Possibly early 1950sDark brown box with lid and clip fastener. The lid has a handle at the top.Lid & inside of box lined in red velvet. There is a separate narrow compartment for the reel. There is an electric cord and 3 papers. The reel is dark grey steel. The cord is brown rubber and very long. At the front is an attached plastic label with a switch in the centre. There is a black, red and gold disc with a Bell and Howell guarantee. A Registration card indicating model 606 & Serial no. 9039 and another card with a Safety message in 8 languages.On the base: G.B. Bell & Howell / 8 mm projector / Model 606 / 110-250 / volts / 5 Amps A/C/ or D/C/ England London. Above this label is : Lamp 400 Watts Max.. 9039 is printed in silver on the side. Inside bottom of lid: Cabinet by Raddports Pty. Ltd. / NSW / Leatheretteprojector, g. b. bell & hovell

Public lectures were a common activity in Bacchus Marsh in the early 1900s. These were usually held in the Mechanics Institute Hall in Main Street, or in the Australian Natives Association (ANA) Hall also in Main Street Bacchus Marsh. This ticket is a typical example of the elaborate design used for invitations at this time. This lecture was promoted as an 'illustrated lecture'. In this instance it was according to contemporary newspaper reporting a lecture which included a series of 'lantern views'. These were pictures—paintings, prints, or photographs—on transparent plates (usually made of glass), and were then projected for viewing through an image projector commonly called a 'magic lantern'. Printed ticket on card. Rectangular shape.public lectures, bacchus marsh mechanics institute, mechanics institutes, ephemera bacchus marsh

Two auction catalogues of a sale at the Commonwealth Disposals at Maribyrnong on 12 February, 1947.The front page of the catalogue has a black and white photo of the inside of a building with a lot of machinery along each side of the aisle. Inside are black and white photos of an Automatic Screw Machine, a Horizontal Projector with Screen, an Accura Tool Motorised Capstan Lathe, a Ford Swing Lathe, and a Steinel Hand Milling Machine. For sale were lathes, milling machines and presses. J. h. Curnow & Sons Pty. Ltd. Were the auctioneers.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - auction catalogue - commonwealth disposals commission, j h curnow & sons pty ltd, prahran telegraph print

Colour photograph or print of a group watching Richard Gilbert setting up the movie projector for the films at the Ballarat Tramway Museum 30th Anniversary dinner on 22/9/2002. On Kodak Royal Paper. Photo by Austin Brehaut. Caption supplied by Austin at the depot for the photo was "High Technology at the 30th Anniversary Dinner. Warren knows what is it, Peter and Sam are apprehensive, Richard is fascinated, Stephen isn't interested." In photo left to right are Peter Winspur, Sam Boon, Warren Doubleday, Richard Gilbert and Stephen Butler"On rear in blue ink "Home movie time at 30th Anniversary Dinner for BTPS 22.9.01. L-R Peter Winspur, Sam Boon, Warren Doubleday, Richard Gilbert and Stephen Butler"30th anniversary, dinner, btm, films

In 2017 known as the Kangaroo Ground Operations Centre a facility for hire managed by the Shire of Nillumbik. On 7 February 2009 (Black Saturday) the CFA Incident Control Centre (ICC) was located here. Described in "Worst of Days: Inside the black Saturday firestorm" by Karen Kissane (access via Google books): "..the ICC is part of a mud brick complex built in the 1980s as an emergency operations centre for several agencies, including the State Emergency Service. It is also home to the headquarters of the CFA's Lower Yarra Group. A small office with a whiteboard would be the incident controller's office throughout the office, but a larger central room, with data projectors, "smart boards" and maps would house the rest of the team.."Statement of Significance From the Victorian Heritage Database (2010) What is significant? The 1988 emergency operations centre and the surrounding site to the title boundaries. How is it significant? The emergency operations centre is architecturally, aesthetically, socially and historically significant to the Shire of Nillumbik. Why is it significant? The emergency operations centre is architecturally and historically significant as a good and rare example of a large public building constructed in a 1980s version of the 'Eltham style', and as a rare attempt to adapt the 'Eltham-style' aesthetic to meet the changing demands of the Shire in the 1980s (Criteria B, D & E). The emergency operations centre is architecturally and aesthetically significant because it is constructed of mud brick and features: a central entry with a tile mural (Criterion E). The emergency operations centre is socially significant because it is a focal point for the community and has played an important role in protecting the community since 1988 (Criterion G).Two colour photographs of mud brick Emergency Operations Centre building, Kangaroo Groundbuildings, mud brick, emergency centre, kangaroo ground

