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National Wool Museum
Document, The Wool Textile Industry: ten minute broadcast
Typescript copy of a 10 minute speech given by the Hon. J.J. Dedman, Minister for Post War Reconstruction, and broadcast in c.1946 re: the Wool Textile Industry. The speech mentions W.R. Lang and a copy was presumably forwarded to him for this reason.FROM / The Hon. J.J. DEDMAN, MP / With his Compliments / No. 13post-war reconstruction textile industry woollen mills wool processing, dedman, hon. j. j. m.p. - c. of a. - ministry of post-war reconstruction, post-war reconstruction, textile industry, woollen mills, wool processing -
National Wool Museum
Book, Wool Textile Research
"Wool Textile Research; CSIRO Research for Australia 9". Contains articles re: the latest CSIRO research (as of 1986) into areas such as wool marketing, wool cleaning, standard descriptions of wool, production of woollen fabric and yarn and current research trends.wool marketing woolclassing, csiro, scouring, dyeing, wool marketing, woolclassing -
Warrnambool and District Historical Society Inc.
Book, William S. Murphy, The Textile Industries ( eight volumes)
Technical information on the textile industryThese volumes have blue hard covers with pale green printing and stylised images of a loom and spindles in gold. The spines also feature a loom. The pages contain printed text, a colour photo, diagrams and black and white illustrations on inserted pages.non-fictionTechnical information on the textile industrywarrnambool woollen mill, textile industries -
Stawell Historical Society Inc
Archive - Laboratory Books, The Textile Institute
Norwellan / Aunde Laboratory Book. Now Closed Testing of Yarns & Fabrics The Hairiness of Yarns Studies In Modern Yarn Production 1968 - John Bennett, Lyddon Hall, Leeds 2, 11/11/64 North Western Woolen Mills became Norwellan Textiles then AUNDEBooksmanufacturing -
National Wool Museum
Book, Costing in the Wool Textile and Other Industries
"Costing in the Wool Textile and other Industries" - D.R.H. Williams, 1946. There is a fine ex libris plate (designed by W.L. Trigg) on the inside of the front cover depicting the Anzac statue from the RSS Mill. This book is from the library of V.J. Schofield, son of Albert Schofield, the first managing director of the RSS Mill.EX LIBRIS / V.J. SCHOFIELD / W.L. TRIGGtextile mills - management textile mills, returned soldiers and sailors mill, trigg, w. l., textile mills - management, textile mills -
National Wool Museum
Book, The Textile Tools of Colonial Homes
"The Textile Tools of Colonial Homes: from raw materials to finished garments before mass production in the factories" - Marion L. Channing, Massachusetts, USA, (first published in 1969) this edition 1971. Donated as part of the Zakrzewski Collection of spinning wheels which were given to the National Wool Museum by Mr Wlodzimierz Zakrzewski. For many years, Mr Zakrzewski collected, researched and repaired spinning wheels from all over the world. This book was owned by him.handicrafts - history wool processing flax, spinning, zakrzewski, mr wlodzimierz, handicrafts - history, wool processing, flax -
Wangaratta Art Gallery
Textile, Mandy Gunn, Great Expectations
Wangaratta Art Gallery CollectionA textile sculpture of a red book that has a ribbon of woven pages flowing from it.mandy gunn, textile -
Wangaratta Art Gallery
Textile, Liz Williamson, Rose Round, 2011
Wangaratta Art Gallery CollectionA handwoven textile sculpture made from red fabrics and threads shaped into a tubular shape.textile, liz williamson -
Wangaratta Art Gallery
Textile, June Brown, Storm (Sky Series), 2013
Stormy skies can be memorable with dark and contrasting colours. They often appear menacing and producing apprehension in the air because of the oncoming weather. Fabrics used in this piece are all commercial. I have endeavoured to make the sky angry with stitches. The mesa has some very dark and ominous craggy rifts. ‘Sky Series’ Changes are constantly taking place in the sky . I love the variety, colour and movement of the sky which are all a direct result of the clouds, sun and time of day. I certainly think about the sky much more when we are on Safari. The sky is a great indicator of the ever changing time of day and weather conditions …... fine and clear, cloudy, sunset, sunrise and storms. The artwork features a simple ‘mesa’ shape against the sky. A mesa is a flat topped hill. Which are part of the Australian Inland. The mesa I have featured is in recognition of Mt Connor in the Northern Territory.Wangaratta Art Gallery CollectionA embroidered textile depiction of an outback landscape scene during a storm featuring a colour palette of blues and browns.june brown, textile -
National Wool Museum
Book, Kettling & Braun
