Donated by Barbara Keene to whose mother, Mrs Osborne, the fan had belongedLadies' wooden folding fan made of 24 leaf. The fan is painted to resemble a black lacquered surface with gilded curlicue decoration and a hand painted motif of a pink floral bouquet. Small paper label on back of end stick reading: Made in SpainMade in Spaincostume accessories, female, handcrafts, woodwork

Depicted in this photograph is a religious minister or priest dressed in a dark suit with a clerical collar. He is seated in an armchair holding a small suitcase or a briefcase. A group of adults (mainly women) dressed in formal attire are standing behind him, while a older women holding a bouquet stands beside him.Black and white rectangular reproduced photograph printed on matte photographic paper Reverse: 6952 (in pencil)/ B62K091 (stamped in black ink)/entertainment album, beechworth, burke museum, religion

Photograph of 100th birthday celebrations for Eileen Tullo on 18 April 1993 at Colton Close. Legatees in attendance include Chas Munnerley, Committee Chairman, in the centre of the back row. Other legatees were Murray Fraser, Cliff Jesse, Jim Fyfe and their wives. A bouquet was presented on behalf of all at Legacy.A record of a widow reaching 100 years of age and being celebrated by Legacy.Black and white photo and proof sheet of the 100th birthday of Eileen Tulls and an article in the Answer.Stamped on back Copyright of Leader Newspaper Group in red ink. Hand written on the proof sheet is "Daughter Mrs Beth Groves / 100th birthday Eileen Tulls 18 April '93 at Colton(?) Close".widows, birthday

Wedding photo of an unknown couple. The women is wearing a white bridal frock with a large train, she is holding a large bouquet of flowers. The gentleman is wearing a dark three piece suit and is holding a pair of gloves. The photo appears to have been taken inside a church,person, group, wedding, bride and groom

Mr Joseph Sutton Crow and his wife Jessie (nee Temby) at their marriage in 1910. Sutton became Director of the University Conservatorium, was deeply involved in the musical life of Melbourne and managed concert parties travelling to country towns. Jessie was a soloist, singing, in the early days, at the concerts with visiting and local artists, such as flautist John Amadio. They made their home at ‘Strathmore’, 75 Victoria Crescent, Mont Albert. The donor was their daughter, Winifred Jean Crow.A black and white photograph of a couple dressed in their wedding attire. The bride (standing) is wearing a floor length dress and veil. She has flowers in her hair and is carrying a large bouquet of flowers. The groom (seated) is wearing a coat, with a waistcoat and tie and is carrying a top hat.(mr) joseph sutton crow, (mrs) jessie crow, (miss) jessie temby, conservatorium of music, house names, victoria crescent, mont albert, (mr) john amadio, 'strathmore', opera singer, (miss) winifred jessie temby, (mrs) winifred jessie crow

Thank-you card given to Australian Nursing Federation (Victorian Branch) staff member Catherine Hutchings by staff at the Bundaberg Branch of the Queensland Nurses Union. In 1993, Victorian Branch staff travelled throughout Queensland, Western Australia and the Northern Territory for a series of meetings on recent events impacting nurses' conditions in Victoria. The meetings were strategically held ahead of the 1993 Federal election to discourage the election of a Coalition government. The election of the Coalition government in Victoria in 1992 had seen the introduction of the Employee Relations Act, which saw the end of the state award system in Victoria. This gave employers greater powers to establish wages and conditions and less power to the Industrial Relations Commission, foreshadowing what would later occur at a Federal level. An article in the Victorian Branch newsletter 'On the Record' from April 1993 describes the 'tour'. Entitled 'Vic. Nurses Spreading the Word in Queensland, Western Australia and the Northern Territory', it explains: "Catherine Huntchin[g]s and Elizabeth Hulme recently spent a week in Queensland informing nurses about the effect of a Liberal Government on nurses. As well, Tracy Austin visited WA to talk to nurses there about life under Kenneyt [sic]. Catherine and Liz held a total of 23 meetings from Cairns to Brisbane, as well as giving media interviews. It was well worth the effort and certainly there was much support given to nurses in Victoria. Perhaps the most interesting issue was that many nurses did not realise that they may find themselves in the same situation if we have a change in Federal Government. In February, Catherine went to the NT to talk to nurses in Darwin, Alice Springs and Katherine and despite some minor hiccoughs (the Health Department banned all the meetings so alternative venues had to be found) the turnout was gratifying - you have to be dedicated to attend a meeting held in a carpark in 32 C heat! Catherine says that the reception she received in both QLD and the NT was superb. "Everyone went out of their way to make us feel very welcome, and to shower us with sympathy over the situation. More important, is the fact that the information was distributed so no matter how the votes go on March 13 [1993, federal election] - they will be informed votes." she said. Catherine, Liz and Tracy extend sincere thanks to all interstate nurses who made their visits a success."Typed card given with flower bouquet. Printed on one side with personalised, typed message 'DEAR CATHERINE, UNITED WE STAND DEVIDED [sic] WE BEG THANKS FOR SPEAKING UP FOR US. FROM B'BERG [Bundaberg] BRANCH Q.N.U. [Queensland Nurses Union]'.nursing, nurses, unionism, solidarity, victoria, queensland, bundaberg, campaigning, 1993 federal election, 1992 victorian election, australian nursing federation, trade unions, politics, queensland nurses union, qnu, anf

