This book presents a pictorial history of the western District of Victoria. It explores various aspects of the Western District such as water supply,architecture,ports,produce,and agriculture. It also presents the various scenic spots around the district. The publishers of this book , the Australian publicity Council is dedicated to publicising the state of Victoria and its natural resources in an effort to attract overseas investment and industry.This book provides a snapshot of the Western District in the 1960 's both with the information and the photographs contained within, including some which were taken by Ralph Illidge who was one on Warrnambool's best known photographers. Coloured hard board cover with country scene with road with two vehicles on a road which continues to the back cover.. A large gum tree sits beside the road. The title is gold on a navy blue banner. Thereis a small blurb on the back cover. 112 pages.Australian Publicity Council. Henry Bolte Premier of Victoria.history of warrnambool, western horizon, western victoria, ralph illidge, warrnambool 1960's

A visitors' map of Marysville and Lake Mountain produced by Mystic Mountains Tourism for Visit Victoria.A visitors' map of Marysville and Lake Mountain produced by Mystic Mountains Tourism for Visit Victoria.The Marysville and Lake Mountain Visitor Map and Touring Guide has been compiled and/ published by Mystic Mountains Tourism Inc. Copyright./ Production and artwork Graph Attack P/Lmarysville, lake mountain, victoria, australia, visitor's map, official visitors' map marysville lake mountain, buxton, narbethong, taggerty, visit victoria, mystic mountains tourism inc, graph attack p/l, mystic mountains, marysville triangle, marysville visitor information centre, marylands country house, black spur, steavenson falls, lady talbot drive, cambarville, cathedral ranges, wirreanda festival, lake mountain summit walk, summit walk loop, leadbeaters loop, day loop walk, buxton hotel, igloo roadhouse, karmann waters, silverstream b&b cottages, buxton trout and salmon farm, the niche wine bar, buxton post office & general store, choppers buxton roadhouse, woodlands rainforest bungalows, chestnut glade, black spur inn, wombat cottage, abbey lake luxury b&b spa cottages, mystic mountain ski hire & outdoors, pnl 4wdriving, blue views holiday units & ski hire, marapana agistment park & farm stay b&b, danico design, things of sand & stone, mantirri blueberry farm, allawah country cottages, amberview cottages, ashlar cottage b&b, black spur motel & caravan park, blackwood deluxe cottages, blackwood courtyard b&b, dalrymples guest cottages, delderfield, el kanah guest house, fruit salad farm, kerami guest house, keppels hotel, lake mountain-snow gum lodge, lomatia lodge, lyell guest cottages, magnolia house, keppel waters, lyrebird apartments, marysville caravan park, all view spa apartments, riverside cottages, maryton park b&b country cottages, melina cottage, mountain lodge, mystic mountains holiday cottages, nanda binya lodge, rendezvous luxury cottages, scenic b&b motel, the cumberland, south cathedral farm, tower motel, willowbank at taggerty, woodlands rainforest retreat, marysville & district country club inc, mystic mountains ski hire & outdoors, rubicon valley horse riding, marysville trout and salmon ponds, gallipoli park, keppels lookout, cambarville-yarra ranges national park, lake mountain-yarra ranges national park, lady talbot drive-yarra ranges national park, cathedral range state park, steavenson river, taggerty river, acheron river, lake mountain alpine resort, bruno's art and sculpture garden, manical mechanicals, uncle fred & aunty val's old style lolly shop, carmyle farm boutique, crossways historic country inn, fraga's, gilberts restaurant, heights licensed bistro, the old woolshed cafe, cathedral view natural therapies, crystal journey

