This Book belonged to Robert McIntyre Stawell Oct. 29th 1877Religion SongsA Brown Material. Soft cover with gold inscription on front contents songs of Gladness. Music and WordsRobert McIntyre Stawell Oct 29 1877stawell education

Newspaper - The City Weekly, issue 14, April 25 to May 1, 2002, containing an article titled "Tram Etiquette" and "Commuter fare blitz". Printed in full colour on gloss paper with a front cover in cartoon form of the things you should not do on a tram - Cartoon by Golding. Was a free newspaper. Magazine of Newspaper Covers City Real Estate, out on the town, Health and Beauty, entertainment, classifieds and careers. Page 6 - article titled "Commuter fare blitz" - about proposed checking of Metcards, but there were many complaints and issues with machines not working and legal challenges. Pages 8 and 9 - article "Tram Etiquette", with the sub-headings "in the absence of conductors, have we become confused about public behaviour on privatised trams". Looks at issues at how people use the tram system with photos of people using trams. Also has a side item with people's photographs titled "What's getting up people's noses on Melbourne trams?" Written by Bridget McManus, Pictures by Peter Weaving and Robert Hudson. Two copies held.trams, tramways, passengers, behaviour, trams, public transport, tickets, metcard, cartoons

The Norman Oliver collection. Norman Oliver was three times Mayor of Bendigo - 1950-51, 1964-65, 1970-71. One page letter with the letterhead of the Winston Churchill Memorial Trust, addressed to Cr N. J. Oliver, Lord Mayor of Bendigo, requesting his assistance with the raising of funds for the setting up of Churchill Fellowships. The letter is signed by Robert Menzies (R.G. Menzies)bendigo, council, norman joseph oliver , councillor norman oliver. mayor of bendigo. churchill fellowships.

Robert Greer was the Hall's Gap baker. He married Ida Warren and they had a daughter Rae. Robert & Ida inherited the bakery from Ida's father John Warren who established the business in 1929. For further details see Bridging the Gap, p.56Photo shows man (Robert Greer) in an apron standing outside his house.people, greer, buildings, bakery

Set of 23 colour slides of MMTB tramway substations and the Victoria St Office, by Robert Green Mar 1990. 1 - Carlton Substation - Queensberry St. 2 - Carlton Substation - Queensberry St. 3 - Coburg - Moore St 4 - Glen Huntly Depot substation 5 - Fitzroy - Young St. 6 - Fitzroy - Young St. 7 - Station St Camberwell 8 - Malvern Tram depot 9 - Brunswick Rd, Brunswick 10 - Brunswick Rd, Brunswick 11 - Brunswick Rd, Brunswick 12 - Holden St North Fitzroy 13 - Holden St North Fitzroy 14 - East Kew - High St. 15 - East Kew - High St. 16 - East Kew - High St. 17 - East Kew - High St. 18 - Little Bourke St Melbourne 19 - Former branch offices - Victoria Parade Fitzroy 20 - Former branch offices - Victoria Parade Fitzroy 21 - Former branch offices - Victoria Parade Fitzroy 22 - Former branch offices - Victoria Parade Fitzroy - 2004 23 - Former branch offices - Victoria Parade Fitzroy = 2004Yields information about Melbourne tramway substationsSet of 23 Kodak colour slides in plastic mounts.All slides have their location marked on them in black ink.tramways, mmtb, substations, carlton, queensberry st, coburg, glen huntly, north fitzroy, young st, camberwell, malvern depot, brunswick road, brunswick, holden st, east kew, little bourke st, branch offices, victoria parade

Number of parts: 16. Hardness scale, probably bought by McCoy for his first lecture course in the 1850s stored in wooden box

Presumed to have been made by the family of Mrs. Jean Snow who donated this item. This is a classic example of the tradition of "making do" , of creating new uses for older items or bits of scrap. A pillow case made from four porridge bags which have been opened out and stitched together. The name of the porridge manufacturer is evident on the pillow case, Robert J Terry.Robert J Terry N D M B A N (Eng)pillow- case making-do depression-creativity

A brief summary of The Anderson Family History from arrival of early pioneer Robert Coxon Anderson on the Island.Summary of the Anderson Family History, Robert Coxon Anderson and Glen Isla.local history, documents-family history, history of family - buildings the anderson family, phillip island, black type on white paper, mrs emma anderson jacobs, family history

