Alison Kelly took these photographs while resident and involved with the Mission Arts Centre. She passed them on to Pat Grainger when she left the area. Pat Grainger subsequently donated them to the Society.Alison Kelly collection: Five volumes of photographs of the Mission Arts Centre, the 'Bayside' site, and Port Melbourne, 1987 to 1991town planning - proposals shelved - bayside, piers and wharves - station pier, piers and wharves - princes pier, built environment - civic, built environment - domestic, beacons, environmental issues, missions to seamen, centenary bridge, built environment, public housing, sandridge city development co pty ltd, scdc, brian couldrey, alison kelly

Photographed by Alison Kelly while she was joint caretaker of the building during the Mission Arts Centre days 1987 to 1991From album of photos mostly by Alison Kelly: Port Melbourne Missions to Seamen, view from roof to Commonwealth Engine works and Telecom, city in distancemissions to seamen, built environment, alison kelly

BHS CollectionHanro Employees Early 1930's: Black and White photograph mounted on grey card with a grey border underneath the photograph hand written in black ink is *Vincent Kelly & Bartlett Bendigo* The photo was taken on the steps of the Bendigo Post Office. Large group of women employees standing with six men seated on the steps in front and several men standing in the back row. A small water stain is on the card to the left of the photo. On the back, hand written in black ink is *Hanro Employees on Bendigo P.O. steps Early 1932 or '33* A pencil mark runs down the back. Box 116AVincent Kelly & Bartlett Bendigo.photograph, person, hanro, hanro staff

Photographed by Alison Kelly while she was joint caretaker of the building during the Mission Arts Centre days 1987 to 1991 Port Melbourne Missions to Seamen building, colour view of clocktower, southern and eastern faces - window pane missing. From album of photos mostly by Alison Kelly:missions to seamen, built environment

This photograph was taken in the Burke Museum c1970 and depicts an exhibition about the Kelly Gang. This photograph is of social significance due to its connection with the Burke Museum as well as the Kelly Gang. The Kelly Gang story is integral to the formation of an Australian identity and highlights the Irish oppression during the 1800s. Ned Kelly is an Australian icon, mythologised in Australian literature, art, folklore and history, and the Kelly Gang story permeates Australia's national consciousness. The Burke Museum is significant here also, as the image shows the importance of the Kelly Story to the Beechworth area and local identity. This photograph is also of research potential due to the great interest in the Kelly Gang history in Australia, and also for its presentation of a historical museum exhibition in Beechworth.Black and white, rectangular photograph, printed on photographic paperObverse: Beechworth/a pictorial record of the early days/and associations with the Kelly Gang Reverse: BMA03314 1997.3125/Agfaned kelly, kelly gang, burke museum, australia, museum, display, photograph, pictorial record, beechworth municipality, beechworth, exhibit, bust, clock, urn, vase, painting

These pieces of Kelly Gang armour (including pieces manufactured by police) were photographed outside Beechworth Court House during committal proceedings in 1880. Ned Kelly, born in June 1855, was one of the last Australian bushrangers. An outlaw, gang leader and convicted police killer, Ned Kelly's distinctive armour has become entrenched in Australian lore. Ned's younger brother Dan Kelly (born in 1861), wore similar armour to his older brother. Black and white rectangular postcard printed on paper cardObverse: NED AND DAN KELLY'S ARMOUR TAKEN DURING HIS TRIAL AT BEECHWORTH IN 1880 Reverse: POSTCARD / CORRESPONDENCE / ADDRESS ONLY KODAKkelly album, bushranger, ned kelly, dan kelly, daniel kelly, kelly gang, armour, kelly trials

Yields information about the nature of tram operations for a tour (AETA) and the appearance of Grey St loop in 1955.Black and white photograph of trams (from the rear) 21, 38, 31 and 12 crossing at the Grey St Loop Sebastopol, while on an AETA tour?, 8/1955. Photo by R. Kelly. Printed on Ilford paper. Reg Item 4176, on an AETA tour 20/3/1955 at Sebastopol terminus.On rear in ink. "/8/55; 21, 38, 31,12; R. Kelly".tramways, trams, sebastopol, grey st loop, aeta tour, tram 12, tram 31, tram 38, tram 21

Copy of black and white photo. Image shows three men posed talking. Man on left wearing a peaked fabric cap, pipe in mouth, three piece suit, fob chain visible. R. Murray in centre of photo, wearing three piece suit and hat Man on RH side, coat, fabric cap and holding pipe. On bottom of surround 'W. Vincent Kelly, Mitchell St. Bendigo' written in white script. Australian dictionary of biography entry re Murray enclosed with the photo.Vincent Kelly, Mitchell Street, Bendigo

