The 1980s saw a rise in campaigns for Antarctica to be designated a World Park. Black’s screenprints celebrate the creatures of the continent, however invocations such as ‘protect Antarctica from all mineral and oil exploration and exploitation’ remind the viewer that these creatures are in peril. Black printed 500 of these postcards (described as ‘Antarcticards’) at the Redletter Press in Brunswick and they were distributed around the world, reaching as far as Macquarie and Heard Islands. The campaigning was successful, with Australian Prime Minister Bob Hawke announcing that Australia would not support an agreement that would open the Australian Antarctic Territory up to mining and oil drilling.Donated by the artist8 prints in total

The 1980s saw a rise in campaigns for Antarctica to be designated a World Park. Black’s screenprints celebrate the creatures of the continent, however invocations such as ‘protect Antarctica from all mineral and oil exploration and exploitation’ remind the viewer that these creatures are in peril. Black printed 500 of these postcards (described as ‘Antarcticards’) at the Redletter Press in Brunswick and they were distributed around the world, reaching as far as Macquarie and Heard Islands. The campaigning was successful, with Australian Prime Minister Bob Hawke announcing that Australia would not support an agreement that would open the Australian Antarctic Territory up to mining and oil drilling.Donated by the artist8 prints in total

The 1980s saw a rise in campaigns for Antarctica to be designated a World Park. Black’s screenprints celebrate the creatures of the continent, however invocations such as ‘protect Antarctica from all mineral and oil exploration and exploitation’ remind the viewer that these creatures are in peril. Black printed 500 of these postcards (described as ‘Antarcticards’) at the Redletter Press in Brunswick and they were distributed around the world, reaching as far as Macquarie and Heard Islands. The campaigning was successful, with Australian Prime Minister Bob Hawke announcing that Australia would not support an agreement that would open the Australian Antarctic Territory up to mining and oil drilling.Donated by the artist8 prints in total

The 1980s saw a rise in campaigns for Antarctica to be designated a World Park. Black’s screenprints celebrate the creatures of the continent, however invocations such as ‘protect Antarctica from all mineral and oil exploration and exploitation’ remind the viewer that these creatures are in peril. Black printed 500 of these postcards (described as ‘Antarcticards’) at the Redletter Press in Brunswick and they were distributed around the world, reaching as far as Macquarie and Heard Islands. The campaigning was successful, with Australian Prime Minister Bob Hawke announcing that Australia would not support an agreement that would open the Australian Antarctic Territory up to mining and oil drilling.Donated by the artist8 prints in total

The 1980s saw a rise in campaigns for Antarctica to be designated a World Park. Black’s screenprints celebrate the creatures of the continent, however invocations such as ‘protect Antarctica from all mineral and oil exploration and exploitation’ remind the viewer that these creatures are in peril. Black printed 500 of these postcards (described as ‘Antarcticards’) at the Redletter Press in Brunswick and they were distributed around the world, reaching as far as Macquarie and Heard Islands. The campaigning was successful, with Australian Prime Minister Bob Hawke announcing that Australia would not support an agreement that would open the Australian Antarctic Territory up to mining and oil drilling.Donated by the artist8 prints in total

The Marist Brothers arrived in Bendigo in 1893 and began classes for boys in makeshift classrooms at St Killians. By the next year they had moved to a permanent school in McCrae Street. In 1983 Marist amalgamated with St Mary's to form a co-educational school, "Catholic College.Bendigo Advertiser ''The way we were'' from 2003. Smiles: Marist Brothers College grade four students in 1946. Back row from left: T. Thompson, G. Phillips, M. Costello, R. Epworth, A. Flood. Fourth row: D. Astern, G. Whelan, R. Mustey, J. Peate, B. Board, A. Leach, J. Nelson, L. O'Brien. Third row: L. Laity, R. Marriott, E. Jenkins, R. Burns, D. Mann, P. Ryan, A. Young, I. Raeburn. Second row: G. Bartlett, A. Gibbin, B. O'Farrell, N. Johnson, J. Gill, B. Heard, M. Hutchinson. Front row: B. Burtonclay, F Burtonclay, J. Buck, B. Mitchell, F. Green and B. O'Mahony. The clip is in a folder.newspaper, bendigo advertiser, the way we were