Photograph, black and white, of the three-masted barque SPECULANT at a jetty in low water. On the jetty and the shore are stacks of cut timber. The ship is in a wide river or bay, hills in the background, trees (like gum trees) in the foreground. Inscribed "Wrecked 10.2.11. Cape Patten. Jacobson. Munro. - - - -" Written on the photograph in blue pen "Rosbercon". (The SPECULANT was wrecked on 10th February 2011 at Cape Patton, Victoria, (not Patten as on the photograph). She was sailing under the control of Captain James Jacobsen and her First Mate was James Mumro.) The barquentine SPECULANT was a steel, three-masted sailing ship built in 1895 in Inverkeithing, Scotland, registered in Warrnambool, Victoria and wrecked at Cape Paton, Victoria, 10th February 1911. The SPECULANT had been involved in the timber trade between the United Kingdom and Russia, until sold to its Warrnambool owners and timber merchants Messrs. P.J. McGennan & Co. (Peter John McGennan) in 1902 for 3000 pounds and had her sailed to Warrnambool as her new port. Peter John McGennan was born in 1844 and worked as a builder and cooper in Holyhead, Anglesea, Wales. He immigrated to Australia in 1869 as a free settler and arrived in Warrnambool in 1871 and undertook management of a property in Grassmere for Mr. Palmer. Peter met his wife Emily in South Melbourne and they married in 1873. They had ten children including Harry who lived to 1965, and Andrew who lived until 1958. (The other children were their four brothers - John who was killed in the Dardenalles aged 35, Frederick who died aged 8, Peter who died aged 28, Frank who died aged 5 weeks - and four sisters - Beatrice who died age 89, Edith who died aged 49, Blanche who died aged 89 and Eveline who died aged 48.) In 1874 Peter starting a boating establishment on the Hopkins River. In 1875 he opened up a Coopers business in Kepler Street next to what was Bateman, Smith and Co., moving to Liebig Street, next to the Victoria Hotel, in 1877. In 1882 he then moved to Lava Street (which in later years was the site of Chandlers Hardware Store). He was associated with the establishment of the Butter Factory at Allansford. He started making Butter Boxes to his own design and cheese batts for the Butter Factory. In 1896 established a Box Factory in Davis Street Merrivale, employing 24 people at its peak, (it was burnt down in 1923); and in Pertobe Road from 1912 (now the Army Barracks building). Peter was a Borough Councillor for Albert Ward from 1885 to 1891, he commenced the Foreshore Trust (including the camping grounds along Pertobe Road), and he was an inaugural Director of the Woollen Mill in Harris Street, buying an extensive share-holding in 1908 from the share trader Edward Vidler. They lobbied the Town Hall to have a formal ‘Cutting’ for the waters of the Merri River to be redirected from its natural opening south of Dennington, to its existing opening near Viaduct Road, in order to have the scourings from the wool at the Woollen Mill discharged into the sea. He sold Butter Boxes around the state, and had to ship them to Melbourne by rail. Peter’s purchase of the SPECULANT in 1902 enabled him to back-load white pine from Kaipara, New Zealand to Warrnambool to make his butter boxes then, to gain profitability, buy and ship potatoes and other primary produce bound to Melbourne. (McGennan & Co. had also owned the LA BELLA, which had traded in timber as well, until she was tragically wrecked with the loss of seven lives, after missing the entrance channel to Warrnambool harbour in 1905. It appears that the SPECULANT was bought to replace the LA BELLA.) In 1911 the SPECULANT had been attempting to depart Warrnambool for almost the entire month of January to undergo docking and overhaul in Melbourne. A month of east and south-easterly winds had forced her to remain sheltered in Lady Bay, Warrnambool apart from one morning of northerlies, when an attempt was made to round Cape Otway; she had to return to shelter in Portland after failing to make any headway. With only 140 tons of sand ballast aboard, the ship would not have been easy to handle. Captain Jacobsen and his crew of nine, mainly Swedes, decided to make for Melbourne, leaving Portland Harbour on 5th February 1911. By the 9th they had reached Cape Otway, where they encountered a moonless night, constant heavy rain, and a heavy sea with a south-easterly wind blowing. After safely rounding Cape Otway the course was changed to east, then north-east to take the vessel to a point six miles off Cape Patton, following the orders of Captain Jacobsen, who told the crew to be very careful with the steering, as the wind and sea was running to leeward. The patent log (used to measure speed) had been out of order for the last four months as no-one in Warrnambool was able to fix it: it was intended to have it repaired in Melbourne. In the meantime the crew measured the vessel's speed by looking over the side and estimating