Showing 1733 items
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Tatura Irrigation & Wartime Camps Museum
Photograph - copy, 1988 copy
Photograph taken at Exhibition of Camp memorabilia. Displayed at Templer Home for Aged, Bayswater, Victoria, in 1981.Colour photograph of paintings of wool bale transport, typical Australian rural scene.painting, wool, transport, pow, internment camps -
Tatura Irrigation & Wartime Camps Museum
Book, The Perpetual (income tax) Recorder. No. 5. Agricultural and Pastoral. M Lowry, 1917
Entries of sale of cattle, horses, wool, grain and sheep. Includes receipt to M. Lowry from Vic Producers Co op and final dist. Liquidators payment of wool shares and personal letter to M. Lowry from R. Charles. 1919Cream and red leather linen like hard cover with brass studs on spine. Title on red label, gold letters on front.m. lowry, vic producers coop, r. charles -
Tatura Irrigation & Wartime Camps Museum
Neck Tie, 1940's
material for the tie was woven from Australian wool on a loom at Camp 1. The material was cut and made into a neck tie and used by Gerda Kazenwadel at Camp 3.woollen tartan, red, royal blue, green and black neck tie.gerda kazenwadel, woollen neck tie, camp 1 weaving -
Tatura Irrigation & Wartime Camps Museum
Document, Commonwealth of Australia, Certificate of Naturalization, 1990
Naturalization certificate for former interneeHans Conrad Victor Beck, a director of G. Hardt & Co. Pty Ltd, wool buyers and personal lettersGerman internee Beck, Hans Victor Conrad, Camp 1, Taturanaturalization certificate, hans conrad victor beck, wool buyers, g. hardt & co. pty ltd -
Tatura Irrigation & Wartime Camps Museum
Photograph, 1942
Photo of a painting done by an internee, name indecipherable.Colour photograph of a magnificent painting of an Australian scene of 2 bullock wagons laden with bales of wool. 2 gum trees are prominent on the rolling rises.camp 3, templer society, camp artists -
Tatura Irrigation & Wartime Camps Museum
Souvenir - Coins, Australian Pennies, 1938 and 1940
These coins belonged to Wilhelm Eckels who was a wool buyer in Sydney when war broke out. He was interned in Camp 1, aged 22 years.2 Australian pennies, 1938 and 1940. Kings head on one side has been erased and "Tatura Meister 1942" (Tatura Master 1942) has been stamped or etched on it. Australian Penny on other side.as abovewilhelm eckels, woolbuyers, australian penny 1940, australian penny 1938, tatura meister -
Tatura Irrigation & Wartime Camps Museum
Functional object - Blanket, 1946
Made by internees at Camp 3, Tatura to be taken to Germany, but the maker stayed in AustraliaHand crocheted blanket in grey wool. One edge bound with a strip of grey cotton materialwool, camp 3, tatura, ww2 camp 3, manchester, bedding, m wagner -
Tatura Irrigation & Wartime Camps Museum
Functional object - Blanket, 1946
Made by internee at Camp 3. Made to be taken to Germany but the maker stayed in AustraliaHand crocheted grey woollen blanket. One edge bound with grey cotton materialwool, camp 3, tatura, ww2 camp 3, manchester, bedding, margaret wagner -
Tatura Irrigation & Wartime Camps Museum
Document - Folder, Recollections of Eberhard Schuster, Post WW2
Written post war by a German National who was working as a wool-buyer in Sydney when WW2 was declared. Describes initial internment in temporary camps then mainly in Camp 1, Tatura, where he relates the conditions therein, and the activities which the prisoners undertook in order to relieve the monotony of imprisonment.older donated by E. Schuster.Written by a former German held as an enemy alien in Camp 1, Tatura, The work is of historic, social and educational significance. it provides a complete description, of how German males working in Australia at the outbreak of war were captured and held in internment. It describes the conditions and many of the features existing in Camp 1. Grey side bound plastic cover containing printed matter in plastic sleeves. CD included.Eberhard Schustereberhard schuster, german woolbuyers -
Warrnambool Art Gallery
African thumb piano, mid to late 1800s
This item was donated to the museum by Joseph Dallimore. Dallimore was brought up at Lake Gillear, and as a young man he left Australia to travel overseas both to help his parent's business in the wool trade and for pleasure. He wrote many letters to his parents keeping them updated with the prices he received from selling wool and on his travels. Later in life Dallimore enlisted in the Australian Army and went on to have a distinguished career during the Boer War. He would have collected this piano whilst on service in South Africa.South African thumb piano from the Zulu culture. It is a wooden panel board with 15 iron finger keys in it. They are stuck onto the wood at one end with some sort of glue and also held in place by an iron rod passing over the top of them. At the bottom of the board is a metal panel and attached to that is a small circular cymbal. There is a string tying the metal panel to the wooden board.There are no original markings on this although the original museum label is still stuck to the bottom which says, ' Native piano ( Mashona)' on it in script.south africa, joseph dallimore. war, boer war, zulu, finger piano, music -
