bendigo collection - souvenir programme annual ball 1947, dorothy herbert, norma knopp, daphne green, eileen simpson, elvie walker, eileen clarke, olive tope, inez somerville, doris purtell, patrica young, judith waters, joy taylor

Record of the monthly reports from April 1965 to July 1971, signed by the Depot Foreman S Lakey, D Irwin or acting F. Minns. Lists the number of brake blocks replaced and summarises the principal work done on the tramcars and special jobs eg replacing the destination rolls. image i2 - April 1965 to December 1966 image i3 - Jan. 1967 to December 1968 - including an entry dated 10-9-1968 with a list of depot staff, addresses and phone numbers, 17 in all. image i4 - Jan. 1969 to December 1970 image i5 - Jan 1971 to July 1971Yields information about the Ballarat Workshop activities, tramcars maintained and events on a monthly basis.Memo reporting book, with sheets headed "Departmental State Electricity Commission of Victoria" - ruled, carbon copy with heavy card covers with green tape binding. Form SF-466-12-0254. A sheet of carbon paper remains in the book as if for the next entry.ballarat, tramcars, workshop records, workshops, maintenance

The photograph shows a former Hawthorn Tramways Trust tram (HTT) four doors, eastbound at the corner of Sturt and Doveton Streets with the Harry Davies store in the background. Item has been torn/cut from a Christmas message. The colour rendition of the tram is brown rather than green.Demonstrates the printing of an image for use on a Christmas card.Printed photograph on a pre-printed Christmas sheet oi paper.tramways, trams, doveton st, sturt st, christmas cards, bogie trams, htt

In 1915 Arthur Swanwick from Bendigo enlisted in the AIF. He left for overseas service in March 1916. He wrote a message to his sweetheart Jessie Campbell, placed it in a bottle and threw it overboard from HMAT A18 "Wiltshire". The bottle was found on a beach near Robe SA and the message was sent to Jessie. Arthur returned home and he and Jessie married in 1918. Arthur died on 11 April 1968. Arthur's niece sent the updated information after the story was shared with the family who knew nothing about it. A hand written letter on lined green paper sent to BHS providing an update on the story of a "Message in a Bottle" written by Arthur Swanwick to Jessie Campbell. A black and white wedding photograph of Arthur and Jessie, a black and white photograph of dedication plaques from the Bendigo RSL WW1 Honour Board and a Thank you card form Arthur's niece thanking someone for letting the family know about the story (18 October 2013). ww1, message in a bottle, swanick

Image is taken from the National Mutual building on the corner of Sturt and Lydiard Streets, looking east towards Grenville St. Has an ESCo tram with blinds drawn nearing the intersection. The tramcar number could be 12, 13 or 18. There are a number of horse drawn cabs in the photograph. The Burns statue is on the left side. There are telegraph/telephone poles in the photograph along with the buildings on either side of the streetYields information about Sturt Street east of Lydiard St.Black and white postcard with a green (18mm wide) border acting as a frame to the postcard picture. The picture measures 50mm High x 98mm wide. Has a Victorian Two Pence stamp with a "168" cancellation stamp. The card has been published by the Commonwealth of Australia with a coat of Arms. In the bottom left hand corner is a symbol "HB" within an artists paint palette.On rear is a note to a Miss Audersau of Launceston.sturt st, grenville st, esco, horse cabs, trams, tramways, ballarat

The photograph is marked "Drummond St. Ballarat" In the background is the Ballarat hospital, with a cab stand/shelter shed with two horse-drawn cabs at either end. Large trees in Drummond St. - conifers. Also shows other tram track and poles at the time of the photograph being taken. The ESCo tram is not fitted with windscreens. The second copy has an undated letter on the rear. with a handwritten note "1911 period"Yields information about the Ballarat Hospital c1909.Black and white postcard with a green (17mm wide) border acting as a frame to the postcard picture. The picture measures 49mm High x 97mm wide. Has a Victorian One Penny stamp with a "168" cancellation stamp and two cancellation stamps, one Ballarat 7/7/09 and the other with a large "5" in the middle.. The card has been published by the Commonwealth of Australia with a coat of Arms. In the bottom left hand corner is a symbol "HB" within an artists paint palette.Short message from "Nell" to her sister Jean Hall of Blackwood.esco, horse cabs, trams, tramways, ballarat, hospital corner, drummond st.

