McDonald Smith is famous for paining in the tradition of tonal impressionism, with most of his works painted in oil. This influence of the European Impressionist art style is clearly seen in his artwork Flower Study. The notion of light, an impressionist theme, is depicted by the use of a tonal colour palette and varied brushstrokes. The depiction of a Japanese dragon vase hints at the art aesthetic of Japonisme in the European Impressionist movement, a possible nod of respect to the movement by McDonald Smith.Rural City of Wangaratta Collection, Wangaratta Art Prize 1997.A rectangular still life painting of a bunch of flowers in a vase painted in oil using shades of white, red, green, blue, and yellow.Obverse: P McDONALD SMITH (bottom right corner)wangaratta art gallery, painting, still life, paul mcdonald smith

May have been given to The Australian Estates Company in the 1970's when sold to CSR or Elders.Bronze framed certificate coat of arms with smaller frame below explaining coat of arms.The shield shows the Southern Cross (being the Arms of Victoria) but on a white background to indicate wool and to avoid being identical with the Victoria Arms (which have a blue background). The inner shield shows the conventional way of indicating estates with green and gold squares. The sword is the sword of St Paul, indicating the London activities of the company. The Shorthorn Bull and Merino Ram explain themselves, as does the sugar cane. The helmet and decoration above are conventional, green and gold being chosen to indicate land and the wealth derived therefrom.

6975-27 Stawell State School Grade 3, 11 April 1967 Teacher Mr Neumann Top Row, left to right, Ian McKellar, Reg Bach, Greg Yanner, Meredith Tangey, Karen Vendy, Joy Oliver, Jenny O'Neill, James Delley, Stephen Quarrell, Michelle Pyke. Second Row, Pamela Guy, Lyn Watson, Lynne Bonney, Karla Eldridge, Jilleen Jenkins, Elizabeth McCracken, Debra Bell, Kim Pickering, Robin Whelan, Third Row, Stuart McClure, Russell Jennings, Andrew Allam, Graham Deans, David Allam, Gordon Green, John Scott, Clinton Cathro, Paul Landon, Raymond Scott, Fourth Row, Jean Peters, Judith Jeffrey, Wendy Mason. Kristine Slorach, Suzanne Overall, Susan Prior, Deborah Giles, Julie Ross, Gayle Redford, Fifth Row, Rodney Young, Ian Longmore, Ronald Fry, Alan Marshall, Andrew Adamson, Jeffrey Clowes, David Hooper, Peter Delley, Stephen Taylor, teacher, Mr Neumann. Students and Teacher Grade 3 1967Stawell State School Grade 3 1967education

Robin Boyd developed a close friendship with the founder of the Bauhaus in Weimar Germany, Walter Gropius, who had moved to the USA in the 1930s. Through this connection, Boyd was invited to be the Massachusetts Institute of Technology (MIT) Bemis Professor at the School in the North American academic year 1956-7. Robin and Patricia Boyd, with their youngest daughter Suzy, were based in Cambridge, Massachusetts for the year. Boyd gave some lectures at MIT and he was also invited to give lectures at many other universities, allowing him to travel widely within the USA, especially on the East Coast. This gave him the opportunity to meet architects like Frank Lloyd Wright, Eero Saarinen, Paul Rudolph and many others, and visit the offices of Skidmore, Owings and Merrill, and places like Taliesin and the General Motors Technical Center Detroit. On the way home, the Boyds visited London, Berlin, Paris and Le Corbusier’s Ronchamp Chapel in France.Colour slide in a mount. Frank Lloyd Wright’s Hillside drafting studio (c. 1932) at Taliesin East, Spring Green, Wisconsin, USA. (Architect: Frank Lloyd Wright.)Made in USA/ Patented/ 04819/ Top (Handwritten)/ Encircled 89 (Handwritten)/ Encircled 4 (Handwritten)/ A (Handwritten)/ Encircled 38 (Handwritten)mit bemis professorship, mit, robin boyd, slide

Robin Boyd developed a close friendship with the founder of the Bauhaus in Weimar Germany, Walter Gropius, who had moved to the USA in the 1930s. Through this connection, Boyd was invited to be the Massachusetts Institute of Technology (MIT) Bemis Professor at the School in the North American academic year 1956-7. Robin and Patricia Boyd, with their youngest daughter Suzy, were based in Cambridge, Massachusetts for the year. Boyd gave some lectures at MIT and he was also invited to give lectures at many other universities, allowing him to travel widely within the USA, especially on the East Coast. This gave him the opportunity to meet architects like Frank Lloyd Wright, Eero Saarinen, Paul Rudolph and many others, and visit the offices of Skidmore, Owings and Merrill, and places like Taliesin and the General Motors Technical Center Detroit. On the way home, the Boyds visited London, Berlin, Paris and Le Corbusier’s Ronchamp Chapel in France.Colour slide in a mount. Courtyard and carved doors, Taliesin East, Spring Green, Wisconsin, 1911-59. (Architect: Frank Lloyd Wright.)Made in USA / Patented / Encircled 22 (Handwritten)mit bemis professorship, mit, robin boyd, slide

