Colour photograph: Fleece Inn Hotel, Strickland Road, Bendigo. Two storey hotel, plain façade LH side, two storey verandah RH side. Painted cream with brown trim. Written on pediment on top of hotel 'Fleece Inn' with scroll either side. Corrugated iron roof visible, 3 chimneys.bendigo, hotel, gold mines hotel

Murray Comrie Collection. The house in this photo was the residence of the town police officer. The town block where the house was located was the base for policing in Tarnagulla from 1878 until the 1990s. At the time of this photo (1924), the father of these children, Angus Comrie Snr was the constable for Tarnagulla. Adjacent to this house was a lockup, office and stable (shown in THA-2019.0031). Behind the residence and outbuildings (in background of this photo) was an adjoining paddock for the police horses. This house was sold for removal in in the 1960s and replaced with a prefabricated residence and small office from Bealiba. These as well as the lockup are still in place (as of 2019), but are no longer used. There are now private residences built on the former police horse paddock. A later image of this house is THA-2019.0032. For almost 100 years the Comrie name has been involved with the Victoria Police. Angus Comrie Snr, joined the force in 1899 and served as constable in Kaniva and Avoca and then in Tarnagulla from late 1909 until 1927. His son Murray Comrie, born in Tarnagulla in 1912 also became a policeman and later a Chief Superintendent, retiring in 1972 and passing away in 1983 after a long illness. Murray Comrie's son Murray Jnr., to avoid confusion became known by his middle name, Neil. Neil Comrie also joined Victoria Police and rose through the ranks to become Chief Commissioner of Victoria Police from 1993 to 2001. The Murray Comrie Collection held by Tarnagulla History Archive was collated in the 1970s by Murray Comrie (1912-1983). Sepia photographic postcard, image depicting members of the Comrie family outside their home in Tarnagulla. According to the note on reverse, the subjects are as follows: On the verandah (left to right) are Murray Comrie, 'Mother' (Mary Ellen Comrie), and Keith Comrie. Angus Comrie Jr. is holding a roped mare. Standing at centre are 'Hilda' and 'Roy' (small child). See second image for handwritten notes on reverse.tarnagulla, police, policing, comrie

BHS CollectionBlack and white photograph mounted on rectangular brown board. House[rear view] weather board and render, tiled roof, 3 chimneys, enclosed verandah, ramp to door, established neat garden, detached building partly shown on R.L. Centre [next door?] tall round structure with corrugated iron roof and finial.Frank A. Jeffree, Bendigoplace, building, residential, stamped on back in rectangle ''t.c. watts and son/auctioneer/estate agents/253 mitchell street/bendigo'' stamped on back in circle ''royal historical society of victoria, bendigo branch''

Three copies of one sepia photograph of external view of Olma Court as it looked like in early 1950s owned by LD Burns. Photographs from LD Burns collection donated by R Green grandson One black and white photograph of Olma Court dated on back 1955olma court, burns ld, green r, alexandra street, st kilda east, mansions, architectural features, house names, verandahs

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.Page 22 of Photograph Album - five black and white photographs of different styles of houses (2 photos for 2 houses and 1 for the last) with addresses written under each photograph and Balaclava Road written on the top right hand side.Hand written Balaclava Road [top right of page] / 6 BALACLAVA ROAD [under top left photo] / 6 BALACVAVA ROAD [ beside top right photo] / 73 BALACVAVA ROAD [under middle left photo] / 73 BALACVAVA ROAD [on top of middle right photo] / 239 BALACVAVA ROAD [under bottom photo] / 22 [bottom right]trevor hart, caulfield north, balaclava road, cars, mansions, houses, verandahs, cast iron work, balconies