wind strength. This compounded the difficulties of imprecise positioning, as the strong cross wind and sea were acting on the lightly laden vessel to steadily drive it towards the shore. At 3.30am on Friday 10 February 1911 Captain Jacobsen and the first mate were looking over the side of the vessel when they heard the sound of breakers and suddenly struck the rocks. The crew immediately knew they had no chance of getting the SPECULANT off, and attempted to rescue themselves by launching the lifeboat, which was instantly smashed to pieces. One of the crew then volunteered to take a line ashore, and the rest of the crew were all able to drag themselves to shore, some suffering hand lacerations from the rocks. Once ashore they began to walk along the coast towards Lorne, believing it was the nearest settlement. Realising their mistake as dawn broke they returned westwards to Cape Patton, and found a farm belonging to Mr C. Ramsden, who took them in and gave them a change of clothes and food. After resting for a day and returning to the wreck to salvage some of their personal possessions, at 10am on Saturday they set out for Apollo Bay, a voyage that took six hours, sometimes wading through flooded creeks up to their necks. The Age described the wreck as "listed to starboard. All the cabin is gutted and the ballast gone. There is a big rock right through the bottom of her, and there is not the slightest hope of getting her off". A Board of Marine inquiry found that Captain Jacobson was guilty of careless navigation by not taking steps to accurately verify the position of the vessel with respect to Cape Otway when the light was visible and by not setting a safe and proper course with respect to the wind and sea. It suspended his certificate for 6 months and ordered him to pay costs. The location of the wreck site was marked for a long time by two anchors on the shoreline, until in 1970 the larger of the two anchors was recovered by the Underwater Explorers' Club and mounted on the foreshore at Apollo Bay. The bell from the wreck was also donated to the Apollo Bay Surf Lifesaving Club but is recorded to have been stolen. Rusting remains of the wreck can still be found on the shoreline on the southern side of, and directly below Cape Patton. Parts of the SPECULANT site have been buried by rubble from construction and maintenance works to the Great Ocean Road, as well as by naturally occurring landslides. Peter J McGennan passed away in 1920. The Gates in the western wall of the Anglican Church in Henna Street/Koroit St are dedicated to him for his time of community work, which is matched with other prominent Warrnambool citizens; Fletcher Jones, John Younger, J.D.E (Tag) Walter, and Edward Vidler. After Peter J McGennan's death Harry, Andrew and Edith continued to operate the family business until July 11th 1923 when the company was wound up. (Andrew lived in Ryot Street Warrnambool, near Lava Street.) Harry McGennan (Peter and Emily’s son) owned the Criterion Hotel in Kepler Street Warrnambool (now demolished). His son Sid and wife Dot lived in 28 Howard Street (corner of Nelson Street) and Sid managed the Criterion until it was decided by the family to sell, and for he remained Manager for the new owners until he retired. Harry commenced the Foreshore Trust in Warrnambool around 1950. The McGennan Carpark in Pertobe Road is named after Harry and there are Memorial-Stone Gates in his memory. (The Gates were once the original entrance to the carpark but are now the exit.). Peter’s great-grandson, also called Andrew, is a Security Officer in Warrnambool. The Patent Log (also called a Taffrail log) from the SPECULANT, mentioned above, and a number of photographs, are now part of the Collection at Flagstaff Hill Maritime Village. The SPECULANT is historically significant as the largest ship to have been registered in Warrnambool, and is believed to have been the largest barquentine to visit Melbourne. It is evidence of the final days of large commercial sailing vessels involved in the Victorian and New Zealand timber trade. The SPECULANT is listed on the Victorian Heritage Register VHR S626Photograph, black and white, of the three-masted barque SPECULANT at a jetty in low water. On the jetty and the shore are stacks of cut timber. The ship is in a wide river or bay, hills in the background, trees (like gum trees) in the foreground. Inscribed below photograph "Wrecked 10.2.11. Cape Patten. Jacobson. Munro. - - - -" Written on the photograph in blue pen "Rosbercon"Inscribed below photograph "Wrecked 10.2.11. Cape Patten. Jacobson. Munro. - - - -" Written on the photograph in blue pen "Rosbercon"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, warrnambool historical photograph, cape patten, munro, james munro, la bella, speculant, cumming and ellis, international timber trade, p. j. mcgennan and co. warrnambool, peter mcgennan, capt. james jacobsen, warrnambool maritime history