The tape has not been played. From the label it is an ABC broadcast of the Anzac Day commemoration on 19 April 1962. It is the Legacy run Anzac Commemoration for Students that is held just prior to Anzac day for school students to attend. Legacy has run the student ceremony annually and it is well attended. The ceremony provides a valuable opportunity for students to gain an appreciation of the Anzac spirit, the significance of the Shrine and the meaning of Anzac Day. ABC would broadcast the student ceremony so that schools unable to attend would be able to listen to the service.An audio record of a ceremony for school students at the Shrine.Metal cannister with reel and audio tape inside (no perforations present). Note loose inside container, detailing information on the audio recording. Visible tape marks on lid.Front of lid has handwritten label: VP 819 Note is as follows: AUSTRALIAN BROADCASTING COMMISSION TAPE IDENTIFICATION SLIP All material contained in this recording is subject to copyright control. Its use is PROHIBITED for any purpose other than that authorised by the A.B.C. TITLE: Any at Communication Heard at Legacy 17.5.62 State Film Carl 27.6.62 REEL: V.Good TAPE NUMBERS: VP819 REC 19-4-62anzac day, anzac commemoration for students

The interviews were recorded in 2000 by Bronwen Gray and Alan Young for the production of Unreserved, Stories from Truganina Explosives Reserve, animated stories from past residents, workers and interested people of the Reserve (subject to copyright 2004). Owen and Clive Hyde are the sons of Joe and Joyce Hyde. Joe was the last Officer in charge of the Truganina Explosives Reserve. The family moved to the reserve on 11 December 1952 and continued to live there after the Reserve closed in 1962. Owen lived at the house until his early twenties. He discusses growing up at the Reserve. The voice of Joyce Hyde can also be heard during the interview. A primary source of information on memories of the Truganina Explosives Reserve and Altona,VictoriaDigital copy of original cassette recorded in 2000 and digitised in 2018hobsons bay, draught horses, explosives reserve pier, myxomatosis, pine trees, queen street altona, edwardian garden, government superintendent houses, mcdonald, commonwealth bank, dr john lewin, altona, summer of the seventeenth doll, leslie george hyde, joe hyde, george grant, clive hyde, williamstown technical, mrs cronin, angus and robertson, pier fire, dutch migrants, communist party, laboratory, brass nails

The interviews were recorded in 2000 by Bronwen Gray and Alan Young for the production of Unreserved, Stories from Truganina Explosives Reserve, animated stories from past residents, workers and interested people of the Reserve (subject to copyright 2004). Rob Andrew’s career was as an Environmental Health Officer with various councils around Victoria. As an Altona resident he became interested in the Truganina Explosives Reserve when he heard the site was to be sold. He was concerned that because of the prospect of commercial development the community would lose tranquil open parklands. Through his involvement with the Reserve he realised the historical, geomorphic, flora and fauna significance of the site. A primary source of information on memories of the Truganina Explosives Reserve and Altona,VictoriaDigital copy of original cassette recorded in 2000 and digitised in 2018native grasses, explosives, cheetham wetlands, cheetham salt works, doug grant, chirnside, cliff gibson, lava plain, brown coal, sand ridges, selwyn fault, rowsley fault, victorian coastal strategy, aboriginal stone artefacts, aboriginal habitation, aboriginal remains, red gums, casuarinas, altona skipper butterfly, orange bellied parrot

Seventeen black and white postcards showing Amiens, France during World War Oneverso of .9) Chapelle d'Armentieres, 19 March 1915 "Dear Mary, Hope my letter reaches you safely. Wrote Vic to-day. Am sending you these cards, as we have heard that cares are going to be prohibited from being sent home, so would like you o have these before we are stopped. Good-bye once more with love and best wishes From Gordon." (Gordon Spittle)chatham family archive, amiens, france, world war, world war one

