Unknown provenance.Coffee-coloured cotton and chiffon evening gown. Net yoke with vertical pintucks and high neck. Pintucked bodice. Trim of meadering cream cord bordered on either side, around yoke, waist, shoulders, cuffs and down centre of skirt. Printed on interior of bodice: "Professional & Civil Service Supply Association / 80 George Street Edinburgh".Printed on interior of bodice: "Professional & Civil Service Supply Association / 80 George Street Edinburgh".1900s

Alice Bertha Schwerkolt was the second daughter of Louis and Francesca (nee Both) and the granddaughter of August Johann and Paulina Schwerkolt. In 1913 she married William Tanner.|The donor Rosemary Tanner had married Edgar William Tanner and is the daughter-in-law of Alice Bertha.Framed sepia photograph of Alice Bertha Schwerkolt ( 1891-1954) in an afternoon gown. Photo taken at age 20 in 1911.|The gown is waisted, with a high neck with a brooch at throat. It has long sleeves with a pigeon point front and a 'hobbled' band of lace around the skirt at knee height. Decorated with lace on front of bodice, collar and 'hobbled' band.schwerkolt, alice bertha, schwerkolt, louis, schwerkolt, francesca, schwerkolt, johann august, schwerkolt, paulina, tanner, rosemary, tanner, edgar, ronald

Black and white photograph of Bert Henning, Jack Harbeck, Tom Todd, Arthur Henning, Jack Mitchelson, Eric Carstairs, Harry Bennett, Frank Duggan members of Surf Life Saving Club wearing ribbon skirts, neck adornments and headdress bows, dancing a conga inline type dance on beach. Lakes Entrance Victoriavolunteering, community services, surf lifesaving

Mary May was born in Bedfordshire, England in 1839 and migrated to Victoria with her parents, brothers and sisters in 1852. She married Ambrose Murrell in 1855, and they had seven children. Mary and Ambrose Murrell bought the Victoria Hotel in Linton in 1881. After Ambrose died in 1891, Mary continued to run the hotel with the assistance of her daughter Caroline, but it is understood that around the time Caroline married in 1910, Mary sold the hotel and bought the Linton Newsagency. It is not clear whether she managed the newsagency, as it was run by her son William (Bill) Murrell from about 1912, and later by his daughter Carrie Murrell. Mary Murrell died in 1928, age 94.Enlarged black and white copy of original photograph which has been mounted on white card. The photograph shows an older lady wearing a full-length skirt and a knitted jumper and holding a bundle of sticks (?) with both hands. She has been photographed outside, near a shed or garage. There are trees in the background. Mary Murrell, née May.mary murrell née may

In the early 19th century, infant baptismal gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.Simple fine, white cotton petticoat used underneath an outer christening gown. The petticoat uses the same silhouette as the gown. The sleeveless bodice is held up by shoestring straps at the shoulder. Gathered fabric at the waist creates volume as an undergarment. Six bands of decorative horizontal pleating are used in the lowest section of the skirt as well as a scalloped hem.christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life

Irregular shaped white, embossed card with floral and geometric design. It has a blue edge. In the centre is a coloured sticker with a lady and a girl outside their door. The lady has a red skirt, white apron, brown blouse & shoes, and a blue scarf on her head. She is holding a blue bottle. The girl has a pink skirt, white blouse & apron and a blue vest. She is holding a basket. There is also a hen and a rooster in the picture. Above the picture is a gold circle with an eight pointed star inside it. Below the picture is a gold and white sticker with 'Dearest I am Truly Thine Own' printed in mauve. Inside the card is some dried fern held in place with a sticker . It has a girl wearing a red dress sitting down and a brown and white dog sitting beside her.person, greeting cards, malone collection, malone collection, greeting cards

Clothing. Infant's cream coloured silk coat with yoke front and back. Fold over collar (12 cm) with embroidered flowers on the front with embroidered zig zag edging. Round neckline with casing threaded with 1.8 cm patterned silk ribbon. Yoke sections lined with cotton fabric. Long sleeves gathered all shoulders, with embroidered pattern at wrist with 1.7 cm lace trim. Full length front opening with embroidered zig zag edging that continues around hemline of garment. Floral embroidered patterns across the back of the skirt above the hemline, and at the lower corners of the front panels. Front opening fastened with silk ribbon ties at neckline and one X 1.5 cm button at lower edge of yoke. Gathered skirt is unlined.costume, children's, infant's cream coloured silk coat