Robin Kelly was born Robin Vandersluys in Mary Street, Kew. As a child, she sang in backyard concerts run with her brother, Leslie. The family moved to Deepdene in 1949 and Robin joined church and school choirs. Later she was to study classical singing with Stella Power, modern singing with Jack White, TV Presentation with Natalie Raine of Crawford Productions and acting/singing with Jessie Matthews. Following her victory in a talent quest at the Orama Ballroom, she was invited to join the Orama Big Band with singers Harry Cox and Arlene Forrest. She also sang with the Kerm Jones Jazz Band at Power House and with Frank Johnson's Jazz Band at Jazz Junction. Robin became resident band vocalist at the historic Federal Hotel in Collins Street with the Rudi Laquer Trio. She also sang at The Savoy Plaza with the George Cadman Trio. A year later she became resident vocalist at the Ress Oriental Hotel with the Lennie Holmes Trio. Later, Robin married pianist Peter Jones, singing under the name 'Robin Vanser' in clubs in Sydney and regional New South Wales. She was booked for a Vietnam War tour and also sang in Tahiti. Returning to Melbourne, her agent booked her to appear in shows in Tasmania including West Point Casino and Melbourne country venues. Another agent, John Bishop, booked her to do floor shows in Melbourne, including Xmas Seasons at the Hampton Hotel where she entertained audiences with her comedy and audience participation routines. In 1971, Robin Kelly retired to run her Robin Hood Antiques business in Canterbury, during which time she was married to tenor Glenn Kelly. Later she joined Sing Australia Camberwell Choir, performing as a soloist at their Melbourne Town Hall Concert.The Vandersluys-Kelly Collection of photographs, costumes and musical performance memorabilia was donated to the Kew Historical Society by Robin Denise Kelly in 2018. The collection is an important record of stage and recorded performances in Australia in the second half of the 20th century. This new nationally-focused and artistically significant collection augments and contextualises the local performing arts materials in our collection. Performance programme inscribed to Robin (Kelly) and signed by Cleo Lane and John Dankwoirth. robin kelly, performing arts - victoria - australia, cleo lane, john dankworth

Photographed by Alison Kelly while she was joint caretaker of the building during the Mission Arts Centre days 1987 to 1991From album of photos mostly by Alison Kelly: view down the lane behind Swallow Street toward the rear of the Port Melbourne Missions to Seamen building (Telecom building on right)missions to seamen, built environment, alison kelly

Note on back - 'Ros Kelly Federal Minister for the Arts, Sport, the Environment, Tourism and Territories standing with some of Australia's army of aluminium can Recyclers'.Black and white photograph group of primary school with Ros Kelly, Federal Minister, standing outside Parliament House in Canberra, with the Cash for Cans trailer. Lakes Entrance Victoriaschools

Black and white photograph of football players and others. Twenty eight males in four rows. At centre, boy holds a football marked 'BEFC Premiers 1922'. In front on him small boy holds cup trophy. Inscriptions 'Vincent Kelly, Bendigo' on front BR. On back, hand written 'E Vlerminck, P Dempsey, A Hamilton, E Thomas, B Collier, ? Gotji, F Vlaerminck, G Satori. Trainer: E Vlaerminck, F Setori, L Dunstan, B Harvey, T Norris, J Pacholli, Trainer, T Chakley, J Vlaerminck, J Fitzpatrick, Secretary - F Brady, President - M Walsh, Capt. H Sandy, Social Secretary, A Vlaerminck, M Walsh, Treasurer - N Guest, L Badge. H Ward, D Sheehan, Mascot - Collier, M Egan, J Browning. Bendigo East Juniors, Premiers 1922. Also players BN Smith, T Lehani, S Ross, F Brucchertt, B Stephens' (at side, in different hand' C 1008LI, 1/-, E 364979 4/6' Dec. 12th/22Vincent Kellyperson, group, sports team