The main tasks undertaken by technicians operating the KLIMSCH Commodore large format camera were enlargements and reductions of map reproduction material. seen in photo .1P is at the operating console. See item 6189.4P for more information and photos of CPL Whaling operating the KLIMSCH camera. Orthophoto mapping provided the Survey Corps with the capability to produce map products quickly in the event of a crisis. These are four photographs of equipment used by the Army Survey Regiment to produce orthophotomaps. The WILD OR1 orthophoto projector and workstation shown in photos .3P and .4P was introduced in the mid-1980s. It was the second-generation equipment used to orthorectify colour and monochrome film aerial photography, replacing the system introduced in 1973. See items 6124.5P and 6133.4P for more photographs of orthorectification equipment.These four photographs of KLIMSCH large format camera and Wild OR1 orthorectification equipment was taken at the Army Survey Regiment at Fortuna, Bendigo, c1986. The colour photographs are on 35mm negative film and scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. .1) - Photo, colour, c1986, CPL John Whaling operating the KLIMSCH Camera. .2) - Photo, colour, c1986, large format film developer. .3) - Photo, colour, c1986, WILD OR-1 Orthorectification Workstation operated by CPL Dave Jobe. .4) - Photo, colour, c1986, WILD OR-1 Orthorectification Workstation..1P to .4P – There are no annotations.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr

This collection of four photos was most likely taken at Lithographic Squadron, Army Survey Regiment, Fortuna, Bendigo in 1988. Orthophoto mapping provided the Survey Corps with the capability to produce map products quickly in the event of a crisis. These are four photographs of equipment used by the Army Survey Regiment to produce orthophotomaps. The OR1 orthophoto projector and workstation was introduced in the mid-1980s. It was the second-generation equipment used to orthorectify colour and monochrome film aerial photography, replacing the system introduced in 1973. Orthorectification is the process of removing geometric distortions and scale errors/variations from images. Images have tilt and relief distortions that make it difficult to compare accurately a map and an image of the same geographic area. Once an image is orthorectified, features on the image are shown in their planimetric locations. These four photographs of orthorectification equipment in operation were taken at the Army Survey Regiment at Fortuna, Bendigo, 1988. The photographs were on 35mm negative film and were scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. .1) to .4) - Photo, black & white, 1988, WILD OR-1 Orthorectification Workstation, SPR Carmel (Butler) Fauth.No personnel are identifiedroyal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, litho

Most were used in various capacities at Ballarat School of Mines or University of Ballarat.Assorted lamps including Edison Carbon filament light bulbs and other special purpose lamps, .1-3) Robertson, pear shaped 220 V 16, carbon filament? bayonet light bulb with 'nipple'. .4) Ediswan, standard shaped, 928, carbon filament? bayonet light bulb with 'nipple'. .5) (B in a circle) 280 V 32 oo1A, pear shaped, carbon filament? bayonet light bulb with 'nipple'. .6-7) Crompton? standard shaped, carbon filament? bayonet light bulb. Clear glass with an amber tint. .8) 230-240 V 40 W, pear shaped, wire filament bayonet light bulb. .9-10) Osram standard shaped, heavy spiral and disc electrodes, bayonet light bulb. (The disc is loose in 10) .11 a&b) Osram black glass, large standard shaped, 230-240 V 125 W, bayonet light bulb. .12) Philips tubular shaped projector lamp with instruction leaflet. .13) Philips tubular shaped projector lamp with instruction leaflet in original box. .14) EH JA 12 V 55 W small projector lamp. .15) Large special purpose, standard shaped, frosted bayonet light bulb. .16) Siemens, standard shaped, modern Edison screw light bulb. .17) Philips, standard shaped, modern Edison screw, frosted light bulb. .18) Crompton, gas filled 240 V 75 W, standard shaped, bayonet frosted light bulb in original box. .19) Crompton, gas filled 230 V 300 W. standard shaped, large modern Edison screw light bulb. .20) Probably an extension cord with a bayonet fitting at one end connected by a twisted cord of two fabric covered wires to a large socket. This socket has a copper Edison screw inner, surrounded by a ceramic tube and covered with a copper housing. The housing is cracked in two places.Some have makers brand and voltage and wattage stamped onto the glass.scientific instrument, ballarat school of mines, globes, edison, lamps, light bulbs, bayonet