Yields information about the history of the Ballarat Tramways from horse to the closure of the electric trams in 1971. Gives a good understanding of the development and operation of the tramways. Has a strong association with the author.Book, 64 pages, gloss art paper, in black ink with a light brown card cover in green ink, centre stapled, titled "The Ballarat Tramways" Details history of Ballarat tramways, its tramcars and the involvement of the various operators. Has maps and photographs. Written by Keith Kings and published by the Victorian Division of the Australian Railway Historical Society at the time of the closure of the Ballarat system. Inside front cover is a typed sheet of amendments for the book - typed on Charles Martin Watermarked paper. Has details of the various organisations that published the book on the rear cover. 114.2 - as for 114.1 - but with many hand written notes etc. 114.3 - as for 114.1 - but with "City of Ballarat" stamped on front cover. 114.4 - as for 114.1 - but with "To Mr. L. J. Denmead, Departmental Tramways Supt. from K. Kings 12/9/1971" handwritten on front cover. For entire book see pdf images i1 to i3.114.2 - notes on pages 7, 10, 17, 18, 21, 22, 23, 25, 26, 29, 36, 49 and 63 - has in blue or black ink, many notes, corrections and additions. 114.3 - "City of Ballaarat" stamped in red on top right hand corner. 114.4 - "To Mr. L. J. Denmead, Departmental Tramways Supt. from K. Kings 12/9/1971" handwritten on front cover in blue ink and on title page (page 1) in red ink "Mr. L. J. Denmead / Dear Les, / Best Wishes for the future! / Bob Prentice" and on same page, in blue stamp "L.J. Denmead".trams, tramways, ballarat tramways, history, tramcars of ballarat

Colour photograph of Sydney tram P1617, mounted onto heavy card, with edges trimmed in green tape used as a Christmas card 1950, with caption on rear & greetings message.ON rear Along top edge "P1617 in Dacey Ave. outside / Dowling St. ?? Depot 1950" In middle of item "Compliments of the Season and Best Wishes / for Xmas 1950 / From Roy"sydney trams, p class, tram p1617

Yields information about the crews on the last official tram in Ballarat at the time of the closure of the Ballarat System and some of the last tickets sold on the system.Nine No. 8c SECV tickets on block (Nos. A552391 to 99), purchased at time by Albert Isaacs - white paper, green ink with "Electricity makes life easier!" on rear, stapled to heavy cardboard with stubs of previously issued tickets remaining. Signed on both sides. Alan Bradley - advised 2/1996 Herb Knight - driver and Lew Walker - Conductor as crew on "Last Tram" No. 40 ex Sebastopol (official records). Albert Issacs of view that Des Domaschenz was the driver of the last tram. Images of item added 19/10/2013. See also Reg Items 1950, 3464, 6140, 6246, 6977 for other "last tickets" and SEC Ballarat Tramways Staff Photo 1971.On rear "L. Walker No. 54 - 40 years" and on inside of card "Des Domaschenze No. 24 - 19-9-1971"trams, tramways, ballarat, secv, last day, tickets

Demonstrates the work by the BTPS for a overseas visit to the Museum in 1980.Folded card used as a cover for the visit of the Philadelphia Chapter of the National Railway Historical Society (NHRS) to the Museum on 12/4/80. Cover printed with logo(tram 31) and title in green ink. Folded so that a paper holding section formed with staples.trams, tramways, btps, nhrs, philadelphia, enthusiasts

Yields information about the closure of the SEC operated Ballarat tramway system and the formation and first 10 years of the BTPS. Contains a number of cuttings, Hansard extracts and photographs.Book - 40 page + covers, book describing the last days of the SECV's Ballarat operation, the formation of the BTPS and the first 10 years of the BTPS operating. Cover-card with photos in green ink. Title = "Ten Years" Book has 40 photos, four drawings, list of SECV trams at Sept. 1971. 309.1 - donation by Neville Gower 309.2 - collected from stock.309.1 - has "Neville Gower" in ink on page 3, top right hand corner.trams, tramways, ballarat, secv, btps, closure

