Yields information about the appearance of BTM tram No. 661 in 1960, the use of X2 on the Point Ormond line and the reconstruction of the Glenhuntly Road level crossing at Elsternwick during 1960. Black and white photographs of the depot fan late 1973 showing progress in ballasting the fan and area being cleaned up. Three trams in the depot with doors open. Agfa paper with date stamp "?.12.73" trams, tramways, depot fan, btps, operations, trackwork

Yields information about the appearance of the depot building soon after completion of the construction and prior to the relocation of the tramcars.Set of three Black and white photographs of the depot fan early 1974 and during the construction of No. 3 road extension, ski jump for tramcar inspection later on. Taken after the ballasting of the depot fan. .1 - No. 26 on three road - after the ballasting of the depot fan and the installation of the overhead. .2 - Lifting and packing 3 road extension .3 - dittotrams, tramways, depot fan, btps, operations, tram 26

seated Japanese doll in traditional costume holding fan with red bow in hair"PMA 0120"

Hand Fan made from cane, heart shape.. Red and green in colour. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, fan, cane fan

Small plastic or bone, cream fan with each rib decorated with a different pattern.

Handheld plastic cockade fan with inbuilt mirrored powder container and powder puffcockade fans, combination compact fan, handheld fans

Fire screen, gold plated meta,l fan shaped. Centre stem has sculptured head of loon (?)-type animal with wings. Main fan area has fold away leaves that fold to centre stem.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, fire screen, fan shaped fire screen, fire guard, fireplace, fire place tool

Miss Lovie Mueller (illustration- B&W copy of photograph and coloured in dress and fan).person, individual, lovie mueller

Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." 'Truly Fine Blankets of Surpassing Beauty' (range of blankets both fanned out and folded) Onkaparinga/100% Pure Wool Blankets/Truly Fine Blankets of Surpassing Beauty/Buy Well-Buy Wool/Guaranteed for Twelve Years blanket, blanket fever, wool, onkaparinga, advertisement, australian women's weekly

The item was donated as part of the Fred Stamp collection.Much degraded colour photocopy (?) of the Kew Footballers Cricket Club Premiers 1976-77. Team members are named under the photo. G Weir, D Berry, R Hester, B Mitchekk (pres), M Cropley, I Marsden, A Fanning, D Rhoden, R Burden, Max, B Lyons (v capt), H Crowe (capt), J Coles, G Fanningsports - cricket - kew (vic), kew football club, fred stamp collection

? WWIIPaper folding Japanese ladie's fan with bamboo slats and green paper. Painted with Japanese characters Japanese characters meaning unknownfan

Asian style fan. One side has floral design with gold background, the reverse is red"PMA 0168/1" "WMA 46"

c1900 Decorative silver, pewter, gold plated or brass buckles were attached by ribbons or straps to plain shoes for evening and special occasions . These buckles were worn by a lady in the family of Ailsa Hunt in Moorabbin ShireThese decorative shoe buckles were a common accessory for early settler women in Moorabbin Shire c19002 x fan shaped gold metal buckles joined by a clasp and with 2 bars at back footwear, shoes, buckles, clothing, silver, pewter, brass, victorian fashion, edwardian fashion, market gardeners, early settlers, moorabbin shire, bentleigh, mckinnon, moorabbin, cheltenham, wedding dresses, evening wear,

Postcard. Loving greetings fpr christmas. Flowers in front of spread fan. to Emily from Dora.