National Wool Museum
Photograph - General Managers Conference, c.1946
Members at the General Managers Conference, London, around 1946.Black and white photo of 7 men seated around a table in suits. Photo is framed in wooden frame painted silver. Back of the frame has the names of the men written in pen.Back: [handwritten] LEFT TO RIGHT / Mr Wollan Manager Dalgetys East Africa / K. R. ELDER GM Australia / LT. COL. HON. I. LESLIE MELVILLE DIRECTOR / DESMOND ABEL-SMITH CHAIRMAN DALGETYS / G.S. HUNTER GENERAL MANAGER / LONDON / M. STOOKS Secretary / D. COOPER G. MANAGER NZ / General Managers / Conference London / About 1946managers, coference, london, dalgety and company limited -
National Wool Museum
Animal specimen - Taxidermy Merino Sheep
A 45kg Spanish Merino from Mt Bute at Linton, Victoria. It is a descendant of the original Spanish Merino brought to Australia by John MacArthur in 1797. John and Elizabeth MacArthur undertook breeding experiments at Camden Park, Parramatta, crossing the Spanish Merino with Bengal and Irish sheep already in the Colony. The resultant merino became the foundation of Australias sheep industry. Although of little commercial value, the Mt Bute station has ensured the survival of the Camden bloodline.Taxidermy figure of a Spanish merino ram on display in Gallery 1. Ram has curved horns and is mounted with crooked front legs.sheep, taxidermy, spanish merino, irish sheep, camden, mt bute station -
National Wool Museum
Tarndwarncoort Sheep Coats, 1975-2013
Used at Tarndwarncoort by Wendy Dennis and family. Small blue Lambs coat made in Australia, Yellow and white coats made in Australia by ?Goblin? Company in Australia about 35 years ago with rheem material polypropylene. Both Green coats are large sizes (Korean Made) Current Coats used now by Tarndwarncoort are made in China from Nylon material. These coats were decorated by year 12 students at Colac High School for Fashions on the field (no sign of this is visible on the coats. The coats come along with several articles written by Wendy Dennis about her methods of producing coloured wool and growing sheep. A series of photographs are also provided which add to the provenance and significance of the items. Used by the Dennis Family at Tarndwarncoort. Prominent woll growing pastoralist and settler family at the historic Tarndwarncoort homestead. These types of coats are used to protect fine grade and high quality wool while still on the sheep's back. These coats were made in Australia, and while these types of coats are still used, they are now made in China and Korea. 5 small sized lamb coats. shaped to fit a sheep with leg straps or holes in the rear, and joins, shashes and ties at the front. Light Green Dark Green White Yellow Grey letter from Wndy dennis of Tarndwarncoort Article titled 'Breeding Coloured Sheep and using Coloured wool' by Mrs. W. S. Dennis. Article Titled 'Coloured Sheep and Wool: Exploring Their Beauty and Function' by Mrs. W. S. Dennis. Article Describing the Tarndwarncoort property and its history. A4 Black and white photograph of Tarndwarncoort sheep wearing coats such as the ones in this collection -
National Wool Museum
Cloth sample, 1816-1821
Cloth sample from an opera cloak made in England c. 1820 from wool clipped from Macarthur's merino sheep in 1816. The cloak was passed down through the family to Harold Lethbridge with whom the main part of the cloak resides, in Narrandera. The fragment was passed to Lethbridge's niece who gave it to the donor's mother who passed it onto him and then it was donated to the National Wool Museum. The cloth fragment was tested by Gordon Institute of Technology in 1974 showing the wool to be very fine (15-16 microns) which is consistent with the pure lineage of Macarthur's sheep. The cloth fragment was framed in 1952 and remains in the original frame to this day. Cloth sample form an opera cloak made in England c. 1820. Wool for the cloak was clipped from John Macarthur’s merino sheep in 1816. Macarthur is recognised as the pioneer of the wool industry that was to boom in Australia in the early 19th century and become a trademark of the nation. Macarthur was responsible for the first bale of Australian wool to be exported. The British woollen mills were desperate for wool at the time because of the Napoleonic blockade, and the Australian bale sold for a record price. Australia needed a product to sell in European markets which did not perish during long sea-voyages and which offered high value per unit of weight. Wool also had a ready market in England because the Napoleonic Wars had increased demand and cut English cloth-makers off from their traditional source of quality wool, Spain. Australia's first $2 banknote featured John Macarthur thanks largely to his establishment of wool as the backbone of the early Australian economy. Red fabric sample folded in half and mounted in the centre of a brown metal frame.'ARCO' MADE IN ENGLANDmacarthur, wool industry, australian economy -
