Single sheet of printed paper, collected from a magazine (p59/60) with two black and white photos of Ballarat and one colour of Bendigo. Photo 1 - 260mm long x 122mm high, photo of north east Ballarat from Town Hall, looking out to Black Hill. Photo similar to Reg. No. 102, but buildings on corner of Grenville and Bridge St has a Plume sign instead of a Mobilgas Ad. This indicates early to mid 1950's. One tram in loop in one in Bridge St. Also has a "Neptune" sign in photograph. Photo 2 - 195mm long x 75mm high - from north east corner of Sturt and Lydiard Sts looking towards Town Hall and Craig's Hotel. Photo includes SEC bogie at tram stop and the front end of bus travelling east in Sturt St. Photo 3 - 230mm long x 156mm high - colour printed photo of Pall Mall, Bendigo from west side (by Post Office), looking towards the Shamrock Hotel. Photo includes signs for "COR Motor Spirit", "Tanox Paint" and the rear of a Bendigo to Huntly bus. See item Reg. No. 102trams, tramways, ballarat, bendigo, pall mall, oil companies

WW1. Y.M.C.A. London, French scenesWW1 Wallet . YMCA LondonYMCA Wallet containing personal papers and letters - Sid Ellis- -472.01 Black leather Wallet - Y.M.C.A. Australian Logo on front. On the rear of the wallet is a Motto "Talk Clean, Live Clean, Fight Clean. Play the Game." .02 Paper slip containing details of acquaintances service numbers name and regiment details. .03 Paper Sovenior of France - written in French. .04 Paper folded to contain 10 photographic shots of French scenes countryside, sailing cutters. .05 Receipt from Returned Sailors & Soldiers Imperial League of Australia(Victoria). Issued to S. W. Ellis Brunswick Sub-branch dated 31/12/1936 Badge Number 48697. .06 Envelope Service of Campaign - printed on the front the envelope is written in Portuguese. "Servicio De Campanha" .07 Small brown paper representation of a boomerang with Cooee in gold lettering embossed on the front. .08 Small white business card for "Cafe - Debit" written in French "Albert Succr" Le Havre. .09 Cut-out from a magazine "View of the Seven Bridges" .10 Cut-out From a magazine "The New Louvre. .11 Cut-out from a magazine "Vendome Place" .12 Cut-out from a magazine "The Madeleine" .13 Cut-out from a magazine "The Arch De Triomphe - it is 150 feet high and cost 362,000 Pounds" .14 Cut-out from a magazine "The Grand Opera House - its cost was about 1,190,500 pounds and it seats over 2,000 people" .15 Cut-out from a magazine "The Cathedral of Notre Dame - A splendid example of the gothic architecture of the 13th century. .16 Cut-out from a magazine "The Trocadero Place erected from the Universal Exhibition of 1878 . with a Hall Capable of holding 5,000 people. .17 Envelope sent to Private S.W. Ellis from Lara took a well-traveled route to reach him. .18 Postcard of Park & Bandstand, Melton, Mowbray to Pte S.W Ellis. .19 Y.M.C.A. Newspaper "The Rising Sun" Vol 1, No. 14 Dated 28/1/1919 London, England. .20 Small note from Y.M.C.A. with pencil note on the rear "423 Pte. Schofield E.J." .21 Small Calander for 1918 from Y.M.C.A. London. .22 Cut out from a newspaper of a Funeral notice of Mrs. Thompson. .23 Paper note a pencil written recipe for an ointment measured amounts of the ingredients. .24 Two copies of Australian Imperial Force, Message to the "Officers, Non-Commissioned Officers, and Men of the Australian Imperial Force." From Commander in the field. .25 Memo "the Diggers" by Capt. William Denny - an order form for copies of the book.472.01 Black leather with Y.M.C.A. Australian Armed Forces Logo embossed on the front and on the Back a motto "Talk Clean, Live Clean, Fight Clean, Play The Game." .02 White pocket notebook paper. .03 Small thin cardboard white with Blue and Red chevrons on each corner. On the reverse side is a word "Souscrivez!" .04 Thin paper folder in a cascade that contains 10 small photos of French scenery. .05 Tissue paper receipt No. 31996 dated 15/01/1916 from Returned Sailors & Soldiers Imperial League of Australia (Victoria). .06 Brown Envelope with Green printing of the front. Army Form Number W 3078 (P) .07 Small Brown paper, shaped as a boomerang with a saying printed on the front "Cooee" .08 Cardboard white Business card for Cafe-Debit, Le Havre, .09 Paper cut out from a magazine with a view of the Seven Bridges. The reverse is printed with magazine writings. .10 Paper cut out from a magazine with a view of the New Louvre. The reverse is printed with magazine writings. .11 Paper cut out from a magazine with a view of Vendome Place. The reverse is printed with magazine writings. .12 Paper cut out from a magazine with a view of The Madeleine. The reverse is printed with magazine writings. .13 Paper cut out from a magazine with a view of The Arc De Triomphe. The reverse is printed with magazine writings. .14 Paper cut out from a magazine with a view of The Grand Opera House. The reverse is printed with magazine writings. .15 Paper cut out from a magazine with a view of The Cathedral Of Notre Dame. The reverse is printed with magazine writings. .16 Paper cut out from a magazine with a view of The Trocadero Palace. The reverse is printed with magazine writings. .17 Paper envelope Addressed to Pte. S. W. Ellis No. 640 sent from Lara and redirected to the recipient by Army Base Post Office. .18 Cardboard Postcard with a photographic picture of The Park & Bandstand, Melton Mowbray. Addressed to Pte. S. W. Ellis No. 640. .19 Y.M.C.A. Newspaper "The Rising Sun" Vol. 1 No. 14. .20 Thin paper from Y.M.C.A. addressed to 423 Pte. Schofield E.J. .21 Cardboard folded in two, a calendar for 1918, and small Map of Aldwych, reverse side is Y.M.C.A. in London details. Printed in red and black. .22 Cut out from a newspaper of a Funeral notice of Mrs. Thompson. .23 Thin Brown Paper with a note in pencil containing a written recipe for an ointment measured amounts of the ingredients. .24 Two copies of paper pamphlets. To the Officers & men of Australian Imperial Force dated 14th November 1918, .25 A paper pamphlet "The Diggers" by Capt. William Denny