Photocopy of a photo by Vincent Kelly of the Hanro Staff and Workers taken on the steps of Bendigo Post Office appros 1933. Names on the back are: Allan Crossley, G Evely,T Hall, M ?sen, M Owens, I Hutchinson, L Ash, C Tyers, L Thornton, R Dixon, I Newson, Phill Ipson, E Kent, L Comte, D Pinnell, M Thomas, C Washington, K Bowman, M Kelly, M Tussup, R Shaw, ? Henson, C Washington, E Rodgers, S Brown, P Pearce, D Thornton, L Rielly, L Truscott, R Brereton, P Taylor, Norris, D Miller, C Enderlin, D Harward, J Lockyer, D Butters, Marc Curnow, B Organ, E Lindsay, L Smart, E Ogilvie, G Crossley, M Newwand, Newmand, Truscott, C Ildae, O Richards, B Richards, C Kingsley, ?, F Mylon, Z Wallen, J Thom, P Trehair, E Crawford, F Chandler, E Hogan, G Blandthorn, J Thom, L Henson, E Stephens, J Gerrand, L Doney, M Williams, C Brauman, R Shaw, L Rushmeyer, R F Wr, L Wright, L - R, A McCormack, S Swalling, I West, J Bolger, L Swalling,B Patterson, T Williams, M Shepherd, J Aitken, A Phillips, M Smith, M Williams, S Ross, J Punch, S Dunne, P Warren, E Keck, J Pinder, W Stock, V Akers, J Neate, M Doyle, M Neate, M Marchingo, C Collard, Iris Dobie, M Irvine, D Nalder, M McPherson, Marg, Alma Rank, D Edwards, Z Excell, M McGuiness, A Christie, ? Beer, Male R. J Preston, J Mueller, F Harris, T Robertson, R Hiscock and T Lund. Names by Moreen Betts (Marchingo). Two pages are the same and one only has part of a photo on it. Written beside it is: Hanro Mills, Bendigo. Photo of Staff & Employers. Approx 1933 - 34. Picture with Allan Crossley. x On last page is Alans Sister.Vincent Kellybendigo, history, long gully history group, the long gully history group - photo hanro staff & workers approx 1933, vincent kelly, hanro mills bendigo, allan crossley, g evely, t hall, m ?sen, m owens, i hutchinson, l ash, c tyers, l thornton, r dixon, i newson, phill ipson, e kent, l comte, d pinnell, m thomas, c washington, k bowman, m kelly, m tussup, r shaw, ? henson, c washington, e rodgers, s brown, p pearce, d thornton, l rielly, l truscott, r brereton, p taylor, norris, d miller, c enderlin, d harward, j lockyer, d butters, marc curnow, b organ, e lindsay, l smart, e ogilvie, g crossley, m newwand, newmand, truscott, c ildae, o richards, b richards, c kingsley, ?, f mylon, z wallen, j thom, p trehair, e crawford, f chandler, e hogan, g blandthorn, j thom, l henson, e stephens, j gerrand, l doney, m williams, c brauman, r shaw, l rushmeyer, r f wr, l wright, l - r, a mccormack, s swalling, i west, j bolger, l swalling, b patterson, t williams, m shepherd, j aitken, a phillips, m smith, m williams, s ross, j punch, s dunne, p warren, e keck, j pinder, w stock, v akers, j neate, m doyle, m neate, m marchingo, c collard, iris dobie, m irvine, d nalder, m mcpherson, marg, alma rank, d edwards, z excell, m mcguiness, a christie, ? beer, male r. j preston, j mueller, f harris, t robertson, r hiscock, t lund, moreen betts (marchingo), bendigo post office

Photographed by Alison Kelly while she was joint caretaker of the building during the Mission Arts Centre days 1987 to 1991From album of photos mostly by Alison Kelly: Port Melbourne Missions to Seamen building, roof of chapel from Mission roof; outer beacon and tall ships at Princes Pier 1988missions to seamen, built environment, princes pier, tall ships

Photographed by Alison Kelly while she was joint caretaker of the building during the Mission Arts Centre days 1987 to 1991 Port Melbourne Missions to Seamen building, Huntingfield Hall, looking toward stage; used as workroom at this period of the Mission Arts Centre 1988. From album of photos mostly by Alison Kelly:missions to seamen, built environment, huntingfield hall

Photographed by Alison Kelly while she was joint caretaker of the building during the Mission Arts Centre days 1987 to 1991From album of photos mostly by Alison Kelly: Port Melbourne Missions to Seamen, 1888 memorial stone from original Seamen's Institute, set into interior wall outside doors to chapelmissions to seamen, built environment, alison kelly

Photographed by Alison Kelly while she was joint caretaker of the building during the Mission Arts Centre days 1987 to 1991 Port Melbourne Missions to Seamen building, colour view of sculpture in Huntingfield Hall, showing wave motif on ventilators, mural by Brian Couldrey 1987. From album of photos mostly by Alison Kelly:missions to seamen, built environment

Photographed by Alison Kelly while she was joint caretaker of the building during the Mission Arts Centre days 1987 to 1991From album of photos mostly by Alison Kelly: Missions to Seamen building, black and white print of rear of east wing, showing caretaker's kitchen window and back door, and men's toilet block.missions to seamen, built environment

