Primitive Methodist Stawell Group 1899 Copy of a photograph from record 1001. This copy has names of the people typed onto it. Hard copy record contains photocopies from a newspaper article in "THE SPECTATOR" May 17th 1907 Stawell Circuit History by Tilly Aston. Back Row: L-R, No. 1, J. Anyon; 2, W. A. Perry, (vice-president); 3. W. Hambly; 4, G. Smith; 5, Miss V. Willoughby. Second Row: L-R, 1. Miss L. Crawford, (Secretary); 2, Miss M. Schniede; 3, Miss Matthews; 4, Miss M. Hambly; 5, Miss B. Fletcher; 6, Miss B. Yates; 7, Miss E. Bunting; 8, Miss B. Dickie; 9, Miss B. Hambly; 10, Miss W. Matthews; 11, Mr. Gillams. Third row: L-R, 1, Miss. L. Corrie; 2, Mrs. Jenkinson; 3, Mrs. McDonald; 4, Mrs. McRae; 5, Rev. L.T. Copeland (President); 6, Mrs. Russell; 7, Miss L. Goldsworthy; 8, Miss L. Beard; 9, Miss Bell Sumner; 10, Miss S. Gillams.Black and white copy of photograph of a group of people with names underneath. Primitive Methodist Stawell Group of C.E. Members of 1899. Back Row: L-R, No. 1, J. Anyon; 2, W. A. Perry, (vice-president); 3. W. Hambly; 4, G. Smith; 5, Miss V. Willoughby. Second Row: L-R, 1. Miss L. Crawford, (Secretary); 2, Miss M. Schniede; 3, Miss Matthews; 4, Miss M. Hambly; 5, Miss B. Fletcher; 6, Miss B. Yates; 7, Miss E. Bunting; 8, Miss B. Dickie; 9, Miss B. Hambly; 10, Miss W. Matthews; 11, Mr. Gillams. Third row: L-R, 1, Miss. L. Corrie; 2, Mrs. Jenkinson; 3, Mrs. McDonald; 4, Mrs. McRae; 5, Rev. L.T. Copeland (President); 6, Mrs. Russell; 7, Miss L. Goldsworthy; 8, Miss L. Beard; 9, Miss Bell Sumner; 10, Miss S. Gillams.stawell, religion

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for real estate agents in Melbourne between 1983 and 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 20 Baker Avenue, Kew East by Margaret Picken.20 BAKER AVE., EAST KEW / MARGARET PICKEN ©2002 / FLETCHERS REAL ESTATEartist -- margaret picken 1950-, property illustrations — buildings — kew east (vic.), 20 baker avenue - kew east (vic)

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

This book has been indexed into the 'Ballarat School of Mines Student Spreadsheet" by Ken Clements.Hardcover book with red leather spine containing the subjects undertaken by Ballarat School of Mines students in 1899. enrolments, ballarat school of mines, f.w. niven and co.

The certificate was issued to A. C. Cork and entitled him to a one-tenth interest in an application for a mining lease at Bryant's Gully, Linton.Pink paper, black printing, headed South Great West Q.M. Syndicate, dated 24th July 1899, signed Samuel Devy. Decorative design printed in left hand margin. Number "5" on certificate. Serrated left edge of certificate suggests it was detached from a booklet or form.Text: " SOUTH / Great West Q.M. Syndicate, BRYANT'S GULLY, LINTON. "south great west q.m. syndicate, gold mining, mining leases, mining share certificates, a.c. cork

B/W photograph of Cr E.A. Hitchcock, Shire of Buninyong Councillor 1903-4 from a set of mounted photographs of the Buninyong Shire Council 1903-4 on display in Buninyong Town Hall Supper roomC. E. Hitchcock was a Councillor of the Buninyong Shire Council in the early 20th centuryB/W photograph of Cr E.A. Hitchcock, Shire of Buninyong Council 1903-4Councillor Hitchcock, Councillor 1903-4c.e. hitchcock, buninyong shire council, buninyong town hall

