Saloon chair on the S.S.Casino. Removed for refurbishment to celebrate fifty year anniversary of the ship and the Belfast and Koroit Steam Navigation Company. The ship sank on the 9th July 1932 at Apollo Bay. This chair which had not been reupholstered chair registration 555 was presented to Capt. Thomas Boyd the first Captain of the Casino. The legs were added at some time after the sinking.Wooden chair with decorative carved back. Seat velvet upholstered. Wooden legs added after 1932local history, maritime technology, ship furniture, s.s.casino, belfast and koroit steam navigation company, b.k.s.n.

These theatre chairs had been used in the Mozart Hall in Warrnambool for many years but are now no longer required. They were about to be offered for anyone to take but just by chance Flagstaff Hill’s Manager heard about them from a friend in Melbourne. Our Manager thought it important to keep the chairs in Warrnambool as they were significant to our local history and could be incorporated in our Museum. He made arrangements to collect and install them in Flagstaff Hill’s Theatrette. Originally these theatre chairs belonged to Warrnambool Town Hall. When The Warrnambool Baths (or Swimming Pool) in Gillies Street closed, due to the Health Act of 1958, the changing rooms were taken over by the Mozart Group. The building was modified and set up for musical concerts with the name Mozart Hall. The seats were re-covered by Miss Eva Gaspar, Director of the Warrnambool Music Society, with assistance from group members. The material was order by W.C. James (Treasurer) in 1964, at a cost of 26 pound and 10 shillings (£26-10), and supplied by Jacka-Wortley Fabrics Pty Ltd, Upholstery and Furnishing Supplies, 157-163 Pelham Street, Carlton, Melbourne, Victoria. The supplier’s telephone was “JACKAFAB” (5222 2322). The fabric was delivered to J. Hulin of 116 Belmore Rd, Warrnambool. The manufacturer of the chairs, Riddell & Preece Pty Ltd of Melbourne, also supplied theatre chairs for other public buildings including (1) the Ozone Theatre in Enfield, South Australia, in 1929, (2) the Gallery of the Horsham Town Hall in Victoria (at 26/6 each, that is 26 shillings and sixpence, approximate conversion in 2014 to $100.00au), (3) in 1927 in the Gallery of the Kyenton Mechanics’ Institute (4) in 1926, Horsham Theatre. (In May 2018 a transfer of three banks of chairs was made from Flagstaff Hill to the Australian Centre for the Moving Image in Melbourne.) The chairs are of local historical and social significance. Theatre chairs. The sixteen sets (groups or banks) of complete chairs, four seats per chair, give a total of 64 seats. Each chair has timber framed seats, with arm rests, upholstered in red vinyl. The seats are set into decorative gilt iron frames which incorporate five legs, all set into two timber floor rails. The seats are hinged to fold upwards and rest against the backrests. On ironwork "PTY. LTD"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, theatre chairs, theatre seats 1939, warrnambool town hall seats, mozart hall warrnambool, theatre furniture, mechanics’ institute chairs, j hulin warrnambool, mozart hall choral group, eva gaspar, warrnambool music society, w.c. james, jacka-wortley fabrics pty ltd

Early Australian homes were built with outdoor bathrooms and toilets. A commode chair was a convenient and discreet design to save trips outside in the dark, creating an early form of indoor toilet. The commode chair was designed to look like any other household chair and fitted in with other bedroom furniture. The toilet bucket or chamber pot was hiding beneath a false seat and a lid was provided to cover the pot to help prevent odour and spillage. The bucket would be emptied each morning and washed out. This commode chair belonged to the great great grandmother of the donor and has been kept in very good condition. It was originally one of a pair of two chairs. The Robert Fowler Ltd Pottery was established in 1837 by Irish immigrant Enoch Fowler (1807-1879) in Marrickville, Sydney; his son Robert managed the business from 1873. Initially, the company mainly supplied the building and industrial trades but after the First World War, demand for domestic clayware grew. The company opened a second factory in Thomastown, VIC, in 1927. They are still operating today as one of Australia's leading bathroom products companies. This commode chair is an example of early 20th century bedroom furniture made by the first company to make pottery in Australia.Commode chair, cane chair, padded seat lifts up to reveal toilet seat with enamel bucket and metal lid beneath. Bucket is made by R. Fowler Ltd. of Victoria, Australia. Early 20th century.Bucket Maker's Mark "R. FOWLER LTD. THOMASTOWN VIC"flagstaff hill,, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, commode chair, cane commode chair, robert fowler porcelain ware, bedroom furniture, potty chair, wicker toilet chair, ceramic chamber pot