Rectangular olive green metal case. Stored within the case is a round olive green metal lamp. The lamp is attached to the metal case by a two wire copper flex cord. Stored within the case are 3 short metal rods with a spiral thread on one end which screw together to form a stand for the lamp. The interior of the case is divided into 2 sections and is accessed via 2 lids which are hinged on the internal divide, one lid is larger than the other. Mounted to the inside of the larger lid is a Morse key pad. Attached to case is a canvas webbing strap with brass buckles.Mounted on the larger of the lids, is a rectangular brass identification plate with the inscription " LAMP SIGNALLING DAYLIGHT SHORT RANGE CASE MK II, PMG MELB 1942 " and stamped 1176 5. Mounted on the lamp is is an oval brass identification plate with the inscription "LAMP SIGNALLING DAYLIGHT SHORT RANG PROJECTOR MK 11 STROMBERG CARLSON 1942" with stamped serial number 26634. D (up arrow) D is marked on one side of the case.

This teacher's aid publication was used by the teachers in the The Bogong Primary School from 1941 and also the Mount Beauty Primary School from its establishment in 1947. Both had most of their pupils recruited from SEC(Victoria) Hydro Electricity Scheme employees working for a limited time scale. Rural based children benefited greatly by the decision by the SEC to provide these facilities for their worker's families. This bypass of the "typical rural provisions" offered to other schools, by the Victorian Department of Education was a bonus to the Kiewa Valley educational community. These schools had a higher level of facilities available to them than other "typical" rural schools. Treasured facilities such as a comprehensive library, movie projector, tape recorder and public address system placed these two schools at the level of the Greater Public School of city or the larger towns rather than the small rural schools in Victoria.This item was used in Mount Beauty Primary School as part of a teacher's curriculum. The fact that it is in a rural area, in an enclosed SEC construction worker's village in the Kiewa Valley did present a slightly different learning atmosphere than in the larger towns and cities. The majority of parents within the Kiewa Valley, had a slight resentment of the "high and mighty" attitude of city dwellers with a "plum in their mouths" and the effectiveness that city bred teachers had to achieve was to overcome these ingrained mores. The majority of students at this primary school had parents who were working for (the closed "village" of the SEC Hydro Electricity Scheme. In the 1940s this school would have children from multi-cultural backgrounds as many of the parents were recruited as labourers or with European technical backgrounds. In the book,the black and white photographs detailing the classroom sizes and configurations point to larger classes and slightly different teaching methods than that which existed in Australia. This teacher's aid book presents the Australian rural teachers with an advanced American approach to teaching methods. These methods were based on the then modern "group" psychological teachings and were a good guide in the development of a more effective and progressive teaching platform. The one thing that it did not address was the easy going Australian psyche of "she'll be right mate" of the Australia rural community. The socio-economic identity of the Kiewa Valley rural community was not that of the typical city community (American) and this was a challenge for city based and trained teachers. The principles that the book presents is not constrained by the date of publication or its time of use (1954).This hard cardboard covered book is sleeveless but bound by a red cloth glued onto a thick cardboard base. It has the title printed in gold script on the spine with horizontal and fifteen black horizontal lines at the top and bottom. The front cover has the title printed in gold coloured letters (the first and last words are in freehand script style)On the spine and front cover is printed "The TEACHER IN THE MODERN ELEMENTARY School" school organisation, developmental stages of children, subliminal classroom mental and physical stimulation, usa 1940s teacher aids.

