Displayed at History HouseHand-made fabric doll. Cotton body (stocking material?), cotton print fabric (red and white flowers and squares on black background) for dress. Embroidered belt (green and gold), bonnet and cuffs. Felt boots with blue and green stitching. Beading at base of skirt in red, white, green, yellow and clear beads (plastic). Stuff with dried plant material. Red ribbon tied around waist. Curly brown hair (human?). Embroidered face.toy, doll, childhood

This is a photo of one of the trestle bridges on the Heatherlie Quarry train line. It is located near the current site of "the Pines" campground.Photo is of a derelict trestle bridge over a shallow creek, taken on an angle. There are many sleepers missing and the bridge is surrounded by thick bush and trees. There is bracken in the foreground. A woman wearing a blouse made of material with a white background with a colourful pattern, blue jeans, a white "golf shade" and a red jumper ot jacket tied around her waist is walking on the near side of the bridge. Two men and two women are standing at the opposite end.structures, bridges, quarrying, heatherlie

Long flowery gown -pink flowers with black background. Long bright pink 'sash'. Long sleeves. Kimono style. Long princess line, pink, black and white floral dress with V neckline. A fine cotton material with a bright pink chiffon sash.Tag: "Snazzi" "Follow the Dot with Dash" "Sydney"ball gown, reid family

Patch work quilts were made by women to decorate a cot or bed and to use left over material. They were backed to increase the warmth of the bedding. It was a leisurely occupation sometimes done in the home or with a group. These two quilts are of a decorative nature using scrap material and do not have a theme or particular pattern to them. These two quilts were made by women in the Kiewa Valley and were hand stitched.1. Hand-made cotton patchwork of varying colours and shapes of squares and rectangles. Back by a flannel sheet of flowers on beige or blue background. Suitable for a cot. No filling and slightly damaged with a small tear. 2. Handmade cotton patchwork of a square whose sides have been extended with rectangular strips of material. The back is a coarse wool with a greenish tinge and thin colored strips along its length on the sides. Suitable for a cot. No filling.patchwork quilts, home sewing

These drawings have been produced in 1919 by Ron Uebergang when he was a pupil at the Warrnambool Technical School. The Uebergang families were pioneers in the Warrnambool/Allansford area. Ronald Uebergang (1903-1971) was born in Warrnambool to Ernest Uebergang and Mary Watson. He went to Allansford State School and Warrnambool Technical School and married Myra Hall. He was mechanically-minded, a good photographer and fond of music and dancing. He and Myra had a dairy farm at the family property, Hopkins Hill near Allansford and later took up grazing beef cattle. Warrnambool Technical School was established in 1913, and was located first on a Timor Street site and later moved to Caramut Road. Today it is called Brauer College. These drawings are of considerable interest because they were produced by Ron Uebergang and the Uebergang families have been prominent in the history of the Warrnambool and Allansford areas since the 1850s. They are also of interest as examples of the type of work produced by students of Warrnambool Technical School in its early days. .1 A Blueprint for a Feed Pump for a Horizontal Engine - blue background, white drawings. The drawing is two-thirds of the full size object. .2 The same drawing on white see-through paper. The paper has a thick line drawn around the edges in black ink. .3 The same drawing on plain white card with drawings in black ink and a thick line drawn around the edges in black ink. .4 The original brown paper covering used to send the drawings to Warrnambool Technical School in 1921. There are also two pages of handwritten material attached to the drawings by a metal clip and giving a description of the design of the Feed Pump. ‘Warrnambool Technical School’ ‘Designed by R. Uebergang’ ‘Drawn by R. Uebergang’ ‘Date 7/10/19’ ronald uebergang, warrnambool technical school, history of allansford, history of warrnambool

This is a brochure advertising the Twilight Festival at Deakin University, Warrnambool Campus, in November 2015. The festival was held to celebrate the 25th anniversary of the founding of the Warrnambool Campus of Deakin University in 1990. The Warrnambool Institute of Advanced Education had previously occupied the site at Sherwood Park and in 1990 the Institute merged with Deakin University to form the Warrnambool Campus of that university. This brochure is of interest as a memento of the 25th anniversary celebrations of Deakin University Warrnambool. This is a single sheet of paper advertising the Deakin University Twilight Festival in November 2015. One side has a black background with a coloured image of people watching a fireworks display and white printed material on a black and green background. The other side has a white background with green and black printed material and a map of Deakin University Warrnambool campus. deakin university warrnambool, education in warrnambool, warrnambool history

