Black and white image of Sturt Street, Ballarat, looking towards the Titanic Bandstand.ballarat, sturt street, titanic bandstand

A black and white photograph of a horse and jinker / buggy standing in the street. There is a house in the background.c/- C. Hill / Donor / W. Dempsey / A.C. Hill / (undecipherable) / Arthur Hill / at 10 Pembroke St / Doll. 1918 These inscriptions are in grey lead pencil in 2 different hands: 1/ original hand (lighter): C/- C Hill; A C Hill (undecipherable); Doll 1918 2/ Jocelyn Hall's writing (darker): "Keep"; "Donor / W Dempsey"; "Arthur Hill / at 10 Pembroke St" AC Hill refers to Albert Clement Hill, the youngest son and youngest child in a family of 9 of William Valentine Hill and his wife Annie (nee Boak). William Valentine Hill had a brother Arthur Machen Hill. It is thought that Jocelyn Hall may have mistaken the identity of the A C Hill for A M Hill. hill family, jinker, land transport, carts and wagons, horse drawn vehicles, surrey hills, pembroke street, (mr) albert hill

Murray Comrie Collection. This is an original photograph.Monochrome photograph depicting an old, defunct gas lamppost in King Street, Tarnagullatarnagulla, lighting, gas, power, electricity

Street view, looking East along Mitchell Street BendigoMitchell street Bendigo, looking east.

Photograph of western end of High Street, Charlton showing the Bank of Victoria, Malcolm's Flour Mill, Egan's, Golden Fleece Hotel, Johnson's Bridge Store, Dining Rooms and the Bank of New South Wales. c. 1883Early photo of High St, western end streetscapeSepia photograph of western end of High Street, Charlton showing the Bank of Victoria, Malcolm's Flour Mill, Egan's, Golden Fleece Hotel, Johnson's Bridge Store, Dining Rooms and the Bank of New South Wales. c. 1883. Man standing in front of the Bank, two ladies also standing on the footpath. Horse and cart in front of Johnson's store. Damage to the lower third of photo.bank of victoria, charlton, high st, malcolm's flour mill, egan's, golden fleece hotel, johnson's bridge store, dining rooms, bank of new south wales

Opening of carpark Camden Street Balaclava black and white photograph, unmounted, original, good conditionOn back: Some of the crowd in Woodstock Street

Sydney Joy (joy) Stewart (1925-2018) was a founding member of the Kew Historical Society, and during the 1970s its secretary. During her residence in Kew, she completed numerous property illustrations on commission. These ranged from preliminary sketches, including architectural details to finished pen & ink and wash illustrations on paper. On moving to Queensland, Joy Stewart donated the remaining property illustrations in her possession to the Kew Historical Society. In 1987-88, she fulfilled a commission by the Society of designs for a series of embroideries completed by residents during the Australian Bicentennial commemorations.Sydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.Watercolour, pen & Ink on paper by the artist and local historian Joy Stewart of a two-storey Victorian-era residence located at 63 Wellington Street, Kew. Inscription: "63 Wellington Street, Kew." Signed lower right: "JStewart".joy stewart, wellington street (kew)

Gold Reef Mall Main Street 2003Colour Photograph: Looking Eastfrom the Main Street / Wimmera Street intersection, with roundabout partialy installedstawell business

Advertisement for Sub-divisional sale by auction on Saturday, 22nd April, 1961, with terms of sale of 10 home sites with frontages to New Street, Ringwood, Victoria.Location map showing land for sale on New Street, Ringwood, north of Palmerston Road. Auctioneers in conjunction - Yeo, Crosthwaite & Co., 108 Queen Street Melbourne (Telephone) MU 8605, and Perpetual Realty Corporation Pty. Ltd., 62 Swanston Street, Melbourne (Telephone) MF 3721.

Two beige certificates of participation with a red border and black bar along the top framed in a simple black frame. A red and blue Snowy river Campus School for Student Leadership logo is on the left, and black text to the right reads:Snowy River Campus School for Student Ledership CERTIFICATE OF PARTICIAPTION This certificate is awarded to Wangaratta High School in recognition of participation in the Leadership and Enterprise Program at the Snowy river campus Term 2 2007 / Term 4 2009 Mark Reeves- Principal

Murray Comrie Collection. Information collated by Murray Comrie: Photo after 1886 and before 1899. Shows bakers shop at corner of Commercial Rd and Poverty St, bakery stables and horse. Clouston's, Renshaw's Victoria House, Golden Age Hotel, Renshaw's Commerce House and Post Office. This is an original photographic postcard. Monochrome photographic postcard. View of part of Commercial Road and Poverty Streets, Tarnagulla, from a position on Poverty Street behind the Bank site. Premises on Commercial Road which are visible include the Golden Age Hotel and Renshaw's Drapers.Text near bottom edge: 'Johnsn & Co. Ararat' and 'Tarnagulla'.tarnagulla, commerce, shops, businesses, streetscapes, horses, stables, poverty street, commercial road, main street, golden age hotel, renshaw's, bakery, clouston's