Ruby Wilson was related to the Wieland family through the marriage of her sister Amy Ellen Thelma to Stanley Wieland.Blue covered book with black stenciled picture of gum tree , koala , kangaroo and kookaburras.All pages filled with hand writing and drawn pictures In ink on back the name Wilson.

Sheet of four blue receipt forms with a sheet of cream backing paper. Receipts in the name of C. J. Kirkby, 306 Hargreaves St., Bendigo. Date line ends 19--. Gummed back. Backing paper is printed the same as the blue page. One receipt has been torn out.business, printers, cambridge press, cambridge press collection, c. j. kirkby

White chemist label with dark blue printing and double line border on white gummed paper. Border has eight sides of unequal length.Name of W. G. Ross, Late D. Anderson, View Street Pharmacy, Bendigo.business, printers, cambridge press, cambridge press collection, w g ross, d anderson

Gummed label printed in dark blue on a white background. Label has decorative border with leaves and flowers. Printed on the label is: The Favourite Shop - Hargreaves Street and Arcade, Bendigo. Warren's, Drapers and Clothiers. Space at the end to write in who sold it and the date.business, printers, cambridge press, cambridge press collection, warren's

Gummed label from W. Brown, pastrycook & Confectioner. Mitchell and View Streets. Bendigo. Printed in dark blue on white paper with a diamond pattern border.business, printers, cambridge press, cambridge press collection, w brown

Sheet of paper with six labels gummed to it. There are two of each, Salad Oil, Olive Oil and Castor Oil. The labels are blue on white paper for the Salad Oil and Olive Oil. The Castor Oil is green on white background. The top of the label has the trade mark which has a blue/green B and two white S's in front of it and Prop Ltd. Underneath.It has trade on one side and mark on the other. It has some floral work and a bullet on the left and right. Under this is the name of the contents. Under the contents is Bottled by Bendigo Soldiers' Stores Prop. Ltd. Head Store - corner Myers & Mitchell Streets, Phone 950 and Branch - corner. View & Rowan Streets Phone 830. Stamped Sample by Cambridge Press, Hargreaves St. Phone 130 Bendigo. Date 7/5/24. The labels are for 5 ozs Net and 10 ozs Net for each oil. Written at the bottom of each label is the quantity required.business, printers, cambridge press, cambridge press collection, bendigo soldiers' stores, oil labels

Black and white photograph displaying different anaesthetic equipment. At the top of the photograph is a dry-cell battery, two Jackon's laryngoscopes, one of which has been modified, and a lamp carrier which has been withdrawn from a laryngoscope. At the bottom of the photograph are two Magill's rubber catheters and two different types of gum-elastic catheters.Handwritten in blue ink on reverse and underlined: Fig 39laryngoscope, jackson's laryngoscope, lamp carrier, dry cell battery, magill rubber catheters, gum elastic catheter

The Gallipoli Star and its ribbon were designed in 1917 by R K Peacock, but official approval from King George V for the proposed campaign medal was withdrawn after the ribbon, but not the medal, had been manufactured, because it was to have been presented only to Australians and New Zealanders, but not British or other Empire soldiers involved in the campaign. Some Anzac veterans are known to have been issued with lengths of ribbon during the war in anticipation of the medal's production. In 1990, Mr Ross Smith, a former Australian Army Warrant Officer and Vietnam veteran, arranged, at his own expense, for dies from the original design to be manufactured, and for A J Parkes & Co Pty Ltd, of Brisbane, to strike 1000 examples of the medal. 200 of these stars were presented to surviving Australian and New Zealand Gallipoli veterans to mark the 75th anniversary of the campaign. The remainder were sold to the public. A further 1000 were later struck for sale to collectors. The design features an eight pointed star, representing the states and territories of Australia (seven points) and New Zealand. The colours of the ribbon are blue, representing the ocean, gold, representing Australian Wattle, silver grey, representing New Zealand fern, and red for the colour of Australian gum blossom and the New Zealand Rata flower. This full size accurate replica was presented in the early 1990's to the remaining survivors of the 1915 Gallipoli landing. The Gallipoli Star Medal 1914-1915 was to be awarded to survivors of the Anzac landing but a political dispute of the exclusion of British Soldiers saw the idea withdrawn. Timber look frame containing medal on yellow/blue/red ribbon and paper with black writing on grey cardboard surround.gallipoli star, medal, 1914-1915