The Satin Bowerbird is commonly located around the eastern and south-eastern coast of Australia. They reside in wetter forests and woodlands, and nearby open areas. They feed mostly on fruits throughout the year but in summer will supplement their food supply with insects and in winter with leaves. The Satin Bowerbird is most commonly known for it's practice of building and decorating it's bower. They will often collect objects of bright blue to decorate the bower including straws, clothes peg, parrot feathers, pens, marble, string, glass and bottle tops. This decoration is done by a male Bowerbird in the effort to attract females. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This taxidermy Satin Bowerbird specimen has dark black/blue glossy plumage and a pale coloured bill of small size. The bird is of a medium size compared to other species of birds and has pale legs with short talons. The eyes are made of strikingly blue coloured glass which represents the violet-blue iris of this bird while living. The bird has a short tale and has been stylized in a leaning/crouched position with it's back arched upwards and head out long. This specimen stands on a small platform and there is some deterioration to the tail feathers which protrude beyond the platform which may have otherwise provided some protection. Donor - Mr. E.T. / BH. RO. /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, bower, bowerbird, satin bowerbird

The Nankeen Kestrel, also known as the Australian Kestrel, is a common native to the open country's grasslands and farmlands, preferring agricultural areas. They are drawn to animal pests like mice, insects, small animals, reptiles, and birds. Due to the shape and ability of their tail feathers, which allows them to hoover over their prey, they do not rely on speed to catch their meal like most falcons in their family group. These birds are among the smallest raptors in the Falcon family, having well-known face characteristics and body shapes. The females of the species are distinguished by their darker patterns and red-brown (rufous) tones, as well as their larger size, whilst the males are more greyish. The yellow markings around the eyes and top of the beak, as well as the noticeable black dipped wings, distinguish each species. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Nankeen Kestrel is a small raptor in the Falcon family. It has a stockier appearance, with the upper parts of its body, such as the head and the tops of its wings, being a light red-brown (rufous) colour and the tips of its wings appearing dipped in black. The top of the beak and the eye rings are both yellow, and this bird's falcon appearance shows its inherent dark streak markings visible near the eyes and on the chest. The underparts are pale, with a tail feather that spreads out to help it hover and is ornamented with fine black decorations.20. / Unnamed / Catalogue page 5 / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, nankeen kestrel