Bill Gribble (right) presents Steven Roberts with the Bendix Mintex Scholarship at the Ballarat School of Mines.Typed on a sticker adhered to the back : BENDIX MINTEX SCHOLARSHIP presentation at SMB Steven Roberts and Mr W.J. Gribble 8th October, 1984.ballarat school of mines, scholarship, bendix mintex, bendix mintex scholaship, bill gribble, gribble, w.j. gribble, steven roberts

"Extract from the Border Standard of June 10th 1933, Textile Institute Conference, Important Lecture by former Gelashiels College Principal, Dr T Oliver, on the human element in industry ""Extract from the Border Standard of June 10th 1933, Textile Institute Conference, Important Lecture by former Gelashiels College Principal, Dr T Oliver, on the human element in industry"textile industry, oliver, dr t

Norman J Oliver was a chemist/pharmacist who offered photographic services from 498 Hargreaves St and later from 288 Hargreaves St. L. Mellor was later a mayor of Bendigo elected in 1939. He was the Country Party's endorsed candidate for the State Election in 1947.10564 photograph of the original B&W photo of an unknown boy playing on engines and unused metal works. Norman J. Oliver photograph packet.L. Mellor on rear of photographer's packetnorman oliver, bendigo photographer

Set of 17 colour slides of tramway shelters, poles, and substations by Robert Green c1990. Shelters by the PMTT, HTT and MMTB 1 Tramway Shelter (PMTT) - Cnr Balaclava and Orrong Road, Caulfield 2 - ditto 3 - Tramway Shelter (PMTT) - Cnr. Cotham Road and Burke Road, Deepdene 4 - Tramway Shelter (PMTT) - Cnr. Cotham Road and Burke Road, Deepdene with telephone box alongside. 5 - Cnr. Malvern Rd and Orrong Road, Toorak 6 - Cnr. Malvern Rd and Orrong Road, Toorak 7 - Cnr. Dandenong Road and Hawthorn Road, Caufield 8 - ditto 9 - PMTT Substation - Rusden Street, Elsternwick 10 - PMTT poles cnr. Dandenong Road and Wattletree Road 11 - Tram shelter (HTT) Riversdale Road and Highfield Road - Camberwell - Highfield Park 12 - Tram shelter (HTT) Riversdale Road and Wattlevalley Road, Camberwell 13 - ditto 14 - Tram shelter (HTT) Camberwell Road, cnr Bowen St. Camberwell. 15 - Tram Shelter (HTT) Camberwell Depot, Riversdale Road, Hawthorn 16 - Merri Creek Bridge, St. Georges Road, North Fitzroy 17 - Merri Creek Bridge, St. Georges Road, North Fitzroy - foundation stone Yields information about Melbourne's tramway stop shelters and other infrastructure.Set of 17 Kodak colour slides in plastic mounts.tramways, shelters, caufield, deepdene, toorak, orrong road, cotham road, balaclava road, pmtt, htt, mmtb, riversdale road, camberwell depot, merri creek bridge, foundation stone, dandenong road, poles, rusden st, substations, hawthorn road, st.georges road

Robert JENYNS (1944 - 16/11/2015) Born Melbourne, Victoria Bob Jenyns' career spanned over four decades. Producing sculptures, prints, drawings, and paintings hee has participated in many of Australia's most significant art exhibitions including the first Biennale of Sydney (1973), the 1973, 1975 and 1978 Mildura Sculpture Triennials, the 1981 Australian Perspecta, the 2nd Australian Sculpture Biennale, and the 1990 Sculpture Triennial. Jenyns was a finalist in the 2006 Helen Lempriere National Sculpture Award, and in 2007 won the award with his work Pont de l'archeveche. At the age of 16 Jenyns studyied advertising art at the Caulfield Institute of Technology. He then studied fine art with artist/teachers including Ken Scarlett, Kenneth Jack and Fred Cress, and night life drawing classes at the National Gallery schools under John Brack. After graduating the 20 year old Jenyns taught sculpture and carving at Aspendale Technical School (Melbourne). Two years later he moved to Daylesford and where he taught art until 1978, having received teaching qualifications from Hawthorn Teachers College in 1972. From 1979 Jenyns was based in Tasmania, initially lecturing in sculpture at the Tasmanian School of Art and later serving as head of the sculpture department until 2005. Gift of the Jenyns family, 2021Painting of a red truck painted onto a stretched canvas.truck, bob jenyns, robert jenyns, transport, available