Ballarat Junior Technical School opened in 1913. It was located at the Dana Street State School. As numbers grew a larger building was needed. Plans were drawn and a school built within the grounds of the School of Mines. Students started at this new school in 1921. It was officially opened on 9 September 1921 by Sir Alexander, resident of Creswick, local member for North Ballarat and the Minister for Education. He also opened the School Fair which coincided with the buildings ceremony. This was a fair on a grand scale and lasted two days and nights. Staff and students worked for weeks making articles for sale. A parent's committee led by Mr J Rogerson, a local police detective, had been organizing for months. Money raised funded the dodge-ball court, purchased a typewriter, a second-hand piano, an inter-room telephone system, an epidiascope and film projector. Four pages of lined paper showing handwritten results for raffles held at Ballarat Junior Technical Schhool in 1921. Pages held together with a dressmaker's pin.J Rogerson, official drawerballarat junior technical school, dana street primary school, ballarat school of mines, 1921, sir alexander, school fair, parent's committee, j rogerson, police detective, dodge-ball court, typewriter, piano, telephone system, epidiascope, film projector

From January 1959 and until 1982, “Cosmopolitan Motion Pictures”, owned by Mr Peter Yannoudes (Παναγιώτης Γιαννούδης) and Mr Stathis Raftopoulos (Στάθης Ραφτόπουλος) travelled around Australia to entertain the Greek, Turkish, Indian and Yugoslav speaking population of Australia and provide a significant cinema culture. They travelled as far as Perth in WA, Adelaide in SA, Tasmania, Darwin in Nt, Canberra in ACT and Sydney and NSW. However they found themselves also in places like Berri and Renmark in NSW, where concentrations of migrants lived and thrived during the period. Initially they were travelling by train, carrying all their equipment by hand and placing them in boxes and suitcases. However after 1962 when they acquired their first automobile, travelling became less of a burden, nevertheless cumbersome and laborious. They carried with them initially two portable projectors (second one as a backup) and at times travelled with a third in order to ensure that technology will not be letting them down at the time of film projection. At times the films were projected onto a white sheet of cloth because there was no proper screen to project it on at the venue they were using.Primary historic significance in the context that it was used, as well as rarity significanceMetal adjustable height, hand operated drill. Rusty appearance. It seems to have a small piece at the bottom broken off, but still in working order according to Mr P. Yiannoudes. This drill was used to drill holes in cinema light carbon sticks in order to extend their life.drill, carbon, film, entertainment, greek, language, hand, yiannoudes, γιαννούδης, τρυπάνι

From January 1959 and until 1982, “Cosmopolitan Motion Pictures”, owned by Mr Peter Yannoudes (Παναγιώτης Γιαννούδης) and Mr Stathis Raftopoulos (Στάθης Ραφτόπουλος) travelled around Australia to entertain the Greek, Turkish, Indian and Yugoslav speaking population of Australia and provide a significant cinema culture. They travelled as far as Perth in WA, Adelaide in SA, Tasmania, Darwin in Nt, Canberra in ACT and Sydney and NSW. However they found themselves also in places like Berri and Renmark in NSW, where concentrations of migrants lived and thrived during the period. Initially they were travelling by train, carrying all their equipment by hand and placing them in boxes and suitcases. However after 1962 when they acquired their first automobile, travelling became less of a burden, nevertheless cumbersome and laborious. They carried with them initially two portable projectors (second one as a backup) and at times travelled with a third in order to ensure that technology will not be letting them down at the time of film projection. At times the films were projected onto a white sheet of cloth because there was no proper screen to project it on at the venue they were using. This winder was part of the equipment they carried around Australia Historical significance Primarily as it is the actual unit used to manually rewind all films.A film rewinding gadget, perhaps home made, with a wooden base, two reels, and an metal winder used for transferring the film from one reel to the next."Premier - Made in England"winder, film, entertainment, language, greek, yiannoudes, γιαννούδης, plutarch