Yields information about the arrangements for the Australia Day Cavalcades and the way crews were arranged.Eleven heavy cards printed as M&MTB table cards for drivers, but used by the BTPS as run tables for 1979 Australia Day cavalcade for both drivers and conductors - separate cards for each. Prepared in black and green ink with notes. Each card has its own table number. Item Card No. For 325.1 801 Driver ex Preston 325.2 802 Driver 325.3 804 Driver 325.4 805 Driver to Preston 325.5 806 Conductor ex Preston 325.6 807 Conductor 325.7 808 Conductor 325.8 809 Assistant Conductor 325.9 810 Assistant Conductor 325.10 811 Assistant Conductor 325.11 812 Conductor to Preston No. 803 was retained by Bob Prentice on the day. Image of items added 2/11/13.325.7 has pen marks in top area.trams, tramways, mmtb, btps, melbourne, australia day

Book, 80 pages, gloss art paper, in black ink with a yellow card cover in green ink, centre stapled, titled "The Bendigo Tramways" Details history of Bendigo tramways, its tramcars and the involvement of the various operators. Has maps and photographs. Written by Keith Kings and published by the Victorian Division of the Australian Railway Historical Society and others at the time of the closure of the Bendigo system. Has details of the various organisations that published the book on the rear cover. Cover, index page, maps and rollingstock lists have been scanned see jpg images i1 to i7 For book itself see pdf images i1 to i4 326.1 - ditto - purchased by W.A. Doubleday for BTM ex Scottsbluff, NE, USA 8/2003. Added 27/09/03. See Reg Item 4242 for other copies of this book which has pencil annotations.trams, tramways, bendigo, battery trams, steam trams, history

Calling cards, also called visiting cards, visiting tickets, or compliments cards, originated in their paper and ink form in France in the 18th century and their popularity quickly spread across Europe and the United Kingdom. Victorian calling cards were large and could be extremely ornate, with the names usually printed instead of handwritten. Women's cards were squarish and fairly large, usually about 2.5 x 3 inches. Men's cards were smaller and more rectangular, meant to fit in a breast pocket, while women often carried their cards in specially made cases of silver, tortoiseshell, ivory, or mother-of-pearl. (Source: Claire Green: Calling Cards and Visiting Cards: A Brief History)Nineteenth century silver, leather and silk woman's visiting card case, donated by M. Swanston MacDowell. The case has a tooled brown leather cover attached to a silver frame. The interior of the card case, used for visiting cards, is lined with maroon silk with brown leather pockets. The pocket on the left is embroidered in silk with a spray of flowers.On one of the interior leather pockets "Kew Historical Society" has been crudely inscribed in biro. A card placed in the item includes the words "Visiting Cards. M. Swanston MacDowell".visiting card case, card cases

Tin box printed with scenes depicting playing card characters and domino charactes. Scenes include characters playing tennis, boules, croquet & soccer. Inside of lid printed floral border containing words: 'HOUSE OF QUALITY/GREEN'S/OF/BRIGHTON/MANUFACTURERS OF/GREEN'S SPONGE MIXTURE, "NEWSTYLE" JELLIES/CHOCOLATE MOULD. ETC ETC'. Materials: Metal, Inktennis

A framed collage of fifty Player's cigarette cards. Each card depicts a different famous player from the 20s and 30s. Cards have green background and (most) a player wearing white. Framed with glass backing so reverse of cards is visible. Reverse of cards features instructional information for playing better tennis. Materials: Ink, Paper, Glass, Metal, Wood, Adhesive tapetennis