"Kettling and Braun", 1931. Contains fliers, pictures, photos, a textile sample and specifications of textile machinery from the German manufacturer, Kettling and Braun. Includes a quotation to Collins Bros Mill, Geelong for the price of supplying a number of items of textile equipment.Book / catalogue containing specifications, photos, a textile sample and quotations for textile machinery by Kettling and Braun, 1931.textile machinery, kettling and braun collins bros mill pty ltd -
National Wool Museum
Book, Finishing Machinery
"Finishing Machinery" - James Bailey, Textile Machine Maker, Huddersfield, c. 1926. Catalogue of machinery for fulling, scouring, carbonising, dyeing and finishing woollen and worsted and other types of textiles.Catalogue of textile finishing machinery from James Bailey, textile machine maker, Huddersfield, c.1926.textile machinery textile finishing, james bailey, textile machine maker, milling, scouring, carbonising, dyeing, raising, textile machinery, textile finishing -
Wangaratta Art Gallery
Textile, Liz Williamson, Lux(e) Loop, 2012
Wangaratta Art Gallery Collection - Commissioned work for WAG SILVER Jubilee exhibition.A textile made up of 3 long slim panels consisting of black wool with draping reflective yarn sown across the panel.textile, liz williamson -
Wangaratta Art Gallery
Textile, Beth Roberts, Go Aussie Go, 2000
Rural City of Wangaratta CollectionA quilted textile that depicts Australian scenes alongside silhouettes of Ancient Greek Olympians. wangaratta art gallery, beth roberts, textile, olympics -
RMIT Design Archives
Textile - Woman's dress, Norma Tullo, Garment Designer, Shirley Lyle, Textile Designer, Woman's Dress
This light woollen evening dress is made from Peppinella, a new fabric Norma Tullo introduced into her range in 1973. The fabric was used exclusively by Tullo, and came from the wool of Peppin Merino (first introduced into Australia in 1858 by the Peppin brothers). According to the papers of the day Tullo’s 1973 winter collection featured ‘St. Trinian’s styles to garments dripping lace, in bold plain colours to floral prints.” Shirley Lyle designed the floral fabric. Norma Tullo (1935-2019) was one of the leading fashion designers of her time, establishing her label in 1956. After establishing a business the Old Metropole Arcade in Melbourne in 1956, with three sewing machines, Tullo's ready to wear fashions for young women became sought after, and her business flourished. In 1966 the Japanese department store chain Isetan Co Ltd began to mass-produce her garments for their stores across Japan. Tullo closed her label in 1977, and later worked for Fletcher Jones. Ann Carew, 2020The dress is historically significant as a dress designed by Norma Tullo, a leading fashion designer of the 1960s and 1970s. During this period the Australian Wool Industry strove to promote wool, and to develop light woollen fabrics to compete with new synthetic fibres such as rayon. The garment is historically significant for the use of a merino wool showcasing its versatility for dress fabrics. Full length woman's dress with full skirt and long sleeves, collared with open neck and pleat work on bodice. Material is predominately red with a repeated pattern featuring posie of blue and mauve flowers.Inscribed, black label on back neck left of zip, 'TULLO/IN/PEPPINELLA/AUSTRALIA MERINO WOOL'; Inscribed, white satin label on back neck right of zip, 'DRY CLEAN ONLY'; Inscribed, white satin label underneath above label, 'SIZE 12/To Fit Bust 34"/To Fit Waistwool, rmit design archives, rmit university, woman's dress, textile design, australian fashion -
Wangaratta Art Gallery
Textile, Clare McCracken, Remembering the White Building
Remembering the White Building, 2017 Clare McCracken As Cambodia rapidly urbanises, it is the urban poor that are forcibly removed from their homes to make way for shiny new apartment towers they cannot afford. In 2014 during a residency at the White Building, a medium-density slum in central Phnom Penh, Clare stitched pocket-sized cross-stitches of the ornate bricks of the building over the top of cross-stitch patterns of Angkor Wat. She gifted these tiny works to the residents she met - something they could take with them as a reminder of their community when it was demolished. In 2017, as the Cambodian government demolished the building, Clare created another series of the works: in memory of a community that had now been destroyed.Wangaratta Art Gallery CollectionA textile artwork that is made up of 4 cross stitch squares with each square a different colour and design.clare mccracken, cross stitch, textile -
Wangaratta Art Gallery
Textile, June Brown, Fire (Sky Series), 2013