Barn Owls are the most widely distributed owl species in the world and one of the most widespread of all bird species, including in Australia. Barn Owls are sedentary and prefer open habitats such as grasslands, farmlands, and open woodlands, where they forage and hunt small mammals, particularly rodents, at night. Barn Owls nest in deep hollows in old trees, especially eucalypts, but also in caves, rock cavities, and sometimes cavities in buildings. Barn Owl's have a highly distinctive white heart-shaped face and pale underbelly feathers. They can be seen circling low above grassland areas at dusk or at night, and their drawn-out shrieking, hissing, and 'eerie' rasping sounds have led some rural populations to consider they have magical powers. Barn Owls vary in size but average 330-390mm in length, with wing spans between 800-950mm. Females are larger than males and most are a mix of white, pale brown and shades of grey speckled with fine black tear-shaped spots. They have a distinctive flat heart-shaped facial mask with oversized oblique black eye-slits and black irises. A ridge of feathers sits above the beak resembling a long nose. The feet vary in colour from pink to grey, and beaks can be pale to dark buff, corresponding to general plumage hue. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Barn Owl is medium sized with long wings and a short squarish tail. Its underbelly is pale and speckled with dark spots. The wings and tail feathers are light brown, grey and white with small, dark, tear-shaped speckles on the upper parts. It has a distinctive white heart-shaped facial disc with large black eyes and curved beak. This specimen stands on a wooden perch pedestal and it has metal and paper identification tags attached to its legs. Swing tag: 36. / Barn [torn] / Catalogue [torn] / Metal tag: 4058 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, owls, birds of prey, tyto alba, heart-shaped faced owl, nocturnal birds, predator birds, 'harbingers of misfortune', demon owl, ghost owl, death owl, magical animals, lich owl, birds as omens, barn owl, carnivore, hissing owl

Known for its distinctive ‘boo-book’ sound which gives it its name, the Southern Boobook owl inhabits a variety of environments, including woodland, rural, open desert and dense forest. It is found on mainland Australia as well as Tasmania and other costal islands. Some similar species can be located in New Zealand, New Guinea and Indonesia. Young Boobooks’ plumage is mostly off white, and there are slight variations in subspecies based on location - the Cape York rainforest owls are a larger, darker brown bird while the Tasmanian Boobooks are smaller and often have more white flecks on their plumage. Southern Boobooks hunt and eat nocturnally and, like most owls, their diet consists of smaller animals including smaller mammals and insects. While elements of this particular specimen are representative of the actual bird, the form and structuring of this specimen’s neck area appears to be somewhat out of shape in comparison to images of the actual bird, which present a distinct head structure. The eyes on this specimen are also problematic, as they are solely black - not aligning with accurate representations of this species that have a distinct golden yellow outer ring in their eyes around a large black pupil. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.One of the most commonly found Australian species of owl, the Southern Boobook, or Mopoke as it is also known, is also Australia’s smallest owl. With a coating of dark chocolate brown coloured plumage on its wings, dorsal area, continuing onto the top of the head and around its eyes, the owl’s breast plumage is flecked with hazelnut brown and white feathers. Its chin and nose areas are a soft creamy white, and the owl’s beak is a darker grey. Traditionally, the eyes are yellow as are the legs and taloned feet. This particular specimen stands upon a wooden perch and an identifying tag hangs from its right leg.Swing-tag appears to read: '39. Boobook Owl / Catalogue page 53.' The 2 digit number at the beginning of the label could also be '3a'. taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, southern boobook, mopoke, australia, boobook, nocturnal, ninox novaeseelandiae, owl