Ballarat Junior Technical School opened in 1913. It was located at the Dana Street State School. As numbers grew a larger building was needed. Plans were drawn and a school built within the grounds of the School of Mines. Students started at this new school in 1921. It was officially opened on 9 September 1921 by Sir Alexander, resident of Creswick, local member for North Ballarat and the Minister for Education. He also opened the School Fair which coincided with the buildings ceremony. This was a fair on a grand scale and lasted two days and nights. Staff and students worked for weeks making articles for sale. A parent's committee led by Mr J Rogerson, a local police detective, had been organizing for months. As part of the ceremony for the opening of the school the Strachan Orchestra was engaged to play. .1 Taxi hire provided transport for the Strachan Orchestra for two visits at a total cost of Five Shillings. This hand written slip shows the date of payment and by whom .2 This item is the receipt N A Strachan sent to Mr Steane, Headmaster of the school, for the payment of Two Pounds, cost for engaging the Orchestra. Money raised funded the dodge-ball court, purchased a typewriter, a second-hand piano, an inter-room telephone system, an epidiascope and film projector.Hand written notes on lined paper. .1 Invoice; .2 Receipt.1 Signature of W. Button .2 Signature of N.A. Strachan.ballarat junior technical school, dana street, ballarat school of mines, minister for education, member for north ballarat, school fair, strachan orchestra, receipt, albert steane, ceremony, taxi, typewriter, piano, telephone system, payment notice, sir alexander peacock

This is a set of 16 photographs of a visit to the Army Survey Regiment, Fortuna, Bendigo by the Commander 3rd Military District BRIG P. Davies AM, ADC on the 23rd and 24th of October 1989. In this set BRIG P. Davies AM, ADC was taken on a tour through the orthophoto production area. In photos .1P to .3P and .6P BRIG P. Davies AM, ADC presented a productivity award to CO LTCOL John Winzar in Fortuna’s Ballroom. LTCOL Winzar was the CO of the Army Survey Regiment from 1987 to 1989. The WILD OR1 orthophoto projector and workstation featuring in photos .7P to.10P and .12P to .14P was introduced in the mid-1980s. It was the second-generation equipment used to orthorectify colour and monochrome film aerial photography, replacing the system introduced in 1973. See items 6124.5P, 6133.4P and 6228.4P for more photographs of orthorectification equipment. Photos .15P and .16P feature contractors preparing the foundations for the construction of Lithographic Squadron’s new Printing Building at Fortuna, Bendigo. The building was purpose built to house a new computer-controlled Heidelberg Speedmaster five colour lithographic offset Printing Press. The print room was named Wayzgoose Hall after a medieval printing house festival. See item 6131.18P for more photographs of contractors preparing the foundations. This is a set of 16 photographs of a visit to the Army Survey Regiment, Fortuna, Bendigo by the Commander 3rd Military District (CMDR 3MD ) BRIG P. Davies AM, ADC on the 23rd and 24th of October 1989. The photographs are on 35mm negative film and were scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. .1) to .3) - Photo, colour, 1989. L to R: CO LTCOL John Winzar, CMDR 3MD BRIG P. Davies AM, ADC. .4) - Photo, colour, 1989. L to R: SGT Chris Edwards, CMDR 3MD BRIG P. Davies AM, ADC, SGT Graham Johnston, unidentified, SGT Martin Evans. .5) - Photo, colour, 1989. L to R: WO1 Allan Adsett, WO2 Keith Fenton RE UK Exchange, SGT Bob Garritty, WO2 Rob Bogumil, SSGT Peter Imeson, WO1 Ralph Chant. .6) - Photo, colour, 1989. L to R: CO LTCOL John Winzar, WO2 Pat Lumsden, SSGT Di Chalmers. .7) - Photo, colour, 1989. L to R: MAJ Terry Edwards, CMDR 3MD BRIG P. Davies AM, ADC, CPL Graeme Priestley, WO2 Rob Bogumil, SGT Bob Garritty. .8) - Photo, colour, 1989. L to R: CMDR 3MD BRIG P. Davies AM, ADC, CPL Graeme Priestley, SGT Bob Garritty. .9) & .10) - Photo, colour, 1989. L to R: CPL Trevor King, CMDR 3MD BRIG P. Davies AM, ADC, MAJ Terry Edwards. .11) - Photo, colour, 1989. L to R: ADJT CAPT Greg Tolcher, unidentified. .12) - Photo, colour, 1989. CPL Pat Drury, WILD OR-1 Orthorectification Workstation. .13) & .14) - Photo, colour, 1989. CPL Pat Drury, WILD OR-1 Orthorectification Workstation equipment. .15) & .16) - Photo, colour, 1989. Contractors prepare the foundations for Lithographic Squadron’s new Printing Building - Wayzgoose Hall..1P to .16P – no annotations. CMDR 3MD BRIG P. Davies AM, ADC and the date are identified on the film negative sleeve cover sheet.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, litho sqn