An example of badges issued by Legacy prior to 1966 for fundraising during the Legacy Appeal and Badge Week. Their donation value was 20 shillings which is £1. The symbol of Legacy is the Torch and Wreath of Laurel. The Torch signifies the undying flame of service and sacrifice of those who gave their lives for their country. The Wreath of Laurel is the symbol of our remembrance of them. Examples of early Legacy badges that were sold up to raise money for Legacy's work. These were before decimal currency was issued in 1966.Legacy Appeal badges x 4 with the Legacy torch and wreath issued prior to 1966, they are gold metal with white enamel, with dark blue enamel around the word Legacy and red enamel in the flame.Kite and hexagonal shaped brooch say '20/- D.N.T.' on reverse. Oval and rectangular brooch say '£1 "Parxite 77" AJ Parkes Brisbane' on reverse.legacy appeal, fundraising, badge week

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. H.W. Tompkins, Mayor of Kew 1918-20. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.H.W. Tompkins / Mayor 1918-20mayors of kew (vic), australian photographers - josiah earl barnes, cr. h.w. tompkins, kew (vic.) — municipal collection

Local Newspaper Dated 20/2/945 - Special - My War Part 51 Local Newspaper dated 20/2/1945 reporting on World War 2 eventsLocal Newspaper Dated 20/2/945 - Special - My War Part 51 Marines Invade Iwo Jima - The Long Marchmarines invade iwo jima - the long march, world war 2, newspaer

Black and white reproductions of vintage photographs on purple paper, text in black. Additional text: "Presented by the Sexuality Department of the Students' Association of the University of Adelaide and Adelaide University in association with the Australian Lesbian and Gay Archives and Feast 2001 - Adelaide's Lesbian and Gay Cultural Festival."queer

Schuss was advertised as Victoria’s Official Ski Journal It was issued monthly from 1935 to 1961 except during the war when summer issues covered two months. This continued after the war, but it averaged 10 issues annually over its 25 year life. Schuss was published by the Ski Club of Victoria which had a membership of 38 Ski Clubs and demanded to be recognised as the prime authority on skiing in the state. The other 30 ski clubs with 85% of the members disagreed and the politics of skiing became heated. These clubs formed the Federation of Victorian Ski Clubs with their own journal, Ski Horizon. With the establishment of the Victorian Ski Association, Ski-Horizon published its last issue in Nov - Dec. 1955 and the role of the official journal was fully taken over by “Schuss”. This item is significant because it contains stories, images and information documenting the development of the ski industry in Victoria.The journal features stories and events chronicling developments in Victoria and internationally. Items related to the Falls Creek Area in this issue include:- Page 127 features a photo of Skyline Lodge taken by S. Flattely with the following text " THE S.C.V.'s SKYLINE LODGE, FALLS CREEK, BOGONG HIGH PLAINS This Lodge in its setting of alpine grandeur, with the impressive outlook to the Spion Kopje Spur, is one of the most comfortable cabins in our mountains. Some vacancies in July and Spring, when snow is still plentiful in this area, Book at S.C.V. Office. Page 134 outlines information for visitors to Skyline including transport, garbage, safety, traffic rules and the use of the lodge.schuss journal, the ski club of victoria, skyline lodge

An example of badges issued by Legacy for fundraising during the Legacy Appeal and Badge Week. The donation value was $20. The date is not known. The badge of Legacy is the Torch and Wreath of Laurel. The Torch signifies the undying flame of service and sacrifice of those who gave their lives for their country. The Wreath of Laurel is the symbol of our remembrance of them. Example of Legacy badges that were sold up to raise money for Legacy's work. Legacy Appeal pin with the Legacy torch, it is gold with green enamel around a torch with red enamel in the flame. It is a decorative oval shape.On the reverse 'A J Parkes / $20'.legacy appeal, fundraising, badge week

Found in loft of Bank NSW in 1980s.Fawn and brown certificate of East Jubilee Quartz Mining Company, Clarkesdale, in the name of E.A. Lester of Ballarat.Text: " EAST JUBILEE QUARTZ MINING COMPANY / NO LIABILITY, CLARKESDALE. " "E.A. Lester Ballarat-two hundred (200)-1201 to 1400 5th June (1899-A.J. Parker E.A. Lester - Geo Deeble".east jubilee mining company, clarkesdale, e.a. lester, a.j. parker, geo. deeble

Bazeley's Victoria Hotel 1899, Hogan Street. Features two women posing on balcony; horse trough; streetlamp attached to hotel.tatura, buildings, historic, costume, female

