Sepia toned photograph of haystack under construction power from stationary motor car being used to lift hay to working area Victoriaagriculture

Colour photograph of the entrance sand buildup Kennet Island in waterway dredge Sandpiper working at southwest corner of Bullock Island Lakes Entrance Victoriadredges, waterways, islands

Black and white photograph taken at Nowa Nowa Garage showing apprentice Allan Duncan and subcontract mechanic working on a vehicle, Nowa Nowa Victoriabusinesses, trades

This stock horse bridle was probably used in the mid 1900's. This was the period when cattle and sheep mustering was at its prime. The movement of cattle and sheep was by mounted stock horse only and not by other methods. Northern territory cattle stations in the late 1900's started to use helicopters for "cattle control". In the KIEWA Valley/Bogong High Plains and other rural cattle/sheep producing areas required well trained stock horses and stockmen for cattle/sheep control. It is only in the later 1900's that motor bikes and four wheeled quad-bikes have taken over, in part, from the mounted stockman.This horse bridle is very significant to the Kiewa Valley because of the early introduction of cattle and sheep stations in what initially was regarded as a semi remote valley location. The maintenance of cattle and sheep in the Kiewa Valley was, and still is an important requirement of livestock management. A good stock horse bridle is important, especially during the period when cattle and sheep were grazed on the Bogong High Plains. The mustering and and moving cattle/sheep from the valley pastures to the high country was a demanding and dangerous exercise requiring "sure footed" stock horses.The "good specialised" bridle was a vital part of this cattle/sheep mustering. A scientific study started in 1947 to study the impact of grazing cattle/sheep on the natural Alpine and sub Alpine vegetation found grazing cattle had an adverse affect on the natural Alpine and sub alpine vegetation, and grazing on the plains was stopped by the Victorian Government in 2005.This "camp draft" on the Bogong High Plains could take up to six weeks.This harness bridle includes "blinders, winklers or blinkers" and would therefore be used on a pack or "working" horse. This bridle has rings on each end of the browband. The bridle is one used by a horse working in a team configuration pulling a heavy cart or wagon. The bridle has ten adjustable straps to allow it to accommodate a variety of horse sizes. See KVHS 0495 for a stock horse saddle.horse, country, leather bridle, gaiters, high country grazing, cattlemen, laces, studs

The Victorian Railways Institute Central Station, Melbourne, Safe Working Certificate 1917. Educational Classes, certifying that J Badham attended the class in Safe Working for one term during 1917, gaining his certificate with 48% marks Parchment certificate with yellow border and red embossed seal of The Victorian Railways Institute. Certificate number 99. Dated 5th May 1918.document, certificate, victorian railways, the victorian railways institute. melbourne , safe working certificate 1917

This photo is of Nicholson Street, Orbost, taken from the south and looking northwards. This is the main street in Orbost, with most of the businesses, banks etc. in this street. In 1984, Orbost Shire Council proceeded to do a refurbishing of the main street and this photo is likely from that time. This photo shows one of the steps in the progression of Orbost. B/W photograph of a street with buildings on rt. and left and a grader or earth moving equipment working in the background on the street. This photo is H-200mm W-254mm.orbost - nicholson street - streetscaping

This is a photograph of Nicholson Street, Orbost taken from the south and looking northwards. Nicholson Street is the main commercial street of Orbost and this photo is of a re-shaping of the street done in c. 1984 by Orbost Shire Council. Shows evidence of the maintenance works done to refurbish the main street of Orbost A B/W photograph H-20cm W-25.4cm of a street with buildings on both sides of the street. A piece of earth-moving machinery is working in the background on the street. nicholson street, orbost

Copying Press metal with square pressing surface driven by worm wheel thread and turning handle in working order. Black book press number not foundflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Keys: 10 x 19 x 10 Plaque: Made by Aktiebolaget FACIT/ ATVIDABERG / SWEDEN’ Black enamel, painted “V”; good working ordeer

Born: Melbourne, Victoria, Australia 1860; Lived and worked: France 1887-1932, England 1932-1940; Died: Brighton, Sussex, England 1940World War IGift of Mrs E.E. Ledger, 1987Drawing depicting a field hospital with tents and trees lining a snowy field and figures working at sunrise. Limed timber gallery frame with white window mountRecto: Signed, titled and dated 'ISO RAE / ETAPLES Jan 1918 – Tents no I Can. Hos. / fire buckets" in grey pencil in l.l.c of compositiondrawing, landscape, figures, trees, structures, tents, sunrise

Note by T.H. Kneen 18 December 1991, "The students are engaged in weighing produce from individual student plots. The dark haired female student is Lauris (or Loris) Inglis a 1966 graduate. Plots were a feature of the second year therefore the photo is probably 1965."Black and white photograph. Group of students working in the vegetable plots and bringing their produce to be weighed. One student spraying his crops. Yarra Boulevard in the background. On reverse stamp, "Photograph by Publicity Branch Victorian Department Of Agriculture Ref. No. D521F".students, female students, lauris inglis, loris inglis, weighing produce, orchard, students working outside, vegetable plots, spraying, yarra boulevard, publicity