The Warrnambool and District Historical Society was housed since the early 1970s in the old caretaker’s cottage in Gilles Street (called today History House). While History House was being renovated the Historical Society, in association with the Warrnambool Family History Group, was housed in the Mechanics Institute building at Flagstaff Hill Maritime Museum. In 2013 new buildings were placed at the rear of Mozart Hall next to History House and called Heritage Works. The two groups moved from Flagstaff Hill late in 2013 and the new facility was officially opened in March 2014 by the Premier of Victoria, Dr Denis Napthine. The Mozart Choral Group was also involved in the opening as this group shares some of our facilities.This invitation is of some historical importance as a record of the opening of HeritageWorks - a significant milestone in the history of both the Warrnambool and District Historical Society and the Warrnambool Family History GroupThis is an A4 sheet of thickened card. It has a cream-coloured background with the logo of Heritage Works in red and green print and the other printed material is in black print. There is an image in grey tonings of the old Sea Water Baths in Gilles Street at the bottom of the sheetwarrnambool and district historical society, heritage works

This is a paper back book with a plasticized cove which has an image of Flagstaff Hill Maritime Village (reproduction of Daniel Clarke’s Studio) in the background in muted colours, photographs and paintings of Thomas and Susan Lawson in colour on the front cover and a photograph of and information on the author on the back. It has 37 pages, a Lawson family tree at the back and an introduction by Helen Jones. The book included printed material, black and white photographs and illustrative material.non-fictionFamily history of Thomas Lawson (1831-1907) and his descendants lawson family, warrnambool, cobden, camperdown

This is a paper back book of 24 pages. It has a white back cover and a grey/white front cover with a coloured photograph of the second Purnim Hall. The printed material is black on a white background. non-fictionBrief history of Purnim Mechanics Institute Hallpurnim, mechanics’ institutes, warrnambool

The Framlingham Aboriginal Trust is a shareholder- owned organization established under Victorian law in 1971. The Trust owns and manages part of what was the old Aboriginal Reserve established in 1861 under the auspices of the Church of England. In 1865 the Reserve was officially established as a Government-managed aboriginal station. By 1970 the original area of 3,500 acres was whittled down to 585 acres and handed over to the Framlingham Aboriginal Trust. Framlingham is today one of only two discrete aboriginal communities in Victoria where aborigines live on aboriginal land and is an important part of the district cultural life. The celebration of the 150th anniversary of Framlingham’s establishment in 2014 was therefore a significant event in the district’s history and the booklet is a permanent reminder of this.This is a small booklet of 8 pages containing information on the 150th celebrations of Framlingham Aboriginal Reserve in 2014. The cover has a cream background with illustrations and printed material in yellow, black and brown. The pages are stapled. The booklet includes photographs, maps, illustrations and printed material. Front cover: ‘Framlingham Aboriginal Reserve 150th Anniversary Celebration, April 12, 2014, Ngatanwarr’ etc Back cover: Acknowledgements of sponsors and written material framlingham aboriginal trust, western district aborigines, peek whurrong, kirrae whurrong, gunditjmara, tjap whurrong

Pincushions or pin pillows date back to the Middle Ages in Europe. The tomato shaped pincushion grew from a Victorian Era superstition that tomatoes were good luck and so they were often given to newly weds as charms and placed on the mantle. When there were no actual tomatoes a fabric token was made and later used for pins. Some pincushions were stuffed with abrasive materials designed to sharpen the pins. This one would have a needlework accessory for an Orbost local.This item is a common sewing accessory reflecting the needlework skills of women in the first half of the 20th century.A soft padded fabric pin cushion. Material is a black background decorated with colourful flowers. It is divided into eight sections by red stitched lines and holds 3 needles and a bent pin.