Dr Carl von Brandenstein was born in 1909 in Hanover, Germany. He studied oriental languages and the history of religion at Berlin University (1928-1934) and Leipzig (1938-1939). His doctoral thesis was a dissertation on the iconography of Hittite gods. He was arrested in Persia in 1941 and sent to Australia where he was interned at Loveday Camp South Australia and in Camp 1 Tatura from January 1945 until his release in August 1946.Four artworks in a dark wood frame with terracotta coloured matte. Item 1: Hospital Waranga. Tall gum trees in foreground, blue sky . Staff standing under the veranda and a red cross vehicle parked in front. A barbed wire fence surrounds the hospital. Item 2: Inside the Library. Item 3: Camp Barracks. Four huts in a row . A tree and garden in front. Item 4: Reading Room. A table in centre of the room with a single chair. Books and stationery items on the table. A lamp hangs from the ceiling. Bookshelves along the walls and paintings on the wall. Item 2: "am letzten Tage deiner Internierung dem lieben Hans Wulff fur Errinnerung an gemeinsam gebautes" (English Translation: On the last day of your internment to dear Hans Wiulff for remembrance of what we built together. camp 1, tatura, carl von brandenstein, internment camp loveday, waranga hospital, library, hans wulff

Article One - Charge! - image of members of the aboriginal group carrying out a baton charge Article Two - Officer's Tribute - image of aborigines at Wangaratta carry out ceremony of changing of the guard Article Three - Two Australians - image of Shirley Anderson, 8, of Wangaratta frequently entertains Diggers, singing and dancing. She visits camp nearly every day to chat with guard on duty. Aboriginal soldiers formed a special all volunteer platoon at No 9 Camp Wangaratta in Victoria from late 1940 until February 1941. No 9 Camp was set up at the Wangaratta Showgrounds to allow the formation of the 2/24th Australian Infantry Battalion prior to leaving for Egypt. Major Joseph Albert Wright a WW1 Light Horse veteran was in charge of this platoon the only Aboriginal squad in the Australian Military Forces at that time. The soldiers from Lake Tyers enlisted at Caulfield between June and July 1940 include Harold Cornelius HAYES VX 48217 DOB 2/4/1916 Enlisted 25/7/40 Discharged 22/3/1941 Edward FOSTER VX48218 DOB 25/5/1921 Enlisted 25/7/1940 Discharged 22/3/1941 Noel Ernest HOOD VX48194 DOB 3/1/1919 Enlisted 25/7/1940 Discharged 22/3/1941 Edward Leslie MULLETT VX48199 DOB 30/6/1910 Enlisted 25/7/1940 Discharged 22/3/1941 Samuel Richard RANKIN VX48201 DOB 23/7/1910 Enlisted 25/7/1940 Discharged 22/3/1941 Stewart HOOD VX47351 DOB 23/1/1903 Enlisted 18/7/1940 Discharged 22/3/1941 William GORRIE VX48208 DOB 22/11/1921 Enlisted 25/7/1940 Discharged 22/3/1941 David John MULLETT VX48195 DOB 10/6/1919 Enlisted 25/7/1940 Discharged 22/3/1941 Arthur Alexander (Tom?) MULLETT VX48198 DOB 25/11/1914 Enlisted 25/7/1940 Discharged 22/3/1941 Images relates to the "special platoon" based at No 9 Camp Wangaratta as being the Australian Army's first all Aboriginal Unit formed in 1940. The soldiers were all volunteers mainly from Lake Tyers in Victoria. In addition to normal army training they performed guard duty at the Army Hospital and Camp. They formed the Gum Leaf Band and led the troops at community singing and assisted in Methodist Church services. Three black and white newspaper articles adhered to cream paperWarrior Tradition Written in blue ink 28/12/1940no 9 camp wangaratta, aboriginal platoon