This chair would have originally had a different seat. The grooves and regular perforations seen underneath suggest that it was originally woven with chair cane. Chair caning is a method of weaving cane to build a comfortable seat. Donated by the Harry Cameron family, Harry's father, James Cameron, came to Bellagoogan on Majors Creek in 1882. Bellagoogan was on Majors Creek near Orbost and was the site of the first race course. Like many others at the time, the Camerons bred race horses.Harry died in 1964 aged 75.This item used by the Cameron Family has aesthetic significance. Luterma chairs are well known in Northern Europe. However they are becoming rarer. The Cameron family was a significant part of early Orbost.Little High Bentwood chair with perforated seat, metal screws and bolts, unreadable label underneath.Under seat - Luterma Fabrique en estonie. Made in Estonia. Inside seat rim J + ? Kehn rubber stampdomestic chair furniture cameron-harry

The chair has been used since antiquity, although for many centuries it was a symbolic article of state and dignity rather than an article for ordinary use. "The chair" is still used as the emblem of authority in the House of Commons in the United Kingdom and Canada, and in many other settings. In keeping with this historical connotation of the "chair" as the symbol of authority, committees, boards of directors, and academic departments all have a 'chairman' or 'chair'. Endowed professorships are referred to as chairs. It was not until the 16th century that chairs became common. Until then, people sat on chests, benches, and stools, which were the ordinary seats of everyday life. The number of chairs which have survived from an earlier date is exceedingly limited; most examples are of ecclesiastical, seigneurial or feudal origin. Chairs were in existence since at least the Early Dynastic Period of Egypt (c. 3100 BC). They were covered with cloth or leather, were made of carved wood, and were much lower than today's chairs – chair seats were sometimes only 10 inches (25 cm) high. In ancient Egypt, chairs appear to have been of great richness and splendour. Fashioned of ebony and ivory, or of carved and gilded wood, they were covered with costly materials, magnificent patterns and supported upon representations of the legs of beasts or the figures of captives. Generally speaking, the higher ranked an individual was, the taller and more sumptuous was the chair he sat on and the greater the honour. On state occasions, the pharaoh sat on a throne, often with a little footstool in front of it.[ The average Egyptian family seldom had chairs, and if they did, it was usually only the master of the household who sat on a chair. Among the better off, the chairs might be painted to look like the ornate inlaid and carved chairs of the rich, but the craftsmanship was usually poor. The earliest images of chairs in China are from 6th-century Buddhist murals and stele, but the practice of sitting in chairs at that time was rare. It was not until the 12th century that chairs became widespread in China. Scholars disagree on the reasons for the adoption of the chair. The most common theories are that the chair was an outgrowth of indigenous Chinese furniture, that it evolved from a camp stool imported from Central Asia, that it was introduced to China by Christian missionaries in the 7th century, and that the chair came to China from India as a form of Buddhist monastic furniture. In modern China, unlike Korea or Japan, it is no longer common to sit at floor level. In Europe, it was owing in great measure to the Renaissance that the chair ceased to be a privilege of state and became a standard item of furniture for anyone who could afford to buy it. Once the idea of privilege faded the chair speedily came into general use. Almost at once the chair began to change every few years to reflect the fashions of the day. Thomas Edward Bowdich visited the main Palace of the Ashanti Empire in 1819, and observed chairs engrossed with gold in the empire. In the 1880s, chairs became more common in American households and usually there was a chair provided for every family member to sit down to dinner. By the 1830s, factory-manufactured “fancy chairs” like those by Sears, Roebuck, and Co. allowed families to purchase machined sets. With the Industrial Revolution, chairs became much more available. The 20th century saw an increasing use of technology in chair construction with such things as all-metal folding chairs, metal-legged chairs, the Slumber Chair,[ moulded plastic chairs and ergonomic chairs. The recliner became a popular form, at least in part due to radio and television. The modern movement of the 1960s produced new forms of chairs: the butterfly chair (originally called the Hardoy chair), bean bags, and the egg-shaped pod chair that turns. It also introduced the first mass-produced plastic chairs such as the Bofinger chair in 1966. Technological advances led to moulded plywood and wood laminate chairs, as well as chairs made of leather or polymers. Mechanical technology incorporated into the chair enabled adjustable chairs, especially for office use. Motors embedded in the chair resulted in massage chairs. https://en.wikipedia.org/wiki/ChairThe chair is one of the most commonly used items providing comfort.Chair wooden varnished dark brown. Spokes for back support, front legs and spokes joining legs are patterned turned' wood. Backrest has a floral emblem with a kangaroo in the centre.Back rest has a floral emblem with a kangaroo in the centre.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, chair, dining, carpentry

