Dismantling Ringwood miners cottage in 1975

Large fold out map and chronology of Australian Army Operations between 1940-1945 that belonged to Private Joan Spencer VFX12932 (VF507134) born 12/11/1924 at Albury. The family moved to Wangaratta and Joan was educated at Wangaratta High School before joining the Australian Army Medical Women's Service at 115 (Heidelberg) Military Hospital. She served with the 130 Australia General Hospital and was deployed overseas to Japan on 17/6/1947 and returned on 26/1/1949Large cream coloured cardboard folded in three, inside is a coloured map of the Middle East 1940-1942, New Guinea Theatre 1942-1944, Pacific Islands 1944-1945 and Malay and Islands 1942-1945. Front cover has Unit patches from top left to bottom right corner , at top right corner is the rising sun badge and bottom left corner 1940-45 Back cover is a listed Chronology.Hand written at top - VFX Pte Joan Spencer AAMWS 115 (H) M.H.australian army operations, private joan spencer, aamws, 130 agh

Five page hand written list on ruled paper giving list of names and some details of participants on the AETA Z Tour Bookings (28/6/1975) - First private charter Run. Includes amounts paid ($2.50) and Gestener printed tour notice on quarto paper, dated 12/6/1975.trams, tramways, z class, tours, aeta, lists

Photocopy of original image of Burgoyne family group in front of shop, Main Road near Bridge Street Eltham, 1940shops, burgoyne, eltham, main road

This is the twenty-eighth issue of the annual Orbost High school magazine. The name Croajingolong derives from the Australian Aboriginal Krauatungalung words galung, meaning "belonging to" and kraua, meaning "east. 2223,1 belonged to Mary Gilbert, a former teacher at the school.This is a useful reference tool.Two copies of Croajingolong 1975, It has a cream cover with dark blue print. There is a blue and yellow stripe on the left hand side.croajingolong orbost-high-school

This booklet contains the story of the Madden family and the Coach and Horses Hotel. It appears to be signed by Nicholas Madden.Blue covered booklets (4 copies) with 16 buff coloured pages printed with the history of the Madden Family, the Coach and Horses Hotel and local areas. Plus an article reprinted from 'The Age' 26 August 1933 - 'Melbourne's Historic Homes'. Refer also to Reg no. 3634 catalogued book 'Ringwood - Short Notes on its Development 1857 - 1963.' Compiled by Mrs M. Burnside with the co-operation of the Ringwood Historical Research Group. Size 26 x 21 x 2 and with a red and brown diamond pattern on the cover. +Additional Keywords: Madden, Nicholas / Cobb & Co / Burnside, Miss Marie.The Evolution of Ringwood coupled with that of the Coach and Horses Hotel 1850 - 1940. Reprinted from 'The Ringwood Mail', January 4, 1940.; Owned by Miss Marie Burnside who wrote this book.

Detailed account of meetings conducted by the Melbourne Legacy Club for the period December 1940 - December 1941. Moved to Archive cupboard H with all other BOM minutes - number to be reassigned TBCReveals the issues relevant to the Club at the time.Book with blue cover and white pages with financial information red columns. Index. Four sheets of foolscap paper taped to the fly leaf.Spine,vol. xiii, printed in gold. Cover, "Legacy Club / Melbourne / Minutes / B. of M. meetings / Conferences etc. / Dec. 1940 - Dec. 1941" printed in gold lettering.minutes, activities, board of management

Photograph of 1975-76 2nd XI premiershipmurrumbeena, murrumbeena cricket club, cricket, cricket clubs, cricketers, paul white, don macwhirter, john mcmahon, jim siemon, denis mcmahon, gary ryan, brian fitts, alan graham, john gilbert, ian walker, john pinches, leigh morison, bill trevethan

Black and white photograph - Grade 5A, 1975."Attached to photograph" Back Row- L to R: Ian Butterworth, David Miller, Ken Baynkhin, Robert Miles, Robert de Keame, Lindsay Dawe, Dante Cellante, Steven Crashaw. 2nd Row- L to R: Jane Woolhouse, Susan Carlton, Bernadette O'Connor, Marie Roses, Erie Law, Connie Nicolopoulos, Joanne Chapman. 3rd Row- L to R: Wayne Bonney, Andrew Roper, Ricky Jenkinson, Phillip Elliot, Michael Beard, Darren Kane, Leslie Tomada, Garry Mathieson. Front Row- L to R: Mandy Faye, Lee Logan, Kerryn Oxley, Francesco Grico, Leanne Clark, Pauline Tobias, Lindy Toomey, Sheridan Oates, Michelle Webb. Teacher: Isobel Marshall