When in the desert it is frightening to see a distant fire, even though you may not see the actual flames. As evening approaches the sky reflects anger and colour. The mesa is also reflecting some of the glow . I imagined it had been burnt already and some embers are still aglow in the evening light All fabrics used in this work are cotton commercial fabrics. My stitching has been done to accentuate the red reflection in the sky. Black rayon thread gives a certain sheen to the mesa with a dried grassy foreground. ‘Sky Series’ Changes are constantly taking place in the sky . I love the variety, colour and movement of the sky which are all a direct result of the clouds, sun and time of day. I certainly think about the sky much more when we are on Safari. The sky is a great indicator of the ever changing time of day and weather conditions …... fine and clear, cloudy, sunset, sunrise and storms. The artwork features a simple ‘mesa’ shape against the sky. A mesa is a flat topped hill. Which are part of the Australian Inland. The mesa I have featured is in recognition of Mt Connor in the Northern Territory.Wangaratta Art Gallery CollectionA embroidered textile depiction of an outback landscape scene during a fire featuring a colour palette of pinks, purples, and browns.june brown, textile, landscape -
National Wool Museum
Model, Model of Open-Shed Loom
This paper model of an open-shed loom was produced by the Gresham Publishing Company and was part of the eight volume set of books titled: "The Textile Industries" by William S. Murphy and first published by Gresham in 1911. (The NWM holds two sets of these books; one donated in 2001 and the other donated in 1989 by Godfrey Hirst. This model was not part of the set donated in 2001, but may possibly have come into the collection with the 1989 donation. It may also have come seperately via another, unknown donor.)This paper model of an open-shed loom was produced by the Gresham Publishing Company and was part of the eight volume set of books titled: "The Textile Industries" by William S. Murphy and first published by Gresham in 1911.THE TEXTILE INDUSTRIES / MODEL OF / OPEN-SHED LOOM / SHOWING ALL DETAILS OF STRUCTURE AND WORKING / THE GRESHAM PUBLISHING COMPANY / SOUTHAMPTON STREET, STRAND, LONDONweaving looms -
Stawell Historical Society Inc
Archive - Laboratory Books, Textiles for Modern Living, Fifth Edition. E.P.G. Gohl and L.D. Vilensky
From Dye Laborataory AUNDE / Norwellan North Western Woolen Mills became Norwellan Textiles then AUNDEImage of Quilting on coverNorwellan Textiles Pty Ltdmanufacturing -
Wangaratta Art Gallery
Textile, June Brown, Sunrise (Sky Series), 2013
‘Sky Series’ Changes are constantly taking place in the sky . I love the variety, colour and movement of the sky which are all a direct result of the clouds, sun and time of day. I certainly think about the sky much more when we are on Safari. The sky is a great indicator of the ever changing time of day and weather conditions …... fine and clear, cloudy, sunset, sunrise and storms. The artwork features a simple ‘mesa’ shape against the sky. A mesa is a flat topped hill. Which are part of the Australian Inland. The mesa I have featured is in recognition of Mt Connor in the Northern Territory.Wangaratta Art Gallery CollectionA embroidered textile depiction of an outback landscape scene at sunrise featuring a colout palette of soft pastel blues and pinks, and vibrant reds and oranges.june brown, landscape, textile -
National Wool Museum
Jumper
Grey jumper, which formed part of the uniform for the 1987 Melbourne College of Textiles "Sheep to Suit" team and which was worn by John Hawthorne who took part in the event.Worn by participant in the 'Sheep to suit' event. Worn by participant in the 'Sheep to suit' event.Textiles/TAFE [Japanese characters]textile production fashion shearing weaving sewing, melbourne college of textiles, carding, spinning, highlights of the national wool museum: from sheep to suit - exhibition (22/09/2001 - 02/12/2001), textile production, fashion, shearing, weaving, sewing -
Wangaratta Art Gallery
Textile, Paul Yore, Map, 2012
I see my work with textiles as always a negotiation of both the poetic and the political. A medium often relegated to the realm of ‘craft’, I see working with wool as a subtly subversive methodology, and an opportunity to engage in socio-political critique. As a laborious yet cathartic craft, the delicately feminine familiarity and domestic warmth of my hand-sewn tapestries allows me to open up and question traditional notions of masculinity through the enactment of a highly personalized queer ritual. Furthermore, wool carries with it frontier pastoral associations of early colonial expansion, and it is in this context that the work Map, which is based on the ethnographic mapping of indigenous language groups, was envisioned.contemporaryWangaratta Art Gallery Collection. Work acquired as winner of 2013 Wangaratta Contemporary Textile Award. Digital reproduction courtesy of the artist, Neo Parc Melbourne and Hugo Michell Gallery Adelaide.A rectangular wool needlepoint textile work that features a multi-coloured map of Australia on a black and white checkered background. textile, wcta, wangaratta art gallery, paul yore, wool needlepoint -