Robin Boyd developed a close friendship with the founder of the Bauhaus in Weimar Germany, Walter Gropius, who had moved to the USA in the 1930s. Through this connection, Boyd was invited to be the Massachusetts Institute of Technology (MIT) Bemis Professor at the School in the North American academic year 1956-7. Robin and Patricia Boyd, with their youngest daughter Suzy, were based in Cambridge, Massachusetts for the year. Boyd gave some lectures at MIT and he was also invited to give lectures at many other universities, allowing him to travel widely within the USA, especially on the East Coast. This gave him the opportunity to meet architects like Frank Lloyd Wright, Eero Saarinen, Paul Rudolph and many others, and visit the offices of Skidmore, Owings and Merrill, and places like Taliesin and the General Motors Technical Center Detroit. On the way home, the Boyds visited London, Berlin, Paris and Le Corbusier’s Ronchamp Chapel in France.Colour slide in a mount. Taliesin East, Spring Green, Wisconsin, USA. (Architect: Frank Lloyd Wright.)Made in USA / 25mit bemis professorship, mit, robin boyd, slide

Robin Boyd developed a close friendship with the founder of the Bauhaus in Weimar Germany, Walter Gropius, who had moved to the USA in the 1930s. Through this connection, Boyd was invited to be the Massachusetts Institute of Technology (MIT) Bemis Professor at the School in the North American academic year 1956-7. Robin and Patricia Boyd, with their youngest daughter Suzy, were based in Cambridge, Massachusetts for the year. Boyd gave some lectures at MIT and he was also invited to give lectures at many other universities, allowing him to travel widely within the USA, especially on the East Coast. This gave him the opportunity to meet architects like Frank Lloyd Wright, Eero Saarinen, Paul Rudolph and many others, and visit the offices of Skidmore, Owings and Merrill, and places like Taliesin and the General Motors Technical Center Detroit. On the way home, the Boyds visited London, Berlin, Paris and Le Corbusier’s Ronchamp Chapel in France.Colour slide in a mount. Taliesin East, Spring Green, Wisconsin, USA. (Architect: Frank Lloyd Wright.)Made in USA / 33mit bemis professorship, mit, robin boyd, slide

Robin Boyd developed a close friendship with the founder of the Bauhaus in Weimar Germany, Walter Gropius, who had moved to the USA in the 1930s. Through this connection, Boyd was invited to be the Massachusetts Institute of Technology (MIT) Bemis Professor at the School in the North American academic year 1956-7. Robin and Patricia Boyd, with their youngest daughter Suzy, were based in Cambridge, Massachusetts for the year. Boyd gave some lectures at MIT and he was also invited to give lectures at many other universities, allowing him to travel widely within the USA, especially on the East Coast. This gave him the opportunity to meet architects like Frank Lloyd Wright, Eero Saarinen, Paul Rudolph and many others, and visit the offices of Skidmore, Owings and Merrill, and places like Taliesin and the General Motors Technical Center Detroit. On the way home, the Boyds visited London, Berlin, Paris and Le Corbusier’s Ronchamp Chapel in France.Colour slide in a mount. Taliesin East, Spring Green, Wisconsin, USA. (Architect: Frank Lloyd Wright.)Made in USA / 32mit bemis professorship, mit, robin boyd, slide

1st Row L-R: Greg Green, Peter Casey, Michael Donnard, Justin Nunan, Brett Wilkins, Ken Wilkins. 2nd Row L-R: Hugh Esler, Paul Moran, Ron Lazones, Peter Calnan, Kevin Kelly, Barry Piez, John Sturgeopn. Top Row L-R: John Morris, Matthew Davidson, Paul Cracknell, Steve Llewellyn, Bruce Rae.Colour photograph of ambulance officer traineesambulance officers training centre