This dress is believed to have been worn on the Goldfields of Victoria. The discovery of gold in Victoria ranged between 1851-1879. This dress is believed to have been worn on the Goldfields of Victoria. There are few remaining examples of clothing worn on the Victorian goldfields.A circa 1878 two piece dress consisting of bodice (.1) and skirt (.2). The eau de nil (green) corded silk dress features a high round neckline that secures with hook and eye fastenings and decorative buttons through the length of the princess line bodice to the band around the hem. A watch pocket sits just below the waistline on the left hip. The three-quarter sleeves are narrow with kilted pleat trim on the lower edge and decorative buttons. At the back of the dress is asymmetric in its cut. The dress splits along the right hand side and finishes shorter with pleating and has a decorative pocket. A bow sits at the top of the split. The underskirt fastens on the left hip and features kilted pleats along the base of the skirt and train. The train features additional fullness created by a section of gathering in the centre.victorian goldfields, asymetrical victorian dress, princess line, 1870s fashion

Newspaper Clipping from "The Mail", 12-12-95. P 4 "Maroondah players"'. George ArundelBagpipe player George Arundel thinks there is something special about a man with a beard dressing up in a skirt and playing the pipes. "It's the theatrics of it all that I love", Mr Arundel, a member of the Ringwood Highland Pip[e Band, said. Mr Arundel began playing the bagpipesas a boy growing up in Glasgow in 1966, and has been playing them ever since.

Lily and William Wishart lived during this period in 'Noranook', Fernhurst grove, Kew. There are numerous contemporary accounts of the social and civic activities of Lily Wishart as mayoress of Kew. In a description of a 'Mayoral At Home' in the Kew Recreation Hall, a report in The Australasian (10 Aug 1907, p.46) described the event thus: MAYORAL AT HOME In the Kew Recreation-hall on Thursday evening the Mayor and Mrs. W. Wishart gave an at home to between two and three hundred guests. ... Prior to the musical programme, the mayor and mayoress held a reception, standing on a dais at one side of the room. Mrs. Wishart was gowned in black glace silk, trimmed with handsome lace applique, and she wore a cream Maltese lace scarf over her shoulders, and held a bouquet of cardinal carnations.' This may be the dress in the collection. Another interesting and relevant report is an account in The Argus (19 March 1907, p.6): 'WOMEN'S WORK EXHIBITION The mayoress of Kew (Mrs. W. Wishart) invited the ladies of the district to meet in the mayor's room, town-hall, Kew, at half past 3 o'clock tomorrow afternoon, to consider steps to be taken locally in support of the proposed Exhibition of Women's Work.'The dress is locally significant as the work of a skilled home-dressmaker in Kew, who was also a leading civic figure in the municipality. One tends to think of amateur dressmakers as women who could not afford to purchase clothes from a retailer. Clearly, 'women's work' and the skills that educated and wealthy women acquired in the period allowed them to fashion their own garments.Full length evening dress in four parts. Undergarments include two items: a basic black silk petticoat and an upper black silk slip, the latter with two bands of ruffles. The lace dress is in two parts: a bodice and a skirt. The black, high-necked bodice is constructed of silk organza to which guipure lace has been extensively applied. The bodice has long puffed sleeves, gathered on the forearm to form a wide band of lace and ribbon at the wrist. The skirt is constructed of the same black fabric with descending bands of gathered black silk ribbon, used as ornamentation. The skirt also features a long train. Apart from the donor information about its provenance, the style of the dress can confidently be dated to the period 1900-1910. The dress was made and worn to civic functions by Mrs Lily Wishart, Mayoress of Kew in 1906-7. Earlier items belonging to William and Lily Wishart entered the collection as early as 2002. The dress was donated by a descendant of a friend of Lily Wishart in 2020. The photograph of the dress and its components attached to the record needed to be digitally enhanced so that details of the dress could be viewed online, as the fabric of the dress is an intense black. A physical assessment of the dress is included in the condition report.fashion & design collection - kew historical society, australian fashion - 1900s, evening dresses, lily clara wishart, fashion design, fashion -- 1900s