15 black and white photographs. Collection is all the same size but 2 different kinds of borders. Provenance unknown. (1) 3 male students cultivating the vegetable plots. (2) View of paths "Camp," on reverse. (3) East side of Administration Building. "The Building," on reverse. (4) Students in the Library. (5) Female student driving a tractor in the Orchard. (6) Canna. (7) Lilies and ? in a vase. (8) Cacti collection in front of Glass Houses (moved to present site in 1975 as a student exercise.) (9) Cacti collection in front of Glass Houses. "Film Projector," on reverse. (10) Students standing beside signs in front of Lily Ponds on Open Day. (11) People looking at display for Open Day in Hall. (12) Display in Hall on Open Day. "Table Tennis," on reverse. (13) Open Day display in Hall. " (14) Open Day display in Hall. (15) Students standing beside Grafting display for Open Day in Orchard. students, vegetable plots, library, female students, tractor, orchard, flowers, cacti, lily ponds, open day, administration building, glasshouses

Eleven photocopies of Plaza Theatre Bendigo images including documentation. 1 Plaza Theatre Bendigo upstairs auditorium, 2 Ground floor entrance Plaza Bendigo 1936 and name of film starring Gary Grant Constance Bennett 'Big Brown Eyes', 3 Plaza Theatre Mitchell Street Bendigo 1953 film 'Warpath' Edmund O' Brien Dean jagger forest tucker Harry Carey 'Thunder in the East' Alan Ladd Deborah Kerr Charles Boger Phyllis Calvert nearby residents Hamptons Newsagency Melody Bar Pearse dentist Quins bluebird fruit shop Norris's Menswear Matchetts grocery, 'Port Hole Paradise' My Days as an Assistant Projectionist by Micheal Purdon 6 pages, copy of a glass advertising slide, cinema glass advertising slide late 40's early 50's, Plaza theatre Auditorium 1935, Plaza Bendigo 1967 Projector 2X Cummings & Wilson Western Electric Sound Bases Peerless Magnarc Carbon Arc Lamps.bendigo, buildings, plaza theatre