Crochet came from the Old French word crochet, meaning ‘small hook.’ This word comes from Croche. Croche comes from the Germanic word croc. Both mean hook and crochetage, which means a single stitch used to join separate pieces of lace together. People used this term in making French lace in the 1600s and the word crochet describes the hook and the craft. Evidence shows the starting point was the mid-1800s but as early as the late 16th and early 17th century, crocheted braiding was used in clothing and other products. Like on a man’s cape at the Victoria and Albert Museum. Crochet evolved in the early 1700s when stitching material on a tambourine reached Europe after going through India, Persia, North America, Turkey, North Africa and other places around the world. People removed the background fabric used for tambouring. The French named the new technique “crochet in the air.” In the early 1800s, shepherd’s knitting came about, along with the shepherd’s hook. It’s thicker than a modern crochet hook but still with a hooked end. By the mid-1800s, it became known as crochet or slip stitch crochet. In the 60s, the granny square and crocheted home ware appeared and became more popular.A significant domestic item used in crochet or craft work and recovered from the wreck of the Schomberg in the 1970s. For more information regard the wrecking of the Schomberg see note sect this document. The Schomberg has historical significance as one of the first luxurious ships built to bring emigrants to Australia. The collection of recovered artefacts from the Schomberg wreck and held at Flagstaff Hill Museum are significant because of their potential to interpret the story of the Schomberg and its passengers.Crochet hook made from Bovine Bone. It has two sections that screw apart. Recovered from the wreck of the Schomberg. Nonewarrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, schomberg, shipwrecked-artefact, clipper ship, black ball line, 1855 shipwreck, aberdeen clipper ship, captain forbes, peterborough shipwreck, ss queen, crochet hook, crocheterage, craft

This handmade picture has been painted on a cast plaster or composition frame. Plaster frames were popular in the e19th century. The material is quite fragile and many pictures from this era suffer from damage such as chips and cracks.This simple handmade painting on cast composite frame is typical of 19th century art work found in middle and upper class Victorian homes of that era. It cannot be attributed to a particular artist due to lack of inscriptons.Painting, oil on composite material, handmade Pink coloured cast composite oval frame with decorative border. Painting depicts two figures in a small green boat on the shore, sandy beach, rocks nearby, small surf waves, mild sea, two sailing vessels in background. No inscription on front of painting. flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, victorian art work, maritime scen, composite material, plaster, cast frame, oval frame, victorian era

Coloured Lectern tapestry, beaded, red background, green and white flowers. Solid green material backing

Black and white photograph: three boys looking at a spinning wheel at the Golden Days Historical Exhibition, 1960. Small statue of lady in foreground, in background display board with 'Department of Mines' in large print, above a display of images and interpretive material.bendigo, history, golden days historical exhibition

Gas and Fuel depot with big gas tank. Centre background shows a large brick building with a row of windows just below roof line. White panel van is parked on righthand has red sign writing. Four white posts. Foreground is a large heap of gravel road base materialbusiness, retail, gas and fuel

Greeting Card: Christmas Greeting Card rectangular in shape with Khaki Velvet background and a light green, fan shaped plastic like material with mouldings of 'With Best Love'' plus a heart with painted flower and a ladies shoe. Right hand top corner is a gold bell. The back has Christmas 1899 hand written and two slits for stand. Under the slit is a note in gold printing and Horse Shoe 'Wishing you a Joyous Christmas and poem. Box 625ephemera, mementoes, christmas, greeting card. christmas.

Greeting Card: Rectangle in shaped with a mauve velvet border. In the centre on a cream silk background is an ornate design with Scotch thistle and clasped male and female hands in a plastic like material. A heart painted in blue of Forget Me Not flowers and green leaves with 'DINNA FORGET' in silver. Has gold metal ribbon on the front. A ribbon is attached at the top for hanging. The back is made of card with slits for support. Box 625ephemera, mementoes, cards, greeting card, forget me not.

Sepia photograph of Christ Church, Swan Hill showing construction materials. Group of eight women, two men, two men on scaffold. Larger building in background. On back: stamped in circle 'Royal Hiostorical Society of Victoria, Bendigo Branch', Indian ink: 'Church, Swan Hill, May 3rd, 1892. IG Alexandra Harris Incumbent'. Black ink' 'MP 268'. Previous Acc. No. 'MP 268'buildings, church, christ church, swan hill

Black and white photograph of Women's Sewing Group manufacturing clothing for Boer War Military (Australian). Packages, sewing machines, chairs in foreground, ladies in middle ground, materials against panelled walls in background. Mounted on fawn board. Inscriptions: GP12 at top corners in Indian ink. In blue/black ink, on top front of board. 'Bendigo Women's Sewing Circle During the Boer War'. On back - stamped in green ink, in circle 'Royal Historical Society of Victoria, Bendigo Branch'. In Indian ink '1137'. In grey lead 'Boer War', 'Bendigo Women Making clothing for Boer Australian contingent'.person, group, women

''Amy Huxtable Memorial Committee Archives''. Folder comprising approximately 80 items - informative and valuable detailed correspondence,short articles, newspaper items and general background to the various memorial projects designed to commemorate the life of Amy Huxtable. This archive covers the period from 1980 to 1993 when the various projects - a Garden Seat, microfilming of the raft of Huxtable newspaper articles, (Ola Cohn Fountain restoration - not proceeded with), purchase of three Ola Cohn sculptures for Bendigo Art Gallery - were under discussion and action. Financial information included with interesting correspondence and material giving details of life and work of Amy Huxtable.person, individual, amy huxtable, bendigo advertiser, ola cohn, bendigo art gallery, cox business college, view street, bendigo home and hospital for the aged, bendigo and northern district base hospital, mirridong home for the blind, cr. r.l. campbell.