This bridesmaid's dress was owned and first worn by Alice Frances Henty, the daughter of Francis Henty and Mary Ann (Lawrence) Henty. The outfit was worn at the marriage of her friend Miss Hopkins to Mr ST Staughnton in 1874. Alice's father, Francis Henty, was the youngest son of Thomas Henty, who with his family, their retainers and property moved to the Australian colonies between 1829 and 1832. In 1834, Francis’ older brother, Edward, sailed from Launceston in Van Diemen’s Land to what was to become Portland in the western part of Port Phillip District [Victoria]. Francis, together with the first flock of Merino sheep [in Victoria], followed some months later. The first and second generations of the Henty family established vast pastoral properties in the Western part of the Port Phillip District. Francis Henty managed ‘Merino Downs’ near Casterton, while also living in his retirement at ‘Field Place' in Kew. The Henty Collection of nineteenth and twentieth century clothing, including outerwear and underwear, was collected, stored and exhibited over time by female family members descended from Francis and Mary Ann Henty. During the twentieth century, items from the collection were modelled in two fashion parades by various descendants [1937, 1959]. The items in the collection are historically and aesthetically significant, with provenance provided by oral and written tradition within or held by the family. A number of the items in the collection are very rare survivors, and provide researchers with the evidence needed to reconstruct the lives of notable women in the Port Phillip District [later Victoria] during the nineteenth and early twentieth century.An ivory silk skirt and matching jacket worn by Alice Henty, aged 22, at the marriage of her friend Lizzie Hopkins and S.T. Staugnton in 1874. The ivory silk satin peplum jacket is boned, tailored, and fitted with many princess line panels. The front closure has handmade embroidered buttonholes and covered buttons. The collar and sleeves are decorated with gathered silk tulle frills. The peplum back features a silk cord bow decoration. The skirt with bustle and train features a central panel with hand ruching and silk satin piping. It is decorated with five rows of pleated silk tulle frills. Measurements (mm): PEPLUM JACKET Girth - Neck 317.5, Chest 914.4, Waist 698.5, Hip 965.2, Cuff 279.4, Hem circumference 1168.4. Vertical - From neck to hem 558.8, Front waist to hem 254, Back neck to hem 838.2, Back waist to hem 241.3, Sleeve length 279.4. Horizontal - Neck to sleeve head 165.1,Cross back 292.1, Underarm to underarm 393.7. SKIRT Girth - Waist 635, Hip 914.4, Hem circumference 3810. Vertical - Front waist to hem 1092.2, Back waist to hem 1701.8. fashion -- 1870s, alice frances (henty) hindson, women's clothing, bridesmaid's dresses

Uniform items issued to "BROWNE" Service No. F3207137.Garments - dark green colour wool and polyester fabric. 1. Jacket - Winter service dress jacket - collarless, with two curved inset pockets at hip. Four gold colour plastic buttons with shank and metal safety pin. Buttons have raised emblem "Australian Army Psychology Corps". Dark green colour polyester fabric lining. Manufacturer's label at back below neckline. White cotton label. 2. Skirt - Winter Service Dress skirt. A-line skirt, narrow waistband, five belt loops. front of skirt pair of box pleats. Rear at waist, nylon and metal zipper and dark green plastic button. Dark green colour polyester fabric lining. Manufacturers label sewn to waistband lining. 3. Belt - self fabric belt with gold colour plastic buckle. 4. Slacks - Winter Service dress slacks - full length with five belt loops, front nylon and metal zipper fly, dark green colour plastic button at waist, Manufacturer's labels two outside back. 5. Belt - self fabric belt with keeper and metal press stud. 6. Hat - Service dress hat - dark green colour fabric split brim, turned down at front and up at rear with light green colour fabric three panel crown. Light green half hat band with a rising pointed peak at front attached with black elastic. Interior - black velveteen sweatband lining, crown lining dark green polyester fabric. Manufacturer's label sewn rear lining. Manufacturer's labels - black ink print. 1.& 2. "A.G.C.F. ^/VICTORIA 1981/ 8410-66-096-5154/ SIZE 14 AVE HEIGHT/FULL HIP/ 90cm BUST/ 70 cm WAIST 100 cm HIPS/ Wool & polyester/ Garment/ NAME / SERVICE NO" With garment care instructions. Handwritten - blue ink pen "BROWNE/ F3207137" 4. " A.G.C.F. VICTORIA 1984 ^ 1984/ 8410-66-096-5173 SIZE 14 AVE HGT/ AVE HIP Waist 70 cm/ Hip 96 cm/Name/ Service No". With garment care instructions. Outside back - 'THIS TAG IS FOR IDENTIFICATION PURPOSES ONLY/ PLEASE REMOVE BEFORE WEARING" with printed and handwritten information. 6. "EMERCO VIC./ ^/ 8410-66-097-4922/ SIZE 56/ NAME/ SERVICE NO".passchendaele barracks trust, uniform, winter service dress, army, browne