The chair has been used since antiquity, although for many centuries it was a symbolic article of state and dignity rather than an article for ordinary use. "The chair" is still used as the emblem of authority in the House of Commons in the United Kingdom and Canada, and in many other settings. In keeping with this historical connotation of the "chair" as the symbol of authority, committees, boards of directors, and academic departments all have a 'chairman' or 'chair'. Endowed professorships are referred to as chairs. It was not until the 16th century that chairs became common. Until then, people sat on chests, benches, and stools, which were the ordinary seats of everyday life. The number of chairs which have survived from an earlier date is exceedingly limited; most examples are of ecclesiastical, seigneurial or feudal origin. Chairs were in existence since at least the Early Dynastic Period of Egypt (c. 3100 BC). They were covered with cloth or leather, were made of carved wood, and were much lower than today's chairs – chair seats were sometimes only 10 inches (25 cm) high. In ancient Egypt, chairs appear to have been of great richness and splendour. Fashioned of ebony and ivory, or of carved and gilded wood, they were covered with costly materials, magnificent patterns and supported upon representations of the legs of beasts or the figures of captives. Generally speaking, the higher ranked an individual was, the taller and more sumptuous was the chair he sat on and the greater the honour. On state occasions, the pharaoh sat on a throne, often with a little footstool in front of it.[ The average Egyptian family seldom had chairs, and if they did, it was usually only the master of the household who sat on a chair. Among the better off, the chairs might be painted to look like the ornate inlaid and carved chairs of the rich, but the craftsmanship was usually poor. The earliest images of chairs in China are from 6th-century Buddhist murals and stele, but the practice of sitting in chairs at that time was rare. It was not until the 12th century that chairs became widespread in China. Scholars disagree on the reasons for the adoption of the chair. The most common theories are that the chair was an outgrowth of indigenous Chinese furniture, that it evolved from a camp stool imported from Central Asia, that it was introduced to China by Christian missionaries in the 7th century, and that the chair came to China from India as a form of Buddhist monastic furniture. In modern China, unlike Korea or Japan, it is no longer common to sit at floor level. In Europe, it was owing in great measure to the Renaissance that the chair ceased to be a privilege of state and became a standard item of furniture for anyone who could afford to buy it. Once the idea of privilege faded the chair speedily came into general use. Almost at once the chair began to change every few years to reflect the fashions of the day. Thomas Edward Bowdich visited the main Palace of the Ashanti Empire in 1819, and observed chairs engrossed with gold in the empire. In the 1880s, chairs became more common in American households and usually there was a chair provided for every family member to sit down to dinner. By the 1830s, factory-manufactured “fancy chairs” like those by Sears, Roebuck, and Co. allowed families to purchase machined sets. With the Industrial Revolution, chairs became much more available. The 20th century saw an increasing use of technology in chair construction with such things as all-metal folding chairs, metal-legged chairs, the Slumber Chair,[ moulded plastic chairs and ergonomic chairs. The recliner became a popular form, at least in part due to radio and television. The modern movement of the 1960s produced new forms of chairs: the butterfly chair (originally called the Hardoy chair), bean bags, and the egg-shaped pod chair that turns. It also introduced the first mass-produced plastic chairs such as the Bofinger chair in 1966. Technological advances led to moulded plywood and wood laminate chairs, as well as chairs made of leather or polymers. Mechanical technology incorporated into the chair enabled adjustable chairs, especially for office use. Motors embedded in the chair resulted in massage chairs. https://en.wikipedia.org/wiki/ChairThe chair is one of the most commonly used items providing comfort.Chair varnished dark brown. Spokes for back support, front legs and spokes joining legs are patterned turned wood. Back rest has a floral emblem with a kangaroo in the centre.Back rest has a floral emblem with a kangaroo in the centre.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, chair, dining, carpentry