The Common Buzzard is part of the buteo genus (Latin for buzzard or hawk) which indicates it is part of the raptor group whose features include a medium to large build, a strong body and larger wings. The family includes birds of prey such as hawks and buzzards. Like their name suggests, Common Buzzards are very ‘common’ in the UK but can also be found in other parts of Europe, Africa and Asia. The birds’ habitat consists of woodland, shrubland, forest, wetlands and countryside, and they can live in cold, tropical and temperate climate zones. Similar to other raptor species, Common Buzzards make their nests in tree branches or tree forks. With finely tuned hearing, they are able to detect small marsupials, and their diet consists of small amphibians, birds and mammals. Normally solitary, these raptors can occasionally be seen with others. Common Buzzards are classified as of ‘Least Concern’ on the IUCN Red List. While there is some noticeable fading of this particular taxidermy specimen’s plumage, it is relatively well presented. The completely black eyes and string through the nose of the specimen seem to be taxidermy/curatorial choices, as this is not something that is normally found on living versions today, and the eyes of Common Buzzards are normally golden eyes with black pupils. It is interesting to note, when considering the selected artificial eyes, that the original swing tag labeled this specimen as Saleo tinnunculus Lina, a form of kestrel (known to have complete black eyes), which perhaps explains this taxidermist choice. As a Common Buzzard, this particular specimen could have had its frame and breast area bulked out a little more, as birds within the buteo genus are generally recognised to be of medium to large build. Overall however, this is a fairly reasonable and accurate representation of the species. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.With similar colourings and features to a range of raptor species, the Common Buzzard can often be mistaken for other varieties of buteo and raptor. The bird’s plumage generally varies by location, but normally includes a variety of shades of brown, commonly with darker brown on its back and lighter coloured feathers on its breast, underbelly areas and face. These birds normally have fine bands on their tail and darker tipped wings. Common Buzzards have smaller heads with a band of yellow around the base of their small curved beaks and golden yellow eyes. This particular specimen’s feathers have faded and he stands upon a wooden perch with an identifying tag hanging from its right leg.Swing Tag: Swing tag obverse seems to read: ‘…io [? First few symbols aren’t clear]/ Saleo /tinnunculus/ Lina [there is also another illegible symbol on the tag in the centre on the second line] Swing tag reverse: illegible sections of text and the beginning of a number ‘403…[?]. Metal tag: 1032[?]taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, common buzzard, buteo, hawks, raptors, birds of prey, buzzards

This photograph is recorded as having been taken in the North East Victoria Regional Tourist Authority, Wangaratta and depicts an exhibition display of items and interpretative labels associated with the Kelly Gang. The display was reportedly laid out as part of a Vic Tour Stamp, with items from the Burke Museum Collection.This photograph is of social significance due to its connection with the Burke Museum as well as the Kelly Gang. The Kelly Gang story is integral to the formation of the Australian identity and highlights the Irish oppression during the 1880s. Ned Kelly is an Australian icon, mythologised in Australian literature, art, folklore and history, and the Kelly Gang permeates Australia's national consciousness. The significance of the Burke Museum is also highlighted here, as the photograph shows the importance of the Kelly story to the Beechworth area and local identity, as well as its significance within the museum collection. The photograph is of strong research potential due to its depiction of the Kelly Gang history in Australia and its presentation of a historical museum exhibition which toured from Beechworth to other Victorian locations. With a depiction of the exhibition and associated label, the photograph provides insight into how the language and historical interpretation of Kelly Gang has developed, and how cultural and social opinions which are often shaped by exhibition displays, have shifted. Black and white rectangular photograph printed on matte photographic paper.Obverse: Gold Cradle / History / Claim 1835 / The north east is rich in history. It was the home of Ned Kelly, the 'Man from Snowy River' and (???) dog Mogan. Century old buildings are common and (???)nders of the gold rush days are everywhere / V. R. / £8000 Reward / Robbery and Murder / (indeterminate) Reverse: The historical display laid out in VICTOUR / 1997 3135 / North East Victoria/ Regional Tourist Authority/ P.O. Box 250/ Wangaratta. 3577 /BMMA03324burke museum, ned kelly, kelly gang, museum collection, exhibition, display, gallery, museum, exhibit