Brown wooden fan shaped handle, metal cross creating 3 screw driver blades.keys

From the collection of the Rev James Watkin. The Rev James Watkin, 1805-1886, was a Pioneer Wesleyan missionary. He was born in Manchester, UK, in 1805. In 1830 was accepted as a candidate for the Wesleyan Ministry and married Hannah Entwistle. They sailed with a missionary party to Tonga. The work of the mission was jeopardised by prolonged and involved struggles between Christian and non-Christian Tongan chiefs. He left with his family for Sydney in September 1837. He was offered a free passage for a missionary appointed to Waikouaiti, New Zealand and arrived there in May 1840. He established the first mission station in the South Island of New Zealand. Watkin established schools at Waikouaiti and Matanaka, and stationed partly trained Maori teachers at Stewart Island and at Moeraki. He had a natural flair for languages, preached in Maori four months after his arrival, and compiled an elementary reading book to be printed in Ngai Tahu. Watkin was relieved by Charles Creed and inWatkin finished his posiion in Waikouaiti in June 1844 when he sailed for Wellington, leaving 227 church members in Otago. In 1855 Watkin settled in New South Wales, Australia, and was president of the National Methodist Conference at Adelaide in 1862. He retired in 1869 and died on 14 May 1886, at Ashfield, New South Wales. Source: https://teara.govt.nz/en/1966/watkin-jamesETH071.1 and ETH071.2: Mid nineteenth century woven palm fans with red coloured bamboo handles.rev james watkin

Electric fan with four blades enclosed in wire cage. Black bakelite base and engine housing.Macdomestic items, cooling

Digital image showing side view of Tram 38 parked on the depot fan in December 2012trams, tramways, bogie trams, btm depot, tram 38

A decorative fan such as this tells of an era of infrequent social events such as balls where ladies dressed in their finery such as long elegant dresses, dainty shoes and carried these fans to keep them cool or just to flirt.Black feather and wood fan with gold decoration. Metal clip at end with black ribbon attached.fan, costume

Belonged to Susan Erey's grandmother and mother - C 1909 - 2011Example of interesting personal objectSmall personal fan. Marked La Braise Pat 21777 (French - English, The Breeze (Feminine) - nickel plate|steel. -3 bladed fan (plastic) operated rake + pinion movement with a thumb plunger. -decorated with pierced cavities in case filled with red enamel.La Brise Pat 21777costume accessories, female

Brought to Orbost in 1900.A diamond shaped palm fan hand-woven in natural colours. It has a narrow handle and is closely woven.fan handcraft ethnographic new hebrides dress-ornament

Rectangle wooden framed bamboo fan with picture of trees and fishing boats and backed with patterned and black paper.fan, frame, bamboo art, souvenir

This object is part of the Wilfred Clarence Busse Collection. Wilfred Clarence Busse was born in Chiltern, Victoria in 1898. His family first arrived in this region during the gold rush era, purchasing a piece of land adjacent to the Murray River. The spectacular scenery and rich history of the area is said to have inspired Busse in his writing. He attended Wesley College in his school days, before going on to study law at the University of Melbourne. After graduating from university, Busse would go on to become a barrister, but he is best known as a writer of fiction, publishing two novels: 'The Blue Beyond: A Romance of the Early Days in South Eastern Australia' and 'The Golden Plague: A Romance in the Early Fifties'. Busse died in 1960. This object is significant as it is associated with Wilfred Clarence Busse, a successful writer and barrister who was born in Chiltern, Victoria. A small fan with a metal base and three brown blades protruding upwards; possibly only partially complete. wilfred clarence busse, w.c. busse, busse, handheld fan, fan, "the blue beyond", "the blue beyond: a romance of the early days in south eastern australia", "the golden plague”, "the golden plague: a romance of the early fifties.", gold rush

Hand knitted cream wool shawl. Garter stitch centre. Deep fan and feather stitch border.costume, infants'

Black and white photograph of Brad Drewett signing autographs for young fans. Materials: Paper, Photographic emulsiontennis

Colour photograph: of No. 26 and 27 on the depot fan. Photos by Simon Jenkins, 11/1998 on Fujifilm paper.On rear in blue ink: - "26 and 27 at Depot /11/98"btm, depot, tram 26, tram 27

Object. Circular in shape and 22 cms in diameter. The fan has a bamboo handle 26.5 cms long. Long strands of woven cane have been machine stitched into a circular shape, with the outside round in green dyed cane. (twenty rows of woven can make up the fan). A Floral design, 15 cm long is painted on one side of the fan-leaves, petals and centre of flower in green, red, yellow. Markings as above.costume accessories, female, circular cane fan