The Norman Oliver collection. Norman Oliver was three times Mayor of Bendigo - 1950-51, 1964-65, 1970-71. Four typed pages of notes for a vote of thanks speech. Stapled. Undated, however the vote of thanks is for the outgoing Mayor and Mayoress of Bendigo, Cr and Mrs Robert Poulston, and it appears that Oliver is to succeed him. This would date the speech to 1950. Poulston was Mayor 1949-50 and 1954-55.bendigo, council, speech notes, norman joseph oliver , councillor norman oliver. councillor robert poulston. mayor of bendigo.

Outlines the Roberts family's arrival in Greensborough, their early activities and mentions their childhood activities. Written by Elaine Drakeford (nee Roberts).Records an era when Greensborough was starting to attract more outside people and the things people did during the war years to get by.Three page handwritten quarto document outlining a brief history of the Roberts family in Greensborough during the 1939-45 war. Pencil notes on top of first page.world war 2, roberts family, drakeford family, grimshaw street greensborough

Book. ALEC H CHISHOLM COLLECTION. 158 page hardback with a pale green cover. An illustrated anthology of the Australian landscape by Robert Henderson Croll. Comprises a series of articles about trekking through the Australian bush, mainly in Victoria. Includes 7 Band W photos. Published c1930 by Robertson & Mullins Ltd., Melbourne and printed by Ebenezer Baylis & Son Lt., Worcester, England. Handwritten in ink on the flyleaf ''A. H. Chisholm A good companion along the track. Regards R. H. Croll''Robert Henderson Crollbooks, collections, australiana, alec h chisholm collection, robert henderson croll, bush walking, australiana

Originally stored at Ringwood Council offices, then taken to PROV.Only source of ratepayers in the Borough of RingwoodDigital imagesHygeia Parade, Ringwood. Pinemont Estate. For Robert Dunford, Winnie Kerr, Olive Miller, Jessie Bond and Gerald Papas.

"Oliver" is a musical in two acts, music and lyrics by Lionel Bart based on the novel 'Oliveer Twist' by Charles Dickens.Bendigo Operatic Socety Souvenir Music Programme for "Oliver" - a musical in 2 acts for the Society's twentieth year of production, opening for 8 nights commencing Wednesday 13th June, 1973 in the Capital Theatre - A5 booklet with 16 pages - booklet consisting of lists of individuals participating and organizing the concert, advertisements, acknowledgments, synopsis of story and scenes. Included also are cast, musical numbers and Orchestra.programme, concert, bendigo operatic society, capital theatre

Methodist Tennis Club Premiers C. Grade S.D.T.A. 1931 photograph presented to Mr. H. Oliver. Back row Mrs. Bert Newton, Mrs. Belle Homes, Miss M. Newton, Miss A. Pope. Front Row H. Oliver, I. Newton, D. Lindsay, K. McMullen.Black & white photo of group of 4 females (standing) and 4 males (seated) with 2 tennis racquets and 2 tennis balls.Presented to Mr. H. Oliver From The Methodist Tennis Club. Premiers C. Grade S.D.T.A. 1931 stamp on back of card, W.J. Chapman Photo Artist Stawellstawell sport

The 1946-7 Tax Assessment is for Mr Robert C WATTERS of 400 Williamstown Road, Port Melbourne.60189/993robert cornelius watters, finance

Reminiscences of Box Hill and South Blackburn by Robert CreekReminiscences of Box Hill and South Blackburn by Robert Creeklocal history, creek robert, maple street box hill no. 9, blackburn south state school no. 4035, middleborough road blackburn south, canterbury road blackburn south