Robert Thomas Heard No 5105. He is on the right sitting. He was KIA 21.3.18. Refer 1893.2P for his service history. On the rear, “My dear sister, just a card of us six Bendigo boys on leave in France. I want you to put these faces in the Bendigonian. I will name all the ...... from left to right. You will find all the names in a letter sent with this photo. I am sending this from the trenches. We relieved second Division but did not see Wally. His battalion had gone out. He is well. ....... but not goodbye, love to all, yours truly bro RTH, C Coy 57th Batt”Post card photo, sepia tone showing 6 soldiers in uniform, 3 standing, 3 sitting. Rear has writing in black pencil.photography-photographs, military history-army, postcards

The first intake of Students in 1957, in the Presbyterian Sunday School as the school buildings were still being constructed. Students from left to right, Back: Russell Adams, Max Davis, Jack Moss, Charlie Neil, Fred Collins, Teacher - Joe Skeehan, Ian Farnsworth, Ken Collins, Winston Jenkins, Richard Thom, Gordon Hucker. Middle: Robert Maddox, Pam Debney, Gwenda Drever, Elizabeth Copley, Judith Barrett, Maxine Mauldin, Wendy Phillips, June Burdett, Ray O'Brien. Front: Daryl Heard, Ken Wilson, Richard Peters, Douglas Park, Murray Thom, Robert Fraser, James Hildebrandt. Len Renkin absent.lake bolac higher elementary school, adams, barrett, burdett, collins, copley, davis, debney, drever, farnsworth, fraser, heard, hildebrandt, hucker, jenkins, mabin, maddox, moss, neil, o'brien, park, peters, (rankin), skeehan, thom, wilson

From 'ANNUAL REPORT OF THE NORTHERN PROTECTOR OF ABORIGINALS FOR 1903, Queensland' With regard to the instruction and general education given to the children and adults, I have, as usual, to speak in terms of the highest praise. I do not recognise anything that could be improved upon. For the first time in my life, I have heard little aboriginal children, boys and girls, doing part-singing. The band consists of a drum, four cornets, a tenor horn, and bass; lack of funds alone prevents more instruments being added. A most successful concert was lately given in Cairns in aid of the mission expenses. (https://aiatsis.gov.au/sites/default/files/catalogue_resources/63482.pdf)A black and white image of a musical band made up of Aborigines of Queensland. aborigines, band, music

Bendigo Advertiser "The way we were" from 2004. From the front: titled somewhere in France and dated November 14, 1916, this postcard was sent from Bert Burgess to his mate Herb Watson and brought in by Bert's son Alex, of Bendigo. "What do you think of the cheeky kid now?", Bert wrote. "Looks a bit weary and dangerous, doesn't he, but he is well and hopes that you are all the same. I say, what about a few lines, Herb, as it's a long time since I heard from you. Had a good fruit return this season, Herb. See you've had a dose of rain this year. Hear from Fred pretty regular. Wishing you a Merry Xmas and a Happy New Year. With best wishes to all, from the same old Bert Burgess".newspaper, bendigo advertiser, the way we were

An early colour tinted photograph of the Taggerty River in Marysville in Victoria.An early colour tinted photograph of the Taggerty River in Marysville in Victoria.Australian Enamellers. Country Series No. 3. Produced in Australia To Ms Marlene./ To wish you/ well; & To assist in/ making you as comfy/ as possible. I hope you/ are keeping well & fit/ & that it wont be long/ before you are on your/ way back to Aust. I/ suppose you have heard/ that Jack is on his/ way home, we are/ looking forward to/ the day when he arrives./ My best wishes to you/ & kind regards/ Sincerely yr/ friend/ Raell Dennistaggerty river, marysville, victoria, postcard, souvenir