Colour-tinted postcard, titled in red upper left: “RIVER YARRA AT STUDLEY PARK, KEW”. On the divided reverse, the card is addressed to “MISS JOLLEY / MELB. TRAM & O[MNIBUS]. CO / BOURKE STREET, MELB”. The sender has dated the card 21.12.08. In the upper right corner, there is a pink Victorian one penny postage stamp; sent from Melbourne on 22DE 08. (The division of the reverse of the postcard, allowing a message to be written on one half and the address on the other, was not permitted in Australia until 1905.) The manufacturer of the postcard is indicated by the initials “W.T.P”, printed in a green floral diamond, printed centre top. This was the trademark of WT Pater, printers & stationers. William Thompson Pater was born in Melbourne in 1861. His business at 271 Little Collins Street offered Christmas cards, booklets, calendars, and leather goods as well as postcards and albums.Hand-tinted postcard of the River Yarra in Studley Park, Kew. The birds-eye view is of a bridge on the Yarra (Johnston Street?) linking Kew and Abbotsford as it appeared in c.1908. On the Abbotsford side of the river, fields lead down to the river, with some remnant trees. The Kew side of the river, in contrast, due to its steep banks, retains its original vegetation. In the distance is industrial development, in what might be Fairfield and Alphington.“RIVER YARRA AT STUDLEY PARK, KEW”river yarra -- kew (vic.), william thompson pater, w.t.p., postcards -- kew, postcards -- studley park, bridges - yarra river -- kew (vic.)

A silk patchwork quilt in a hexagons pattern originally owned by the Denbigh family of ‘Wimba’. The Denbigh family is recorded as living at ‘Park Villa’ ‘near Kew’ in 1856. John Denbigh was at this stage the superintendent of the local Baptist school. By 1869 they are listed as residing in Cotham Road. John Sharp Denbigh’s death in 1875 resulted in the sale of Wimba. This is an important early English silk hexagons quilt with outstanding technical workmanship, and is well-provenanced.The quilt is constructed in the popular hexagon pattern of silk off-cuts of an earlier period. Hexagon patchwork quilts were typically constructed of individual hexagons, which were formed using paper or card templates. Where these are visible, it would indicate that writing paper was used to form the templates. The quilt is unlined and has a green silk border, added at a later date. Early 19th Century patchwork quilts tended to use cotton to create the hexagons, whereas silk became the preferred medium mid-century. The quilt has been dated to the middle decades of the 19th century due to the colour range, and the exclusion of black silk hexagons. Most of the silk used in the quilt has a sheen, however there is some use of velvet in one or two larger hexagons. The exposed reverse of the quilt includes a large amount of very fine hand stitching.An unlined quilt was typically used as a summer spread. patchwork quilt, hexagon pattern, denbigh family, wimba, cotham road, kew, john denbigh, helen johnston, quilt, patchwork, textiles, migration to australia

History of the Williams - Magor Family Cream Textured Card cover with green drawing featuring building in the distance and soldiers on the right.Williams - Magor Family in Australia 1840 - 1982stawell

Covers some pioneer women in the Wimmera District of Victoria, featuring "Glywylln' Stationm F=Green's Creek & Kirkella. Written by MRs Gilbert as a history option for HSC. Pink Card cover under clear plastic Woman in Australian History with particular reference to Gkywyllan near Stawell, Victoria in the 1850s and 1860s By Mrs E.M. Gilbertstawell

History of the Evening fellowship of the ChurchesWhite card cover with double green border and Green text inside border.Underlined Text:. The Stawell Uniting Church Evening Fellowship - A Long Heritage 103 Years. (Divide) (Text Not Underlined) The Uniting Church Evening Fellowship 1977-2017 The Presbyterian Evening Guild 1951-1976 The Metodist Evening Guild 1914 -1976stawell religion