This collection of 48 portrait photos details all Past Chairmen of the Legacy Cordinating Councils from 1937 to 2015. The majority of these Legatees were from Melbourne Legacy ranks. The Office was located within the premises of Melbourne Legacy for a peppercorn rent and moved to Sydney during 2015.A record of the past Chairmen of Legacy Co-ordinating Council.Portrait photos of 48 Legatees detailing their names and years of service as Chairman, Legacy Coordinating Councils. For two Past Chairmen portrait photos were unavailable. In a black frame with clear glass. Names and years of service for the 48 Legatees that served as Chairman are detailed under photos of each. Plaque at the bottom centre of the Framed piece reads - "Presented by the Chairman Legacy Australia Inc. to the Melbourne Legacy Club. In appreciation of the generous support of the Legacy Coordinating Councils by providing office space and an executive from its ranks. For more than 76 years the Melbourne Legacy Club carried this significant responsibility for a grateful Legacy movement". October 2015. Names are: 1937-48 S G Savige 1948-51 WA Perrin (Bill) 1952 JC Gillespie (Jim) 1953-55 TM Cosh 1956-58 MJG Tonkin (Maurie) 1959-61 AW Paul 1961 Os Gawler 1963 ST Parkes 1964-66 Robert C Allison 1967-68 WC Radford 1969-71 IW Anderson 1972-74 GH Cowan 1975-76 HM Lewis 1977-79 RS Isherwood 1980 N Thomas 1981-83 AG Robertson 1984-85 EK Robertson 1986-87 KD Green 1977 and 1988-89 RJA Foskett 1990 KD Stewart 1991-92 JC Dean 1993-94 TC Bannister (Colin) 1995-96 Alf Argent 1997-99 IGC Gilmore 2000-01 BG Luscombe (Brian Lucky) 2002-04 Ray H Ward 2005-06 Graeme PA Riches 2007-08 David Grierson 2009-10 David WA Kelly 2011 J Pepperdine 2011-13 CM Wright 2014-16 D Graycoordinating council, past presidents, lcc

Set of two photographs taken by Richard Gilbert at the depot on Sunday 28th Feb. 1999. Both photographs appeared in March 1999 Fares Please! 1097.1 - Setting up for traffic duties for the Sunday 28 Feb. 1999 Begonia Festival running - (left to right), Paul Mong, Stephen Butler, Simon Green, Roy Sheedy, Simon Jenkins, Mark McKay and Stuart Keenan. 107.2 - Stuart Keenan standing in front of tram 26 - first day as Conductor, ex SPER. Both photos on Kodak Paper. Taken with Stuart Keenan's Camera.btm, 26, begonia festival, stuart keenan, tram 26

12 issues of BTPS Newsletter, titled "Information for Members and Interested Parties" from Oct. 1971 to May 1973, with sales sheets and other sheets. All printed, unless noted otherwise, on stencil duplicator using white duplicator paper, foolscap sized sheets. Listed by Neville Gower 10/98 on cover sheet. Some signed by Paul Nicholson Publicity Officer, some noted as edited by N.Gower. Oct. 1971 -pp2 - plus appeal for financial assistance Dec. 1971 - pp2 Jan. 1971 - p2 Feb. 1972 - pp2 - plus list of "Tramcar allocations in Melbourne 1/1/1972" - pp2 ( 2 copies) (with heat sensitive paper copy of this list, stapled in top left hand corner - pp2) Mar. 1972 - pp2 - plus list of disposal of SECV Ballarat tramcars - pp2 April May 1972 - orange paper, plus supplementary foolscap sheet on green paper, for "Bring back 39 to Ballarat", "Sales Department list" and "Driving Training" expression of interest. (2 copies) June-July 1972 - pp2 (2 copies)(copy imaged) September 1972 - pp2 - plus appeal for BTPS funds, p1 on yellow quarto paper. November 1972 - pp2 - plus sales items, 2 sheets, one on blue quarto paper December 1972 - pp2 - plus sale items, pp2 February 1973 - pp2 plus sales items pp2 on light blue paper May 1973 - pp2 plus sales items pp2 on light green paper, with advertisement of Jack Chadwick, Manager of B.V. Menswear Store of 251 Chapel St. Prahran. various notes, dates received, "Noelene's copy" and other notes on some issues in pencil and ink.museums btps, btps newsletters, publicity, sales items

Series of eleven(11) Colour photographs, postcard size, of the operation of the tramway during the 1997 Begonia Festival. Features various trams, locations, crews and nature of the working. 723.1 - 671 at Carlton St., 8/3/1997 - Richard Gilbert and Simon Green 723.2 - 671 at St Aidans Drive, 9/3/1997 - John Phillips and Clayton Giles 723.3 - Depot Junction, 8/3/1997 the signboard, John Phillips with "Hogaphone" and Travis Jeffrey 723.4 - Depot, 14, 26, 8/3/1997, Gavin Young, Paul Mong 723.5 - 27 at Depot Jtn, 8/3/1997 723.6 - 671 and 14 at Loop, 9/3/1997, John Phillips 723.7 - Gardens Loop, Richard Gilbert on the phone, 9/3/1997 723.8 - 671 coming into the loop from the south end, 9/3/1997 723.9 - Depot Junction, 8/3/1997, Travis Jeffrey 723.10 - 14 at Gardens Loop. Richard Gilbert and Paul Mong, offloading passengers, 9/3/1997 723.11 - 661, depot, with the Begonia Festival and Museum sign. See March 1997 Fares Please!On rear of all photos in blue biro " 8 or 9/.3.97" and "Photo Carolyn Dean"begonia festival, depot junction, btm, tramcar operations, tram 671, 661, 14, 27, 26