Yiannoudes Family Film Memorabilia It is normally a time consuming and difficult task to accurately assess a collection’s significance to the primary criteria, however in the case of the “Yiannoudes Family Film Memorabilia” we have no hesitation of its high significance about its historic, social, rarity, interpretive, cultural and provenance to Australia, including the country side where most of this collection memorabilia visited. From January 1959 and until 1982, “Cosmopolitan Motion Pictures”, owned by Mr Peter Yannoudes (Παναγιώτης Γιαννούδης) and Mr Stathis Raftopoulos (Στάθης Ραφτόπουλος) travelled around Australia to entertain the Greek, Turkish, Indian and Yugoslav speaking population of Australia and provide a significant cinema culture. They travelled as far as Perth in WA, Adelaide in SA, Tasmania, Darwin in Nt, Canberra in ACT and Sydney and NSW. However they found themselves also in places like Berri and Renmark in NSW, where concentrations of migrants lived and thrived during the period. Initially they were travelling by train, carrying all their equipment by hand and placing them in boxes and suitcases. However after 1962 when they acquired their first automobile, travelling became less of a burden, nevertheless cumbersome and laborious. They carried with them initially two portable projectors (second one as a backup) and at times travelled with a third in order to ensure that technology will not be letting them down at the time of film projection. At times the films were projected onto a white sheet of cloth because there was no proper screen to project it on at the venue they were using. Mr P. Yiannoudes has also published a book in October 2010, titled “Greek Cinema Across Australia – Behind the Scenes”. The book was published in two languages, English and in Greek. Details about the launch can be found on the Diasporic Literature Spot website at this address (in the Greek language) http://diasporic.org/ellinika/biblia/greek-films-in-australia/. His book is devoted to those with whom he co-operated in order to bring for the first time Greek language films into Australia. Their names are: Stathis Raftopoulos, Andreas Papadopoulos, Andreas Katopodis, Theodoros Kanellopoulos, Michael Ioannou, Fotis Hatzipavlides, Kostas Vrahnas, Evaggelos Terpenos, Dionysis Lourantos, Dimitris Georgiou, Vasilis Florias and Jim Gragie. All businessmen with the right entrepreneurial spirit to be the first and to make their mark in the making of cultural Australia. Mr P. Yiannoudes a Cypriot by descent born in the town of Vouni, a village in the area of Lemesos. In Lemesos he learned the first few things about cinema which would help him in all his later life. He migrated to Australia in 1956 has been a prominent member of the Greek & Cypriot Communities in Melbourne for many decades. He has been President of the Cypriot Community, President of Federation of Cypriot Communities in Australia (for 18 years), President of SEKA (for 26 years) and highly regarded member of the Greek-Cypriots Diaspora since he also has been Vice-President of the Global Federation of Cypriots of Diaspora for 18 years. Mr P. Yiannoudes is now working on creating a small museum of these pieces in the back of the Westgarth Theatre with the help of the Plutarch Project and …. In this collection numbering hundreds of items, we will try and capture some of the glory that was the Greek film industry in Australia for 23 years between 1959 and 1982. “Cosmopolitan Motion Pictures” also owned a large number of cinemas in Melbourne, the National Theatre in Richmond, the Westgarth Theatre in Northcote (which is still owned by the Yiannoudes family today), Sun Theatre in Yarraville, Kinema in Albert Park, Empire Theatre in Brunswick, Paramount Theatre in Oakleigh, Globe Theatre in Richmond, Galaxy Theatre in Brunswick and the Cosmopolitan Theatre in Brusnwick. At the same time they were hiring other theatres for film projections. They were the Astor Theatre in St. Kilda, Victoria Theatre in Richmond, Sunshine Theatre in Sunshine. Apart from Melbourne they were using the Pantheon Theatre in Adelaide, the Norwood Town Hall in Adelaide, the Shepparton Town Hall in Shepparton, the Premier Theatre in Perth, the Rivoli Theatre in Berri and the Renmark Theatre in Renmark. The number of films shown around Australia were over 1500 in total whilst about 1218 of them were in the Greek language. Other languages shown were in Turkish (about 150 films), Yugoslavian (about 100 films), English, French, German, Swedish, Dutch language films. “Cosmopolitan Motion Pictures” was the first company to bring Swedish and Dutch films to Australia. They also showed Martial Arts films for the first time in Australia in 1975 at the Galaxy Theatre in Melbourne. However one of the most significant pieces that tell the story with places and dates is the Show Logbook. The Show Logbook has a large number of stories to tell. It is still intact and in fair condition after all these years of travelling around Australia. It is categorised with an alphabetic index on the right by film title. Greek, Indian, Turkish and Yugoslav language film titles adorn its pages alongside the place where they were first shown, the towns and cities they visited and the dates for each one. It is an extremely significant part of history of the settlement of migrants in Australia. This Log Book is of Primary Significance to the "Cosmopolitan Motion Pictures" and the Yiannoudes family film memorabilia collection. It has a Historic, Social, Provenance and Rarity significance for the settlement of migrants in Australia and the entertainment industry.This is the Log Book, manually updated and used by "Cosmopolitan Motion Pictures" for films shown in different parts of AustraliaCollins Stock Records Booklogbook, films, shown, cultural, language, greek, australia, γιαννούδης, κατάσταση, yiannoudes

The arc lamp provided one of the first commercial uses for electricity, a phenomenon previously confined to experiment, the telegraph, and entertainment. Ref. Wikipedia.An old item and very rare. Owned by a local resident's grandfather who lived in Melbourne.Brass base with handle at front. Horizontal round bakelite handles for adjusting the arc between the electrodes (vertical carbon pencil shapes meeting at point and opposite each other. It has adjustments for direction and height. It is heavy. Unknown source of power - battery?Nilsilent movies, projector lamp, carbon arc projector lamp

Hawkins and Thelma Rungkat with a prohector and stand.thelma rungkat, hawkings, projector, university women, library

Speakers were used to amplify the sound of the movie being shown. The Pyrox Victor was for 16mm films and used from the 1940s.Used in the Kiewa Valley possibly at the Mt Beauty Community Hall for weekly filmsHeavy large red box with 'Pyrox Vicor' on one side. 'Rola' is inscribed at the end of the cone and centred in the front. The company, Rola, of Richmond, Victoria, Model 12U. Circa 1940s. It has a long electrical cord alo inside the case. Both speakers are the same except one is in a poor condition. pyrox victor, rola manufacturers, film projector speakers