Black and white photograph - Grade 3, 1975."Attached to photograph" Back Row- L to R: Shane Kerr, Gary (?), Peter Noble, David Hill, Shaun Middlemast, Anthony Dinkkuantonio, ?, Makk Faye. 2nd Row- L to R: Tracey Miller, Cheree Moore, Keryn (?), Paula (?), Andrea Rush, Deborah Hopgood, Linda Craig, Kelly Greenwood, Janet Willis. 3rd Row- L to R: Lisa Downey, Mathew Kane, ?, Robert McGregor, David Webb, Eric Kanga, Greg Smith, Karen Handreck. Front Row- L to R: Julie Booth, Jodie Meyer, Leanne Postlethwaite, Linda Rose, ?, Lesley Bonney, Louise Akins, Lisa Barnes, Margaret Kane. Teacher: Mrs Muscat

Black and white photograph - Grade 2, 1975."Attached to photograph" Back Row- L to R: ?, Milio Baltas, Jim Pumpa, Phillip Merisch, Paul Evans, Timothy Stevenson. 2nd Row- L to R: Simon, Greg Berisniak, Andrew Green, Daryl Haliday, Andrew Cook, Mark Bomar, Terry Aravanas, John Bruce, Werner Berkner. 3rd Row- L to R: Nicole Gill, Raelene Boyle, ?, Grace Esposito, Vicki (?), Carolyn Ashton, Lisa Currie, Belinda Kempton, Susan Green, Penny Billingsley. Front Row- L to R: Janine Ballanger, Michelle Gordon, ?, Alison Brownrigg, ?, Deanne Chapman, Jane Brown, Cheryl Akins, Natasha Jonston. Teacher:

Black and white photograph - Grade 1B, 1975."Attached to photograph" Back Row- L to R: Mathew Brownrigg, Darren Brusnahan 2nd Row- L to R: ?, Anne Marie McGibbon, 3rd Row- L to R: ?, Grant Sanders, ?, ?, David Postlethwaite, Myve Banch. Front Row- L to R: ?, ?, ?, Helen Johnson, ?, ?, ?. Holding sign: Rohan Gale. Teacher: Mrs Burgess

Black and White Photograph - Feb 11 1975rts, ringwood tech

Photograph of Students of Navarre Primary School 1940Back ------, Les Hannett, Jack Driscoll?, ---- 2nd Back -----, Jean Rickard, Viva Smale, Val Blake, Pat Clinnick, Eileen Moschetti, John Rickard 2nd Front ----, Marie Clinnick, -----, John Emmerson, ---- Front ----, Tom Driscoll, ----, Lindsay Smalleducation, students

Coin found at P.O.W Camp 13 when huts were being dismantled and relocated.German coin featuring eagle crest, date 1940's and German script on one face. on reverse face currency value.camp 13, murchison, coin, germany currency, george taylor, vera taylor

The Buddhist monk Guangqia visited Karl Duldig’s studio on two consecutive days, in the company of the noted Chinese writer, Professor Yu Dafu, a friend of Karl’s. Karl made two portraits of the monk, the first depicting him sitting, and the second in a standing pose. The portraits were drawn using a Chinese brush and Indian ink. Surviving sketches in the Studio’s collection indicate that Karl thought about creating a life-size sculpture later on, but this was not realised. Guangqia added inscriptions in his own hand to both drawings and stamped them with a red seal. The seated drawing has an inscription in which he quoted from a Buddhist poem, ‘A Contented Mind’ by the scholar Lingfeng of Mt Tiantai. In the summer I went to visit the Austrian sculptor Duldig with Professor Yu Da Fu. My virtue is slight – I cannot accept your offerings and gifts; I am amply rewarded by the clouds and springs. Rather than a table laden with pearl-like rice, I prefer the wind and leaves falling on my bed. Sitting quietly on my meditation cushion Is sweeter than the wheat offered by a thousand families. The pity is that I am gradually growing old; My bitter journey is not worthy of your offerings. The second drawing has a quote from a Buddhist poem on the study of Chán (Zen) Buddhism, by the famed Chán master, Dàjiàn Huìnéng (638–713): The portrait, with its figure positioned on a scroll-like ground and inscription is reminiscent of traditional Zen Buddhist portraiture. In this school of portraiture, which stretched back to at least the thirteenth century, monks were depicted sitting or standing facing the viewer, and typically the monk added an autographic inscription to the portrait. The portraits were often passed from master to disciple, continuing the disciples’ journey of spiritual enlightenment and were revered for their association with remarkable or holy priests. The Buddhist monk, Guangqai who added his inscription and stamp to the drawings would most certainly have been aware of this tradition. It is likely that Karl was aware of this tradition, one of the points where the studio’s collections of art works from Singapore intersect with the earlier Viennese collections can be found in the Library where a catalogue of an exhibition, 'Ausstellung Ostasiatischer Malerie und Graphik' is held. The Viennese Friends of Asian Art and Culture and the Albertina Museum staged this exhibition of East Asian painting and graphic works in 1932. Such was the internationalism of Duldig’s education in Vienna, that adaption to a new environment and culture in the Straits Settlement was swift, and he was able to interpret the artistic traditions of the place, and make them his own. It is part of the strength of the collection, that in many cases contemporary supporting documentation for the works of art is available. In this case there is a photograph of the Monk with Yu Ta-fu, and Karl and Eva Duldig, outside the studio at the time the drawings were made. Ann Carew 2016The portraits of Guangqai have national and international aesthetic significance. The works of art demonstrate the artist’s skill in capturing the physical appearance and demeanour of his subject, and his ability to adapt his working methods to incorporate traditional Asian materials and cultural practices. The portrait is one of few examples in Melbourne of a central European modernist artists working in, and engaging with Asia, during this period and it is culturally and aesthetically significant for this reason. The portraits are also historically interesting in documenting the life and experiences of Karl Duldig in the Straits Settlement (Singapore). Ann Carew 2016Brush drawing in chinese ink on paper. Seated Buddhist Monk. Chinese calligraphy hand written in black ink. Two red stamps under calligraphy.Signed Karl Duldig in l.r. corner. Dated Singapore 1940 in l.l. corner.