The chair has been used since antiquity, although for many centuries it was a symbolic article of state and dignity rather than an article for ordinary use. "The chair" is still used as the emblem of authority in the House of Commons in the United Kingdom and Canada, and in many other settings. In keeping with this historical connotation of the "chair" as the symbol of authority, committees, boards of directors, and academic departments all have a 'chairman' or 'chair'. Endowed professorships are referred to as chairs. It was not until the 16th century that chairs became common. Until then, people sat on chests, benches, and stools, which were the ordinary seats of everyday life. The number of chairs which have survived from an earlier date is exceedingly limited; most examples are of ecclesiastical, seigneurial or feudal origin. Chairs were in existence since at least the Early Dynastic Period of Egypt (c. 3100 BC). They were covered with cloth or leather, were made of carved wood, and were much lower than today's chairs – chair seats were sometimes only 10 inches (25 cm) high. In ancient Egypt, chairs appear to have been of great richness and splendour. Fashioned of ebony and ivory, or of carved and gilded wood, they were covered with costly materials, magnificent patterns and supported upon representations of the legs of beasts or the figures of captives. Generally speaking, the higher ranked an individual was, the taller and more sumptuous was the chair he sat on and the greater the honour. On state occasions, the pharaoh sat on a throne, often with a little footstool in front of it.[ The average Egyptian family seldom had chairs, and if they did, it was usually only the master of the household who sat on a chair. Among the better off, the chairs might be painted to look like the ornate inlaid and carved chairs of the rich, but the craftsmanship was usually poor. The earliest images of chairs in China are from 6th-century Buddhist murals and stele, but the practice of sitting in chairs at that time was rare. It was not until the 12th century that chairs became widespread in China. Scholars disagree on the reasons for the adoption of the chair. The most common theories are that the chair was an outgrowth of indigenous Chinese furniture, that it evolved from a camp stool imported from Central Asia, that it was introduced to China by Christian missionaries in the 7th century, and that the chair came to China from India as a form of Buddhist monastic furniture. In modern China, unlike Korea or Japan, it is no longer common to sit at floor level. In Europe, it was owing in great measure to the Renaissance that the chair ceased to be a privilege of state and became a standard item of furniture for anyone who could afford to buy it. Once the idea of privilege faded the chair speedily came into general use. Almost at once the chair began to change every few years to reflect the fashions of the day. Thomas Edward Bowdich visited the main Palace of the Ashanti Empire in 1819, and observed chairs engrossed with gold in the empire. In the 1880s, chairs became more common in American households and usually there was a chair provided for every family member to sit down to dinner. By the 1830s, factory-manufactured “fancy chairs” like those by Sears, Roebuck, and Co. allowed families to purchase machined sets. With the Industrial Revolution, chairs became much more available. The 20th century saw an increasing use of technology in chair construction with such things as all-metal folding chairs, metal-legged chairs, the Slumber Chair,[ moulded plastic chairs and ergonomic chairs. The recliner became a popular form, at least in part due to radio and television. The modern movement of the 1960s produced new forms of chairs: the butterfly chair (originally called the Hardoy chair), bean bags, and the egg-shaped pod chair that turns. It also introduced the first mass-produced plastic chairs such as the Bofinger chair in 1966. Technological advances led to moulded plywood and wood laminate chairs, as well as chairs made of leather or polymers. Mechanical technology incorporated into the chair enabled adjustable chairs, especially for office use. Motors embedded in the chair resulted in massage chairs. https://en.wikipedia.org/wiki/ChairThe chair is one of the most commonly used items providing comfort.Chair wooden varnished dark brown. Spokes for back support, front legs and spokes joining legs are patterned turned wood. Back rest has a floral emblem with a kangaroo in the centre.Back rest has a floral emblem with a kangaroo in the centre.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, chair, dining, carpentry