Set of three items forming a letter or invitation to BTPS Member Dr. O. Logan to attend celebrations for the 21st anniversary of the formation of the BTPS and the Grand Buffet Dinner to be held on 19/9/1992. .1 - Printed invitation printed on card with gilted edging and rounded corners, invitation to the Grand Buffet Dinner at Lake Lodge on 19/9/2002 with space for handwritten name - has been made out to Dr. O. Logan. .2 - Two sheets of A4 paper, three printed pages, outlining the events planned to be held for the 21st anniversary celebration from 17/9/1992 to 3/10/1992. .3 - Envelope with BTPS return stamp in green ink in top left hand corner and address label made out to Dr. O. Logan of Cheltenham. .4 - ditto for .1, made out to "Carolyn Dean" - added 20/4/2006 .5 - ditto for .1, made out to "Paul Nicholson" - added 5/6/2007 .6 - ditto for .1, made out to Keith Stodden, added 7-1-2020 Second copy of .2 added from files 2/4/2013. trams, tramways, btps, 21st anniversary, letters, celebrations

Has a strong association with the formation of the BTPS and the involvement of Melbourne based tramway enthusiasts - first meeting of the BTPS in Melbourne.Single page - quarto size green coloured paper, printed using the Gestetner wax stencil process advertising a public meeting to be held of the BTPS at the VR Institute, Flinders St on 21 June 1971, signed by Paul Nicholson. Second copy from donation of the Tom Murray Estate added 20-11-2016.trams, tramways, btps, meetings

Printed sheet detailing the vision of a historic or heritage tramway for Ballarat around Lake Wendouree and personal notes of one of the attendees of the meeting.3932.1 - duplicated set of meeting ( 3 pages 2 sheets) notes titled "A Historical Tramway for Ballarat", prepared for the public meeting at the VRI on 29/4/1971. Printed using the Gestetner duplicating process on foolscap paper in green ink, giving a back ground to the proposal for a heritage or historical tramway in Ballarat, a vision, the benefits of Ballarat, Agenda for the meeting, request for donations and draft resolutions. Graeme Breydon has written notes on pages 2 and 3 of the notes, including additional resolutions, changes to the resolutions and the people who made up the Committee. Prepared by Bill Jessup, Donald Fraser, Paul Nicholson and Frank Stamford. 3932.2 - meeting notes and attendees (some), including a map, notes Brown Hill and various comments of people. For original copy, see Reg Item 4252, item 81. 3932.1 - 2nd copy added 26/8/12, from Richard Gilbert Collection - each sheet scanned and added to the image file. On the rear of the copy has a list of 13 names and a date for a meeting (Thurs 6, at 8pm) (The Committee formed) and on bottom of page 3, notes on additional track to be retained. 3932.1 - third copy from donation of the Tom Murray Estate added 25-11-2016 - in unmarked condition. trams, tramways, closure, preservation, ballarat, btps