Enlarged copy of photograph, original held by Myers Family, formerly of Barmah. Cafe in photograph served meals, afternoon tea. Meals 1/6 each (18 c), pot of tea 9 d (8 c), sandwiches 1/- (10 c), wages 1 pound per week ($2). 1930. Smaller duplicate also. Shop had been a jewellery store beforehand. Later proprietors: Mr and Mrs Nicholls, Misses May and Annie Maher, Mr and Mrs H. Hedges, Mr and Mrs N. Cuthbert, Mr and Mrs J. King, Mr and Mrs Meola, Turkish Cafe, C.Y.S.S. Centre, Pizza bar.Black and white photograph of early cafe in Hogan Street, Tatura, operated by Nell Myers and Sarah Colliver, 19301930 - Nell Myers and Sarah (girlie) Colliver Boomerang Cafe (177) Hogan Street, Tatura.nell myers, sarah colliver, boomerang cafe tatura, n. lenehan

A black and white photograph of Ballarat School of MInes buildings along Lydiard Street South. ballarat school of mines, lydiard street south

A black and white photograph of Ballarat School of MInes buildings along Lydiard Street South. ballarat school of mines, lydiard street south, ballarat gaol, h.m.prison ballarat, e.j. tippett hall, former ballarat wesleyan church

The Ballarat Teachers' College is a predecessor institution of Federation University.Thirteen female students are photographed on the steps of their hotel at 130 Victoria Street, Ballarat East.ballarat teachers' college, 130 victoria street, hostel, student residence, ballarat east

Four colour photographs of Pack Street, Marysville, after the 2009 'Black Saturday' bushfire. bushfire, black saturday, marysville, marysville police office

Four colour photographs of Pack Street, Marysville, after the 2009 'Black Saturday' bushfire. bushfire, black saturday, marysville

Four colour photographs of Pack Street, Marysville, after the 2009 'Black Saturday' bushfire. bushfire, black saturday, marysville

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2003. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 67 Alfred Street, Kew by Margaret Picken.67 ALFRED ST., KEW / MARG. PICKEN '87architectural sketches -- houses -- kew (vic.), artist -- margaret picken 1950-, 67 alfred street -- kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 69 Alfred Street, Kew by Margaret Picken.69 ALFRED ST., KEW / MARG. PICKEN '87artist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 69 alfred street -- kew (vic)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2003. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 19 Atkins Street, Kew by Margaret Picken.19 ATKINS ST., KEW / MARGARET PICKEN ~93 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 19 atkins street -- kew (vic.)

Spenceycroft was home of James and Elizabeth Rayment, who had a dairy farm in the area in the 1870s. The house was located in Canterbury Road next to the Surrey Hills Presbyterian Church. For many years, it was hidden behind a large fence sheltering it from the noise of traffic along Canterbury Road. It has been claimed that it incorporated part of the original farmhouse built on the site by George Klepper, who planted a vineyard in the area. George’s family was one of a number of German families who settled in Surrey Hills during the later part of the 19th century. In recent years Spenceycroft was sold several times and became increasingly derelict. Since its last sale, it has been demolished. Some of the above may be in error. Research is currently being undertaken to authenticate claims previously asserted.A black and white photograph of the rear of some buildings from Russell Street, at the rear of 'Spencecroft'.house names, spenceycroft, spencecroft, russell street, surrey hills, james rayment, (mrs) elizabeth rayment

This brochure lists areas of study available at each of NMIT's campuses around Victoria. Includes maps and photos of NMIT campuses.Small colour brochure, folds five pages into a square. Includes maps and photos of NMIT campuses.nmit campuses, nmit,