National Wool Museum
WWI and WWII Knitting books, Australian red Cross, Australian Red Cross Society Knitting Book and Australian Comforts Fund Guide to Knitting, Early 20th Century
Knitting Books provided by The Red Cross for women to contribute to the war effort by knitting garments for soldiers to stay warm. Second booklet also contains a list of donations accepted such as tinned food.Green Folder containing three knitting books. Knitting pattern for wounded soldiers or soldiers currently serving eg air pilots neck muff, airmens wollen gloves and bed socks. Newspaper clipping about knitting.On outside green folder " L.A Anderson, Sutherland's Creek." First Booklet. " Australian Red Cross Society Knitting Book" Second Booklet. " Australian Comforts Fund Victorian Division Guide to Knitting" Index of knitting patterns. Third Booklet. "Red Cross Society Australian Branch"wwi, wwii, australian red cross, red cross society, australian comforts fund, knitting, knitting patterns, victoria -
National Wool Museum
Medallion, Elkington and CL Medallists, 1797
Wool classer Alfred Henry Turton joined the Australian Field Artillery 11th Bde as an Armourer Quartermaster Sergeant.Round silver medallion with crown motif on top. Snake tail at bottom. Inscribed on both sides. Shield side: Alfred H Turton 1797 En Reconaissance. Ship side: Rust rcestturton, 1797, elkington, alfred henry turton -
National Wool Museum
The Australian Estates Company Ltd. Coat of Arm Certificate
May have been given to The Australian Estates Company in the 1970's when sold to CSR or Elders.Bronze framed certificate coat of arms with smaller frame below explaining coat of arms.The shield shows the Southern Cross (being the Arms of Victoria) but on a white background to indicate wool and to avoid being identical with the Victoria Arms (which have a blue background). The inner shield shows the conventional way of indicating estates with green and gold squares. The sword is the sword of St Paul, indicating the London activities of the company. The Shorthorn Bull and Merino Ram explain themselves, as does the sugar cane. The helmet and decoration above are conventional, green and gold being chosen to indicate land and the wealth derived therefrom. -
National Wool Museum
Book, Limits Fixed for Appraisement of Australian Wool, 1945
Small maroon hardback bookF. Kanematsu and Co Ltd Commonwealth of Australia. Central wool Committee. Limits Fixed for Appraisement of Australian Wool. 1945-46 Season. -
National Wool Museum
Book, Type List Australia and New Zealand
Small navy blue hardback bookType List Australia and New Zealand Mitsui and co (aust) pty Ltd -
National Wool Museum
Toy Sheep
Small stuffed toy sheep. Small calico bagTag. 'Australian Sheepskin' Bag. 'Woolmark Nature's gift Australian Wool' -
National Wool Museum
Ram Badge x4
Small silver badge with ram, Australian flag, Olympic rings and Woolmark symbololympic rings, woolmark, ram -
National Wool Museum
Woolmark badge x8
Black and bronze rectangle badge with Australian flag, Olympic rings and woolmark symbolwoolmark, olympic rings -
National Wool Museum
Australian Wool Corporation keychain
Square tag. White background, red logo, black letteringAustralian Wool Corporation -
National Wool Museum
Woollen Coat of Arms
Made in 2016 for the Australian Sheep and Wool Show. It was entered into the needle felting section and won. Emu and Kangaroo made from Ultra fine Merino from a sheep called Ninja with a micron count between 14-15 from Casalana fine wool.Woolen Coat of Arms on round metal frame. Kangaroo and Emu made of Ultra fine Merino and real Emu feathers. Coat of Arms felted together by hand. Winning sash, judges scorecard, wool sample and Certificate Included. -
National Wool Museum
Book, The Australian Textile Workers Union. Geelong Division Contributrion Book, 1970
This book was used to pay membership fees to the union. You could pay monthly or yearly. Was donated by a person who worked at Federal Woollen Mills and after Classweave Federal Industries.Cream booklet with black lettering.union, federal woollen mills, classweave federal industries., fees, textile workers union -
National Wool Museum
Booklet, This is Lucy the Green blowfly Who Strikes Your Sheep, 1970