The beginning of standardised weights and measures began In Victoria when the Melbourne Observatory received sets of standard weights and measures, which had been tested in Britain against the then British Imperial standards. These included the primary standard yard and pound for the Colony of Victoria. Other standards of weights and measure held by shires and the administrative body's within the colony could then be compared to these primary standards. A Weights and Measures Act was passed in Victoria in 1862, establishing local inspectors throughout the colony. By the 1870s each local council and shire in Victoria held a set of standards that were used to test scales, weights and dry measures used by wholesalers, factories and shops. Every ten years the councils’ standards would themselves need to be rechecked against the Victorian Standards. The checking was done by the Victorian Customs Department in the 19th century, but with the transfer of responsibility for customs to the Federal Government in 1901, weights and measures function was retained by the Victorian Government and was shifted to the Melbourne Observatory. In 1904, a new building was erected at the south end of the Great Melbourne Telescope House, where the standard weights and measures and testing equipment was installed. This room had a large whirling apparatus for testing air meters and became known as the Whirling Room. When the Melbourne Observatory closed in 1944, the Weights and Measures Branch was formed to continue and this branch remained at the Observatory site unit until 1995. J & M Ewan History: J&M Ewan was a Melbourne firm that began by selling retail furniture and wholesale ironmongery. They had substantial warehouses situated at the intersection of 81-83 Elizabeth and Little Collins Streets, the business was established by James M Ewan in 1852. Shortly afterwards he went into partnership with William Kerr Thomson and Samuel Renwick. When Ewan died in 1868 his partners carried on and expanded the business under his name J & M Ewan. The business was expanded to provide a retail shop, counting-house and private offices. Wholesale warehouses adjoined these premises at 4, 6 and 10 Little Collins Street, West. This company provided and sold a large and varied amount of imported goods into the colony that consisted of agriculture equipment, building materials, mining items as well as steam engines, tools of all types and marble fireplaces. They also supplied the Bronze measuring containers in the Flagstaff Hill collection and the probability is that these containers were obtained by the local Melbourne authority that monitored weights and measures in the mid to late 19th century. The company grew to employ over 150 people in Melbourne and opened offices at 27 Lombard St London as well as in New Zealand and Fiji. The company also serviced the Mauritius islands and the pacific area with their steamship the Suva and a brig the Shannon, the company ceased trading in 1993. Robert Bate History: Robert Brettell Bate (1782-1847) was born in Stourbridge, England, one of four sons of Overs Bate, a mercer (a dealer in textile fabrics, especially silks, velvet's, and other fine materials)and banker. Bate moved to London, and in 1813 was noticed for his scientific instrument making ability through the authority of the “Clockmakers Company”. Sometime in the year 1813 it was discovered that one Robert Brettell Bate, regarded as a foreigner in London had opened a premises in the Poultry selling area of London. He was a Mathematical Instrument maker selling sundials and other various instruments of the clock making. In 1824, Bate, in preparation for his work on standards and weights, leased larger premises at 20 and 21 Poultry, London, at a rental of four hundred pounds per annum. It was there that Bate produced quality metrological instruments, which afforded him the recognition as one of one of the finest and principal English metrological instrument-makers of the nineteenth century. English standards at this time were generally in a muddle, with local standards varying from shire to shire. On 17 June 1824, an Act of Parliament was passed making a universal range of weights, measures, and lengths for the United Kingdom, and Bate was given the job of crafting many of the metrological artifacts. He was under instruction from the renown physicist Henry Kater F.R.S. (1777-1835) to make standards and to have them deposited in the principal cities throughout the United Kingdom and colonies. Bate experimented with tin-copper alloys to find the best combination for these items and by October 1824, he had provided Kater with prototypes to test troy and avoirdupois pounds, and samples with which to divide the troy into grams. Bate also cast the standard for the bushel, and by February 1825, had provided all the standards required of him by the Exchequer, Guildhalls of Edinburgh, and Dublin. In 1824, he also made a troy pound standard weight for the United States, which was certified for its accuracy by Kater and deposited with the US Mint in 1827. Kater, in his address to the Royal Society of London, acknowledged Bate's outstanding experimentation and craftsmanship in producing standards of weights, measures, and lengths. An example of a dry Bronze measuring container made specifically for J & M Ewan by possibly the most important makers of measurement artefacts that gives us today a snapshot of how imperial weights and measures were used and how a standard of measurement for merchants was developed in the Australian colonies based on the Imperial British measurement system. The container has social significance as an item retailed by J & M Ewan and used in Victoria by the authorities who were given legal responsibility to ensure that wholesalers and retailers of dry goods sold in Victoria were correct. The container was a legal standard measure so was also used to test merchants containers to ensure that their distribution of dry goods to a customer was correct.Maker Possibly Robert Brettell Blake or De Grave, Short & Co Ltd both of LondonContainer bronze round shape for measuring dry quantities has brass handles & is a 'half-bushel' measurement"IMPERIAL STANDARD HALF BUSHEL" engraved around the top of the container. VICTORIA engraved under "J & M Ewan & Co London and Melbourne" engraved around the bottom of the container.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, standard measure, bronze, peck measurement, j & m ewan, victorian standard dry measurement, bronze container, victorian standards, melbourne observatory, robert brettell bate