Black and white photograph - Grade Prep 1C, 1975"Attached to photograph" Back Row-L to R: ?, Ross Sinclair, ?, Luke Johnson, ?, Robert McDougall, 2nd Row-L to R: Jenny Murray, ?, ?, ?, ?, Johnny Tomada, ?, Adam Fern, Lori Mays. 3rd Row-L toR: Julie Rigg, Lexi Jenkinson, Lisa (?), Kerryn Hopgood, Rachel McEwen, Kelly (?), Nicole Mathieson, Kate (?). Front Row-L to R: Tania ALihouse, Anthoula (?), ?, ?, ?, Kylie Balinger, ?, ?, Ellen Hodgson. Teacher: Anneli Symons.

This trophy links ten years of domination by the Myrtleford Presbyterian Tennis Club to prominent local families.The trophy acknowledges the dedication and skill of early 20th century sporting clubs, in this case members from the Dalgleish, Robertson, Macaulay, McGeehan and Moore families in the fourth decade of tennis in the district. These families became driving forces in the creation of the public tennis courts in Myrtleford. . Silver-plated metal trophy cup with two handlesPresbyterian T.C., Premiers, 1940tennis myrtleford

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a man in shirt sleeves standing amongst the large cut stones at the back end of the Sphinx. In front of the Sphinx are the ruins of a temple, in the middle background is a large tent and further back are the buildings of a town. The man is Frank Wright and the place is Egypt.Written in pencil on the back - F.W. at Sphinx showing old Temple in background, May 1940frank wright, conductor, egypt, sphinx

Coin found at P.O.W Camp 13 when huts were being dismantled and relocated.Italian coin featuring coat of arms, The date 1940 and currency value on one face. Reverse side features bust of male person with Latin script.camp 13, coin, italian

Rectangular wooden mount with a "bronze" medallion at the top and a brass plate at the base which is inscribed."SUN NEWS PICTORIAL" TEN THIRTY FOUR ROAD SAFETY AWARD FOR JULY 1975. SHIRE OF BALLARAT.sun news pictorial. shire of ballarat road safety award.

3 copies black and white photograph, 2 enlarged. Group photograph Third Year Diploma of Horticultural Science. Group standing and seated in the Burnley Gardens.On reverse, names of students and, "Photograph by Information Branch Victorian Department Of Agriculture Ref. No. 1975(247-7)."diploma of horticultural science, dip iii 1975, student group, diploma

A comprehensive catalogue book: Chandeliers and Billy Tea 1880 - 1940. The front cover has brown tonings and shows a full page photograph of many kitchen and household objects from the past. The title is written in different elaborate lettering inside a square shape towards the top of the cover. The author's name, Peter Cuffley, is printed in white lettering at the bottom. Inside is a Contents page with Catalogue references, a Selected Bibliography, Acknowledgements and an Introduction. There are hundreds of black and white drawings and photographs of household items and general life of the times.non-fictionA comprehensive historical catalogue of the life and times between 1880 and 1940 in Australia of household items, the people, favourite pastimes, life outdoors, travel and adventure, packaging, down on the farm, tools of trade and much more.social history, australian history, family history, history

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a group of people swimming in a canvas pool on board a ship. Behind the pool can be seen part of the ship and water to the right. The ship is the Remo, the place is the Red Sea and the man in the middle of the group is Frank Wright.Written in pencil on the back - Swimming bath on 'Remo' Red Sea, Jan 1940, F.W. in centrefrank wright, ship named remo, red sea, swimming bath, swimming pool, conductor