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. From Glen Eira Heritage Management Plan 1996 by Andrew Ward: Since 1990, valuable historic houses to have been demolished include "Noris", later "Quethiock", and "Koala" (1875) at 34 Balaclava Road, "Urandaline", later Samford private hospital at 510 Glen Eira Road, and No. 9 Lempriere Avenue. When the Caulfield Tramway Company opened its single line horse tramway along Glen Eira Road to Caulfield station in 1889, the eastern end of this road passed through open paddocks and alongside "Urandaline", a charming late Victorian villa residence with comer pinnacle roof, demolished in 1995.Page 59 of Photograph Album with five photographs, one portrait of the exterior of a house on Glen Eira Road, the other four are photos of sections of advertising materials for Urandaline Estate.Hand written: 508 Glen Eira Road [under top left photo] / 58 [bottom left] trevor hart, glen eira road, caulfield north, urandaline, urandaline estate, horse tram, land subdivision, real estate advertising, verandahs

Ghost towns of the mountain goldfields in VictoriaPaperback. Cover has a drawing depicting horses, both ridden and pack, walking along a forest track on their way to a small town. There are heavily forested mountains in the distance. Overlaid onto the drawing is a modern photograph of an old stone building. In the foreground is a green timber building with a water tank and verandah. It is all set in the clearing in the middle of a forest.Stamp of the Marysville & District Historical Society Inc / P.O. Box 22 / Marysville 3779 Also the inscription: To Alma / Thanks for your help / Signature / LS / November 1999gold, gold mining, gold town, ghost town, victoria, australia, history

Stanley Kennon originally owned Genesta House. It was sold to the Perry sisters, to Mr & Mrs Odlund, to Mrs Toovey Snr. and then to Mr H Billson who owned the guesthouse in 1935 - 36 when it burned to the ground.Front view close up of Genesta Guesthouse. The building of wood and corrugated iron roofing. Features turret front, two brick chimneys and sporting a Union Jack on flagpole, and Union Jacks draping across the verandah. The sign covering the front door says "Welcome Home". Two palm trees and a hedge are behind a picket fence and gate.local history, photographs, genesta guesthouse, cowes, phillip island, sepia photograph, guesthouses, bruce bennett, betty kuc collection

The hotel at Bonang was also known as Clancy's Hotel, Bonang, after its licensee, William Clancy. It operated from the late 1890s until early 20th century. William Clancy was aslo the postmaster at Bonang. A post office operated at Bonang from at least 1859. At the time Bonang was "a small, scattered collection of buildings marking the intersection of the Bonang Highway and the McKillops Bridge Road" ( from Regional Heritage Assessment 1996). As the mining activity declined the township became even smaller as many of the population moved to Orbost,, a larger settlement. This is a pictorial record of Bonang, a small settlement approximately 50 km north of Orbost. The buildings in the photograph no longer exist.A black / white photograph mounted on grey card. there are stains from water damage on the mount. It is a photograph of two single-storeyed timber buildings fronting a wide dirt road. On the right is the Bonang Hotel with four men in suits standing on a verandah. The building on the right is the Bonang Post Office and there are three men outside it. the photograph has been posed. on back - 'Grandma Clancy owned the hotel & Uncle Will had a gold mine which he worked"bonang bonang-post-office bonang-hotel clancy-william clancy's-hotel-bonang

Frank Wright was a renoun resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia. He died on 16 November 1970.Black and white photograph of the torso of a young man dressed in a dark suit and tie. The camera is pointing upward so the background is of the underside of a verandah roof and part of the brickwork of the chimney a house upon with have been placed a couple of objects including a can. The man is Frank Wright and the place could be the family home, Laura Villa at Smeaton.frank wright, laura villa, musician