READINGS recorded 1959 in Alan Marshall’s study, Eltham • See the White Feathers Fall (Ourselves Writ Strange) • The Chinese Herbalist (I Can Jump Puddles) • The Press (How Beautiful Are They Feet) • The Drought (I Can Jump Puddles) TALES FROM THE SPEEWAH, recorded 1 May 1959 in Nicholas Hall, Melbourne, at ‘Readings From Australian Writers’ presented by the Australiasian Book Society on behalf of the Melbourne May Day Committee. REMINISCING recorded 11 May 1964 in the Healesville Art Gallery of Nicholas and Ruth Heiderich with an audience of about 50 guests. Chairman, Nicholas Heiderich. At two stages throughout the recording a substantial rain storm can be heard on the roof almost drowning out the presentation.Two TEAC MX1 compact audio cassettes labelled Alan Marshall Here! Part 1 (#0128 red and Alan Marshall Here! 2 (#0129 yellow) Tape 0128 Side A Dubbed from original tape (1959) READINGS recorded 1959 in Alan Marshall’s study, Eltham • See the White Feathers Fall (Ourselves Writ Strange) • The Chinese Herbalist (I Can Jump Puddles) • The Press (How Beautiful Are They Feet) • The Drought (I Can Jump Puddles) TALES FROM THE SPEEWAH, recorded 1 May 1959 in Nicholas Hall, Melbourne, at ‘Readings From Australian Writers’ presented by the Australiasian Book Society on behalf of the Melbourne May Day Committee. Tape 128 Side B REMINISCING (part 1) recorded 11 May 1964 in the Healesville Art Gallery of Nicholas and Ruth Heiderich with an audience of about 50 guests. (Concluded on tape 0129) Tape 0129 Side A REMINISCING (part 2) recorded 11 May 1964 in the Healesville Art Gallery of Nicholas and Ruth Heiderich with an audience of about 50 guests. Chairman, Nicholas Heiderich. (Part 1 on tape 0128) Converted to MP3 files EDHS_05002-1 Readings 43.9MB; 0:34:31 EDHS_05002-2 Tales from the Speewah 15.6MB; 0:12:49 EDHS_05002-3 Reminiscing 86.9MB; 1:21:05alan marshall, alan marshall bungalow, audio cassette, audio recording, australiasian book society, healesville art gallery, melbourne, melbourne may day committee, nicholas hall, nicholas heiderich, readings from australian writers, ruth heiderich

This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. Like many species of quail, the Brown Quail is often difficult to see, as it inhabits rank, overgrown grassy areas, often in damp, low-lying patches beside wetlands. They are difficult to flush from this cover, preferring to squat among the grass or run quickly off through the vegetation rather than fly off. As is the case with many species that inhabit dense habitats, the Brown Quail may be heard more often than it is seen, with its characteristically mournful two-note call whistle often heard at dawn and dusk. The Brown Quail is found across northern and eastern Australia, from the Kimberley region in Western Australia to Victoria and Tasmania, as well as in south-western Australia. It is also found in Papua New Guinea and Indonesia, and has been introduced to New Zealand. The Brown Quail feeds in the early morning or evening, on the ground, mainly on seeds and green shoots, but also on insects. In some area, quails will readily cross roads and may be seen feeding along roadsides.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. The Brown Quail is a small, plump ground-dwelling bird. It is variable in colour, ranging from red brown to grey brown with fine white streaks and black barring above, and chestnut brown below. The eye is red to yellow, the bill black and the legs and feet orange-yellow. In Tasmania, this species is called the Swamp Quail and tends to be larger and darker than mainland birds, with a pale yellow eye. Female Brown Quails are larger and may be more heavily marked with black and paler below than males. Young birds are like adult females, with less distinct markings and a dark brown eye.Label: 33. / Swamp Quail / See Catalogue, page 30 / Mount: 09/taxidermy, quail, brown quail, taxidermy bird, burke museum taxidermy