A white document titled "Bendigo Teachers' College Graduation Ceremony". Bendigo City Hall, Friday 11th Dec. 1970, at 10.30 A.M. Principal: Mr. K. G. Scarrott. Warden for Men: Mr.F. M. Courtis. Warden for Women: Mrs. H. J. Chatfield. Below this is a list of the staff at the college - Mr. T. J. McCabe, Mr. D. O'Brien, Mr. B. I. Rollins, Mr. R. F. Colbourne, Mr. B. A. Clemson, Mr. L. A. Hall, Mr. B. T. Geary, Mr. K. C. Coles, Mr. K. G. Harrison, Mr. B. R. Reed, Mr. J. A. White, Mr. G. L. Colson, Mr. A. D. Maltby, Mr. K. I. Clements, Mr. L. Jackman, Mr. D. R. Phelan, Mr. J. J. Layther, Mr. J. Brasier, Mr. R. B. Silverback, Mr. W. P. Lomas, Mr. J. P. Furnell, Mr. J. R. Goodrich, Mr. K. A. Ryrie, Mr. A. R. McIntosh, Mr. R. N. Teasdale, Mr. C. J. Barnes, Mr. R. J. Harris, Mr. R. Colliss, Mr. D. A. Jobling, J. R. R. McLeod, Mr. D. J. Watson, Mr. R. N. Bruce, Mrs. N. F. Fawdry, Mrs. H. A. Knox, Mrs. E. L. Perry, Mrs. M. M. Clemson, Mrs. R. M. Briggs, Mrs. M. P. Hibberd and Miss J. C. Burnett . Associate Medical Staff - Dr. S. Morphy and Administrative Staff: Mr. W. D. Kolle, Mrs. E. Morshead, Miss E. Christopher, Miss C. T. Aldridge and Mrs. D. M. Philpott. On the inside page is the "Significance of the Ceremony" and "The College Anthem". On the following page is a list of the students completing the Diploma of Teaching (Primary) 1968 - 1970 - Kaye Anderson, Marike Arro, Alan B. Baker, Avril L. Baker, Helen, J. Barnett, Madeline M. Beischer, Thelma J. Busch, Jenny A. Callender, Julie M. Cocks, Valerie Dealy, Sue J. Dudley, A. James Dunstone, Kath J. Fowler, Judy A. Gibb, James M. Goodall, Helen P. Gorman, Lindy A. Hall, J. Margaret Harkin, Jenny A. Henderson, Heather A. Hockley, Marilyn J. Hope, S. Lynn Humphry, Helen R. Jamieson, Gail E. Jolliff, Susan M. Jones, Mary Clare Kelly, N. Jenny Kennedy, R. John Leschke, Clare P. Lynch, Lois J. McConnell, Kay M. McDonald, Peter A. McManus, Margaret L. Mangan, Lorraine L. Matthews, Lois Monk, Frances M. Morgan, Genevieve M. Mulcair, Gail M. Norton, Helen M. Oliver, Colleen M. Orr, Rosemary F. Punton, Veronica E. Rahill, Peter J. Ryan, Robyn B. Schooling, Carol A. Scott, Richard W. Steele, Bruce W. Taylor, Jeanette M. Wallace, Lesley R. Wallis, Gwendoline M. Williams and Francis J. Wright. The Trained Primary Teacher's Certificate 1969 - 1970 was received by Rosena T. Amitrano, Ann E. Bennett, Jennifer E. Biggs, Philip L. Blackmore, Gayle D. Boase, Suzanne Brown, Paul T. Cairns, Julienne Cairns, Patricia Callanan, Sally Cariddi, Jennifer J. Carr, Helen Childs, Stephen M. Cope, Cheryl R. Coulstock, Carmel M. Doolan, Lynette R. Dowdell, Roseann C. Egan, Linda Ellis, Beverley J. Evans, Jillian Faderson, Judith Field, Anne E. Flynn, Rosemary J. Gardam, Valerie L. Green, J. Lindsay Harvey, Glenda M. Hepburn, Lynette D. Herdman, Helen M. Hodgson, Alyson C. Hyde, Pamela Jackson, May R. Jardine, Jennifer A. Jones, Barbara A. Kay, Gerrard A. Keogh, Bernadette Kerlin, Teresa M. Lavery, Judith A. Leneghan, Ann L. Licence, Aileen P. McAlister, Janet G. McCartney, Nola McConnell, Peter McCurry, Jacqueline E. McDonald, Margaret McHugh, Elizabeth A. McInnes, Barbara A. McLean, Lena J. Mariani, Jillian J. Martin, Louisa M. Merlin, Denise M. Miller, Dorothy J. Morshead, Christine A. Moss, Margaret Mulqueen, Penelope A. Murdoch, David Murray, Margaret M. O'Brien, Janice W. Pattison, Bronwyn A. Pease, Ian Perry, Angelika M. E. Petrovic, Beverly A. Pianta, Marianne L. Pollock, Julie C. Seipolt, Una Sims, Beth A. Small, Martin D. Smith, F. Elizabeth Spittal, Helen E. Stephens, Cheryl J. Sumner, Susan E. Tate, Suzanne Tate, Geoffrey L. Taylor, Cheryl Thomas, Jennifer A. Tope, Graham L. Turner, Lynette F. Turner, Margaret Wallis, Maureen T. White, Graham J. Whitlock, Julie A. Wilson, Jennifer A. Wood and Lynette J. Young. Also on this page are the names of students who completed external studies in the Trained Primary Teacher's Certificate - Margaret I. Anderson, Heather M. Collins, Margaret E. Gaskell, Marie A. Row, Sheryl F. Russell and Margaret E. Wilson. Denise J. Johnston completed her Trained Infant Teacher's Certificate externally. On the back cover is the "Order of the Ceremony". Mr. B. A. Clemson welcomed the visitors and the Principal Mr. K. G. Scarrott gave the Principal's message to graduands. Student representatives were presented to Mr. W. F. R. Budge by Mrs. H. Chatfield. Mr. F. M. Courtis presented the 1968-1970 Diploma of Teaching (Primary) to students and Mr. T. J. McCabe presented the 1969-1970 to T.P.T.C. students. Congratulations were offered by City of Bendigo, Cr. R. F. Turner, President of Strathfieldsaye Shire, Cr. R. W. Somerville and Principal of Golden Square State School Mr. R. Cordingley. The Occasional Address was given by Professor P. W. Musgrave and the President of the S.R.C. Mr. Peter McManus gave the Acknowledgement.bendigo, education, bendigo teachers' college graduatio, la trobe university bendigo collection, collection, bendigo teachers' college, bendigo, education, teaching, teachers, students, tertiary education, bendigo teachers' college staff, bendigo teachers' college students, graduands, graduation, graduation ceremony