A very early view of the first blue-stone homestead and out-buildings at "Lake Boloke" station, established by Robert Patterson, believed taken in the early 1850's. The row of River red-gums indicates the shoreline of Lake Bolac which seems to be at least partially dry.lake bolac, lake boloke station, patterson

Annie Jessup, an artist, was the youngest daughter of the well-known Australian self-taught artist, Alfred William Eustace. Like her father, Annie created some of her oil landscape paintings on gum leaves. Her older brother Sidney presented one of her paintings to the Chiltern Athenaeum together with his own timber collection.Annie Jessup, and artist, was the daughter of the well-known Australian self-taught artist Alfred William Eustace.Photograph of an oil painting on gum leaf by Annie Jessup, under glass on blue paper in a reddish plastic timber-look frame.Artist's signature on bottom right hand corner of photograph: Annie Jessup/ Myrniong Sticker on back: MADE IN/ CHINA/ FABRIQUE'AU/ CHINEannie jessup, gum leaf painting, landscape

These copies of five oil on gum leaf paintings by Alfred William Eustace (1820-1907) display the subjects and detail of his small gum leaf paintings. A.W. Eustace, a well-known Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush and painted on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. He became known as the "Bush Artist." About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skillful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.Alfred William Eustace was a well-known self-taught Australian artist who was known worldwide for her unique oil on gum leaf paintings. He was also a prominent Chiltern citizen.Copies of five A.W.Eustace oil paintings on gum leaf, under glass, displayed on blue paper in a black metal frame.alfred eustace, gum leaf painting, chiltern

CLUNES COURSING EVENT AT AN OUTINGBLACK AND WHITE PHOTOGRAPH MOUNTED ON BROWN MAT BOARD OF GROUP OF PEOPLE AT COURSING EVENT - BUGGY UNDER GUM TREE.On Front; Handwritten in blue ink - COURSING SEASON - GEO FRASER WHITE BEARD REV. McFARLANE C.OF E CRESWICK, local history, photography, photographs, coursing

Rural City of Wangaratta Collection, Wangaratta Art Prize 1990.An oil landscape of gums and grass trees painted with a colour palette of green, yellow, brown, blue, and grey.E. MICHEL 90/ (bottom right corner) GRAND WINNER 1990/ ELLEN MICHEL/ 'Summer In The Warbys'/ (plaque mounted on frame)wangaratta art gallery, ellen michel, landscape, painting, warby ranges

Rural City of Wangaratta Collection. Gift of the artist 1992.A landscape scene of a river winding through gums painted with oils using a colour palette of green, brown, grey, blue, orange, and purple.Obverse: A. Quabba 1992/ (bottom right corner)wangaratta art gallery, angelo quabba, landscape, painting

This bookmark may have belonged to, and was possibly made by, Miss Mary Leviny, the eldest of the Leviny sisters, who was a founding member of the Castlemaine Red Cross. This bookmark was found in the book 'Half Mile Down' by William Blake (Reg. No. 1081).A rare, intact memento of Australia Day in the form of a gum leaf made into bookmark. It was possibly sold as a fundraiser for the newly formed Red Cross in Castlemaine to aid the war efforts abroad during World War One.Hand-paInted bookmark made from a gum (eucalyptus) leaf. P Gum leaf with stem. Inscribed in white "Australia Day/1915" and painted with a red cross. A length of narrow ribbon, red, white and blue has been inserted, folded through a slit near the base, used as a book mark.Inscribed in white "Australia Day/1915"leviny family, gum leaf, bookmark, red cross, australia day, 1915, buda, castlemaine, world war one