'Rangitera' - 4 Kent Road - this house has been demolished. It was the address of Campbell Craven Dobbie c1909. He is variously listed as a commercial traveller / printer in electoral rolls. In 1906 he lived in Barton Street and from 1921-1914 is listed at 'Rangatea', Union Road, Balwyn. He served in WW1 in the 8th battalion as a captain; enlisted 4 September 1914 and returned 9 September 1916. Had a son Pat (REF: Trove Obituary, Argus, 27 March 1945)A black and white photograph of a Edwardian style / Federation style house with a cyclone fence and gate at the front of the property.kent road, surrey hills, campbell dobbie (capt), campbell craven dobbie (capt), world war 1, house names, 'rangitera', 'rangatea'

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. HISTORY:-- From Victorian Heritage Database citation for Labassa https://vhd.heritagecouncil.vic.gov.au/places/278 as at (26/10/2020) Labassa, Caulfield is one of Melbourne's most lavishly decorated nineteenth century mansions. It resulted from the extensive remodelling in 1890, of an earlier house, known as Sylliott Hill, which was begun in 1862-3 for lawyer, Richard A. Billing. The land at the corner of Balaclava and Orrong Roads was first acquired in 1854 by William Lyall, transferred to his partner, John Mickle, in 1859, who also acquired the adjoining allotment in Balaclava Road, and the three allotments were conveyed to Billing. His first eight-roomed house was extended significantly in 1873 into a twenty-roomed house by architects Crouch and Wilson, who were possibly also responsible for the first house. This reflected Billing's success as a barrister, and he resided at this property until his death in 1882. In 1883 prominent Melbourne businessman, Alexander William Robertson, leased the Sylliott Hill property from Billing's widow, and in 1885 he purchased the adjoining allotment in Balaclava Road. He purchased the Billing's property in 1887 and renamed the 6.31 hectare property, Ontario. In 1889-90, Robertson commissioned the German born architect, John A. B. Koch, to extensively remodel the house into a thirty-five roomed mansion. The existing house was extended and altered, largely resulting in the nineteenth century mansion as it now appears. After Robertson's death in 1896, the house was tenanted until it was eventually sold to the mining millionaire, John Boyd Watson, in 1904. He renamed the property Labassa and carried out repair and re-decoration work to the house. In the early twentieth century, many large estates were subdivided into smaller allotments as the demand for land grew and it became difficult to maintain such large estates. After Watson's death in 1911, portions of the Labassa estate were offered for sale, with Mrs Watson retaining a 1.73 hectare portion containing the house. In 1913 forty-six allotments were auctioned at Labassa Estate, with the formation of Labassa Grove and Ontario Street to the east of the property. Labassa was first recorded as containing flats in 1923 and in the late 1920s, the owner, Robert Hannon, built a red brick block of flats adjacent to the house. Subdivision continued, until the National Trust of Australia (Victoria) purchased the house in 1980 and subsequently purchased adjoining sites, one to the south-east in 1984 (house demolished in 1988) and to the west in 1988. Labassa as it now stands is substantially as it appeared when Koch completed the work in 1890. The original two storey house was transformed into a French Renaissance style mansion, with the addition of a two level L-shaped arcaded verandah and two prominent terminating bays to the south and the east. The building is of unpainted cement render with dressed bluestone plinths, balustraded parapet and steep, slate covered, flat topped mansard roofs behind. A truncated conical roof is a feature of the south bay and a helmeted head is incorporated in the parapet over the east bay. The main south and east facades incorporate many cast cement details, including sculptures, elaborate cornices, swagged Corinthian columns and caryatid consoles flanking the entrance porch, as well as pink marble panels and imitation marble, or scagliola, on curved surfaces. At the rear of the building is a two storey wing and a single storey cottage, the former being connected to the main house by a tower. This section of the house was constructed in 1873. The estate at its peak included stables (1873), conservatory (probably 1890) and a tennis pavilion (probably 1890). All of these outbuildings survive, with the stables and conservatory being converted for residential use after 1922. Internally a range of decorative treatments remain from the late nineteenth century and the early twentieth century, both from the Robertson and Watson periods of occupancy. These include wallpapers, ceiling decoration, chimney pieces, mouldings, joinery and decorative glass.From Victorian Heritage Database citation for