One of a collection of seven photographs of Amygdales polished by Dr G Baker CSIRO 1950. A fully coloured plate of the originals was to have appeared in the book "Phillip Island in Picture & Story".Black & White photograph of Amygdale Stone"Yellow, also some green & red. Magnified about 3 diam."phillip island, amygdale stone, dr g baker, joshua w gliddon

One of a collection of 7 photographs of Amygdales polished by Dr G Baker CSRO 1950. A fully coloured plate of the originals was to have appeared in the book "Phillip Island in Picture & Story". Black & White photograph of an Amygdale Stone."Brown chiefly. Magnified about 3 diam"phillip island, amygdale stone, dr g baker, joshua w gliddon

One of a collection of 7 photographs of amygdales polished by Dr G Baker CSRO 1950. A fully coloured plate of the originals was to have appeared in the book "Phillip Island in Picture & Story".Black & White photograph of an Amygdale Stone - outer ring and inner ring with patterned centre."Phillip Island Amygdale magnified 5 diam. Colours red & yellow."phillip island, amygdale stone, dr g baker, joshua w gliddon

One of a collection of seven photographs of Amygdales, polished by Dr G Baker CSRO 1950. A fully coloured plate of the originals was to have appeared in the book "Phillip Island in Picture & Story". Black & White Photograph of an Amygdale Stone. Circular image with multi patterned interior."Phillip Island Amygdale. Magnified 5 diam. Colours chiefly brown and yellow."phillip island, amygdale stone, dr g baker, joshua w gliddon

Cairn on Rhyll foreshore built 1923. Photograph donated by W. H. McLeod.Black & White photograph of the Stone Cairn to Early Explorers at Rhyll foreshore.stone cairn rhyll, early explorers, phillip island, w. a. mcleod

One of a collection of 9 photographs donated by F. WinnBlack & White photograph of the Rhyll Stone Cairn - a memorial to the early explorers.rhyll memorial phillip island, rhyll stone cairn, rhyll cairn, phillip island memorial rhyll, f winn

On 18 May 1937, Lord Huntingfield, Governor of Victoria (14 May 1934 – 4 April 1939) layed the foundation stone of the last of the missions built in Melbourne. The Mission to Seamen, Port Melbourne opened in December 1937, superceded the original 19th C building and service point in Port.Demolished in the late 20th C by developers the building was of architectural significance and funded originally by Alfred Nicholas who gifted 18,000 pounds. An indicator of the importance of shipping and seafarer welfare as regarded by Industry and business during the interwar years of the 1930s. This photograph is a record of the founding of the building. The stone is now part of the bluestone wall on Beach Road, Port Melbourne. The Mission was given the name: George V Memorial Institute, and the concert hall was given the name Huntingfield Hall.A black and white photograph depicting the laying of a foundation stone. Photograph of two clergymen standing to one side of the Governor of Victoria (1934-1939), Lord Huntingfield, who is holding a trowel in his left hand. A foundation stone, resting on a low brick wall is thought to be the granite foundation stone of the Port Melbourne Mission. A small crowd of approximately 21 people are gathered behind the wall. Back of photograph stamped, "Herald Feature Service Melbourne".port melbourne, beach road, lord huntingfield, art deco, alfred nicholas, foundation stone, trowel, harry a. norris, george v memorial institute, port melbourne mission, 1937

This is a photograph of crew members that formed the football team of the S.S. Tasmania. Taken place on the deck of the ship, it is a snapshot in timeAn addition to the collection of crew photographs in the MTSV Collection with all crew members featured in the image named and dated with name of ship making it a useful research and reference image.Black and white photograph of S.S. Tasmania football team in 1922. The photograph is mounted onto a grey green cardboard frame with the text, 'S.S. "Tasmania's" Football Team 1922' on the top. The bottom reads, 'The Happy Thirteen', handwritten in black ink. The photograph itself is of 13 men in three rows, 6 on top row standing, 4 in the middle row sitting on a bench and 3 on the bottom row sitting with their legs crossed. All men have their arms crossed across their chest. On either side of the front row is a lifesaver with the text "S.S. Tasmania/Plymouth". The men are posed on the ships deck. On front mount with photograph: 'S.S "Tasmania's" Football Team 1922' / The Happy Thirteen Inscribed back:of mount names in ink : Thomas Holohay / William Bridges / James. H. Stone / George Angus / James Arthurs / George Arthurs / C. Quinell / C. (Lawrence/labence ?) / W. Manon / M. Zard / I. Ancell LT/JL ?. Chipperfield / F. Franksuniform, team, s.s. tasmania, 1922, football, crew, life buoy, crews and ships

Black weight belt with two stone weights with stainless steel Survivair U.S. Divers/U/Permissable supplied-air respirator/type C/pressure demand class United States Department of Labor/ MSHA U.S Department of Health Education NIOBH/ Mind Safety and Health Administration National Institute of Occupational Health and Safety Approval No. TC-19C-68/ Issued to Survivairs division. U.S. ... co Santa Anna./ MSHA NISOH approval issued 10/ Survivair's division U.S. Divers co./ February 1974