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. From Glen Eira Heritage Management Plan 1996 by Andrew Ward: In 1905, most of portion 27 was vacant land, however Glenferrie Street had been formed and the land subsequently subdivided. In 1906, Robert Joseph Haddon, architect and painter, designed and built for his private residence, a brick house on the west side. Haddon named the house "Anselm". Also built on the property were a garage and fibro cement studio. "Anselm" is architecturally important at the State level as a substantially intact, highly personalised and boldly expressed house expressive the Arts and Crafts movement and incorporating Art Nouveaux enrichment in a variety of forms, the use of ornamental terra cotta tiles to the comer tower being of special note. Its importance at the State level is strengthened by its place as the home of the noted architect and Melbourne's most influential exponent (Freeland, J.M., Architecture in Australia, p. 213) of the Art Nouveaux movement.https://vhd.heritagecouncil.vic.gov.au/places/4442 Victorian Heritage Register: What is significant? Anselm was designed by noted English born architect Robert Joseph Haddon(1866-1929) as his own house and constructed in 1906. A single storey Arts and Crafts influenced red brick house with attic, Anselm has a pyramidal slate roof with prominent chimney stacks. There is a octagonal corner tower with saucer shaped domed roof surmounted by a weather vane, and the tower has decorative terracotta panels immediately below the eaves line. The front door opens immediately into a large living or common room, screened from view by a timber and bottle glass screen. The large room was designed to function as a drawing and dining room. The house is rich with hand crafted details including door and window furniture, wrought iron gutter brackets, fireplaces (one with built in wood box), and fire tools. The interior decoration includes hand painted frieze of Port Phillip in the study, and a hand painted frieze of turbulent sea with sailing boats in the tiled bathroom. There is a small hand painted tile at the base of the tower which states ?This building was erected AD1906 from designs by Robt J Haddon FRIBA,Lond FRIVA Melb Architect?. He also designed an attic addition which was constructed in 1927. Anselm is substantially intact although the double casement window immediately to the south of the front door was originally circular....Page 60 of Photograph Album with three exterior photographs (one portrait and two landscape) of Anselm.Hand written: 4 Glenferrie Street [top right] / ANSELM 4 Glenferrie St [under top photo] / 60 [bottom right] trevor hart, anselm, art nouveaux, arts and crafts, tower, bay window, glenferrie street, robert joseph haddon, 1900's, terra cotta tiles, double storey, caulfield north, corner tower, gates, cast iron work

Sydney Joy (joy) Stewart (1925-2018) was a founding member of the Kew Historical Society, and during the 1970s its secretary. During her residence in Kew, she completed numerous property illustrations on commission. These ranged from preliminary sketches, including architectural details to finished pen & ink and wash illustrations on paper. On moving to Queensland, Joy Stewart donated the remaining property illustrations in her possession to the Kew Historical Society. In 1987-88, she fulfilled a commission by the Society of designs for a series of embroideries completed by residents during the Australian Bicentennial commemorations.Sydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.Pencil, pen & Ink sketch on paper of the pair of two-storey terrace houses at 14-16 Princess Street, Kew by the artist Joy Stewart. Inscription: "14-16 Princess Street, Kew". Signed lower right: "JStewart".joy stewart, princess street (kew)

In February 1913 the Ballarat Junior Technical School opened its doors to its 86 pupils. The old bluestone building in the grounds of the Dana Street Primary School became their temporary for eight years. In its early years the school offered only a two-year course. The first year was of a general nature giving a thorough grounding in Mathematics and Instrumental Drawing, and introducing students to the various branches of trade work. The second-year students studied for the Junior Technical Certificate and specialized in a course of their choice - either a trade (Woodwork or Fitting and Turning) or a course leading to higher studies at the School of Mines. The photograph shows the students outside the school building. Musical instruments, trophy and shield are shown. When World War 1 began, the school formed a 16 piece Bugle Band. A squad of Junior Cadets led by Mr A Williams and later Mr H Wakeling competed at the South Street contests. Mr A Steane (the Headmaster) is shown to the right of the bass drum.Black and white copy of original photograph that is mounted on brown card. Photograph shows the students and staff outside the bluestone building at Dana Street Primary School - first location of the Ballarat Junior Technical School. Drums, a shield and a trophy are located in the foreground. The Headmaster, Albert E. Steane is seated in the centre front row. ballarat junior technical school, bass drum, steane, drum, dana street primary school, bluestone, albert steane, a steane, dana st, world war 1, south street contests, junior cadets, williams, wakeling, bugle band, junior technical certificate, mathematics, instrumental drawing, woodwork, turning and fitting, dana street state school

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. Page 46 of Photograph Album with one photograph of Kinloch, a double storey house.Hand written: "Kinloch" 7 Cobden Street [top right] / 46 [bottom right] trevor hart, caulfield north, kinloch, cobden street, double storey houses, cars

Historical Plaques in the Greensborough shopping strip. The changing face of Main Street Greensborough. This group of photographs shown Main Street roughly from the current (2019) site of Pelligra Cakes in Main Street. Further information available on GHS website.The Main Street Plaques Project was undertaken by Greensborough Historical Society and made possible with a grant from the Greensborough RSL. Digital copy of colour photographmain street greensborough, main street plaques project