Created for Ballarat Apron Festival to present Ballarat's Aboriginal history, to be displayed along side the Festival's Ballarat Apron. Oil painting on handmade treated canvas apron. Two large thick cotton ties at waist and loop for neck. marlene gilson, ballarat, wadawurrung, aboriginal

Handmade hostess apron, made as an engagement gift by Joan Chambers, the donor's Ranger Guide leader, on the occasion of the donor's engagement in 1970, aged 22. The donor described the item as a 'hostess apron' as it was decorative and not for real kitchen duties.Blue hostess apron. Hand-made. Scalloped edges, with appliquéd and embroidered female dancers. aprons, hostess aprons, protective wear, fashion design, fashion 1970s

This apron was made in 1915 by Irene Broughton, nee Long. She was born in Warrnambool in 1894 and married Arthur Broughton in 1913. She re married in 1924 Reuben Donnithorne and he died in 1931. Irene died in 1982 and is buried in the Warrnambool cemetery. The apron was left to Irene's niece, Helen Thomson who had the apron framed to preserve it. The apron would not have been in everyday use but a special garment worn when entertaining visitors for afternoon tea.This apron is a fine example of a home made house hold article from the early 20th century. The maker was born in Warrnambool.The apron is made of fine black cotton and edged with a broad lace flounce featuring a flower pattern. It is decorated with two sprays of delicately hand-painted motifs featuring Australian native flowers. The apron is in a wooden frame with a silver metal edging with scrolls on the front edge. The glass is clear and the mount is buff coloured card.vintage accessory, irene broughton warrnambool

These 3 hand-embroidered cotton aprons are an example of the dressmaking and craftwork skills of the women of the pioneer settlers families in Moorabbin Shire early 20th centuryEarly settlers and market gardeners established their families in Moorabbin Shire and this item shows the skill and craftsmanship of the women of these families. The Curtis family were early settlers in Moorabbin ShireThese 3 lady’s cotton aprons are hand –embroidered, with bibs and waist ties.clothing, brighton, moorabbin, linen, pioneers, haberdashery, market gardeners, dressmakers, craft work, curtis may

Handmade Ladies apron handmade of hessian (presumably an old sugar bag) and trimmed with floral curtain material. on reverse Colonial Sugar Co. Ltd. Pure Cane Sugar 70lbs Melbourne 1A with crossed sugar canesapron, laundry, washing

This lady’s cotton bib apron, completely handsewn with lacework and embroidery is an example of the dressmaking and craftwork skills of the women of the early settlers families in Moorabbin Shire in the early 20th C. A lady's fine white cotton, full length hostess Apron with a bib and long ties. The hem border is cut-work 10cm and the whole apron is decorated by hand embroidered floral designs. unsigned Note attached " Every stitch by handclothing, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork, lacework

In 1951 the Modern Day/Present Day Nurse uniform was selected complete with apron and red cape. This uniform continued through to 1972. 30cm Miniature doll dressed in blue dress white apron and red cape.Name Tagnursing history, nursing uniforms, northern district school of nursing, miniature dolls

This apron was used on Pastie Night at St Mungo's Church, Harvey TownSocial A net lace frilled apron with heart shaped bodice. There are three blue satin bows, one on LHS of bodice and two on added pockets to the skirt. There is a net lace frill around bodice and around apron skirt and a separate over frill above joined with blue satin ribbonclothing, pastie apron

These lady’s hand-embroidered aprons are examples of the dressmaking and craft skills of the women of the families who had settled in the Moorabbin Shire early 20thCThe skill and craftsmanship shown in these aprons is an example of the clothing made by the pioneer settlers and market gardeners in Moorabbin Shire. The family of M. Curtis were early settlers in Moorabbin Shire3 unbleached cotton lady's aprons with bib and ties and colourful hand-embroidery and a crocheted edgeclothing, brighton, moorabbin, pioneers, crochet, bentleigh, early settlers, craftwork, curtis may

The nurse uniform is worn for hygiene and identification. The traditional nurse uniform consists of a dress, apron and cap and although there have been variants, the basic style has remained recognizable. Blue and white hounds tooth fabric dress with front opening tab containing 5 (white fabric over metal) buttons. The dress has a pocket over the left breast and a Maltese cross patch is sewn on the left sleeve . There is a starched, white removable collar, cuffs, belt and apron. The cuffs and belt have 5 out of six removable buttons with brass split pins. "Bronwyn Griffith" name tag sewn on to collar as well as F839 written in pen. E213, D.L. Ross, E.37 written in pen on belt. E877 written in pen on dress. G.N. Barton name tag and J.Williams, E.507 written in pen on one cuff. L. Susan Draper name tag and E.822 written in pen on the other cuff. E213, D.L. Roo?, E.37 written in pen on apron.nurse uniform, nurse cap, nurse collar, nurse apron

