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Flagstaff Hill Maritime Museum and VillageBook, The Poetical Works of John Milton Vol 1
The Poetical Works of John Milton Vol 1flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, the poetical works of john milton vol 1, book -
Flagstaff Hill Maritime Museum and VillageBook, The Poetical Works of John Milton Vol 2
The Poetical Works of John Milton Vol 2flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, the poetical works of john milton vol 2, book -
National Vietnam Veterans Museum (NVVM)Equipment - Equipment, Army, Army trunk containing various objects donated by John J Frewen
Items used by John Frewen in the Vietnam War.vietnam war, 1961 - 1975, personal narratives - australian, army trunk -
Whitehorse Historical Society Inc.
Document, John McGlone, n.d
Notes on John McGlone and the Harvest Home HotelNotes on John McGlone and the Harvest Home HotelNotes on John McGlone and the Harvest Home Hotelmcglone, john, harvest home hotel -
Whitehorse Historical Society Inc.Photograph, Mary and John Campbell
Black and white photo of Mary and John Campbellcampbell, john, mary, daisy, bruce, campbells croft -
Ballarat Heritage ServicesPhotograph - Colour, Clare Gervasoni, Headstone for Margery and John Atcheson, Warrnambool Cemetery, 27/07/2009
Headstone for Margery and John Atcheson in the Warrnambool Cemetery. warrnambool cemetery, margery atcheson, john atcheson -
Ballarat Heritage ServicesPhotograph - Colour, Clare Gervasoni, John and Ann Williams' Tombstone, Warrnambool Cemetery, 27/07/2009
John and Ann Wiliams Gravestone at Warrnambool Cemetery.cemetery art, headstone art, ann williams, john williams -
Ballarat Heritage ServicesPhotograph - Image - Black and White, Hon. John Murray, M.L.A, C1905
Image of John Murray, Victorian Minister of Agriculture.land acts, politician, john murray, land act -
Ballarat Heritage ServicesPhotograph, Manawatu Times, John Lishman Potter, c1931
John Lishman Potter was involved in the Eureka Stockade.eureka stockade, john potter, john lishman potter -
Ballarat Heritage ServicesImage, John Trumbull, 1857
Black and white portrait of artist John Trumbull.america, john trumbull -
Ballarat and District Irish AssociationImage, John Fitzgerald, c1864, 1864
Imaged of a bearded man known as John Fitzgeraldballarat irish, john fitzgerald, fitzgerald -
Old Colonists' Association of Ballarat Inc.Document - Miner's Right, Miner's RIght Issued to John Paterson at Pleasant Creek No 169, 16/12/1859
Miners' Right made ot to John Paterson.miner's right, john paterson, pleasant creek -
Buninyong & District Historical SocietyPhotograph - Original Photograph, A Beggs Sunter, 1850's Weatherboard cottage, Warrenheip St. (section 44, Allot.8A,9) being demolished in 1996, July 1995
gold rush era cottage, lost.Colour photo, 1850's Weatherboard cottage, Warrenheip St. (section 44, Allot.8A,9) formerly owned by Mrs Skelton, being demolished in 1996.buninyong, cottage, mrs. skelton -
The Cyril Kett Optometry MuseumPainting - Oil Painting, Cyril H W Kett, 1980 (exact)
Cyril Henry Woodford Kett FBOA FSMC (1890-1971) was one of the five people who signed the Memorandum and Articles of Association of the Australian College of Optometry in 1939. He was a councillor of the College from 1940 to 1970 and First Vice President 1944 to 1947. He was made an honorary life member of the College in 1954. He donated numerous items of historical interest to the College that provided the foundation of the Museum which now bears his name. It was painted by another optometrist, John Nathan.This painting is significant to the College as it is one of only ten portraits in oils of individuals who have been leaders in the development of the College.This framed oil painting shows Mr Cyril Henry Woodford Kett FBOA FSMC (1890-1971),Councillor and Vice President of the Australian College of Optometry, an important figure in Optometry in Victoria. It was painted in 1980 by another optometrist, John Nathan,and is signed by the artist at lower right corner: 'John Nathan'.Signed by artist at lower right corner: 'John Nathan'. Plaque on frame reads:'Cyril H W Kett FBOA(Hons) FSMC FVOA c1890-1970/ Councillor of the College 1940-1970/ Vice President 1940-42, 1944-47, 1948-50, 1954-70/ Chairman of Council 1944-1947/ One of the five signatories to the original Memorandum of Association of the Victorian College of Optometry'.optometry, painting, oil painting, portrait, cyril h w kett -
Ballarat Tramway MuseumDocument - Letter/s, Wal Jack, Wal Jack to John Southern
Letters hand written by Jack, concerning primarily his observations of steam locomotives and trains in the Ballarat area, with some references to his health, trams, replacement of steam locomotives by diesels (which he did not like). John Southern lived in NSW and was a well known collector of information and photographer on Australian steam locomotives; wrote articles for the ARHS Bulletin and other publications. On first letter, Wal notes he was involved in an industrial accident at the Ballarat Gun Cotton factory in 1943 which severely affected his health. Photocopied from original letters held by Dave Macartney.Has a strong association with Wal Jack and yields information about steam locomotives and trains in the Ballarat district and VR during the 1950's.Set of 36 pages - stapled in top left hand corner, photocopies of letters from Wal Jack to John Southern from 7-2-1950 to 6-5-1961. trams, tramways, wal jack, letters, ballarat, steam locomotive, gun cotton, accidents -