Green and red hardbound book. It contains handwritten details of applications of residence area licenses under part II of the land's act 1869. It covers the period from 02-11-1881 to 25/11/1881.Application Register part 2, land act 1869 on the spine. On the first page in pencil: Soloman Paul, Hill Street Sandhurst.land office, residence area licenses

Coloured photograph of the Maple Street Primary School Grade 3-4 W 1999 class and the teachers. Their names are: 3rd Row L-R: Jessica Clarkson, Sathvik Kumar, Paul Carroll, Talan Sinclair, Jenna Maree Brannagan, Kerrie McDowell, Alan Clark, Lauren Hooper, Sam Rofe, Bridget Casey, Holly Fern. 2nd Row L-R: Tyson Cope, Glenn Wyatt, David Ross, Joel Hilson, Elise Watts, Thomas Goodridge, Jeremiah Oibo, Rhett Parry, Curtis Brown. Front Row L-R: Matthew Ferrari, Thomas Woodward-Hunt, Seann Fordham, Sam Vickers, Kristen Mapperson, Travis Kennedy, Nathan Green, Kin Tho, Davy Man. Teachers: G Wood, V Schavoni. Principal: Mr David Robins.Arthur Reed Photoseducation, primary, golden square laurel st p.s., golden square maple street p.s. collection - photograph - grade 3-4 w 1999, jessica clarkson, sathvik kumar, paul carroll, talan sinclair, jenna maree brannagan, kerrie mcdowell, alan clark, lauren hooper, sam rofe, bridget casey, holly fern, tyson cope, glenn wyatt, david ross, joel hilson, elise watts, thomas goodridge, jeremiah oibo, rhett parry, curtis brown, matthew ferrari, thomas woodward-hunt, seann fordham, sam vickers, kristen mapperson, travis kennedy, nathan green, kin tho, davy man, g wood, v schavoni, mr david robins, arthur reed photos

Booklet with pale yellow front cover and a bright green back cover. The front has 2 illustrations and Printing: Passages from 'The Story of the Beilharz Family' pages 195-218 by Dr. Paul Sauer, Published by Heinz W. Beilharz; 2nd Edition, revised and in English 1988. Introduction by Kurt Beilharz, Ravenswood. Mentioned are German people who had migrated to Palestine because of religious persecution and during W.W.2 they were imprisoned by the British, and when the war got closer they were moved to Australia where they were placed in prison camps. The booklet is an insight into life in the camps.Introduction by Kurt Beilharz, Published by Heinz W. Beilharz. Dr Paul Sauer.biography, family, beilharz family, german heritage society collection - the beilharz family, 'the story of the beilharz family', dr paul sauer, heinz w beilharz, kurt beilharz

On 23 July 1922, Brighton City Council adopted the recommendation from a sub-committee that the site for a war memorial be at Green Point, Brighton Beach. Brighton Council invited designs, limited to returned soldier architects and 18 designs were received. The first prize of £30 was awarded to the architecture firm Irwin and Stevenson and the designs were exhibited at the Brighton Town Hall in 1925. The bronze casting, using lost wax technique, was executed by sculptor Mr. Paul Montford, to the design of the architect and the central assemblage was believed to be the largest bronze casting in relief carried out in Australia at the time. The Brighton War Memorial was unveiled by His Excellency the Governor, the Right Honourable Arthur Herbert Tennyson Baron Somers, K.C.M.G., D.S.O., M.C., on Sunday 24th April 1927 in the presence of 4,000 people. The memorial was originally constructed to commemorate those from the City of Brighton who served in World War One but has since been augmented to commemorate those from the municipality of Bayside who have made the ultimate sacrifice during official periods of hostility.War memorial consisting of a sandstone cenotaph, granite base and sandstone terrace situated at Green Point, Brighton. The cenotaph is a truncated obelisk with classical decoration in stone and bronze. The cenotaph bears the Rising Sun badge in bronze relief near its top with bronze lettering running down the cenotaph reading "ERECTED IN HONOUR OF THOSE WHO FOUGHT IN THE GREAT WAR 1914 – 1919". A bronze relief assemblage of crossed weapons, a wreath, the lamp of valour and the Latin phrase "DUCIT AMOR PATRIA" (love of country leads me) sit above the base which is carved with the word "SERVICE". The terrace walls have bronze relief medallions with images of the head of an airman on the left and an infantryman on the right. The back of the cenotaph bears a torch in bronze relief near its top. On the sandstone wall behind the cenotaph are three large bronze plaques that lists the names of those from the City of Bayside who have served in the various conflicts in which Australia has been involved. At the back of the sandstone wall is carved lettering reading "HISTORY GAVE THEM A COMMON FAME. POSTERITY A COMMON MONUMENT" with 1914 carved on the left and 1919 on the right.brighton war memorial, memorial, cenotaph, green point, war memorial, brighton, service, paul montford, irwin and stevenson, rising sun, wreath, weapons, lamp of valour, great war, world war one, honour roll, honour board, roll of honour, ducit amor patriae, brighton beach, city of brighton, leighton major francis irwin, roy kenneth stevenson