Image of 3 Ladies working in the Maldon Shoe Factory 1958-1959. L-R: Val Lang (White), Heather Thomas (Bolitho), Wilma Evans maldon shoe factory

People maintaining Good Governs Street are Arthur Roberts, John Kift, Cliff Bellamy and Doug Sawyer.Black and white photograph of people maintaining Good Governs Street, Mitcham, which is unmade. Two figures working on the road and a group near a pole on the right.good governs street, mitcham

Types of Chinese from a Labour Battalion working on the Australian Corps Front. Digital copy of photograph from a personal album of Lieutenant General JJT Hobbs.talbot hobbs; labour battalion; aif

Flat belt pulley stand with multiple pulleys. Set up for driving multiple machines. Present power source is an electric motor. In working order, unpainted.trades, carpentry, metal working

Of Maryanne Coutts' exhibition at the Ballarat Fine Art Gallery Maryanne Coutts wrote: 'The same old story' is a curious phrase. As usual I can't tell you exactly in words what the story is,simply that I hope that this body of work evokes characters and implies the actions and interactions that engender a story. For me the story if seeking itself, trying to understand what about itself is repeatable yet malleable, rememberable yet changeable. The Triumph of Gutenberg' celebrates the seemingly ordinary by manifold ways that information is transferred and transformed. It arises from a fascination with the way a thought evolves from one idea to the next, often repeating itself, but sometime making leaps and in the dark mutating. Famed for introducing movable type and the printing press to Europe in 1450, Gutenberg enabled the mass production of books. He has consequently become a symbol for the power of the dissemination of knowledge. Vehicles for repeatability, like printing, are myriad and range from specific codes, such as DNA, to more ephemeral language systems like visual and narrative. Stories are my favourite vessels of memory, of recording. It seems that a story can have certain characteristics that allow it to be recognised as a particular story, indeed, that allow it to be repeated withing different narrations, different readings. As a visual storyteller, I have been curious about how much can change while the story remains the same, Within this visual exploration of what I consider to be a consistent story, conveyed through different media, scales, shapes, and styles, I have allowed mutations, which I hope will illuminate the repetition. In some ways this work is a direct response to Poussin's 'The Triumph of Pan', whose arrangement of figures approaches a kind of formal abstraction. As I worked through the drawing, painting and print that are in this exhibition, I have looked increasingly to more recent interpreters of that tradition like Beckmann, Layered, then, withing this story are other stories, other histories. In a metaphoric sense repeatability and mutability characterize both how the work came into being and how, being something more than paper, canvas and pigment, it can travel audiences' neural pathways as both memories of sights seen, as new thoughts ans/or as old thoughts and memories now mutated. Maryanne Coutts, January 2003.Maryanne COUTTS (1960- ) Born Australia Maryanne Coutts studied at the Victorian College of the Arts (VCA), The University of Melbourne, 1979 -1981, the University of NSW (UNSW),1984 and achieved a PhD at Federation University Australia in 1999. She has exhibited extensively throughout Australia and internationally including UK, Spain and Thailand and is currently Head of Drawing at the National Art School, Sydney. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.This work is presented on four linen canvases. It is a very large work showing a person working in an office. Donated under the Australian Government's Philanthropic Programme, 2005art, artwork, maryanne coutts, coutts, work, alumni, office, gutenberg

MARTIN POWER. STORY OF HIS LIFE IN 'IF ONLY I'D LISTENED TO GRANDPA'.1 .2 .3 .4 .5 .6 BLACK AND WHITE PHOTOGRAPHS OF MR MARTIN POWER WORKING A WINDLASS OVER ONE OF HIS MINE SHAFTS MARTIN POWER - STORY OF HIS LIFE - 'IF ONLY I'D LISTENED TO GRANDPA'local history, photography, photographs, mining

The co-operative was registered in 1919 as the Graziers Co-op Shearing Company Limited. It changed its name in September 1948 to Grazcos Co-operative Ltd. In 1981 the co-operative merged with Farmers & Graziers Co-op Ltd to form Farmers Grazcos Co-op Ltd. This item is part of a collection of Annual Reports from Grazcos dated from 1949 - 1980.Booklet featuring a black and white image showing an internal view of a factory with working processing wool , with printed black text on blue background below image.front: A GENERAL VIEW OF WOOL POOLING OPERATIONS IN A GRAZCOS STORE / THIRTY-FOURTH / ANNUAL REPORT / 1953 / GRAZCOS / CO-OPERATIVE LIMITEDagricultural co-operative, agricultural wholesaling, annual reports, rural life, rural industry, business, corporate body

Photograph has been taken in Geoffrey Kaye's later years, approximately late 1970s or early to mid 1980s.Large colour photograph of an elderly Dr Geoffrey Kaye wearing a white dustcoat and working on his lathe at his Cromwell Road, South Yarra home.geoffrey kaye, metal lathe, workshop