H0135 Labassa 2/2A Manor Grove Caulfield North https://vhd.heritagecouncil.vic.gov.au/places/278 as at (26/10/2020) HOW IS IT SIGNIFICANT? Labassa, Caulfield is of architectural, aesthetic and historical significance to the State of Victoria. WHY IS IT SIGNIFICANT? Labassa, Caulfield is of architectural significance as the most prominent example of a small number of houses built in Australia in the French Renaissance style. It is of further note due to the German interpretation of the style and the use of Hellenistic sources, via Germany. It is exceptional for its lavish treatment externally, including marble, scagliola, caryatids, swagged columns, mansard roofs and ornamental cresting. Labassa is of architectural significance as the most important surviving example of German architect, John Koch's domestic work. He undertook a large variety of work in Melbourne, including a number of houses, however Labassa is the most lavish example of his work. Labassa is of aesthetic significance for its outstanding assemblage of late nineteenth and early twentieth century European style interior decoration, which remain remarkably intact. These include a trompe l'oeil ceiling, painted ceilings, embossed imitation leather and other papers, chimney pieces, ceramic tilework, oak parquetry and stained glass, including a tripartite window by Ferguson and Urie, probably dating from the 1873 period. Labassa is of historical significance as an illustrative example of the wealth acquired by a number of prominent Victorian families in the second half of the 19th century. The early development of the property, Sylliott Hill, was due to the wealth acquired by Richard Billing, barrister and fifth Victorian to be appointed Queen's Counsel in 1878. The significant development in 1890 of Ontario, is illustrative of the wealth of Alexander Robertson, a partner in Cobb and Co., a director of Goldsborough Mort & Co., and a pastoral speculator. John B. Watson, whose father had acquired great wealth from the goldfields of Bendigo and subsequently invested in city and country properties, was the third resident to impact on the house, particularly the interiors. The Labassa estate is of historical significance as an illustrative example of the development that occurred in such suburbs as Caulfield in the 1880s due to the land boom, its proximity to Melbourne and the establishment of the Melbourne to Gippsland railway in 1879. It is also illustrative of an estate which succumbed to the pressures of subdividing in the early twentieth century, as properties became difficult to maintain and demand for land close to the city grew. It was typically divided into flats in the 1920s and was used as such for about sixty years. It is of historical significance for its associations with the remnants of the earlier estate which remain extant. These include the stables, conservatory (H2005) and tennis pavilion which all remain on separate sites. Also significant are the remains of early electrical wiring and fittings. Labassa was one of the first houses in Caulfield to be electrified and some of the original wires remain. [Online Data Upgrade Project 2004]Page 129 of Photograph Album with three landscape photographs of Labassa. One of the photographs is of Labassa's drive and gates.Handwritten: 4 JUNE 1910 / SALE JUNE 28 1910 "LA BASSA' / "AUSTRALASIAN" FORMERLY "ONTARIO"/ RES OF JOHN B WATSON / 15 ACRES 3 ROADS [under bottom left photo] / 4 JUNE 1910 [under bottom right photo] / 129 [bottom left]trevor hart, bracketed eaves, intricate lacework, slate roof, bay windows, decorative brackets, caulfield north, labassa, richard a. billing, balaclava road, orrong road, sylliott hill, william lyall, crouch and wilson, alexander william robertson, ontario, 1880's, john a. b. koch, mansion, john boyd watson, labassa grove, french renaissance style, l-shaped arcaded verandah, bluestone plinths, balustraded parapet, flat topped mansard roofs, conical roof, elaborate cornices, corinthian columns, caryatid consoles, marble panels, imitation marble, scagliola, tower, conservatory, stables, tennis pavilion, mouldings, decorative glass, caryatids, swagged columns, ornamental cresting, trompe l'oeil ceiling, embossed imitation leather, oak parquetry, stained glass, tripartite window, triple window, ferguson and urie, 1870's, flats, 1920's, electric wiring, 1860's, verandahs, curved windows, arched windows, italianate, terraces, gargoyles, ornamentation, ornate entrance, la bassa, manor grove, st kilda east, gates, cast iron work, richard billing, architects, john koch, electrification, victorian style, drives, john mickle, land subdivision, mrs watson, labassa estate, robert hannon, national trust of australia (victoria), sculpture

Colour print of "Heatherlie" House at 20 Seaby St.Colour Print of "Heatherlie" House 20 Seaby St Stawell. Image showing the front of house, garden, fence and surrounding trees.stawell building