Bendigo Advertiser ''The way we were'' from 2000. Malmo: View and Valentine streets, Bendigo. The Queen Anne-style of architecture meant roofs became an important component of design. Malmo had many unusual features such as an oval window above the mantelpiece and ground floor verandah posts built to simulate turned wood. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Thomas Crouch Watts was born on March 7th. 1865, to Joseph and Susan Watts. Before the real estate business commenced, Thomas and his brother were in partnership as booksellers and stationers in a shop at View Point. Thomas lived in a fine house in Rowan Street, which was called 'Ottawa' Thomas started his real estate business in the early 1900s in a shop in View Street. His daughter Edna was the book keeper and typist, Stewart Watson was the salesman and Stanley Phipps (Edith Lunn's father) was the property manager and valuer. When Thomas Watts died in 1914, his daughter took over the running of the business. She married Stewart Watson in 1918. Eventually the name of the business was changed to Bishop and Earl. From a letter from Edith Lunn re T.C. Watts & Son. 'The firm of T.C. Watts & Son later became Bishop and Earl. When the firm of Bishop and Earl ceased to operate after the death of Edith Lunn's father, S.P. Bishop, Miss. June Parry, Secretary of the BHS was a member of staff. June rescued all the photos of properties listed for sale from the office and placed them into the custody of the BHS.' Black and white photograph mounted on rectangular grey board. Weatherboard double fronted house, verandah with brick piers and timber supports, Two chimneys visible, small gable LH side front. C1920 . Woven wire fence. Single gate next to double gate. Written on back of image ' Marrows Langston St £700.Frank A Jeffree, Bendigoplace, building, residential, see also; previous reg. no mp11 (2000-16-01):and previous reg. no. mp13 (200-14-01)

Ross's Gifts formerly Ike Richards Gents Hairdresser and Gift Shop. Building built in 1880 as Procter's butcher's shop with upstairs residence. Extended to triple frontage in 1884.Colour photograph showing High St looking west. Two storey building with verandah over footpath and cast iron balcony on 2nd storey. Cars parked along the street. Yellow panel van in front of panel beaters. White car just pulling out. Fire Station at the end of the street. Large tree in centre of photo.ross's gifts, ike richards hairdresser, procter

Charlton Motel built in the 1960s.Colour photograph of Charlton Motel taken from across the Calder Hwy looking south east. The motel is a white brick single storey building with red-brown trim on the eaves. The verandah and windows are arched. There is a large tree in the centre of the photo and a white driving toward the photographer. There is a yellow sign in front of the motel and an orange sign on the roof.

Aerial photo looking down Armstrong St. Camp street on the left, Shire Hall on the right. High St runs across the photo. The Avoca River is visible in the top LH side. The swimming pool and bowling green is above the rive. On High St (from L-R) Dr Surgery, H Bath Chemist, Grocery, Roy Dobson, Hairdresser, Stowe's, Westpac Bank (two storey white building), Dillon's Building, Globe Hotel, Charlton Club, butcher shop, Arundell's shoe shop, Watson's Stock & Station Agency, Bullock's grocery, Williams St (Curtin Ave), Bannon's Butchers, East Charlton Hotel, MB Luth & Co, Lou's cafe. The old sale yards are at the end of Williams Street. Camp St lower side (from L-R) Court House, Police residence, Police Station, Telecom on corner. The photo is thought to be taken from Ossie Sanderson's airplane in 1974.Black & white aerial photo looking down a broad street that ends in a t-intersection. There is a street that comes off to the left about 1/3 of the way up the photo. There is a large building directly opposite this street. In the upper right there is a two storey building with arches on its verandah. In the upper LH side there is a swimming pool and bowling greens.

Colour photo: two storey red brick building, verandahs, ornate fretwork in gables. Sign in front of building 'Borough of Eaglehawk Municipal Offices' 'Caradon' 80-82 Victoria Street, Eaglehawk, 3556, On rear of photo: 'Aulsebrook & Martin Pty Ltd., Photographers, 6 Ruth St., Golden Square 3555 Phone 054 437565bendigo, buildings, municipal offices, eaglehawk

Photograph (Proof 63) of a group of six adults standing in front of the verandah of a farmhouse. There are three men and three women , one of the women is holding and infant. In the foreground there is an unpainted picket fence. VERY faded names can be seen written around the edges of the photo, viz., Samuel and Sarah, Henrietta Wright, Samuel , Robert, Frank, Blanchebuildings, house, farn huose, farm house