Opened by His Excellency Sir Eric Neal AC CVO on 30 September 2001, the Memorial is located in City Park, Port Pirie, South Australia. The monument commemorates those who were lost at sea while serving with the Merchant Navy. Mr Noel Smith, a resident of Port Pirie, former Merchant Navy seaman and Port Pirie tugboat officer designed the memorial, found the anchor located on the top of the memorial during a dredging operation in a creek near the Nystar plant and wrote the poem inscribed on the main plaque. Front Inscription Lost Ones They live in the curl of the breaking wave, They sing when the sea winds blow, They lay not confined in a land locked grave, Nor in dim dark depths below. Do you hear them laugh in the rippling tide, Call free in the ocean breeze ? Do you see them soar where great gulls glide At peace with the fearsome seas ? They live still in the hearts of those who wait Held strong in the bonds of love 'Til their souls unite and congregate In God`s great harbour above. Noel Smith Merchant Seaman For those who were lost to the depths of the sea Emma Hindmarsh Left Side Inscription Memorial unveiled by His Excellency Sir Eric Neal AC CVO Governor of South Australia and His Worship the Mayor Ken Madigan Port Pirie Regional Council Memorial blessed and consecrated by Right Reverend Garry Weatherill Bishop of Willochra 30 September 2001Colour photograph of the memorial made of an anchor on a bricks and stones base with a black marble plaque titled The Lost Ones. The logo of the Merchant Navy, MN, on the top left corner of the plaque.merchant navy, mn, port pirie, memorial

View only black and white photograph showing a narrow section of the Great Ocean Road with stone fence near the Sheoak River

Louise Hearman used the Norla Dome and painted a mural painted which had taken her around a year to complete. The exhibition called Elephant Room was shown from June 1988. The work was vandalised in 1989 and subsequently demolished.Louise Hearman is a Melbourne born artist and Archibald Prize winner. Hearman first came to public notice in 1987/88 when she spent a year painting the mural in the Norla Dome. The premises of the Mission also served as her studio at that timeBlack and white copy of a newspaper article, printed on A4 paper.The sky’s the limit for modern Michelangelo Because it was there . . . Melbourne artist Louise Hearman in the domed gymnasium of the Mission to Seamen - Picture: ROSS DUNCAN THE dilapidated pool halls of Melbourne’s Mission to Seamen are an unlikely setting for a budding Michelangelo. But when Louise Hearman came across the one-time mission gymnasium she could not resist the urge to create a fresco. It did, however, take a little persuading for the Anglican Church, which still owns and operates a mission in the 61-year-old building, to agreee to house a minor Sistine Chapel on their premises. A year of labour later, Hearman has had no complaints about the great swirling sky or huge oil paintings which now adorn the empty 11-sided room. Instead she is constantly visited by old sailors and passers-by who are thrilled to discover the unusual architecture and artwork. “When peoiple come here it’s a real discovery. It’s something they find for themselves,” she said. Her pictures are neither religious nor symbolic, merely outpourings to create an atmosphere. “THere are lots of things I’d like to say but I’m not saying them in my paintings. “There are no messages, they don’t have any political statement. Life was a little more comfortable for Hearman than her renaissance predecessors. After struggling with cumbersome scaffolding to reach her “canvas” she discovered the modern wonders of the scissor lift. She does not look on the work as a huge achievement. However, it may all be for nought. Unless money is spent to restore the building the paintings she has created will crumble and die - Deborah Stone The Australian Tuesday 10 May 1988louise hearman, elephant room, norla dome, exhibitions, 1988, melbourne, flinders street, ross duncan, cultural events

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of twenty-one Aboriginal Tools made from stones found on Phillip Island.local history, photography, aboriginal tools, black & white photograph, john jenner, bryant west

This series of photographs captures life at sea and the conditions on the ship M/S "Mongabarra" Goteborg in 1950. This photograph is part of the Allan Quinn collection, which is a pictorial autobiography, and it represents one of many moments of his time abroad as a seafarer.Black and white photograph of Nilsson and Peter Stone on the M/S "Mongabarra" Goteborg from the U.S. to Australia in December 1950. The two men are undertaking ships duties pulling ropes on the deck of the ship.On the back of the photograph is the text "Nilsson & Peter 4/12/49" in blue pen and what looks like "K 9 B" in pencil upside-down.1950, ship, pulley, deck, rope, mongabarra, allan quinn collection, allan quinn, nillson stone, peter stone, railing

View of Main Street Greensborough from Partington's Hill including Plenty River bridge and Marble Hall on corner of Carter Street (now Para Road) and Main Street. This view of Greensborough Park shows the old pan toilets, the hawthorn fence line and the rather undeveloped roadside area of the park. Looking up Main Street we see the old Chapman house at the corner of Poulter Avenue and some newer houses below this. The stone river bridge appears to be only a single lane wide and the road approaching the bridge is unsealed. The rail bridge shows evidence of soot from steam trains and at the extreme left of picture the two concrete buildings indicate the line had been electrified. This occurred in 1923. Sparse housing is seen in the Flintoff Street and Grimshaw Street area.Part of a collection of photographic enlargements of views of Greensborough in the early 1900s.Black and white enlargement of photographic imagemain street greensborough, marble hall, greensborough railway, chapman house, greensborough park, poulter avenue greensborough, carter street, para road

Photographs taken by Esther Winifred Hall (nee Smallpage) - great grand-daughter of Stephen George Henty. Taken in 1934 Centenary Celebrations in Portland.Black and white photograph showing stone building (church) in shade of tree with stone fence and iron gate in foreground. Crosses attached to roof of building.Front: (no inscriptions) Back: St. Stephens Church Portland. New fence erected for Centenary 1934.esther winifred hall, portland centenary, 1934, henty

Black and white reproductive photograph of earlier image. People standing in front of Post Office building - double storey bluestone with decorative stone balcony.Front: Post Office, Portland (on photograph original). Portland Post Office Cnr Bentinck & Cliff Streets c1900 (built 1991) (typed label, lower centre). Back: B21766/98 (pencil, upper left). State Library of South Australia Photographic Section. Order No. A16493 (stamp, centre).portland post office