MBA – Ward 6 – Cheltenham Dear Matty let you know this just that I am still alive and well considering my age and the cold weather we have had. I hope you are well and Fred is in work – is it still possible that they are grudging him work in Melton where he is much beloved and his Mother said that his Father was one of the best men in the world but the world is out if its mind I think but it will be allright when the war is over – have you heard from Arthur and Kath lately. I am longing to see them and the Page 1 dear little children. Please send me their address and I have also reverse taken a longing to see Eddie and Alick do you know if they are alive do try to find them and tell them that I am longing to see them before I die may God grant my desire – there are always some dieing and some coming but I have not seen one who does not want to get our of this place – come and see me and bring me some lollies and salts and I will give you 2/6 –my love to Fred and his Mother and the dear children and your dear self from Nana Watson do not forget to send me Arthur’s address Written in column Page 1 & do try to get my three sons to write to me – do write soon and tell them the news reverse side column I have not heard from Mrs Bartlette please send me the number of their houseLetter written from Robina Watson to her granddaughter Martha Mary Myers at Meltonlocal identities

Black and White Photograph Names of Teachers and Office Staff Top row: J. Davidson, Mr Sutherland, ?, Mr Stevens, Doug Thomas, Mr Burgoyne. 3rd row: Mr Misso, Doug Alkemade, Lance Brittingham, Mr Donaldson, ?, Ollie Norris, Tom Butcher, Mr Nelson, Jack Montgomery, Lindsay Boucher. 2nd row: Graham Moore, Mr Burgoyne, Lindsay Beulke, Mrs Howard, Miss Beanland (Office), Mrs Jonson, Jean Nelson, Mrs Rutledge (Office), Kath Hickinbotham, Mrs Kovak, Mr Johnson, Doug Webster, Pat Guinane. 1st row: Audrey Hartigan, Miss Cox, Ruth Barber (Office), Mrs Elizabeth Goss, Wilma Cotes (Head Mistress), Edward Heard (Principal), Roy Holmes (Headmaster), Mrs Weavers, ? , Miss Croxford /Mrs Bowring, Miss Lauritz / Mrs Woolrich. Not all teachers are shown in the photograph as some were part-time or absent.rts, ringwood tech

Set of two newspaper cuttings, March 1953 regarding the roster, - one-man tram dispute in Geelong - 1953. Both cuttings pasted onto off white paper. and Newspaper name and date type on the top. .1 - "Geelong Trams May Stop After Sunday" - date obscured due to silver fish damage, some time between the 20th and the 29th - regarding a potential strike of Geelong tram crews due to grievances with the roster, walking times. Notes union had been re-registered at the time , but did not have an award. Quotes Mr. T. Farr, Mr. C. McDonald and that there were 85 men in the traffic branch. .2 - "Hearing Tram Dispute tomorrow" - dated 31st March 1953 - dispute to be heard by Chief Conciliation Commissioner, Mr, Mooney tomorrow. Notes Mr. G. Poyser - Geelong Secretary of the union, Mr. C. O'Shea - state Secretary. Dispute re time allowances.one man trams, geelong, unions, rosters, arbitration

Diggers & Mining. The Digging - The Diggers. Slide; An article titled 'Mems From The Mount' At Eagle Hawk Gully, Bendigo, five men were plundering a tent - the inmates shouted out lustily; some of the occupants of tent near at hand rushed out with firearms, and it being moonlight, observed the robbers, and, firing into them, killed three on the spot. At the junction of Forest Creek and Bendigo roads there is a coffee shop, which twelve men attempted to attack the other evening; but a couple of bright double-barrelled fowling pieces, held by the resolute hands inside the coffee shop plainly showed them that possession; so the scoundrels skulled of. Not with-standing these stories, the Diggers generally are quiet and peaceable. While penning these few remarks, I have just heard of the discovery of another murder at the New Bendigo Flat Diggings. (M.M.H., July 17, 1852) Markings: -- 994.LIF:6. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Bendigo Operatic Society Programme Booklet 'Production Ánything Goes Capital Theatre Bendigo Opening, 6th April 1962. For Four Nights. Former Producer The Late Norman Lee, New Producer Miss Beatrice Oakley. Arrangement Samuel French Ltd. Lyrics & Music Cole Porter, Book By P.G. Wodehouse & Guy Bolton. Musical Numbers Include: Ï Get a Kick Out of You' Ýou're the Top', 'There'll Always Be A Lady Fair, 'Ánything Goes' 'Gypsy in Me'' Cast: Denis Cremen, John Stephens, Ferd. Lorenz, Heather Lindhe, Margery Reed, Len Carr, Fred Trewarne, Carol McKenzie, Bernice Boromeo, Max Beckwith, Peter Unmack, Daryl Walker, Ian Beckwith, Rick Perry, Victor White, Roger Sprawson, Roy Cronin, George Steele, Joan Crane, Joan Heard, Alfred Annison, Kath Alexander, Reginald Boromeo, Ray Austin, Peter Houston.Cambridge Press.clubs and associations, theatre, bendigo operatic society, https://en.wikipedia.org/wiki/anything_goes