Wedding/bridal horse-shoe(s) and associated Kewpie doll and branch of buds/leaves. Doll - Probably celluloid with jointed (shoulder only) arms and attached satin supporting band with a single branch of buds/leaves; Horse-shoe #1 - (cardboard?) shaped horse-shoe covered with narrow ribbon; edges of shoe have imitation pearls (some missing); supportive ribbon attached to either side of shoe; Horse-shoe #2 - slightly padded and covered horseshoe with attached 'sprig' of buds and leaves; attached to one end of horse-shoe is a triangular material 'emblem' with black border, and gold 'bar' on a central white background; Buckle made of mother-of-pearl; small length of narrow ribbon; four separate pieces of 'twigs' with buds and pearls attached. This collection presented in a plastic (modern era) box with cotton wool padding - inscribed with previous catalog number of U2664)costume accessories, female, wedding

Between 1992 and 1998 Snuff Puppets was housed on the third floor directly above the Melbourne Museum of Printing at the old Bradmill Cotton Mills building on Moreland St in Footscray. Museum proprietor Michael Isaacsen was keen to share his resources and gave Snuff Puppets carte blanche to use his Museum. Nearly all the promotional posters and materials from this time were printed in limited edition runs at the Museum using scrounged paper, odds and ends of ink, lead type, wooden type, lino cuts and an old press. A4 linocut print in two colours. Black background. Right side of page has a skeleton walking on hill waving his left hand and holding a red flag with letters "SP". The iconic fish skeleton logo in top right corner. art, flag, print, snuff puppets, lino cut, puppetry, andy freer, melbourne museum of printing, puppets, footscray, theatre, performing arts, promotional book, skeleton

Copy of two page computation of Poppet Legs Monument for Long Gully History Group, dated July 02. The first page is Framing sizes (proposed) and the second page is Base Details. The first page details the type of materials and sizes to use, the names of the various pieces and the lengths. Frame to be Hot Dipped Galvanised. The second page details the size, concrete strength, chamfer on edges of base and insertions into concrete to weld the legs to. Both drawings have a graph paper background.bendigo, history, long gully history group, the long gully history group - poppet legs monument for long gully history group, osborne consulting group, howard terrace

This carry bag was used in the 1980's to carry items bought at the Healesville Sanctuary Shop. Many bags have been used since the inception of the shop and this is one of many used over the years. It is interesting to note that paper was used widely throughout the early years and in latter years as the Sanctuary became more dedicated to preservation of the environment, more environmentally-friendly materials have been used.This is a white paper carry bag. The illustration in black and white is of a family group of grey kangaroos; 5 adults and joey. A light green basket-weave pattern forms the background. It has rafia handles and is inscribed with the name of the Healesville Sanctuary underscored in red.Inscription on the lower edge of the paper bag reads "HEALESVILLE / SANCTUARY / A TRULY AUSTRALIAN EXPERIENCE". On the underside of the bag it reads "For Re-order B.S.B. (03) 801 9255"paper-bag, shop, healesville-sanctuary, grey-kangaroo, kangaroo, 1980's

38 pages printout: Background info/history; 7 pages STELE B" The word Wall; 3 pages Vietname Vet Assoc of Aust; 3 pages Post Traumatic Stress Disdorder; 1 page Life After Vietnam; 1 page Trivia; 2 pages USStatics; 1 page Icebreaker and Ancedotes; 2 pages Update; 1 page Reference Books/Viedio/Songs; 3 pages Can You understand; 2 pages School handouts etc. 9 pagesAssociation or Afflifations e.g. VVAA, RSL, Legacy, RAR Assoc, RAAC Assoc.educational

Black material cap with POW*MIA "you are not forgotten" embroidered on front with black image of a man and a tower on white background. Laurel leaves embroidered. Two Enamel Badges joined Australia and USA on frontcap, prisoner of war commemorative, mia

Black material Cap with Crown over round gold embroidery "Vietnam Veterans Association of Australia" Centre of cloth badge, orange background with Australia emblem, Map of Vietnam, Australian Flag and Planecap, vietnam veterans association of australia