Marysville & District Historical Society
Document (Item) - Report, John F. Waghorn, Yarra Track, Unknown
A report on the history of the Yarra Track by John Waghorn, a local amateur historian.A report on the history of the Yarra Track by John Waghorn, a local amateur historian. John Waghorn was an amateur historian, an authority on the history of Victoria's postal services. He could tell you how mail was delivered in the high country in the 1880s, where the town of Gobur was, or when the overland Melbourne-Sydney mail service began. He admitted that his hobby has got a little out of hand. He had 30 filing cabinets, and indexes of more than 70,000 postal workers over the past 160 years crammed into three rooms at his home. If an ancestor was a postmaster in a Victorian town, he may have been able to reveal the person's occupation, income and working conditions.yarra track, john waghorn, victoria's postal services, wood's point, sydney road, longwood, merton, mansfield, postmasters, bonnie doon, melville merton mansfield, eltham, healesville, marysville, walhalla, melbourne-warburton-wood's point line, loose bags, heidelberg post office, eltham post office, kangaroo ground post office, yarra glen post office, marysville post office, healesville post office, mansfield post office, jamieson post office, gaffney's creek post office, wood's point post office, postal department, george rieck, stockman, jones, beecher, stockman's reward, big river, mary mcdonald, upper yarra river, donovan's creek, cornelius donovan, bridget buggy, matlock, alexandra, william farrell, jordan diggings, new chum, watts river, black spur, narbethong, granton, acheron river, mount strickland, paradise plains, mount grant, mount arnold, jordan goldfields, william robley, robley's spur, big river crossing, great dividing range, cumberland valley, james mcguigan, w elliot, christopher harrison, james marsh, cobb and co, box hill, lilydale, fehrings, koehlers, shaws, bear creek, cairnsville, cumberland creek, walkers, golden bower mine, collins' mountain home hotel, walsh's creek post office, rosa mcveigh, frank barton, hitchins, matthew kennedy, william morris, e r nichols, t woods, tom burchell, peter kerr, henry kuyper, william podlech, george koehler, henry brockmann, henry petty, thomas smith, jacob butchart, john perry, slingsby davis, royal mail hotel, walter gray, john summers, travellers rest hotel, lockington, the oaks, the springs, st clair, thomas crawford, springvale hotel, john sinclair, saint clair hotel, gould, mathews, willie we have missed you hotel, germany, johan fehring, adelaide, linton, ballarat, gunbower, murray river, anna katerina fehring, 1890s depression, land boom, fehring place, fred baker, alf sparke, fehring's hotel, mcveigh's hotel, wood's point mountaineer, l cox, victorian country directories, letson cox, coburg, maria hayes, setson, fitzroy, richmond, john cox, jordan river, jericho, e. norris, le poidevin, newell, o'brien, alhambra, sinclair, parker, ellis, tripp, quin, vernon, thompson, charsley, james fahie, george locke, william chester, chesterville, kirwan, cumberland reserve, blue spruce, e.s. and a bank, selby joyce, selby charles joy, selby joseph joyce -
Marysville & District Historical SocietyPhotograph (Item) - Black and white portrait, John William Lindt, 1870s
A black and white portrait of an unknown man taken by John William Lindt.A black and white portrait of an unknown man taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt -
Marysville & District Historical SocietyPhotograph (Item) - Black and white portrait, John William Lindt, 1870s
A black and white portrait of an unknown man taken by John William Lindt.A black and white portrait of an unknown man taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt -
Marysville & District Historical SocietyPhotograph (Item) - Black and white portrait, John William Lindt, 1870s
A black and white portrait of an unknown woman taken by John William Lindt.A black and white portrait of an unknown woman taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt -
Marysville & District Historical SocietyPhotograph (Item) - Black and white portrait, John William Lindt, 1870s
A black and white portrait of an unknown woman taken by John William Lindt.A black and white portrait of an unknown woman taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt -
Whitehorse Historical Society Inc.Photograph, Keitha & John Satchwell
Black and white wedding photo of Keitha & John Satchwell. John was former Mayor of Nunawading, and both were members of the Historical Society before moving to Sydney.satchwell, keith, john, city of nunawading, nunawading and district historical society -