The beginning of standardised weights and measures began In Victoria when the Melbourne Observatory received sets of standard weights and measures, which had been tested in Britain against the then British Imperial standards. These included the primary standard yard and pound for the Colony of Victoria. Other standards of weights and measure held by shires and the administrative body's within the colony could then be compared to these primary standards. A Weights and Measures Act was passed in Victoria in 1862, establishing local inspectors throughout the colony. By the 1870s each local council and shire in Victoria held a set of standards that were used to test scales, weights and dry measures used by wholesalers, factories and shops. Every ten years the councils’ standards would themselves need to be rechecked against the Victorian Standards. The checking was done by the Victorian Customs Department in the 19th century, but with the transfer of responsibility for customs to the Federal Government in 1901, weights and measures function was retained by the Victorian Government and was shifted to the Melbourne Observatory. In 1904, a new building was erected at the south end of the Great Melbourne Telescope House, where the standard weights and measures and testing equipment was installed. This room had a large whirling apparatus for testing air meters and became known as the Whirling Room. When the Melbourne Observatory closed in 1944, the Weights and Measures Branch was formed to continue and this branch remained at the Observatory site unit until 1995. J & M Ewan History: J&M Ewan was a Melbourne firm that began by selling retail furniture and wholesale ironmongery. They had substantial warehouses situated at the intersection of 81-83 Elizabeth and Little Collins Streets, the business was established by James M Ewan in 1852. Shortly afterwards he went into partnership with William Kerr Thomson and Samuel Renwick. When Ewan died in 1868 his partners carried on and expanded the business under his name J & M Ewan. The business was expanded to provide a retail shop, counting-house and private offices. Wholesale warehouses adjoined these premises at 4, 6 and 10 Little Collins Street, West. This company provided and sold a large and varied amount of imported goods into the colony that consisted of agriculture equipment, building materials, mining items as well as steam engines, tools of all types and marble fireplaces. They also supplied the Bronze measuring containers in the Flagstaff Hill collection and the probability is that these containers were obtained by the local Melbourne authority that monitored weights and measures in the mid to late 19th century. The company grew to employ over 150 people in Melbourne and opened offices at 27 Lombard St London as well as in New Zealand and Fiji. The company also serviced the Mauritius islands and the pacific area with their steamship the Suva and a brig the Shannon. Robert Bate History: Robert Brettell Bate (1782-1847) was born in Stourbridge, England, one of four sons of Overs Bate, a mercer (a dealer in textile fabrics, especially silks, velvet's, and other fine materials)and banker. Bate moved to London, and in 1813 was noticed for his scientific instrument making ability through the authority of the “Clockmakers Company”. Sometime in the year 1813 it was discovered that one Robert Brettell Bate, regarded as a foreigner in London had opened a premises in the Poultry selling area of London. He was a Mathematical Instrument maker selling sundials and other various instruments of the clock making. In 1824, Bate, in preparation for his work on standards and weights, leased larger premises at 20 and 21 Poultry, London, at a rental of four hundred pounds per annum. It was there that Bate produced quality metrological instruments, which afforded him the recognition as one of one of the finest and principal English metrological instrument-makers of the nineteenth century. English standards at this time were generally in a muddle, with local standards varying from shire to shire. On 17 June 1824, an Act of Parliament was passed making a universal range of weights, measures, and lengths for the United Kingdom, and Bate was given the job of crafting many of the metrological artifacts. He was under instruction from the renown physicist Henry Kater F.R.S. (1777-1835) to make standards and to have them deposited in the principal cities throughout the United Kingdom and colonies. Bate experimented with tin-copper alloys to find the best combination for these items and by October 1824, he had provided Kater with prototypes to test troy and avoirdupois pounds, and samples with which to divide the troy into grams. Bate also cast the standard for the bushel, and by February 1825, had provided all the standards required of him by the Exchequer, Guildhalls of Edinburgh, and Dublin. In 1824, he also made a troy pound standard weight for the United States, which was certified for its accuracy by Kater and deposited with the US Mint in 1827. Kater, in his address to the Royal Society of London, acknowledged Bate's outstanding experimentation and craftsmanship in producing standards of weights, measures, and lengths. An example of a dry Bronze measuring container made specifically for J & M Ewan by possibly the most important makers of measurement artifacts that gives us today a snapshot of how imperial weights and measures were used and how a standard of measurement for merchants was developed in the Australian colonies based on the Imperial British measurement system. The container has social significance as an item retailed by J & M Ewan and used in Victoria by the authorities who were given legal responsibility to ensure that wholesalers and retailers of dry goods sold in Victoria were correct. The container was a legal standard measure so was also used to test merchants containers to ensure that their distribution of dry goods to a customer was correct. Bronze round container with brass two handles used as a legal standard for measuring dry quantities & is a 'peck' measurement. "IMPERIAL STANDARD PECK" engraved around top of container with " VICTORIA" engraved under.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, standard measure, bronze, peck measurement, j & m ewan, victorian standard dry measurement, bronze container, victorian standards, melbourne observatory, robert bettell bate