Bentwood chair.Chair wooden Bentwood (pair of 2). Back is curled 'u' shape. Splayed legs and inner supporting circle. Seats are not the original seats.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, bentwood chair, cafe chair, furniture

These set of three cheers, often called sanctuary chairs, thrones or bishop's chairs, were part of the original furnishings of St Nicholas Seamen's Church, Williamstown, Victoria. The church was operated by the Missions to Seamen organisation. The three chairs were donated to that church by Mr and Mrs F H Twist. The chairs are now part of the St Nicholas Seamen's Church Collection at Flagstaff Hill Maritime Museum and Village. THE MISSIONS TO SEAMEN (Brief History: for more, see our Reg. No. 611, Set of Pews) The Missions to Seamen, an Anglican charity, has served seafarers of the world since 1856 in Great Britain. It symbol is a Flying Angel, inspired by a Bible verse. Today there are centres in over 200 ports worldwide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria, the orgainsation began in Williamstown in 1857. It was a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’. Its location was an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981, and closely resembles the Williamstown chapel. This set of chairs is significant historically for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. The set of chairs is historically significant for its connection to the Ladies Lightkeepers’ Auxiliary, an organisation of women, formed to support seafarers. The connection of this item to the Mission to Seamen and to the Ladies Lightkeepers’ Auxiliary highlights the strong community awareness of the life of people at sea, their dangers and hardships, and their need for physical, financial, spiritual and moral support. Chair, set of three. Chars are also called Sanctuary chairs, Thrones or Bishop's Chairs. Large, wooden chairs with simple straight wooden legs and armrests. The back support features a peak design and three decorative cutaway holes. This set is part of the St Nicholas Seamen's Church Collection.flagstaff hill, warrnambool, maritime-museum, church furniture, throne, bishop's chair, mission to seamen, williamstown, st nicholas seamen's church, religious furniture, sanctuary chair, church service, religious worship, ladies lightkeepers' auxiliary, thrones, bishop's chairs, mr and mrs f h twist

An elderly man listening to a Clarke & Smith talking book machine, whilst sitting on a lounge chair. In the background is a wooden sideboard. The man is smiling and has raised his hand to his mouth as he becomes enveloped in the story. Digital image of man sitting in a chair listening to talking booksroyal victorian institute for the blind, talking book machines

Portrait of Bow Hutchings posing beside chair and pot plant in front of weatherboard buildingB/W Photgraph of a Young man Standing outside wearing a suit and bowtie. Left arm resting on a chair.stawell, bowen hutchings

Used in the 1980s and designed to facilitate the movement of patients down stairs and into ambulances. Item was not carried in ambulances and had to be delivered to incident site when required. Item was not a success and ambulance officers continued to use chairs to move patients down stairs. Source Chas Martin AHSV curator 7 November 2016Red metal tracked chair with blue canvas seat.

Likely to be a German designed operating chair. Very similar to operating chair shown in [Aesculap] Aktiengesellschaft fur Feinmechanik vormals Jetter & Sheerer, "Illustriertes Musterbuch", 1904, Tuttlingen, South Germany, p. 720, no. 34, 412 Fig 1 & 2. Early twentieth century examination chair constructed of metal and leather. The structure is metal and painted with cream enamel. The seat and seat extension are covered in brown leather. It has two folding sections with metal leg rests, and a base on castors. There are three holes in each arm rest, possibly indicating missing attachments. The chair is adjustable to horizontal.examination, furniture, royal australian college of surgeons

Bishop J. A. Goold (Catholic) of Melbourne. Clergyman standing beside a chair. Bishop Goold laid the first foundation stone, St. Patrick's Shurch Stawell on 29th October 1871. He returned to open the Church, 30th March 1873. The original photograph was loaned for a copy by St Patrick's Church Stawell. Copy donated by A. Attrill.Photograph of a clergy man standing beside a carved chair.stawell portrait

The photo is of Claude Raitt seated on a cane & seagrass chair. Claude was born c1906. Claude when mature drove the borough council truck for many years and lived in Upper Main St.Sepia photograph of a baby Claude Raitt seated on a floral cushion in a cane & seagrass chair. Stawell Photographic Co., Main Street Close Railway. C. Hewitt, Manager. Hand written on the back is Claude Raitt as a baby. Also the Stawell Photographic Co. stamp. stawell portrait