The original postcards in this series (2013.002 to 2013.018) were generously loaned to Williamstown Botanic Gardens by a private collector for copying. The logo in the middle of the words ‘POST CARD’ indicates the card was printed by M. Schulz in Prague. Schulz was a long-established company from Prague and printed postcards for customers from worldwide. Schulz printed in photo-chromolithography. The Curator’s lodge, designed by the Town Surveyor, HV Champion, was constructed in 1907 following the re-organisation of the north-east corner with the demolition of the old curator's cottage and erection of new gates. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day. The card also demonstrates how postcards were used as a method of contact in contrast to the contemporary use as souvenirs. A colour image of a house (the Curators lodge) behind a fence with two children sitting on it. There are two large Cordylines, one in the forefront of the image standing in lawn and surrounded by pink flowers, and one closer to the house. The house is brown timber with two brick chimneys and has a green corrugated iron roof with gables over the windows at the front and side.Front: ‘The Lodge, / Williamstown Gardens’. Reverse: Centre top ‘POST CARD’ with a logo [MS] in the middle of the words; left side vertical ‘O. Rippon Series’; left side ‘This space may be used for communication.’; right side ‘For Address only.’; left side bottom ‘Printed in Germany’. There is a one penny red Tasmanian stamp on the top right hand corner. The card is addressed to ‘Miss E G Holford / 60 Upton St, / Launceston, / Tasmania.’ Top left corner in pencil ‘$10’ (believed to be inserted by the vendor.postcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, curator’s lodge, children, cordyline

The original postcards in this series (2013.002 to 2013.018) were generously loaned to Williamstown Botanic Gardens by a private collector for copying. The Curator’s lodge, designed by the Town Surveyor, HV Champion, was constructed in 1907 following the re-organisation of the north-east corner with the demolition of the old curator's cottage and erection of new gates. Both the lodge and lake (1904) were built during the curatorship of Mr Thake. The logo in the middle of the words ‘POST CARD’ indicates the card was printed by M. Schulz in Prague. Schulz was a long-established company from Prague and printed postcards for customers from worldwide. Schulz printed in photo-chromolithography. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day.A colour image of the ornamental lake and part of the Curator’s Lodge. The lodge has a green roof, tall brick chimney, is brown timber with brick where the fireplace would be. The small island with a succulent is in the centre of the image. The image looks across the top of the lake where the rock edging can be seen. Reflections of the plantings and lodge can be seen.Front: ‘Williamstown Gardens’. Reverse: Reverse: Centre top ‘POST CARD’ with a logo [MS] in the middle of the words; left side vertical ‘O. Rippon Series’; left side ‘This space may be used for communication.’; right side ‘For Address only.’; left side bottom ‘Printed in Germany’. In pencil top right corner ‘1907 / $7’ (believed to be inserted by the vendor.postcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, curator’s lodge, ornamental lake, succulents, 1907

Laurie started work in an office but moved to establish her own gardening business. She eventually returned to office work but during the time that her business operated she worked in many gardens in Doncaster, North Balwyn, Toorak, Malvern, as well as Surrey Hills and Mont Albert. A pink card with black hand-written printing advertising Laurie's Lawn Cutting.On top of card on rear "I had "GREEN THUMBS" like Pop" in Laurie Young's handwriting.laurie young, laurie newton, gardening

This slide is part of a collection of visual resources used by Stuart Ascough while conducting training, seminars, conferences and lectures in China, Australia, India, Russia and Taiwan. This item is part of a collection of books, manuals, photographs, letters and clothing relating to the working life of Stuart Ascough. Stuart's career in the wool industry spanned over 43 years from 1960 to 2003 in various roles including Topmaking Plant Manager at Courtaulds Ltd. in Spennymore, U.K., Operations Manager at Port Phillip Mills in Williamstown Victoria, Marketing Executive, Early Stage Wool Processing at the International Wool Secretariat Melbourne, Australia and General Manager of Victoria Wool Processors Pty. Ltd. in Laverton North, Victoria. Throughout his career Stuart travelled extensively, and in the 1990s worked at many topmaking mills in China on quality improvement projects. He also provided technical advice and training at mills in India, Ukraine, Lithuania, Kyrgyzstan, Russia, Latvia, Byelorussia and other parts of Europe and Asia.35mm colour transparency mounted in plastic slide mount showing a graphic illustration in white, blue, green, yellow and orange on a black background, depicting the mechanics of a Gill Box from NSC Schlumberger.wool, industry, australia, australian wool board international wool secretariat, topmaking, carding, factory, training, gill box