Early Settlers in Numurkah Shire - Mr & Mrs Robert HattyBlack & White photo in stained wooden frame with glass, showing Mr & Mrs Robert Hattyhatty, early settlers, portrait, photo

Uniforms for the 1992 Barcelona Olympic Games were designed by Wendy Powitt in conjunction with the AWC. Doug Pleasance, donor of these items, worked for the AWC and closely with Wendy Powitt, obtaining these uniform examples. About the Olympic Uniforms Doug wrote- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by T D Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to spot the Aussie and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.8142.1 - Olive green long wool/nylon blend socks without packaging. 8142.2 - Olive green long wool/nylon blend socks in packaging.8142.2 - On packaging- "Shoe size Kingsize11-14." "Wool Rich Blend." "HOLEPROOF HEROES" "Help put Australia back on its feet." On reverse of packaging- "If every Australian bought just two pairs of Holeproof Heroes we could help save our wool industry and put this country back on its feet." "Made in Australia." "CARE INSTRUCTIONS. warm machine wash. Wash and dry inside out. Wash dark colours separately. Do not bleach. Warm tumble dry. Dry without delay. 60% Wool 40% Nylon." Separate sticker label- "HOLEPROOF HEROES. Summer Winter Wool."1992 barcelona olympics, sport, athletes, fashion, design, uniform

Book. ALEC H CHISHOLM COLLECTION. 158 page hardcover book of an account of the author's wanderings in Central Australia. Illustrated with 37 B & W photographs. Published in 1937 by Angus & Robertson, Ltd, Sydney and printed by Halstead Press P/L, Sydney. Catalogue sticker ''2200 CRO'' on spine. Handwritten in ink on flyleaf ''To my good friend Alick Chisholm in appreciation R. H. Croll Camberwell E6 25/9/37''. Handwritten in pencil on title page ''Robert Henderson Croll''Robert Henderson Crollbooks, collections, travel, alec h chisholm collection, robert henderson croll, australiana, central australia

Robert Ulmann who was born in Switzerland, came to the Western District in the 1970’s and was well known in the district for his paintings of wildlife. He also has some sculptural pieces around Warrnambool. He died suddenly in 1999. This piece is a sketch of the Flagstaff precinct.A local scene sketched by a local well known artist.Tan paper with cream drawing. The drawing is a scene of Flagstaff Hill with cannon in the foreground and lighthouse keeper”s cottage and lighthouse in the background. In brown timber frame with white edge. Signed by Robert Ulmann 1975.warrnambool, robert ulmann, ulmann painting, flagstaff hill print,