This file contains 4 items relating to the Elsternwick Classic Cinema: 1/1 original black and white photograph of the Elsternwick Classic Cinema, 9 Gordon Street Elsternwick. Date and photographer unknown. 2/ 2 photocopied photos of the Elsternwick Classic Theatre in its various stages of operation. One photo is of it as the Dorchester Dance Hall between 1938 and 1946 and the other is of the Classic Cinema in 1994. Photographers unknown. 3/National Trust of Australia (Victoria) Classification Report on Elsternwick Theatre with attached cover letter addressed to the Manager of the Planning Section, City of Glen Eira Council, from Ian Pausacker from the National Trust dated 04/10/2000. The report includes a statement of significance, history, description, context and floor plans of the theatre. 4/1 newspaper article written by Alex Njoo from the Caulfield/Port Philip Leader, 31/01/2012, congratulating the Tamir family on their conservation of the Elsternwick Classic Cinema. Includes a colour photo of the Tamirs, photographer unknown.elsternwick classic cinema, gordon street, elsternwick, dorchester dance hall, national trust of australia, national trust register, elsternwick theatre, pausacker ian, classic cinema, entertainment, cinemas, theatres, victorian style, elsternwick public hall, skating rink company limited, selwyn street, victorian permanent building society, community centres, films, shows and exhibitions, film projectors, amalgamate picture company ltd., richardson frank g., architecture, stairs, associated theatres limited, ballantyne and hared, balconies, architectural features, entrances, depression 1929-1939, astor, dancehalls, esquire theatre, prentice george, plottel joseph, architects, cowper murphy and associates, sharon cinema, tamir eddie, readings, free classical style, plans, business people, njoo alex, tamir family

This file contains 3 items relating to the Camden Theatre: 1/7 original black and white photographs of Camden Theatre including photos of the interior and film equipment. Photographer and date unknown. 2/1 report titled ‘Camden Theatre’ by Gerry Kennedy, Ian Hanson and Brian Miller from the Cinema and Theatre Historical Society of Australia Inc. magazine, CinemaRecord, issue 16, May 1997. The report gives a description and a brief history of the theatre and contains a reflective article by former employee, Brian Miller, about his time at the theatre. 3/One file note written by Kate Aldred, 11/04/2014, on the source of the “Camden Theatre’ report.camden theatre, hawthorn road, caulfield south, kennedy gerry, hanson ian, miller brian, cinemas, film and photographic equipment, film projectors, films, cowell ham d.f., yeomans e.c., camden theatre pty ltd, glenhuntly road, art deco, titania cinema, c & w projectors, cinemascope, vista vision, television broadcasting, brunswick ten pin bowling, lawn bowls, bowling club, projectionists, caulfield, glenhuntly fire brigade, classic cinema, elsternwick, trams, carnegie, esquire cinema, renown cinema, hoyts glenhuntly, hanson ian, refreshment rooms

The carbon rods were either used by 'Gem Pictures' or in the study of 'Electricity and Magnetism' at the Ballarat School of Mines. In electricity a current is conducted through carbon rod between the electrode holder and the arc in carbon arc lighting or welding. A carbon rod is also used in batteries. A tin full of carbon rodsOn box found with carbon rods: "Siemens-Planiawerke aktiengesellaschaft fur kohlefabrikate berline-Lichtenberg Made in Germany jede kohle trägt unseren vollen firmenstempel Translation: Siemens Planiawerke A corporation limited by shares producing carbon in Berlin-Lichtenberg Each carbon carries our full company stampballarat school of mines, carbon, carbon rod, arc lighting, electricity, henry sutton, theatre, projector, gem pictures

Boxed globeprojector, globe, tube, atlas

Probably used at the Ballarat School of Mines as a teaching aid to demonstrate surface wave propagation in liquids.A hollow cast iron base contains electrical components which provide upward illumination of variable frequency. Cover is shaped lile a soup plate, with a 6.5cm diameter lens in the centre. An overhead lens transmits light to an adjustable mirror for viewing from the side. Complet with 240 volt AC lead and plug.scientific instrument