View of exterior of low single storey hotel with people standing on the verandah, including possibly 3 maids wearing aprons and man in leather work apron. Man on horse to right and troughs to right. Parks Hotel painted on the building side. Sign on front Sportsmans Arms Hotel W Park. Hotel was built around 1900. View of exterior of low single storey hotel with people standing on the verandah, including possibly 3 maids wearing aprons and man in leather work apron. Man on horse to right and troughs to right. Parks Hotel painted on the building side. Sign on front Sportsmans Arms Hotel W Park. Hotel was built around 1900. On white edge " The Lodge Hotel (Coldstream) about 1900coldstream, sportsman's arms hotel

Machined nurses's apron - white cotton with bib. Long skirt. One pocket at side. Buttoned waist. Used during World War One.nurse, apron, world war i

A leather apron is a protective garment worn by blacksmiths to shield their clothing and skin from sparks, heat, and other hazards while working with hot metals. Leather aprons are typically made of high-quality leather that is durable and resistant to heat and flames. Black leather blacksmith's apron. Used by Norm Harris while working in the blacksmith workshop at the Central Deborah tourist gold mine and while conducting tours of the mine for the tourists.mining, clothing, deborah gold mine, blacksmith, leather apron

Over time, apron design and function diversified, and many trades and professions developed their own versions. Aprons were practical for protecting the wearer’s clothing as well as signifying their trade or craft. Wool dyeing was an industrialised profession to aid in the mass production of synthetic dyed clothing. This dyer’s apron would have protected the wearer from the chemicals of the dyer’s trade. There are several ways that fabrics would have been dyed including direct application, exhaust methods, continuous methods and waterless dyeing methods. As seen folded in archive box.dying, wool, apron, wool dying

This lady’s cotton 1/2 apron completely handsewn is an example of the dressmaking skills of the women of the early settlers families in Moorabbin Shire in the early 20th C A lady's cotton hand sewn half apron with 1 pocket and long ties. The cotton material has an alternating pattern of crosses and spotsunsigned Note attached " Every stitch by hand"clothing, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork, bentleigh

Black and white image depicting two men wearing aprons standing in front of Moorabbin Co-operative Stores, Nepean Highway Cheltenham. Exchange Hotel to the right. Three horse drawn wagons, on the left two white horses with a man holding the reins, one carrying a load with hessian sacks and another on the far right with a man in the seat of the wagon also wearing an apron, suggesting they are workers at the store.Black and white image of two men wearing aprons standing in front of Moorabbin Co-operative Store with three horse drawn wagons, on the left two white horses with a man holding the reins, one carrying a load with hessian sacks and another on the far right with a man in the seat of the wagon also wearing an apron. A sign on the left hand side of the building Havelock Tabacco.Printed in black text a round white sticker: 75 Hand written in red ink: 75%horse drawn wagon, workers, moorabbin, cheltenham, commerce, trade

The full costume used traditionally by ladies in the 16th to 19th century AD. Now used in Greek dances, parades and theatrical performances as a traditional costume.Navy embroidered apron with sequins and coloured stitching. Black lining on reverse side. Part "B" of a four piece costume.lady's costume, apron, greek, βλαχοπούλα, ποδιά, στολή