Part of a collection of items donated by Mrs Robyn Adams. Mrs Adams' is the daughter of Victor Clyde, a wool grower who owned and used the items in the donated collection.Paper booklet, 28 pages. Front cover is blue and white with black and red text and a colour sketch of a blue and green fly. Title reads - This is / "Lucy" / THE GREEN BLOWFLY / WHO STRIKES YOUR / SHEEP-. Internal pages have short text with images describing the effects of fly strike on sheep and ways to prevent it. Back cover is blank with small text in the centre reading -Printers: / COLOURSTONE PTY. LTD. / SYDNEY.-fly strike, mrs robyn adams, australian wool board -
National Wool Museum
Quilt, Carolyn Sullivan, Out There, 2012
Entered for, and winner of, 2012 Expression: The Wool Quilt Prize. Artists statement: "Out there" refers to the wide view of the undulating land extending from our home acreage towards the escarpment and the coast. There are also the millions of small organisms that live out there. As well, out there is the vast Australian landscape which I find thrilling"Wool quilt in landscape orientation with three distinct design patterns, primarily orange/brown/red in colour. Top panel is a light brown background with paler circles inset. Middle panel is an ochre colour with horizontal uneven lines. Bottom panel is an orange colour with pale bordered square shapes. Artists panel on back bottom right corner. -
National Wool Museum
Griswold stocking knitting machine, c1890 - 1900
The machine was most recently used by donor's father c2008 to knit socks, but had been used for many years earlier. According to family history, it is believed that the machine came to Australia with donor's grandparents in the early 20th century, and was created c1890-1900. It is still in working order and a demonstration was given by the donor during the acquisition process.Griswold stocking knitter machine. Black steel manual machine which clamps on to the edge of a table and is operated by turning a handle. Centre of machine is a cylinder which can be lined with pins to create the sock/stocking. Two detached parts of the machine include a bobbin holder and yarn feeder. Accompanying items include: 3 examples of incomplete attempted socks made by donor. 4 envelops containing instructions, pattersn, notes and advice on using the machine, created by donor's father and grandfather. 1 bobbin with grey yarn. 2 metal machinery pieces. 2 tins containing pins for the machine. 1 metal yarn feeder cone. 10 weights plus two weight stands. Stocking knitter machine has an identifier plate with patent numbers on the side. -
National Wool Museum
Stencil
Wool bale stencil owned and used by donor. Donor was a wool classer in New South Wales working from the 1960s to c2000. This stencil was used by the donor as they traveled from station to station and was used to stencil their registration number on the bales of wool that they had classed. The stencil was created by the Australian Wool Corporation who mailed the stencil to the donor. We also have the original envelope.Metal rectangular wool bale stencil. Stencil has cutouts of a sheep head symbol on left side and the number '83' and 'PI' on either side of an Australia shape on the top right. There are three horizontal rectangles below this, and below them is the number 54719. Faintly engraved at the top is the text AWC PROPERTY / NOT TRANSFERABLE. Rear of stencil is a shiny light metallic colour. Front side is scratched and stained, particularly around the text areas. This would be due to use. Associated envelope is worn and becoming frail. It is a cream colour with heavy staining and opened on the right side. Top left has a printed return address, top right has a stamp area. Affixed postal address is for the donor and that is above a blue stamped text reading IMPORTANT / DO NOT BEND. Back of envelope has a stamped print of the stencil and another bright red stamp. Possibly put there by the donor. -
National Wool Museum
Machine - Spinning Machine Prototype, CSIRO et al, 1960s
Self-twist spinning machine prototype developed by CSIRO in the 1960's. Made by CSIRO Division of Wool Technology in conjunction with an Australian engineering company REPCO and the International Wool Secretariat. Prototype developed in 1960's and since 1970 over 3500 have been produced and sold.Self-twisting spinning machine (protoype).Label with machine: Prototype SELF-TWIST SPINNER / This prototype spinning machine was built / at Division of Wool Technology in the mid 1960's as / part of the program which developed the Self-Twist spinning / process. / Self-Twist was commercially released in / 1970 by The Division in conjunction with the Australian / engineering company Repco, and The International Wool / Secretariat. / Since 1970 more than 3500 Self-Twist / machines have been sold. / The process offers advantages in the / speed of spinning, machine size, maintenance and energy / consumption.engineering, manufacturing, wool processing, spinning, csiro, prototype, invention, wool technology, self-twist, repco, international wool secretariat