Black & White Photograph by the TMSV Sales of a former grip car being transport on a jinker, pulled by three horses. Photo - Victoria Ave at the corner of Beaconsfield Pde - with the Bleak House Hotel in the background. Advised by Mal Rowe. From an email from Robert Green, 19-08-2021 - advised "The Herald of 10 May 1935, p.4 has the following little paragraph : Cable Tram Tableau Entitled “Transport Cavalcade”: Horse-laughs - real ones – were heard today when a team of horses, drawing a lorry upon which was a dis-used cable tram dummy sporting “Collins Street” upon the front and “South Melb Beach” at the rear, passed along Swanston Street. Neddy’s superiority complex at seeing out these early manifestations of our mechanical age was heightened when the front wheel of a nearby motor-truck fell off." Image has been reproduced from a movie - Commuting by Cable?Has the TMSV Sales stamp on rear.trams, tramways, cable trams, grip tram, beaconsfield parade, albert park

Hayley Millar Baker is a Gunditjmara and Djabwurrung artist. Her series I Will Survive is about the cautionary tales and bush survival stories that Millar Baker heard as a child. Her Aboriginal and migrant parents and grandparents shared warnings, myths and ghost stories with her. As Millar Baker grew up, these stories evolved, becoming more emotionally charged with each retelling. As stories are retold, they are reformed and embellished, sometimes becoming more vivid and meaningful. In I Will Survive, Millar Baker inserts herself into the stories. Millar Baker says, ‘Recalling memories formed in my childhood and ruminating on these stories in adulthood, I can’t help but dissect my memory’s influences and influencers, and what roles my Aboriginal and migrant parents and grandparents played in feeding lessons and myths into my subconscious.’

Hayley Millar Baker is a Gunditjmara and Djabwurrung artist. Her series I Will Survive is about the cautionary tales and bush survival stories that Millar Baker heard as a child. Her Aboriginal and migrant parents and grandparents shared warnings, myths, and ghost stories with her. As Millar Baker grew up, these stories evolved, becoming more emotionally charged with each retelling. As stories are retold, they are reformed and embellished, sometimes becoming more vivid and meaningful. In I Will Survive, Millar Baker inserts herself into the stories. Millar Baker says, ‘Recalling memories formed in my childhood and ruminating on these stories in adulthood, I can’t help but dissect my memory’s influences and influencers, and what roles my Aboriginal and migrant parents and grandparents played in feeding lessons and myths into my subconscious.’

Ski-Horizon is the official journal of the Federation of Victorian Ski Clubs which began publication in 1949. The were 26 original member clubs which included Albury Ski Club, Bogong Ski Club, Myrtleford Ski Club, Tallangatta and District Ski Club and Wangaratta Ski Club. Two pioneers of Falls Creek, Tom Mitchell, M.L.A., and Martin Romuld were Vice-Presidents of the Federation.This Journal is significant because it documents the early development of skiing in Victoria.The journal features stories and events chronicling developments in Victoria and internationally. Items related to the Falls Creek Area in this issue include:- Page 2:- Tonl St. Elmo (Nissen Alpine Club) had been appointed as a Justice of the Peace. Climatologists with the CSIRO reported that the mean daily temperature of summer in Victoria and NSW had fallen by 3°F since 1880 whilst in the Northern Hemisphere summers were becoming warmer. Page 5: There was to be no Queen's Birthday holiday this year but Tuesday 2nd June would be a public holiday for Coronation Day. Page 11: Featured "They're Busy in the North-East" - nothing has been heard of the Sydney Clubs which had proposed building at Falls Creek and Beechworth seems to be in danger of losing its site. Nissen Alpine Club has had plans for extension approved. A new rope was being installed for the Nissen tow. Falls Creek was undoubtedly the most progressive centre in the North East. For a slightly rougher experience Cleve Cole Memorial Lodge was recommended.tom mitchell m.l.a., toonallook, fred griffith