High chair belonged to Cathy, Bruce Reynolds' daughterYellow wooden Doll's high chair, four rungs and a step and tray. A decal of 'Jack Be Nimble' transfer is on back of seat. Tray is of blue laminex.toys, dolls' accessories

The plaques originate from chairs donated towards the furnishing of the Mair Street premises of the Clarendon Presbyterian Ladies College opened 1926. The chairs were situated in Watson Hall. The chairs were donated by the Old Collegains Dramatic Society which commenced with an inaugural production 1 October, 1925. The Touchstone December 1925 records the performance took place in the St Andrews Hall begining with a comedy sketch entitled 'Such is fame'...the second half of the programme consisted of what was described as 'a Pot-Pourri of Old Fashioned Tunes'. Four brass plaques featuring fine border and inscription.Inscribed on obverse: ; GIFT OF / Clarendon Old Collegians / DRAMATIC CLUB / 1926plaque, old-collegians-dramatic-society, clarendon-presbyterian-ladies-college, chairs, watson-hall

Child's high chair. First used 1922 by Edith Mottram (nee Smith).Passed on to Cecil Wilfred Smith (brother of Edith) who migrated to Australia in 1927 and used by children Frederick and Victor. Used by Frederick's children Karen (b 1979) and Robert (b 1959). Used by Karen's children Thomas (b1988) and Emma (b 1991)Wooden painted blue high chair. Also converts to low chair - four wheels on feet for easy movement. First used in 1922. Laminex tray top added in 1959.furniture, domestic-nursery

Portrait of two gentlemen in suites seated in Cane Chairs. Jim Greenwood right (Engine Driver at 3 Jacks Mine) and his friend.A Sepia Photograph of two (2) seated males in cane chairs by a table, both dressed in suits, both with short haircuts.Herbert's Studio St (the rest is missing) in gold print on rear, in hand written script: Uncle Jim Greenwood right and his friend Engine drive at 3 Jack's Mine Stawellstawell, greenwood

Bentwood furniture is a type of furniture made by bending wooden rods into the required shape after they have been heated with steam. Mundus bentwood chairs are among the most successful examples of early mass-produced furniture. The inventor of manufacturing chairs using this method was Gebrüder Thonet. The subject item was made at Josef Jaworek small factory that produced bentwood chairs and was the only Polish member associated with the Mundus furniture company of Vienna. This company was founded in 1907 and Mundus went on to merge with J & J Kohn in August of 1914. Mundus furniture was a significant manufacturing company, active in several places in the Austro Hungarian Empire, at the end of the 19th century and early 20th century. Factories seem to have existed in multiple locations including Poland. Their products carry diverse labels, such as "Budapest", "Borlova", "Czechoslovakia", etc, some of the furniture was co-signed with "Jacob and Josef Kohn". Mundus also merged with Gebrüder Thonet in 1922 the inventor of the bentwood chair.The subject item is believed to be associated with the original Warrnambool Town Hall and would have been part of the buildings furnishings. The town Hall played a significant role in both local government and social events of local and district areas. It was not only a place for Council meetings but community events and social events. The item is significant as it is an early example of mass-produced manufactured furniture from a company in Austria that pioneered this type of furniture around the turn of the late 19th and early 20th centuries. This item is now regarded as a collector's piece giving it additional significance and interest.Bentwood chair (2 of 4), painted black, inner back is curled loop. Seat has leather cover, attached with studs. Ventilation holes under seat in star pattern. Splayed legs with bracing ring. Marks: pressed into some legs, under seat, paper label on rim under seat says the chair is made in Austrla.Marks: "3" is pressed into some legs, chalk letters under seat "RS", makers label, cream with dark print; on either side are 2 coins, top left coin has bust of a man, top right has an emblem with 1885 under it. Text of label "MOBEL-FABRIKEN / von / JOSEF JAWOREK / Teschen, osterr, Schlesien"flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, bentwood chair, café chair, restaurant chair, josef jaworek, austrian chairs, furniture, gebrüder thonet