Taken some time after 1864, these photographs depict the Star Hotel both directly (8674.1) and from the Hotel north west down Ford Street (8674.2). The images depict the building with its modern exterior, having settled for this brick form after several other building designs. The Star Hotel was the first hotel opened in Beechworth, and would go through a series of dramatic changes under its first three owners. The original timber structure was built by W.H. Neuber, though at the time it was only known as ‘The Beechworth Hotel’. The site was later purchased in 1855 by mining entrepreneur, and prolific business owner, John Alston “Six Stars” Wallace. He would go on to extend the established hotel, rebuilding much of it with weatherboard and a shingled roof, adding a two storey structure with a verandah and a theatre capable of supporting 400-500 people, which was often used for international performances. Renamed as the Star Hotel, it was the second in a chain franchise, eventually leading to the “Six Stars” moniker Wallace went by, with hotels at Rutherglen, Chiltern, Yackandandah, Bright, Snake Valley, and of course, Beechworth. Under his ownership, it developed into a popular location for merchants, wayfarers, and locals alike, with the help of his brother Peter as manager. Situated on a road once synonymous with Melbourne to Sydney roadtrips, and the allure of the gold mines, the popularity of the Star drew all manner of clientele from across the country. As such a central hub, the ‘Star Assembly Rooms’ were used as a meeting place for debates, discussions, festivities, and problem solving among the various working sects of the area. These meetings included shareholder discussions for prospecting companies, railway planning, council meetings, and discussions surrounding the interactions between European and Chinese miners, both good and bad. By late 1856, John had the Beechworth at auction through J.H. Grey & Co. It was most likely due to the high profile murder of the manager, Robert Murdoch, during an altercation in relation to a dine and dash event by a Swedish miner, Charles Jansen, who had been ‘excited by drink’ on November 17th. He had refused to pay for his meal and waiter James Mitchell failed to persuade him otherwise. Mitchell, or possibly Murdoch himself, forced him out as tempers and threats escalated. As the photos tell, there are a number of doors which may be entered through, and Jansen used an alternate entrance to access the building. Murdoch was investigating the noise when he encountered the furious man. He was subsequently stabbed with no warning by a small clasp knife, as he tried to stop the intrusion. His exclamations, "I’m stabbed, I’m stabbed!” alerting other occupants, and Jansen was restrained and arrested. Murdoch died the next day from his injuries, with the inquest carried out on the theatre stage. Some 3000 members of the town attended the funeral, and the Star hung black cloth in memory of Robert and his death. Afterwards, an auction caw the property pass to Messrs Robertson and Quirk, though would return shortly thereafter to Six Stars’ portfolio. Six Stars would later sell off his properties from 1862, with the Beechworth Star purchased by 1864 by John Sitch Clark. This allowed Clark to redevelop a significant portion of the Hotel, stripping a central section and constructing the brick structure that survives today, reopening the Star in July that year. It was after this time that our photographs were taken. Clark would later sell the property to Frank Mitchell, shortly before his own death. The next owner, Frederick Allen, lived on the property before the deed was sold to him in the 1880s. He would later sell the property to William Carroll in 1890, with proprietorship eventually moving to Mr. W.H. Porter, and transferring to a Mr. Marendaz by 1913 and Mr. Holly in 1915. Licensing disputes would arise 1917 between Margaret Carroll and a Mrs. McDonald, before it became delicenced some years prior to 1935. It was around this year that the property was bought by Mr. W.J. Pemberton at the meagre price of £500, down from the £13,000 Six Stars originally auctioned it for. It served as a Youth Hostel for a period of time around 1972, and currently the building serves as a private accommodation on the second floor, with shops taking up the ground floor level.These photographs of the Beechworth Star Hotel as they depict a form of Beechworth's first hotel, and also the site of a high profile murder. Two black and white rectangular photographs printed on matte photographic paper.8674.1 (reverse) Beechworth/ 734/ Tanswell’s Hotel [crossed out]/? Old Star/ Hotel,/[small pencil scratching]/ Saunders/ BMM 8674.1 8674.2 (reverse) Beechworth/ 60%[circled]/ Old Star Hotel/Building etc.,/ 12 ½ cm/ 3"[circled, arrows extending horizontally to edges]/[arrows extending top to bottom mid-right of reverse]/ Saunders/ 734[circled]/ BMM 867.2,/ [thin scribbled bordering around top, right, and bottom edges]star hotel, beechworth hotel, john alston wallace, ja wallace, john sitch clark, frederick allen, robert murdoch, meeting place, tragedy, theatre, mining town

Orbost Aero Club began in 1969 with Basil Dowie as Chair, David Nixon as Secretary/Treasurer. The group went into recess from 1977-1991 closing in 1997. The mid 1960s were boom years in flying training in Australia and the number of Aero Clubs grew rapidly. The Club played a significant role in the establishment of the small airport at Marlo and in the ongoing operation and development of the airport over the years particularly for patient transfer by aerial ambulance. The Orbost Aero Club Club played a significant role in the establishment of the small airport at Marlo and in the ongoing operation and development of the airport over the years.A manila folder \containing correspondence relating to the building of the new terminal building at Marlo Airport 1992-1993.On cover in black - ORBOST AERO CLUB BANK STATEMENT CBC -( crossed out) CORRESPONDENCE MOSTLY IN RELATION TO BUILDING OF NEW TERMINAL 1992/1993orbost-aero-club marlo-airport