University of Melbourne, Burnley Campus ArchivesPhotograph - Colour print, John Delpratt and Grassland Plants
4 similar photographs of John Delpratt (Staff) in the Nursery with Grassland plants. Report by John Delpratt and Iain Shears on the Burnley College Grassland Construction Project.john delpratt, staff, nursery, grassland plants, iain shears, burnley college, grassland construction project -
Stawell Historical Society IncPhotograph, Cato Lake with the Swimming Pool c 1950's
Two black and white post cards of the Olympic swimming pool in Cato lake c 1950's. The Rose Series P 14901 shows the swimming pool and lake with the swimming pool dominating the photograph. Four flag posts are clearly visible and the pool connected to the edge of the lake. The Rose Series P 14012 also shows the Olympic pool but more of the lake and boundary. with seating around the lake. In March 1957 Cato Lake was emptied for construction of the Olympic pool and officially opened on 15.11.1958. Twenty seven years later In January 1985 the pool was found to be leaking and Borough Council in February banned further use of the Olympic pool. Eventually the Olympic pool was demolished in April 1988.Two black & white Rose series post cards of Cato Olympic swimming pool Stawell Vic. c 1950's. Series P 14901 is nearly a complete view of the Olympic pool with four flag posts in view and trees and buildings in the distance. Series P 14012 has only a small section of the Olympic pool in the photograph with just 3 flag poles in view. There are 2 concrete and timber seats in the foreground and Cato lake is very still, reflecting the distance trees.The Rose Series P 14901 Swimming Pool Stawell Vic. and The Rose Series P 14912 Cato Park and swimming pool Stawell, Vic. Both post cards were Published by Rose Stereograph Co., Armadale, Victoria. The "Rose" series De Luxe.stawell -
Federation University Historical Collection
Document - Document - Letter, Ballarat Junior Technical School: John Jenkinson, Coxswain of the Olympic Crew, 1956
Letter of introduction of student from Headmaster of Richmond Technical School to Mr Garner. Student is John Jenkinson is coming to Ballarat as Coxswain of the Olympic Crew. While here, his exams are due to be sat and so will be done at BJTS. He is to sit for the Intermediate Technical Certificate, Diploma Entrance Examinations. On completion the papers to be returned to Richmond School. Mr Garner sent the first group of completed papers on 9 November and remaining papers on 15 November. In total there were ten exams..1: Cream page' typed .2 & .3: cream pages , typed.1: Signature of B W Pollock, Head Master of Richmond Technical School. Letterhead of R T S , blue print.ballarat junior technical school, head master, l garner, john jenkinson, coxswain of olympic crew, intermediate technical certificate, diploma entrance exams, richmond technical school, sit exams at bjts, papers returned to rts -
Port Melbourne Historical & Preservation Society
Letter - S WATSON to W BRIGGS, S Watson, 1 Jun 1932
Letter written by S. WATSON in 1932 to W. BRIGGS, kept in Bowling Cub minutes book.sport - lawn bowls, w briggs, s watson, port melbourne bowling club -
Clunes Museum
Book, THE COUNTRY WOMEN"S ASSOCIATION OF VICTORIA, YEARS OF ADVENTURE, 1977
THIS BOOK IS DEDICATYED TO THEFOUNDERS OF THE COUNTRY WOMENS ASSOCIATION OF VICTORIAFIFTY YEARS OF SERVICE BY THE COUNTRY WOMEN"S ASSOCIATION OF VICTORIA. 1928 - 1978 76 PAGESnon-fictionTHIS BOOK IS DEDICATYED TO THEFOUNDERS OF THE COUNTRY WOMENS ASSOCIATION OF VICTORIAbook, country women's association -
National Wool MuseumStencil - HC&S
This stencil was used as a organisation stamp for the transportation of wool bales. Wool bales marked HC & S would have been farmed by or sent to that company to manufacturer.Wool bale export stencil - HC&SHC&Swool - transportation, wool sales, wool class, wool classers -
Charlton Golden Grains Museum IncPhotograph, Charlton Tribune Office c. 1947
John Richardson, proprietor and editor of the Charlton Tribune, at the entrance to the Charlton Tribune Office. Formerly the Wylie Building then the Charlton Tribune Office c. 1940 - 1950.Black and white photo of John Richardson standing outside the Charlton Tribune office. Typed notice stuck to bottom of photo reads 'John Richardson Editor of the Charlton Tribune outside the office at the west end of High St in the late 1940's"John Richardson Editor of the Charlton Tribune outside the office at the west end of High St in 1947john richardson, charlton tribune, newspaper, editor, wylie building -
Ringwood and District Historical SocietyPhotograph, State Savings Bank -Ringwood - circa 1960's
Postcard size colour photograph'Written on back of photograph" State Savings Bank - Maroondah Highway ,Ringwood -circa 1960's -
Ringwood and District Historical SocietyPhotograph, View of Ringwood. circa 1960's
Postcard size coloured photograph"Written on back of photograph" View of Ringwood looking from Laughnans Road,-circa 1960's