Photographed by Alison Kelly while she was joint caretaker of the building during the Mission Arts Centre days 1987 to 1991 Port Melbourne Missions to Seamen, view from roof to sundeck of Chaplain's quarters (studio/living quarters for three artists in residence 1987-89) From album of photos mostly by Alison Kelly:missions to seamen, built environment, alison kelly

The two boys in this photograph are Stanley (7) and Maurice (5) Kelly. The two boys were lost in the bush near Orbost for three days. The had been sent by their mother, Mrs Parker, to borrow tea and sugar from a neighbour but became lost on the way home. They were found, scratched and with clothes torn, by a woodcutter, Mr W. Morell. There was a newspaper article on the front page of the Adelaide Mail , Saturday 22 July 1933,This photograph is linked with an event in Orbost's history.A small black / white photograph / postacrd of two small boys standing side by side in a paddock.on back - "The Kelly Kids, lost near L. Curlip"kelly-maurice kelly-stanley

John Kelly (1859-1941) was born at Lockwood, the son of Patrick and Ann Kelly. In 1873 he married Sarah Ann Nievandt and they had 11 children. John Andrew (Jack) 1874-1952; James 1877-1878; James (1878- ); Mary Ann (1880- ); Eleanor Harriet (1883-1982); William Patrick (1885-1965); Elizabeth Margaret (1887- ); Sarah Louise (1889- ); Annie (1892-1902); Lottie (1897- ) . Eleanor married George James Lakey in 1904. No birth record found for Martha. This photo can be dated to 1897/98Bendigo Advertiser ''The way we were'' from 2003. Family snap: John Kelly and wife Sarah with their family outside their Shelbourne home in 1897. Left to right: James, Elizabeth (Lizzie), Sarah, John (Jack), John Kelly Sen., Sarah, Ellenor (Eley), Martha, Mary Ann, Annie and William with his bike. Two-week old baby Lottie was in the house. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Photograph. Elmore. Kelly Plumbing. Shaun Mcgrath, Marg Kelly, Phil Kelly.

Robin Kelly was born Robin Vandersluys in Mary Street, Kew. As a child, she sang in backyard concerts run with her brother, Leslie. The family moved to Deepdene in 1949 and Robin joined church and school choirs. Later she was to study classical singing with Stella Power, modern singing with Jack White, TV Presentation with Natalie Raine of Crawford Productions and acting/singing with Jessie Matthews. Following her victory in a talent quest at the Orama Ballroom, she was invited to join the Orama Big Band with singers Harry Cox and Arlene Forrest. She also sang with the Kerm Jones Jazz Band at Power House and with Frank Johnson's Jazz Band at Jazz Junction. Robin became resident band vocalist at the historic Federal Hotel in Collins Street with the Rudi Laquer Trio. She also sang at The Savoy Plaza with the George Cadman Trio. A year later she became resident vocalist at the Ress Oriental Hotel with the Lennie Holmes Trio. Later, Robin married pianist Peter Jones, singing under the name 'Robin Vanser' in clubs in Sydney and regional New South Wales. She was booked for a Vietnam War tour and also sang in Tahiti. Returning to Melbourne, her agent booked her to appear in shows in Tasmania including West Point Casino and Melbourne country venues. Another agent, John Bishop, booked her to do floor shows in Melbourne, including Xmas Seasons at the Hampton Hotel where she entertained audiences with her comedy and audience participation routines. In 1971, Robin Kelly retired to run her Robin Hood Antiques business in Canterbury, during which time she was married to tenor Glenn Kelly. Later she joined Sing Australia Camberwell Choir, performing as a soloist at their Melbourne Town Hall Concert.The Vandersluys-Kelly Collection of photographs, costumes and musical performance memorabilia was donated to the Kew Historical Society by Robin Denise Kelly in 2018. The collection is an important record of stage and recorded performances in Australia in the second half of the 20th century. This new nationally-focused and artistically significant collection augments and contextualises the local performing arts materials in our collection. Audio recording of performances of classics by Robin Kelly including tracks recorded at the Melbourne Town Hall.robin kelly, performing arts - victoria - australia

"John Patrick Kelly", No. 2077 enlisted 26/5/15 in 3rd Reinforcements 24th Battalion, age 28. Embarked 26/8/15 to Gallipoli 12/10/15 and to France 26/3/16. Wounded 5/8/16 GSW to shoulder. Returned to Australia 16/10/16 and discharged 6/5/17.Stained booklet, brown cover, 16 pages inside covering instructions, soldier's details, details of promotions or demotions and details of cash payments and will.On front - written in faint ink "Patrick Kelly...1/6 2077" Inside front cover written "John Patrick Kelly, No. 2077, 3/24 Battalion, 6th Brigade."pay book, ww1, france, john patrick kelly