National Wool Museum
Photograph, Foster Valley Mill
Depicts part of the textile mach inery used at Foster Valley Mill. This particular machine has something to do with steam - possibly an autoclave?Textile machinery from Valley Mill.textile machinery, valley worsted mill -
Wangaratta Art Gallery
Textile, Hilary Buckland, Warp 1, 2016
I am interested in the history and practice of weaving and textile production and the growing of cotton in different areas of the world, especially as it relates to my Lancashire, UK heritage. The cotton painting drop cloth has been dyed with Australian native plants and the warp threads exposed by removing the weft showing the simple robust structure of this fabric characteristic of the interlacing of warp and weft in plain weave. This work can be hung or can stand on a plinth or table.Wangaratta Art Gallery Collection. Donated by June Brown.A textile work that features a piece of cotton drop cloth that has has sections of the warp threads removed and other sections plant dyed brown to create a radial effect.hilary buckland, textile, plant dyed -
National Wool Museum
Booklet, The Melbourne College of Textiles Handbook 1982
Student handbook for the Melbourne College of Textiles, Pascoe Vale, 1982.Student handbook for the Melbourne College of Textiles, Pascoe Vale, 1982.textile industry - education, melbourne college of textiles -
Warrnambool and District Historical Society Inc.
Artefact, Textile: Beaded mourning collar, Circa late 19th century
Black has for centuries been associated with mourning but it rose to new heights during the Victorian times with Queen Victoria wearing black from the time of her husband’s death in 1861 until her death in 1901. There were different stages of mourning from the severe plain black clothing of the first period to items of decoration or adornment such as this collar with other items such as brooches, hair and dress adornments which were used at the later stages of mourning. This second stage often went for extended periods especially for widows who often remained in mourning until or if they remarried. Other colours such as dark greys and purples were also acceptable as mourning clothes. Such was the practice in England that jet from Whitby was used extensively by the more well to do. Later on black glass was used which was cheaper.An item which relates to customs which were prevalent in the late 19th and early 20th centuryBlack beaded collar with seven lengths of beads coming from a section which joins at the back with a hook and eye. The seed beads are stitched to a dark cotton backing. The neckline is square. It also has a number of larger flatter beads across the yoke and down the centre of each of the seven lengths of beads.warrnambool, mourning collar, black beaded mourning collar, beaded mourning collar, -
Robin Boyd Foundation
Booklet, Ure Smith (Sydney, Australia), A New Approach to Textile Designing, 1947
"Patricia Boyd" handwritten in green pen inside front coverrussell drysdale, william dobell, textile design, walsh st library -
National Wool Museum
Book, The Australian Textile Workers Union. Geelong Division Contributrion Book, 1970
This book was used to pay membership fees to the union. You could pay monthly or yearly. Was donated by a person who worked at Federal Woollen Mills and after Classweave Federal Industries.Cream booklet with black lettering.union, federal woollen mills, classweave federal industries., fees, textile workers union -
National Wool Museum
Book, Review of Textile Progress Vol. 1
One of several books donated to the Museum from the Launceston Institute of TAFE Library, after dispersal of its collection of technical books.One of several books donated to the Museum from the Launceston Institute of TAFE Library, after dispersal of its collection of technical books.For Kelsall & Kemp (Tasmania) Limitedtextile production textile research textile testing, textile institute society of dyers and colourists, hallam, ms janet - launceston institute of tafe, textile production, textile research, textile testing -
Ballarat Heritage Services
Photograph - Colour, Textile Factory at Prato, Italy, 2017
textiles, textile factory, loom, tapestry, prato, tagliabue -
Department of Health and Human Services
Photograph, A hand operated textile loom surrounded by products, such as scarves, made on the loom by patients, at Gresswell Sanitorium, as a contribution to the war effort - Mont Park - June 1946