The project team for this document comprised E. Beacham, T. Claridge, B. Ebbs, C. Wilso. and J. Cristofaro.This booklet is a useful refernce tool.A document of 86 pp, titled Far East Gippsland Tourism Strategy Study Interim Report October 1987. it has a cream cover and black binding with a b/w photograph of four people in a bushland setting. It contains fold-out maps.tourism-east-gippsland

By 1941, the threat of Japanese invasion caused restrictions to daily life. Blackouts became the norm. To prevent identification from enemy planes all lights had to be turned down, including car headlights that had to be covered to minimize light exposure. In Australia more relaxed regulations led to the Australian air raid precautions being dubbed the “brownout”. These shields limited the amount of light emitted by a vehicle. To drive at night without them was an offence; however, the increase in road accidents led to the removal of headlight masks everywhere in Australia south of Rockhampton from 15 February 1943. These shields, though not rare, evoke a period of restrictions, fear, rationing and confinement.A circular metal disc painted black - car light blackout shield. It has a small glass slot in front and a scooped out front to cover the light.ww11 blackout-shield

The folder has been re-used. It was used by Bonang Timbers Waygara from 9.5.1990. It was used by East Gippsland Logging Company Pty Ltd from 3.1.1996Orbost has historically been based on the timber industry, but that industry has declined considerably over the last 20 years. Many Orbost nen worked at the Waygara mill. The number of locals involved in the timber industry has declined and many of the mills have closed. This item reflects a time when that industry was a significant contributor to the economy of the district.A lever arch folder covered in brown paper. It contains records of cartage of gravel.on spine in black - "Gravel Cartage" above "Logging Rates" crossed out 5/1990 - 5/1996 east-gippsland-timber-industry gravel-cartage

James Massey Herbert was born in 1891 and died in 1971. He was the son of Lancelot Herbert and Martha Rawling. He was married to Alma Young and his sons were Graham and Eric Herbert. ( info. from John Phillips)The Herberts were early settlers in Orbost. James Massey Herbert was an Orbost Shire councillor for 1 term (1943-1945).A white paper certificate with black print. It is a Honolulu Police Department Chauffeurs Certificate , No. 9994, made out to James Massey Herbert. It cost $3.00 and is valid for six months from the date of issue. It has been signed by the deputy sheriff, city and county of Honolulu.on back - "July 20/20..."herbert-james-massey

MacKinnon and Sons were seed and produce merchants. Mackinnon was the Orbost agent for the Vacuum Oil Co., and his business extended to Cann River, 60 miles away. This item was probably used by Robert Pullar Cameron who was a Shire Councillor for many years. He married Penuel Hossack and had a family of James, Flora, Penuel and Alex. This item is an example of book-keeping for an Orbost business in the early 20th century. It is a useful research tool.A white paper credit note with black print and red lines made out for MacKinnon & Sons, merchants.mackinnon-&-son-seed-merchants credit-note

This Elector's Right Certificate, No. 206179, is for Samuel Richardson, a sawyer, who lived at Bullarook in the Ballarat East Division. It has been signed by W. Cantwell, the registrar and by Samuel Richardson. As a resident and a male he was entitled to vote in the Ballarat East Division at Victorian State elections. Samuel Richardson was a sawmiller and farmer in Orbost. He built The Curlip, a wooden paddle-steamer of 9 tons gross and dimensions of 43 feet long, 10 feet wide and a depth of 3 feet, on the slipway at their Tabarra sawmill in 1890. This item is associated with the Richardson family, early Orbost pioneers,A white paper certificate with black print and hand-written details. at the top is the British coat-of-arms. It is an elector's right certificate made out to Samuel richardson.suffrage richardson-samuel elector's-right-certificate

From the THE LAND ACT 1884.-REGULATIONS: "Any person duly licensed under section 93 of The Land Act 1884 to cut and take away any live or dead timber on Crown lands, and any person specially licensed in that behalf by the Governor in Council, may at all times enter upon the said land and therefrom cut and take away live or dead timber. "The Richardson family was one of the very early settler families to establish themselves in the Orbost district. Samuel Richardson was builder of the Paddle Steamer Curlip.A white paper licence certificate No. 182 made out to Samuel Richardson & Son for the purpose of a Saw Mill. It was to cost ten pounds per annum. Print is black and details are hand-written.richardson-samuel certificate-lands-sawmill