WARM was a community textile art project that saw over 250 knitters come together to create a beautiful collage tapestry. Made entirely from wool, the artwork contains more than 1000 individual hand knitted sections. The project takes aim at global warming, it highlights both the causes and solutions for us to create a sustainable and safe climate for future generations. Lisa Kendal, the co-creator of the project, said “One of the problems in the world is that we have forgotten how to warm ourselves with wool. We have become too dependent on fossil fuels (for heating)”. This is the key idea surrounding the project. WARM began as two large scale images created by Lars Stenberg. The first image is a landscape scarred by coal mining. The second image is the same landscape only many decades later. Regeneration and regrowth have taken over the landscape and hidden the past coal mine completely. In its place is a beautiful landscape including trees, native flowers, a lake, lots of greenery and wind turbines. From March to the end of August in 2016, knitters worked hard to create the over one thousand pieces that came together to form the final tapestry. The pieces were all designed by Fibre Artist Georgie Nicolson of Tikki Knitting Designs, who converted the second image of the healed landscape into patterns for the 250 plus knitters to follow. These patterns included unusual designs such as gum leaves, trees, native flowers and even the wind turbines. During several days of installation, the knitted pieces were stitched together by Lars Stenberg over a picture of the first image of the operational coal mine. They worked to create the second image of the renewed landscape; like an enormous collage. The WARM project was donated to the National Wool Museum in 2021. It was a much-loved hanging within the Ballarat Hospital for many years before coming to the museum. More information about the project can be found on the following website. http://www.seam.org.au/warm The tapestry is made from 1000+ hand knitted sections stitched together to make an image. In the foreground of this image is a large gum tree that stretches from the bottom left to the top right corner. The trunk of this tree follows the left edge of the tapestry, with foliage from the gum tree spanning its top border. The bottom third of the tapestry is predominantly green grass with yellow, pink and red flowers providing sporadic colour. The middle third encompasses a lake, with orange colours surrounding the banks of the water as opposed to the green grasses of the bottom third. To the right of the lake are wind turbines. The top third of the tapestry is blue sky with white clouds. It also contains the previously described gum tree leaves. Each piece of the tapestry is 100% wool and was hand knitted and stitched together. The Tapestry is accompanied by an oil painting on canvas. It is a painting that matches the tapestry and served as a template for the final tapestry. Finally, the tapestry is accompanied by another pointing on wood board. This final panting is of a coal mine. This is the setting before regeneration and regrowth have reclaimed this site, which is the theme captured in the final tapestry. In the foreground of the coal mine painting is the same gum tree described in the tapestry; however, it is grey and sickle with only 4 leaves visible at the top border, compared to the numerous leaves in the tapestry. Also in the foreground is a broken barb wire fence adding to the unwelcoming nature of the site. The colour scheme of this image is of dark greys and browns. A coal fired power plant can be seen in the final third of the image with four chimneys emitting plumes of smoke into the sky. In front of this power plant is the spiral shape of a coal mine, burrowing deep into the earth’s crust. Inside of the coal mine 3 yellow trucks are seen mining and transporting coal to the top of the mine.warm, community textile tapestry, knitting, community artwork, global warming

Jumper size 18 Grey/Pale Olive Green colour -Emblem on left breast -Square outlined in black, pale blue sky, 5 undulating stripes along bottom of square; purple yellow, green yellow orange : 6 gum leaves in upper right corner of square, yellow/ orange/Green/orange/yellow/yellow all with green central vein. Yellow stitched writing underneath emblem City of Nunawading parks ans Recreationcostume, male uniform, civilian

Shirt. Pale olive green long sleeved two pockets on breast with buttoned flaps Emblem on left breast . Square outlined in Black; pale blue sky, 5 undulating stripes along bottom of square Purple, Yellow, green ,yellow, orange, 6 gum leaves upper right corner of square Yellow, orange.green, orange ,yellow, yellow, all with green central vein. Yellow stitched writing underneath City of Nunawading Parks and RecreationMakers label Cushen Clothing Cocostume, male uniform, civilian

Polo Shirt: collar, short sleeves, 3 buttons from neck, cream/beige colour Emblem from left breast: square outlined in black; blue sky; five undulating stripes along bottom of square: purple/yellow/green/yellow/orange. Six 'gum' leaves upper right corner of square - yellow/orange/green/orange/yellow/yellow - all with green central vein. Black stitching under square: 'City of Nunawading Parks And Recreation'shirt, nunawading