This apron is one of several linen and clothing items that were made and belonged to Mrs. Eliza Towns and donated to Flagstaff Hill Maritime Museum and Village. Eliza was born Eliza Gould in 1857 in South Melbourne (Emerald Hill) and in 1879 married Charles Towns. In the early 1880's they moved to Nhill in western Victoria and remained there for the rest of their married life. Charles was a jeweller and later became an accountant and for many years was involved with the Shire Council, the local show committee (A & P Society), the Hospital Committee and the Board of the local newspaper (the Nhill Free Press). They had three children and lived a life that would be regarded as comfortably "middle class". Eliza probably had a treadle sewing machine and would have made many of her own clothes - adding her own handmade embroidered or crocheted decorative trim. In March 1915 Eliza travelled to San Francisco to visit her son, James. She went by train to Melbourne ("a pleasant journey on the up express') and the next day caught the express train to Sydney. She noted in her letters home that a " number of young men were going to Sydney to enlist but they had to stop in the corridors most of the way as there was no room for them to sit down". She spent the night on the train and arrived in Sydney the next morning and on the following day she boarded the R.M.S. "Moana" (a steamer which took about twenty-four days to reach San Francisco). She returned from Vancouver about five months later on board the "Manuka". It is very likely Eliza took this "Travelling Apron" with her on her travels. Eliza was travelling by herself and had no one to help her with her dress or her hair. "Travelling Aprons" (also known as Toilet Aprons or Tourist Aprons) were designed with different sized pockets for holding a lady's toiletries - hairbrush, hair pins, comb and sometimes even soap and a powder puff. This allowed the owner, when travelling and getting dressed in small places such as an overnight train compartment or a ship's cabin, to have all her requirements at hand without needing to search for them or have them roll onto the floor. Some of the pockets are finished with buttoned flaps to keep the items in place and when not in use, the apron could be hung up or rolled up and put away. Articles about the "Traveller's Apron" appeared in numerous Women's columns in Australian newspapers in the early 20th century - often with instructions and sometimes a pattern. In the "Age" on Sat 5th October 1907 in a column titled "Feminine Facts and Fancies" the author wrote "No man can appreciate the difficulties of dressing in a "wobbly" train or trying to do one's hair while a ship is weathering a storm". A year earlier (Saturday 24th March 1906) in the same column, the author wrote "... you have to spend nights in a train... forever struggling to dress yourself in a wretched little lavatory. You know how your hairpins and combs jump all over the place ... a train is always at its liveliest when you're trying to do your hair. My travelling apron saved me many a rage."This item is an example of the needlework skills of women in the early 20th century - combining machine stitching with hand embroidery to personalise and embellish a practical domestic object. It is also an excellent (and rare) example of an early 20th century innovation that helped solve the difficulties of privacy and convenience that many women experienced at a time when travel was becoming more accessible to them. A half apron, made of ivory linen with two waist ties and seven pockets. Along the top are two smaller pockets with triangular, buttoned flaps labelled "Hairpins" and "Nailbrush" and one larger unlabelled pocket. Underneath are two larger pockets labelled "Brush & Comb" and "Work" and two unlabelled narrow pockets. The seams are machine stitched and the pockets are outlined with hand embroidered feather stitch. The labels on the pockets are embroidered in stem stitch."Hairpins" / "Nailbrush" / "Brush and Comb" / "Work"flagstaff hill maritime museum and village, nhill, eliza towns, apron, travelling apron, tourist apron, textiles, toilet apron, sewing, embroidery, travel, warrnambool, great ocean road, trains, ships, moana, manuka, feather stitch, stem stitch, fashion, handmade, clothing, charles towns, needlework

The full costume used traditionally by girls in the 16th to 19th century AD. In Australia used by Thessaloniki Association “The White Tower” in Greek dances, parades and theatrical performances as a traditional costume.Historical significance for the purposes it was used by Thessaloniki Association "The White Tower", in functions, dancing and parades.Girl's dancing costume apron, red velvet with embroidery along outside. Red lining. Part "C" of a 4 piece costume.girl, dancing, costume, apron, βλαχοπούλα, ποδιά, greek, plutarch, στολή

Nurses, M Pearce (with bloodstain) (part of U939)uniform, ww2

Nurses. With bloodstainsuniform, ww2

This photograph was found loose in the first of three albums compiled and owned by J W Allen, Secretary of New South Wales Grazier's, and is associated with the New South Wales Graziers Association world tour of sheep 1928-1929. The album contains photographs of travel, sheep, farms, stations, people and landscapes from around the world. Locations include Naples, Port Said, Suez, Birregurra (Vic), Alexandra (Vic), Ballangeich (Vic), Keith (SA), Mt Gambier (SA), Buckland Park (SA), Tasmania, Winton (QLD), Sydney Harbour, Canberra (ACT), Toowoomba (QLD), Rockhampton (QLD), Tocal (NSW), Deepwater (NSW), Glen Innes (NSW), Longreach (QLD), Moree (NSW), Barraba (NSW) and Mudgee (NSW). Properties depicted include Mooleric, Turkeith, Woolongoon, Minadale, Crower Station, Merrindie, Koomooloo Station, Cappeedee, Koonoona, Rathmore, Ellenthorpe, Camden Park Station, Glenlegh, Strathmore Station, Ilparran Station, Binneguy, Midkin, Terlings, Ashley, Bereen, Plumthorpe, Mayvale and Havilah. The album was found in a clean out at the Great Southern Agricultural Research Institute and donated to the National Wool Museum, along with other related material such as photographs, glass lantern slides and ephemera.Black and white photograph showing a ram with a man standing to the right. back: [handwritten] Boonoke / Minadale / (“apron”) / 41agriculture, sheep, farming, stations, research, breeding, photography, travel

Belonged to Julie Jones' motherGreen plastic 'apron band' to support tea towel-apron.

9093.1 Black apron with embroidery and lace edging 9093.2 Unfinished black apron with embroidery