This printed tinplate candle holder appears to have been made in Australia from the middle of 1915 and was available for private purchase to Australian troops (including Light Horse) prior to their departure overseas in WWI. The purpose of the tin was to ensure the contents were kept dry and readily available. The lid also aided in shielding the direct flame of the candle.Used by Australian troops in WWIRectangular tin with hinged lid. The lid is illustrated with a coloured image of three Australian soldiers at camp (WWI era) with the words 'Camp Pocket Candlestick - A Soldier's Friend'. The border of the lid is decorated in a daisy pattern. The body of the tin is decorated in a monotone green tartan, with the base displaying a small panel entitled 'Patented 19-7-15 No 16856'. Inside the tin is coloured olive green, with a fitted pressed tin circular candle holder, located over a hole in the base, and a folded tin match holder. A half used white wax candle is contained within.Camp Pocket Candlestick - A Soldiers Friend Patented 19-7-15 No 16856candlestick, soldier's friend, camp pocket, wwi

Yields information about the style and printing of tickets used in Ballarat and Bendigo tramways and how they were presented.Block of about 2 tickets - orange ink on off white paper, denomination 3d, over printed "CITY SECTION" in black ink, numbered A010598 - 10599, headed State Electricity Commission of Victoria, Provincial Tramways. Originally a block of 200 tickets been stapled onto a heavy cardboard back with a heavy metal staple and a small cardboard retaining strip at the top of the ticket. The ticket number is in black ink while the "A" prefix is in orange. On rear in orange ink is a diagonal criss cross or tartan pattern. See Alan Bradley's notes "Fares in Ballarat"trams, tramways, secv, tickets

Yields information about the style and printing of tickets used in Ballarat and Bendigo tramways and how they were presented.Block with two remaining tickets - red ink on off white paper, denomination 8d, numbered A801798 - 99, headed State Electricity Commission of Victoria, Provincial Tramways. Originally a block of 200 tickets been stapled onto a heavy cardboard back with a heavy metal staple and a off white coloured cardboard retaining strip at the top of the ticket. The ticket price is in red ink while the ticket number itself is in black ink. On rear in red ink is a diagonal criss cross or tartan pattern. See Alan Bradley's notes "Fares in Ballarat" trams, tramways, secv, tickets

Yields information about the style and printing of tickets used in Ballarat and Bendigo tramways and how they were presented.Block with three remaining tickets - teal ink on off white paper, denomination 6c 7d, numbered A266397 - 99, headed State Electricity Commission of Victoria, Provincial Tramways. Originally a block of 200 tickets been stapled onto a heavy cardboard back with a heavy metal staple and a off white coloured cardboard retaining strip at the top of the ticket. The ticket price is in teal ink while the ticket number itself is in black ink. On rear in teal ink is a diagonal criss cross or tartan pattern. See Alan Bradley's notes "Fares in Ballarat" trams, tramways, secv, tickets

Yields information about the style and printing of tickets used in Ballarat and Bendigo tramways and how they were presented.Block with two remaining tickets - red ink on off white paper, denomination 2d, numbered 043398 - 99W, headed State Electricity Commission of Victoria, Provincial Tramways. Originally a block of 200 tickets been stapled onto a plain cardboard back with a heavy metal staple and a off white coloured cardboard retaining strip at the top of the ticket. The ticket price is in red ink while the ticket number itself is in black ink. On rear in red ink is a diagonal criss cross or tartan pattern. Alan Bradley's notes "Fares in Ballarat" trams, tramways, secv, tickets