A3 size promotional page - Bendigo Symphony Orchestra conducted by Daniel Herbert - Palm Sunday Concert 2006. Forest scene with brown forefront and blue green sky.bendigo symphony orchestra, st pauls cathedral, palm sunday

BHS CollectionA thirty-one pages typewritten booklet titled: A Concise Survey of Christianity and of the Origin of Religious Organization. The booklet has a simple grey cover. Written on the cover at the top in green "revised copy", underneath "by Paul Glendale" another pen name for L.J. Ellison. The booklet is handmade. Aileen and John Ellison Collection.On the inside cover L. J. Ellison Axedale via Bendigo Vic. christianity, religion, axedale

The Adult Deaf and Dumb Society of Victoria, now known as Vicdeaf, (the Victorian Deaf Society), was founded in 1884 as the Victorian Society for Promoting the Spiritual and Temporal Welfare of the Adult Deaf and Dumb. The provisional committee being Mr W Bates, Mr J M Bruce, Mr J D Gowan, Mr Edwin Newbiggin, Mr C M Officer, M. L, A., and the Rev. W. Moss. The Adult Deaf and Dumb Mission's objects were: 1. To provide the means for religious worship and instruction for the adult deaf and dumb of Victoria 2. To visit the deaf and dumb in their homes, especially when sick or in distress 3. To assist the deaf and dumb of good character in obtaining suitable employment 4. To provide technical and other education for the adult and dumb 5. To give pecuniary assistance to adult deaf and dumb who are in needThe Annual Reports of the Adult Deaf and Dumb Society are historically significant providing insight into the history of the evolving Deaf Community in Victoria. They are a annual 'snapshot' of the year with references not only to the progress of the Society but also to the significant people and events within the Deaf Community.Green Cover, Size 21.5Hx13.5W, 98 pagesarthur stanley, w. h. felstead, e. r. peacock,r. j. oehr, h. l. walters, m. l. miller, john higgins, h. w. h. adeney, george brown, w. a. dickins, r. h. luff, h. sumner martin, g. g. mercy, j. e. muir, hugh munro, f. v. pratt, f. j. rose, f. tudor, ernest j. d. abraham, mrs e. j. d. abraham, mrs j. boortz, r. dow, e. empson, a. graham, mrs samuel luke, mrs j. e. muir, mrs h. sumner martin, m. potter, mrs a. williamson, mrs a. wilson. w. j. craig, john cronin, john m. paul, alex williamson, adam c. muir, s. moss, m. g. b mortimer, blackburn, deaf workers club, lacrosse, cricket, emily kent, e. matthews, j. mills, archie mclellan, our monthly letter, rambling club, e. salas, wallace boortz, e. salas,

John Ash succeeded Thomas Harrison as the Australian Note Printer in 1927 and oversaw the printing of a new series of banknotes, known as the Ash Series. First issued between 1933 and 1934, the new banknotes sought to improve the currency's resistance to counterfeiting. A special watermark was created to increase the security of the new series. Shaped as a medallion, the watermark showed the profile of Edward, the Prince of Wales. A new portrait of the King was also introduced, depicting him frontally rather than in profile as he had appeared in the prior banknotes of the Harrison Series (1923-1925). The back of each denomination contained an individual vignette that reflected a sector of the country's economy. The wool and agricultural industries were represented, as they had been in the first series of the nation's banknotes (1913-1914), and they were joined by manufacturing and commerce. The prominent British sculptor, Paul Montford, contributed to the design of the new series. Recognised for his sculptural works on the exterior of Melbourne's Shrine of Remembrance, Montford was commissioned to produce relief sculptures that formed the basis of the banknotes' vignettes. His sculptures were translated into wash drawings by Frank Manley, the artist and engraver for the Commonwealth Bank's Note Printing Branch. Manley accentuated the sculpture's three-dimensional qualities with deep shadows and touches of illusionism. A sheep in Montford's pastoral scene, for example, stands forward from the frame as if entering the viewer's space to escape branding and Manley preserves this visual conceit in his drawing. Whereas the printing of the previous series of Australian banknotes had been criticised for its poor definition, the sculptural basis of the Ash Series clarified the banknotes' imagery. During a period of record unemployment, the scenes emphasised the strength of the human figure in gestures of labour, evoking classical, heroic qualities in their poses. The sculptural forms suggested stability in the turbulence of the Great Depression and imparted a sense of solidity to paper currency. - museum.rba.gov.auCommonwealth of Australia paper one pound note in green and white tones depicting graphics and text. The obverse has a framed design with a blank portal to the left and King George VI in the right portal. The centre shows the Australian Coat of Arms, serial number, and detail over one pound symbol on a mosaic background, with signatories below. The reverse features a framed pastoral scene with farmers tending sheep, with a blank portal to the right.Obverse: ONE / 1 / 1 / ONE / COMMONWEALTH OF AUSTRALIA / K / 58 / 790230 / K / 58 / 790230 / This Note is legal tender for / ONE POUND / in the Commonwealth and in all / Territories under the control of the / Commonwealth. / [signature] / GOVERNOR / COMMONWEALTH BANK ON AUSTRALIA / [signature] / SECRETARY TO THE TREASURY Reverse: 1 /1 / 1 / 1 / PASTORALcurrency, money, pound note, pastoral scene, industry, commonwealth of australia, paul montford, king george vi, frank manly, john ash