This is a souvenir of Orbost from 1945.A set of 13 black and white postcards in a fold-out format. Pictures are of : Nicholson Street, Snowy Rriver flats from Grand View, avenue leading to Obost. Snowy River bridge at Orbost, Snowy River at Orbost, Marlo from the sand dunes, Prince's Highway at Victorian-NSW. border, Genoa River and bridge at Genoa, Prince's Highway at Mt. Drummer, Cann River hotel, fern scene, Euchre Valley, ponsasinorum near Cann River. SOUVENIR Orbost to Vic Border 13 camera viewspostcard souvenir photographs orbost cann-river

This is a photograph of the bridge from the Orbost side. The first pile bridge over the Snowy River was just completed by Mr Jim Granter when the 1891 flood took out the centre,. There were differences of opinion as to whether the council should pay . The Shire Secretary, Mr John Draffin, persuaded them to honour their obligations. Mr Granter and Mr Clarke finished it as a suspension bridge which was opened by Mrs William Watt. Soon after a mob of cattle stampeded, the weight snapped the cable, letting one side sag. Mr R.P. Cameron repaired it and this bridge remained until 1922. "In 1890 the contract for a bridge was let to Mr James Granter for £1450. This structure with additions and improvements made to it was to cost the ratepayers about £2,500, and its erection was proceeded with in a very satisfactory manner until, just as the greater-part of the work had been completed, the flood of 1891 came down on it, piling up mountains of logs, timber and debris against the piers, which had not been made wide enough apart to allow for. contingencies of this kind. The structure held out bravely until the turn of the flood and then gave way with a crash, about five bays from the centre disappearing in the stream." ( Snowy River Mail August 12 1893) This item is a pictorial record of one of the first bridges across the Snowy River in Orbost.A black / white photograph of the old wooden suspension bridge over the Snowy River. There are two copies 919.1 and 919.2. There are two other photos showing the whole bridge taken from further back.on back - "Orbost Bridge...."snowy-river-bridge-orbost granter-james

This display of butter was created by Mrs Jessie Petterson for the Harvest Festival. Ten pounds of butter was used. The Harvest Festival display was always put together by the church ladies ( Orbost Presbyterian Church) and was a family friendly festival celebrating the end of summer. The Harvest Festivals were regular community events in Orbost during the first half of the 20th century. This photograph is associated with that time.A black / white photograph postcard of a butter sculpture, a flower arrangement carved out of butter.on back - "display of butter by Mrs Jessie Petterson, 1900"harvert-festival sculpture-butter petterson-jessie

This photograph shows the Richardson family having a picnic on the verandah of Captain McNeil' house at Marlo - April 1897. Snowy River Shipping Company formed in 1880. They were soon shipping produce (mainly vegetables) from the area to Melbourne. The Snowy River Shipping Company was formed by Mr Henry James during the 1880s, with Captain McNeil as master. Captain Hegarty was the shipping agent at Marlo. Towing a line of small barges these paddle steamers plied their trade between the port of Marlo, and the farms along the river banks, churning their way almost twenty miles upstream to a landing beside what is now Frank Richardson’s property. On these trips, the barges carried mail and supplies to the townspeople and farmers, loading their produce, mostly maize, on the return trip to the coast. The coming of the railway in 1915 spelt the end for the little river boats. ( ref. F. W. RODWELL in the “Snowy Review”) Frank Richardson 1877-1950 was a sawmiller at Tabbara and helped build and run paddle steamer "Curlip"as engineer. Captain McNeil was an always cheerful Marlo identity and local children had many times sailing with him on the river. Captain McNeil with tug went out through the entrance and brought in the schooners.This item is associated with the Richardson family, early settlers of the Orbost district.A black / white photograph of a group of people having afternoon tea on the end of a verandah of a wooden house. All are seated.on back - " The Richardson family picnic at Marlo"richardson-family-orbost-marlo mcneil-captain

This photo shows people at the running of the Orbost Cup in 1890s. The Orbost Race Club was founded in 1890. Many early members were: George Morgan, James Cowell, J. Farquhar, J. Cameron, L. Herbert, S. J. Lynn, Arch. Rodwell, J. Ashby, A. W. McLeod, W. Middleton, W. Archer, J. Pleydell and J. Drew. The races were conducted on a course laid out in a paddock of Mr James Cowell at Jarrahmond. (info. from Newsletter HISTORY OF ORBOST) This item is associated with horse racing in early Orbost.A black / white photograph of a large group of men, women and children at an outing in a bush setting with a large flat area. They appear to be watching an event. Many of the women are holding opened large umbrellas. It is on a grey buff card.horse-racing-orbost orbost-race-club