Yields information about the style and printing of tickets used in Ballarat and Bendigo tramways and how they were presented.Block with two remaining tickets - teal ink on off white paper, denomination 6d, numbered A551998 - 99, headed State Electricity Commission of Victoria, Provincial Tramways. Originally a block of 200 tickets been stapled onto a cardboard back with a heavy metal staple and a off white coloured cardboard retaining strip at the top of the ticket. The ticket price is in teal ink while the ticket number itself is in black ink. On rear in teal ink is a diagonal criss cross or tartan pattern. See Alan Bradley's notes "Fares in Ballarat" trams, tramways, secv, tickets

Yields information about the style and printing of tickets used in Ballarat and Bendigo tramways and how they were presented.Block with 110 remaining tickets - red ink on off white paper, denomination 2d, numbered U694490 - 599, headed State Electricity Commission of Victoria, Provincial Tramways. Originally a block of 200 tickets been stapled onto a plain cardboard back with a heavy metal staple and a pink white coloured cardboard retaining strip at the top of the ticket. The ticket price is in red ink while the ticket number itself is in black ink. On rear in red ink is a diagonal criss cross or tartan pattern. See Alan Bradley's notes "Fares in Ballarat" trams, tramways, secv, tickets

Yields information about the style and printing of tickets used in Ballarat and Bendigo tramways and how they were presented.Block with 14 remaining tickets - orange ink on off white paper, denomination 3d, numbered W290386 - 99, headed State Electricity Commission of Victoria, Provincial Tramways. Originally a block of 200 tickets been stapled onto a plain cardboard back with a heavy metal staple and a plain coloured cardboard retaining strip at the top of the ticket. The ticket price is in orange ink while the ticket number itself is in black ink. On rear in orange ink is a diagonal criss cross or tartan pattern. See Alan Bradley's notes "Fares in Ballarat" trams, tramways, secv, tickets

A Chemold Owen Davidson Hawk tennis racquet, with ribbon whipping around shoulders and shaft, and red rubber with black trim handle grip. Chemold logo features across base of head. A tartan pattern features on throat. Model name features along shaft. Blue, red and white Chemold trademark features on lower shaft. Plain white plastic butt cap. Autograph by Davidson features along shaft on obverse. Materials: Wood, Nylon, Ribbon, Paint, Ink, Plastic, Rubber, Glue, Lacquer, Metal, Adhesive tapetennis

There is no information available on this dress which has been in the Historical Society’s collection for many years. It may have been a wedding dress. This is an interesting item as an example of a woman’s dress worn about the 1880s. It is a wonderful display item. This is a claret-coloured dress with a full length skirt with bustle. It is made of good quality heavy satin mounted on organza with a back fastening. There is a rosette in the same fabric with two pendant panels. There is a matching fitted jacket with hooks and eyes to fasten and full length narrow sleeves edged with claret lace (much tattered). The jacket is faded and torn in parts. Machine and handsewn. claret-coloured dress, warrnambool, 1860's ladies dress

This is a dress for a young girl aged about twelve. It seems to date from the late 19th century and would have been worn at a wedding or a family celebration. This dress is a fine example of vintage clothing and is a valued display item.The dress is made of fine muslin. It has a round neck with lace edging, the gathered skirt has pin tucks with a spoke stitched wide hem. There is lace insertion at the waist and on each shoulder. On the three quarter sleeves there is lace edging at the cuffs. The bodice has machine made embroidery, spoke stitching and tucks. The back has press studs and hooks and eyes .vintage clothing, warrnambool and district historical society collection

This petticoat came from the estate of Ena Heazlewood and was donated to the Warrnambool and District Historical Society by Ena’s daughter. It appears to have been home-made. Mary Josephine (Ena) Todd was born in Warrnambool in 1920 and worked as a hairdresser at Josephine’s Salon in Warrnambool. In 1942 she married a Warrnambool man, Jack Heazlewood, a stoker on the H.M.A.S. Sydney at the time. They later lived in Sydney. A petticoat such as this one would have been stiffened with starch and worn under a ball dress (or a stage costume) in the mid 20th century. This petticoat is of interest as an example of a skirt worn underneath a ballroom dress or a stage costume in the mid 20th century. It also has some provenance as it come from the estate of Ena Heazlewood, a former Warrnambool resident.This item is a white cotton petticoat with a flap opening at the front waist enclosed by two white buttons. The petticoat is gathered at the waist to make a wide flared skirt and has alternating panels of plain white cotton and broderie anglaise material. There is a flounce at the end stitched with cotton-covered rope at the top and the bottom of the flounce. The bottom of the petticoat has a cotton lace trim. vintage clothing, todd & heazlewood families, warrnambool, history of warrnambool