John Ash succeeded Thomas Harrison as the Australian Note Printer in 1927 and oversaw the printing of a new series of banknotes, known as the Ash Series. First issued between 1933 and 1934, the new banknotes sought to improve the currency's resistance to counterfeiting. A special watermark was created to increase the security of the new series. Shaped as a medallion, the watermark showed the profile of Edward, the Prince of Wales. A new portrait of the King was also introduced, depicting him frontally rather than in profile as he had appeared in the prior banknotes of the Harrison Series (1923-1925). The back of each denomination contained an individual vignette that reflected a sector of the country's economy. The wool and agricultural industries were represented, as they had been in the first series of the nation's banknotes (1913-1914), and they were joined by manufacturing and commerce. The prominent British sculptor, Paul Montford, contributed to the design of the new series. Recognised for his sculptural works on the exterior of Melbourne's Shrine of Remembrance, Montford was commissioned to produce relief sculptures that formed the basis of the banknotes' vignettes. His sculptures were translated into wash drawings by Frank Manley, the artist and engraver for the Commonwealth Bank's Note Printing Branch. Manley accentuated the sculpture's three-dimensional qualities with deep shadows and touches of illusionism. A sheep in Montford's pastoral scene, for example, stands forward from the frame as if entering the viewer's space to escape branding and Manley preserves this visual conceit in his drawing. Whereas the printing of the previous series of Australian banknotes had been criticised for its poor definition, the sculptural basis of the Ash Series clarified the banknotes' imagery. During a period of record unemployment, the scenes emphasised the strength of the human figure in gestures of labour, evoking classical, heroic qualities in their poses. The sculptural forms suggested stability in the turbulence of the Great Depression and imparted a sense of solidity to paper currency. - museum.rba.gov.auCommonwealth of Australia paper one pound note in green and white tones depicting graphics and text. The obverse has a framed design with a blank portal to the left and King George VI in the right portal. The centre shows the Australian Coat of Arms, serial number, and detail over one pound symbol on a mosaic background, with signatories below. The reverse features a framed pastoral scene with farmers tending sheep, with a blank portal to the right.Obverse: ONE / 1 / 1 / ONE / COMMONWEALTH OF AUSTRALIA / K / 58 / 790230 / K / 58 / 790230 / This Note is legal tender for / ONE POUND / in the Commonwealth and in all / Territories under the control of the / Commonwealth. / [signature] / GOVERNOR / COMMONWEALTH BANK ON AUSTRALIA / [signature] / SECRETARY TO THE TREASURY Reverse: 1 /1 / 1 / 1 / PASTORALcurrency, money, pound note, pastoral scene, industry, commonwealth of australia, paul montford, king george vi, frank manly, john ash

Annual report providing overview of activities and achievements including: the addition of the Royal Blind Foundation of Queensland, opening of an office in Darwin, achieving the highest ever ratings for Carols by Candlelight and winning the National Employer of the Year award.1 volume with illustrations providing overview of organisational achievementscorporation records, vision australia, kevin murfitt, gerard menses, katerina skilros, robin sands, helen robbins, nastasia campanella, david eveleigh, ted thorburn, nick carter, brenda murray, chris edwards, joe hockey, delta goodrem, janine cullen, cathy pepper, graham dawson, stephen jolley, arthur chawner, caitlin mcmorrow, maureen davenport, jean weaver, shirley meyers, joshua green, ryan green, matthew green, carolyn moncrief, camille fong lim, dianne spalding, ron mccallum, deborah randich, michael simpson, christine harding, trish egan, greg hempenstall, tim evans, paul bunker, jennifer gibbons, owen van der wall, keith barton, paul gleeson, timothy griffiths, tony hanmer, renae johnston, jan lovie-kitchin, ross mccol, theresa smith-ruig, tony clarke