Developed in the Research and Development Department of VISY Board by Alex Ong and Richard Pratt, this manufactured version of 'making do' philosophy began with a humanitarian outlook. Less than 100 were made in the pilot program and these were distributed to the homeless through welfare agencies around Melbourne. They were designed to provide some protection from the weather and to be portable and disposable. Unfortunately, the project was short lived, as some safety issues were unable to be resolved: ie, someone inside the bag would not be able to escape should the bag be set alight. It was found that people sleeping on the streets preferred sheets of cardboard or paper to avoid this possibility. Lois Densham heard a story on the radio about these sleeping bags and contacted VISY to see if she could acquire one for the Running Stitch collection. She approached the Collingwood office and it is now believed to be one of the last remaining items from this program.Recycled paper sleeping bag made from brown paper and sealed at the 'mouth' with paper tape (masking tape). Approximately six feet long, it would accommodate an adult.visy board running stitch group, running stitch collection, homeless, sleeping bag, pilot program, richard pratt

Known as ‘You Yangs’, 15 Russell Street was built in 1891. 1898–1900: Home of Mr and Mrs John Reaburn, later of 'Fairbank', Union Road. John Reaburn (1873-1963); Jane (Jeannie) Nelson Harkins (1875-1959) 1922–1954: Theodore Hendy and family. Mr Hendy spent some time in South Africa gaining architectural experience. One of his houses, in Barton Street, near the Surrey College has some features which may well relate to South African architecture. He also extended and updated the Surrey Hills Primary School buildings. He was impressed by Baden Powell whom he met in Sth Africa and when he heard about the scouting movement being launched in 1907, he took up the idea and started Surrey Hills Scouts in 1909. The house is extant in 2020. A black and white photograph of a house, possibly late Victorian Boom Style. There is a distinctive arched window at the front and a picket fence runs along the front of the property.russell street, (mr) john raeburn, surrey hills, house names, (mr) theodore hendy, surrey hills school, scouts, barton street, 'you yangs', (miss) jane nelson harkins, (mrs) jane nelson reaburn

From 1931 to 1936 Nornie Gude attended the Ballarat Technical Art School, a division of the Ballarat School of Mines. She was accepted into the School at the age of 15 because she was so advanced in painting. She studied at Ballarat for five years before progressing to Melbourne’s National Gallery of Victoria School. Nornie Gude won many art competitions, including first prize at the 1936 Melbourne Royal Agricultural Show for still life drawing, and in 1941 became the first woman to win the National Gallery Students Travelling Scholarship. As an artist Nornie Gude held no theories and was once heard to say, “You spend your first 20 years learning technique and the next 20 years losing it”. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed painting showing two horses jumping over a fence.art, artwork, gude, royal melbourne show, poster, available, horses, animals, alumni, nornie gude

Nornie GUDE From 1931 to 1936 Nornie Gude attended the Ballarat Technical Art School, a division of the Ballarat School of Mines. She was accepted into the School at the age of 15 Nornie Gude because she was so advanced in painting. She studied at Ballarat for five years before progressing to Melbourne’s National Gallery of Victoria School. Nornie Gude won many art competitions, including first prize at the 1936 Melbourne Royal Agricultural Show for still life drawing, and in 1941 became the first woman to win the National Gallery Students Travelling Scholarship. As an artist Nornie Gude held no theories and was once heard to say, “You spend your first 20 years learning technique and the next 20 years losing it”. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed original poster advertising the Show, and featuring a horse and rider. art, artwork, nornie gude, gude, royal melbourne show, balllarat technical art school, poster, horse, available, alumni