Black and white image: horse and jinker on RH side, man on horse on LH side, people standing on and in front of verandah of bank building. Two men standing either side of gold cakes ( 4 thereof ) stacked on top of a box. On back of photo in grey lead ' cake of gold. Sth. Moon, taken to bank 1906 ?'bendigo, mining, goldcake at bank, bendigo, mining, goldcake

The Duncan family have occupied 'Glencoe' since 1888 when John Duncan purchased it from M. O'Brien. In 1972 Glencoe was the site for the Sunbury Pop Festival.A coloured photograph of the front facade of a sandstone building. A double hung 8 pane sash window is on the LHS of the wall and a doorway with a 2 panelled and glass door is in the foreground. The woodwork is painted cream. A tea trolley is near the door. The verandah roof is lined with fibro cement. At the extreme end of the porch there is a doorway. Farm implements are hanging on the wall.sandstone buildings, duncan, george, glencoe homestead, sunbury pop festival, george evans collection

This photograph is of Main Street Stawell looking East around c 1920's. The photo was taken from just below Main & Wimmera Street corner. On the left side is the two story Post Office building. The photograph shows the telegraph poles in the street. Also Copley Post Office Hotel 1912- 22 and other business. On the road are a few people one pushing a trolly, one on a bike and two people in a horse drawn cart. Gustav Mahnke's Bakery is on right.Two Black & White photographs depicting the main street in Stawell's commercial business area in c 1920's. The view shows some two story buildings, shops with verandah's. One horse drawn vehicle, a person on a bike and a few people in the street. There is also a paper print of the photograph donated by Robyn Mackenzie Bacchus Marsh in 2009 The Rose series, P 1639 Main Street, Stawell, Victoriastawell business shops streetscape

Sepia Kodak Print. In foreground, one woman in dark dress standing between two children; on her left a small boy wearing a jersey and short trousers. On her right a female child wearing a white dress. In the background, leaning on a wooden verandah, a male with a full head of hair, wearing a suit and tie while smoking a pipe.maggs family, till family

A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising3 Alwyn St., Mitcham. This property has be listed as having sold for $325,000 in 2002. Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 3 Alwyn St., Mitcham depicting a weatherboard cottage with corrugated roof and bullnose verandah, set back from a picket fence and front lawn with gumtree. To the left is a driveway leading to a detached garage There are two hole punch holes near the centre of the upper edge3 Alwyn St., Mitcham Picken © 2002 Realtorwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, mitcham

A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising 3 Alwyn St., Mitcham. This property has been listed as having sold for $325,000 in 2002. Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 3 Alwyn St., Mitcham depicting a weatherboard cottage with corrugated roof and bullnose verandah, set back from a picket fence and front lawn with gumtree. To the left is a driveway leading to a detached garage There are two hole punch holes near the centre of the upper edge3 Alwyn St., Mitcham Picken © 2002 Realtorwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, mitcham

Road from Belgrave to Monbulk. A woman stands on the road holding a stick. There is a creeper growing on the verge. Tall treeferns surround a house on the right side, below the road. The house has a verandah extending all the way around. There is smoke coming from a chimney which may be on the visible house or from one behind. c.1920.

This photograph was printed from a glass negative held in the Society's picture collection. The original glass negative is part of a set donated to the Society by Ian McKenzie, a professional photographer in Kew. Three generations, ca. 1910-ca. 1920. A portrait of four women, four young girls and an infant are posed for what may be a family portrait on the verandah of a house. The matriarch of the family sits at the centre of the group. The photo was printed from a glass negative in the collection. The original glass negative is part of a set donated to the Society by Ian McKenzie.family portraits, glass negatives

Original, black and white positive print which the inscription on the reverse incorrectly claims is of Kew during the 1934 floods. The date may be 1934, but there is no evidence of flood waters or of location. The photo is of an intersection with a hotel on the corner in front of which a man is standing. The hotel would appear to be named Russell['s] Hotel. There is also an advertisement for Willys on the hotel verandah. Inscribed verso: "Yarra Floods Kew 1934" unidentified locations