This book is one of a series used by grades III to VI in Tasmanian primary schools between 1954 and 1960.A cream and orange book with orange lettering on the cover. 136 pages of arithmetic lessons and answers.whitcombe & tombs, stocks, f.n. ba., bed.(melb), teaching, primary school, tasmania, education department, university of melbourne, george evans collection

This book is one of a series used by grades III to VI in Tasmanian primary schools between 1954 - 1960s.A book with a cream cover with green stripes and green lettering. 135 pages of arithmetic lessons and answers.whitcombe & tombs, stocks, f.n. ba., bed., teaching, primary school, tasmania, education department, george evans collection

During the recent refurbishment of our Local History Centre we came across a roll of 35mm colour negatives which at some stage had been exposed to water or similar resulting in the individual strips sticking to each other and the old paper film processing envelope. The situation looked hopeless but one of our members had an idea on how to salvage them; after all, we had nothing to lose. In the end we were able to separate the film strips and remove most of the paper residue except some of the adhesive. The film was scanned and even though suffering from various light issues; fading, possible exposure problems and a yellow shadow cast by the adhesive residue, the detail and historical information they contain has been rescued. These images are all centred around the intersection of Beard Street and Main Road Eltham. The Sun headline is "Poison Dumped in Murray" which has been dated to 20 Jan 1986 1986 'Poison in Murray cuts town water', The Canberra Times (ACT : 1926 - 1995), 20 January, p. 1. , viewed 30 Aug 2017, http://nla.gov.au/nla.news-article122421767A favourite milk bar of the time for local youth as evidenced from comments on the ThrowbackThursday Facebook Page post. Frame 01791-1 shows the auction sign for the land on the southeast corner of Main Road and Beard Street which was developed into a small group of shopsRoll of 35mm colour negative film, 4 stripsKodak CL 200 5093eltham, main road, beard street, eltham east service centre, bp service station

During the recent refurbishment of our Local History Centre we came across a roll of 35mm colour negatives which at some stage had been exposed to water or similar resulting in the individual strips sticking to each other and the old paper film processing envelope. The situation looked hopeless but one of our members had an idea on how to salvage them; after all, we had nothing to lose. In the end we were able to separate the film strips and remove most of the paper residue except some of the adhesive. The film was scanned and even though suffering from various light issues; fading, possible exposure problems and a yellow shadow cast by the adhesive residue, the detail and historical information they contain has been rescued. These images are all centred around the intersection of Beard Street and Main Road Eltham. The Sun headline is "Poison Dumped in Murray" which has been dated to 20 Jan 1986 1986 'Poison in Murray cuts town water', The Canberra Times (ACT : 1926 - 1995), 20 January, p. 1. , viewed 30 Aug 2017, http://nla.gov.au/nla.news-article122421767A favourite milk bar of the time for local youth as evidenced from comments on the ThrowbackThursday Facebook Page post. Frame 01791-1 shows the auction sign for the land on the southeast corner of Main Road and Beard Street which was developed into a small group of shopsRoll of 35mm colour negative film, 4 stripsKodak CL 200 5093eltham, main road, beard street, eltham east service centre, bp service station

During the recent refurbishment of our Local History Centre we came across a roll of 35mm colour negatives which at some stage had been exposed to water or similar resulting in the individual strips sticking to each other and the old paper film processing envelope. The situation looked hopeless but one of our members had an idea on how to salvage them; after all, we had nothing to lose. In the end we were able to separate the film strips and remove most of the paper residue except some of the adhesive. The film was scanned and even though suffering from various light issues; fading, possible exposure problems and a yellow shadow cast by the adhesive residue, the detail and historical information they contain has been rescued. These images are all centred around the intersection of Beard Street and Main Road Eltham. The Sun headline is "Poison Dumped in Murray" which has been dated to 20 Jan 1986 1986 'Poison in Murray cuts town water', The Canberra Times (ACT : 1926 - 1995), 20 January, p. 1. , viewed 30 Aug 2017, http://nla.gov.au/nla.news-article122421767A favourite milk bar of the time for local youth as evidenced from comments on the ThrowbackThursday Facebook Page post. Frame 01791-1 shows the auction sign for the land on the southeast corner of Main Road and Beard Street which was developed into a small group of shopsRoll of 35mm colour negative film, 4 stripsKodak CL 200 5093eltham, main road, beard street, eltham east service centre, bp service station