Bentwood furniture is a type of furniture made by bending wooden rods into the required shape after they have been heated with steam. Mundus bentwood chairs are among the most successful examples of early mass-produced furniture. The inventor of manufacturing chairs using this method was Gebrüder Thonet. The subject item was made at Josef Jaworek small factory that produced bentwood chairs and was the only Polish member associated with the Mundus furniture company of Vienna. This company was founded in 1907 and Mundus went on to merge with J & J Kohn in August of 1914. Mundus furniture was a significant manufacturing company, active in several places in the Austro Hungarian Empire, at the end of the 19th century and early 20th century. Factories seem to have existed in multiple locations including Poland. Their products carry diverse labels, such as "Budapest", "Borlova", "Czechoslovakia", etc, some of the furniture was co-signed with "Jacob and Josef Kohn". Mundus also merged with Gebrüder Thonet in 1922 the inventor of the bentwood chair.The subject item is believed to be associated with the original Warrnambool Town Hall and would have been part of the buildings furnishings. The town Hall played a significant role in both local government and social events of local and district areas. It was not only a place for Council meetings but community events and social events. The item is significant as it is an early example of mass-produced manufactured furniture from a company in Austria that pioneered this type of furniture around the turn of the late 19th and early 20th centuries. This item is now regarded as a collector's piece giving it additional significance and interest.Bentwood chair (3 of 4), painted black, inner back is curled loop. Seat is plain wood (replacing original). Splayed legs with bracing ring. Marks; Stamped into wood under seat, a small paper label and a label, cream with dark print. Paper label on rim under seat says the chair is made in Austria.Marks; Stamped into wood under seat is "49" and a small paper label with "49". Makers label, cream with dark print; on either side are 2 coins, top left coin has bust of a man, top right has an emblem with 1885 under it. Text of label "MOBEL-FABRIKEN / von / JOSEF JAWOREK / Teschen, osterr, Schlesien" flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, bentwood chair, café chair, restaurant chair, josef jaworek, austrian chairs, furniture, gebrüder thonet

A green, grey and white Ballarat Like Minds Certificate made out to University of Ballarat. Noel Coxall Chair of the Boarduniversity of ballarat, ballarat likeminds, noel coxall

Churchill Island has a large photograph collection dating from the late nineteenth century. This series shows moments from the annual festivals and shows held on the island in the 21st centuryPhotograph of a man seated on a metal and plastic chair that has been bolted onto a sled. A leather strap rests between the man's knees and joins to a working horse (out of frame)THE OLD MEETS THE NEW. METAL/PLASTIC/CHAIR BOLTED ON TO SLED PULLED BY A WORKING/HORSE. CHURCHILL ISLAND EASTER FESTIVAL/30/3/13 [written in pen on reverse] [catalogue number on reverse in pencil]churchill island, photograph

Both Bill Durant and Henry Moritz were staff members at the Ballarat College of Advanced Education (later Federation University). Neville Bunning ceremoniously presented the chair to Bill Durant in the Art Department at Neville Bunnings Retirement function. Framed caricature of Ballarat School of Mines staff member Bill Durant sitting in Neville Bunnings Chair. "Mr. Chairman"bill durant, henry moritz, caricature, available

The timber on this captain's chair has been worn smooth across the backrest. It is of solid construction. A captain's chair is typically a wooden armchair with a back that curves around to form the armrests. The style of chair was used in the 19th century and was a statement of status aboard a ship. This captain's chair is an example of the type of furniture used onboard a ship in the 19th and early 20th centuries.Captain's chair; an oak armchair with a low curved back that forms the armrests. It has six turned spindles, a fretted back, a solid saddle seat and is supported on four turned legs. The timber backrest feels smooth and well-worn. Circa 1900.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, wooden chair, captain's chair, armchair, 19th century furniture, nautical furniture, seating

Bosuns chair and harness with pulley. This device suspended a person from a rope and seat to perform work duties in safety. It includes a chair made from a flat piece of wood threaded through with a cable attached to pulleys, which move people or goods up or down heights such as the lighthouse, where it was used for painting the lighthouse and other tasks. It has first level contributory significance for its relative completeness, historic value and provenance to the lightstation.Chair (wooden piece of wood with cable threaded through 4 holes) with cables joining together above seat. Two metal pulleys with wire cable attached.