This child's white linen day dress was worn by Robert Barnard, son of Mrs W N Barnard of Portland, when he was a young child.This child's dress is representative of child's fashion of the 1910s.Child's white linen day dress; hand-sewn dress with pleated skirt, short sleeves and a plain bodice. The neckline and sleeves have a rick-rack braid and crochet trim. The back closure has four buttons, a hook closure and a short back seam. c. 1910. Worn by Robert Barnard son of Mrs W N Barnard of Portland. flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, robert barnard, mrs w.n. barnard, w.n. barnard of portland victoria, child’s dress 1910’s, 1910, child's dress

White fine cotton lawn waist apron. Pentagon shaped bib with spoke stitched hems on four sides. Waistband with ties attached, Skirt has two pleats on each side. Spoke stitched hems on sides and lower edge. Lower edge has spoke stitched detailing of two rectangular shapes, and a centre peak. Old box 160.costume accessories, female, waist apron.

Sepia image mounted on board: image shows group of 8 women and 7 men, standing and sitting. Men wearing three piece suits, hats, women wearing dresses, shirts and skirts and hats ( some in hand ) Bicycles visible leaning on wall behind. Picture taken in same position as 1732.10 - connected groups ? Queens' Cycling Club ?person, group, man and woman, bendigo, sandhurst, group portrait, bicycles.

From the Chapman family photograph albumStudio Photograph on card Backing Drop background ferns rail rustic bench. Elderly woman sitting on bench - dark dress with puff sleeves. Dark fascinator tie/scarf. Holding bouquet. Young woman standing in dark suite long skirt fitted jacket - pockets unbuttoned. something attached to breast pocket, white blowers with bow tie. Great Grandmother Henderson (nee Mary Ann McCord and daughter Ruth

Copy of original photograph. Photograph shows a woman with hair drawn back front face, wearing striped long-sleeved waisted full skirted gown, seated with hands folded together on lap, beside a bearded man wearing suit with bow tie, standing at left with right hand behind woman's shoulder, left arm hanging by his side."Mr and Mrs John Christie, Carngham - Man of Kent hotel buried in Linton cemetery".mr & mrs john christie, man of kent hotel carngham

Donated by the great niece of Richard Harry Adams Flight Sergeant Richard Harry Adams, Date of birth 6/2/1922. Place of birth, Brighton Victoria. Brighton State School and Hampton High School. Completed Merit Certificate on 18.12.1936. Enrolled in architectural draughtsman course at Melbourne Technical College May 1938 - May 1940. Occupation in civil life Architectural Draughtsman, applied for RAAF air crew 30.4.1940. Listed sports and games: running swimming, tennis, shooting, bicycle riding, cricket, camping, 8 years' scouting experience and a member of the YMCA. Enlisted 21.6.1941. Conflict/operation: 2nd World War,1939-1945, Height 5'11'', Weight 10 stone 5 lbs. NoK: Father Albert Ward Adams, Rate collector. Place of enlistment, Melbourne. Service No. 409012. Embarked at Sydney 2.11.1941. Service RAAF No. 1449 Flight (RAF). Date of death, 3.10.1943. Place of death Scilly Islands, Cornwall, UK. Aircraft: Hurricane WL BD 729 - Single-engine, single-seat monoplane fighters/fighter bombers. Casuality notification for ''P'' file. Name:409012 F/Sgt. ADAMS, R, H. Att. RAF U.K. Nature of casualty: Missing believed, killed air.ops from UK. Casualty Report No. 280. Date 3 October 1943. C.D. 155/43 ZMen's black woollen swimming trunks. Wide ribbed horizontal pattern. Front skirt panel over trunks. Decorative double line of black and white zig zag seams forming belt keeper loops at waist. Embroidered patch on lower front of LHS with a picture of a sailing yacht. White cotton woven belt with silver coloured clip fastener.costume, male, swimming trunks