Tiny snapshot looking down onto Princes Pier and toward the foreshore 1920s, one of several that once belonged to Charles PONT'Princes Pier'piers and wharves - princes pier

Photographed by Alison Kelly while she was joint caretaker of the building during the Mission Arts Centre days 1987 to 1991From album of photos mostly by Alison Kelly, Port Melbourne Mission to Seamen: view of grounds of mission toward Centenary Bridgemissions to seamen, built environment, architecture, alison kelly, harry a norris

Lasercopy of photograph of horse and cart in Normanby Road, c late 1930s, looking southwest toward Port Melbourne from opposite the dry dock and showing railway sheds on the left and in the distance, Laconia Woollen Mills with Dunlop opposite.transport - horse, dunlop, laconia woollen mills

Photos taken prior to moving offices from 1920s building to renovated factory around the cornerColour photo Unichema offices 164 Ingles Street (formerly J Kitchen & Sons) taken May 1996: View of interior: office partitioning from balcony, looking south toward entrancebuilt environment - commercial, business and traders - soaps/candles, david thompson

Photographed by Alison Kelly while she was joint caretaker of the building during the Mission Arts Centre days 1987 to 1991 Port Melbourne Missions to Seamen building, Huntingfield Hall, looking toward stage; used as workroom at this period of the Mission Arts Centre 1988. From album of photos mostly by Alison Kelly:missions to seamen, built environment, huntingfield hall

In 1963 work was being undertaken to create the central Plantation Strip that divides Bay Street. This section is from The Prince Alfred Hotel to where Bay turns into Crockford Street. Photograph possibly taken from the Town Hall tower.Photograph looking toward the Fountain Inn with a plantation strip under construction in Bay & Crockford Streets. On reverse 'Bay Street Starting the plantation Strip 1963'built environment - commercial, fountain inn, bay street, crockford street, prince alfred hotel

Clothing. Twelve shaped panels form the body of the jacket, which is dramatically ''shaped in'' at the waistline, and flared out toward the hipline. Four black fabric covered buttons form the closure, with hand-stitched button holes, all ''hidden away'' under an overlay of the beaded velvet, of which the jacket is made. The long sleeves, narrow at the elbow, flair out to an embroidered and beaded cuff, 35 cm in circumference. Sleeves are gathered at the shoulderline, giving fullness, and featuring an elaborate ribbon, cord, and beaded embroidery. The embroidery is repeated around the revere collar, and on the right-hand side of the bodice, and the full length of the back of the garment, and around the hemline, and also trims the opening edge of the left-front bodice. Lined with black silk. It feels as if there is extra to support beaded areas.GEORGE STIRLING & SONS, THE RICHMONDcostume, female, black velvet long sleeved jacket

Black and white photograph showing greyhounds racing toward the camera. 9/12/91. Race 3. Bendigo Cup night.clubs and associations, sport, greyhound racing

Black and white photograph of greyhounds racing toward the camera. 9/12/91. Race 2. Bendigo Cup night.clubs and associations, sport, greyhound racing

Clothing. Silk-satin brocade cape with 7 cm high stand-up collar. Rounded at the hipline, and curved upward toward the centre fronts, where two 6 cm wide cream ribbon bows are attached. The hemline then falls to a steep 16 cm deep peak at the centre fronts. Four metal hooks and stitch covered metal eyelets form the closure from the high collar to the bustline. Two silk fabric loops on the inside of the opening-19 cms long, and 6.5 cm wide allow the arms to be free, and the cape to remain firmly fitted. The cape is padded and stitched internally in a diamond-shaped pattern. The back of the cape is curved and fitted at the waistline and the centre back. A large satin bow is attached 12 cm above the hemline, and sits over two box pleats 12 cm long, from waistline to the hemline.costume, female, silk cream brocade short cape

Four cards "A step in the right direction" Use your cents Save in your school bank account, with the compliments of The State saving Bank of Victoria - Your Bank. There is a picture of the school bank pass-book and a child rolling a 20 cents piece toward the passbook, four 20 cents pieces are under the schoolboy right foot. The cards are printed in blue, black, grey and white. The cards are all the same.organisation, bank, state savings bank of victoria

Three cards "A step in the right direction" Use your cents Save in your school bank account, with the compliments of The State saving Bank of Victoria - Your Bank. There is a picture of the school bank pass-book and a child rolling a 20 cents piece toward the passbook, four 20 cents pieces are under the schoolboy right foot. The cards are printed in blue, red and white. The cards are all the same.organisation, bank, state savings bank of victoria

Copy of a black and white photo taken from the Rose of Australia Hotel, circa 1950. The road is curved and there is a tram on the street with a motor car beside it. A power pole has a sign pointing to the Methodist Church. Buildings line the street and further up the road is the poppet legs of a mine. Label pasted on the photo - Looking toward Bendigo from Rose of Australia Hotel. Circa 1950.bendigo, history, long gully history group, the long gully history group - looking toward bendigo from rose of australia hotel, circa 1950

Early photograph of the Railway Station in Bendigo, there are advertising signs on the backs of the buildings on the right hand side. Three trains are visible, two facing south and one in steam and moving northwards. The engine is partially obscured by steam, there are several open goods wagons and a louvered van toward the rear. Under the photo is Plate 24 ( 3 copies)organization, public utility, railway, railway station bendigo