This librarian's chair was given to the school by the family of Joy Chapman who had died during 1948. The chair was part of a number of furnishings supplied by donation for the new library which was opened in 1949. These included blackwood shelves, tables and chairs and a new set of Encycopedia Britannica supplied by the Parents and Friend's Association, a grooved periodical table given by Old Collegians Younger Set, a librarian's desk supplied by the E M Bell estate and more than 200 books supplied by the Old Collegians. (see 'A lamp burns brightly' p. 61). This item is a significant example of the degree to which the school relied on donations from the community to develop the school during the post-war years. Solid wood chair with high solid back and solid arm rests. Carved CPLC crest attached to neck rest. Padded seat. Bronze plaque at front of seat. Plaque: In memory of / JOY CHAPMAN / 1947 - 1948 - The Gift of Her / Father, Mother & Ruthc-p-l-c, younger-set, parents-and-friends-association, clarendon-presbyterian-ladies-college, library, joy-chapman

Churchill Island has a large photographic collection dating from the nineteenth century. This series shows the extensive work and volunteering conducted on site by workers after it was turned into a heritage siteColour photograph of a man sitting on a bolted chair on top of a sled with a loose strip of leather resting between his knees. Probably taken at the Churchill Island Easter Festival 30/03/2013Catalogue number on reverse in pencil. Written on reverse in pen "The old meets the new. Metal/plastic chair bolted on to sled towed by a working horse. Churchill Island Easter Festival 30/3/2013"churchill island, photograph

The design of this pair (RN 758 & 759) is based on Thonet’s No. 18 chair, which was originally produced in 1876 by Thonet, and is still one of the best-selling designs for café and restaurant owners. It is elegant, sophisticated and durable. The label notes the design as “AUS MASSIV GEBOGENEM HOLZE vorm” which translates to “solid curved sandals shape”, a good description for the back of the chair. The chairs have marks, paper labels and symbols on them that show that the maker was Harnisch & Co., Neuschler (also called Banská Bystrica) Furniture Factory in Neuschol (Beszterczebanya), Hungary, privileged makers for the Imperial and Royal Austrian-Hungarian Empire 1867 – 1918. Bentwood chairs are made by a process of wetting wood in water, bending it into curved shapes, then allowing it to dry so that the shape becomes permanent. This process originated by Michael Thonet, who had been given the right to bend wood into desired curves by the Austrian Courts in 1842. In 1856 he was granted a 13 year patent to manufacture chairs and table legs of bent wood treated by steam or boiling water. In 1859 his company Gebruder Thonet produced his original design. Thonet’s early designs also featured hand carved or laminated wooden seats. His Model No. 14 produced in the 1850’s, was his most popular design. After Michael’s death in 1871 the family went on designing and producing chairs. The No. 18 chair was produced in 1876, one of a group of chars with back inserts consisting of curves and loops of bentwood. The popularity of the Bentwood chair, even now, is due to its versatility and timeless quality. Its style, whether varnished or painted, suits any room in the house. The lightweight chairs are also popular for café and restaurant seating, as well as for public gatherings. They can be easily moved around and grouped in a variety of ways to suit any occasion.Chair, bentwood, 'French Bistro Chair' with pattern carved in seat. Backrest has inverted U shape inside that extends to the seat. Supports on eitherside of backrest's base join to back of seat. Legs have a wooded bracing ring. Marks; pressed into rim under seat. Paper label, cream with black print, on rim. Right side of label has symbol of Heraldic Shield. Text on label. Made by Harnisch & Co.Marks; pressed into rim under seat is "3" and "4", and "Crown [over] N", Paper label, cream with black print, on rim; Left side has Mark “N inside circle under crown”. Right side has symbol of Heraldic Shield. Text on label “Trade – K.u.K.- Mark / NEUSOHLER FABRIK FUR MOBEL/ AUS MASSIV GEBOGENEM HOLZE, vorm. HARNISCH & Co / NEUSOHL (BESZTERCaZEBANYA) UNGARN ' Hand written under seat "T H" in black paint, "T H " in white chalk. flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, bentwood chair, café chair, restaurant chair, meeting hall chair, thonet design chair, harnisch & co, k.u.k., neusohler fabrik fur nobel, approved manufacturer, neusohl (besztercazebanya) ungarn