This was the switch on ceremony for the power going to Bonang. The ribbon was cut by Mr Ted Ingram at the age of 100. Ted Ingram, was one of 22 children. The Ingram family originated from the Bombala, Bonang and Delegate area, migrating throughout out the rich farming country of East Gippsland in the early 1900s.This is a pictorial record of a significant event in the history of East Gippsland.A black / white photograph of two men cutting the ribbon at an official occasion. The ribbno is strung between to models of electricity pylons. On the table to the left is a kerosene lantern.on front - "Bonang Switch on, Mr Ted Ingram, age 100 years"bonang-electricity-supply ingram-ted

The pumpkin in this photograph was an award winner and was grown by Fred Mundy Snr. It weighed 194 lbs (approx. 88 kgs). Pumpkins were grown widely on Orbost farms and used to feed pigs. There was usually a competition for the heaviest or biggest pumpkin at the annual Orbost agricultural Show.This photograph is associated with the history of pumpkin growing in the Orbost district.A small black / white photograph of man with three children sitting in a hollowed out pumpkin in water. An Australian flag is on the left side of the pumpkin.on back - "Alec Cameron, Mr Fred Mundy" ; "Record pumpkin - Mr Fred Mundy 194lbs"mundy-fred pumpkins-orbost

Marlo was once a very busy port. Goods needed by the early settlers were carted by sea-going vessels to Marlo. At the Marlo wharf goods were unloaded from the large vessels onto barges and towed by paddle steamers to Orbost. (information - In Times Gone By - Deborah Hall)The Marlo Hotel, perched on the hill overlooking the estuaries and the entrance is a significant building in Marlo. Established in 1886, it has been operating for over 120 yearsA black / white photograph of the Marlo landscape. In the background is the Marlo Hotel. Appears to have been taken from Corringle looking out over ocean and Snowy River. The Marlo Hotel can be seen on the right.Thon front - "Marlo from Sand Hummock"; "Bulmer copyright"marlo-landscape marlo-hotel-township

The child in the photograph is Delia Murray (Mrs Jack Kenny). She was one of eight children of Herbert Cecil Murray and Evelyn Murray. Photographs of children families sitting in hollowed out pumpkins were common in the first half of the 20th century. This item is associated with a popular activity of the Orbost community in the first half of the 20th century. Pumpkins have been been paat of the district's agricultural history since settlement.A black / white photograph / postcardof a small girl sitting in a hollowed out pumpkin. It appears to have been taken outside on a verandah of a wooden house.on front - " H. M. S. Orbost" ; "Stanley Vogt, Bairnsdale" on back is a letter - "I got the plants......."pumpkins-orbost murray-delia

Tonghi Creek is 66km north - west of Orbost. Prior to the sealing of the Princes Highway west of Orbost, the road surface was anything but good, even by C1917 when cars started to use the road. From Orbost the old road via Marlo to Sydenham was abandoned for the new location which traversed more rugged country via Cabbage Tree, Bell Bird and Club Terrace to Cann River, and the reason for this diversion was on account of settlements being established at Murrungowar and Club Terrace, at which latter place there was a temporary rush to obtain gold. This road was constructed by the Public Works department and a maximum grade of 1 in 19 was adopted, and as speed was not to be catered for the grade followed in and out round the spurs and gullies, resulting in a maze of turns and twists which required a good deal of skill on the part of the horse driver to negotiate." - Bairnsdale Advertiser, Friday, May 2, 1947. (More information from Newsletter February 2010)This item is a pictorial record of roads in the early 20th century in East Gippsland.A large black / white photograph of a bridge over a small creek, surrounded by bush. The photograph is mounted on a thick cream coloured card.on back - "Bridge at Tonghi Creek 1918"tonghi-creek-bridge country-roads-east-gippsland

There are records of members of the Helmers family attending Bendoc State School. George Helmers was a prospector who mined all the gold from the dry gullies that ran into Bendoc. George was born in 1866, in Bombala, New South Wales, Australia. He was married to Euphemia Lock, born on October 19 1870, in Bendoc Upper, Victoria, Australia.This photograph is associated with early settlers of Bendoc, East Gippsland.A large black / white photograph of a man standing in front of a wooden cottage. there is a horse beside him, a woman standing on a verandah in the background and on the left is a clothes line with what seem to be nappies pegged out. There is also a copy of the original. on back - "George Helmers, Errinundra"helmers-george-bendoc