This type of Chest of drawers was a common and practical piece of furniture 20thC . The 8 eight various sized drawers were suitable for the secure storage of small and large items of clothing, haberdashery, linen, Bouquets of lavender, bay leaves, camphor etc prevented damage by moths, silverfish and the strong wood deterred mice .This item is one of many donated by Ms Carole Green whose family were early settlers in Moorabbin Shire.A french-polished mahogany wood chest of drawers often mistakenly known as a 'tallboy.' There are ornate carvings at the top drawers.furniture, early settlers, pioneers, market gardeners, moorabbin, brighton, bentleigh, wood work, craftsmen, carpenters

Black & white wedding photograph. The wedding party consists of 4 males and 4 females. The men are wearing 3-piece suits. Three of them have flowers in their buttonholes and the 4th one is wearing a clergyman's collar. The bridegroom is sitting on a chair beside the bride who is wearing a long white dress with a long veil. She is holding a large bouquet. The bride and the lady standing on the other side of the groom are wearing a medallion and brooch. The lady to the right of the bride is wearing a plain, long white dress, a white hat, a cross and brooch and she is holding a large bouquet. The lady on the groom's left is wearing an embroidered dress, slightly shorter, a white hat and is holding a large bouquet. The 4th lady is wearing an embroidered dress, gloves, a wide brimmed, dark hat and a cross and brooch. She is sitting on a chair. Photo is mounted on brownish board. Stuck to the back of the board is a notice: Molony & Co., Photo Enlargers and Picture Framers, 44 Honeysuckle Street, Bendigo.W. Vincent Kelly Mitchell St. Bendigophoto, group, wedding, foster & wilson collection, photograph

Photograph of a Bride and Groom in a studio setting. The bride has a long white dress and shot veil, she is holding a bouquet. The gentleman is seated in a chair which is half covered with some sort of fur like material. He is wearing a dark coloured three - piece suitperson, family, wedding photo, bride and groom

3 pages. First page has an image of a bouquet of flowers and the words 'in loving memory' , the second page depicts the crossed Australian and New Zealand flags C. F. Willcox's death date and his age, as well as a poem. The third page includes three quotes.IN LOVING MEMORY OF C. F. WILLCOX WHO GAVE HIS LIFE FOR THE EMPIRE IN FRANCE. JULY 28, 1916, AGED 21 YEARS He gave his life for his Country, For honor, faith and right: With us his memory ever lives, He fought a noble fight. 'Midst the roaring of the battle. And the rain of shot and shell, Fighting for Home and Country He like a hero fell. "To live in hearts we leave behind is not to die"

Black & White portrait of Amy Huxtable with large bouquet of flowers, under glass with a thin silver & black wooden frame, attached to the back is a small summary of her achievements, markings on rear of image read 'Amy Isobel Huxtable', Donated by Mr Atkinson related to Mary Reibyperson, individual, personal portrait, amy huxtable, amy isobel huxtable

Sepia photograph of young woman wearing a long sleeved, waisted, long gown, with scarf and pin, and flowers at left shoulder, seated with left hand resting on high backed chair, right arm holding small bouquet of flowers on her lap. Name is possibly Lily Crosier."Probably Lily Chasey (Crosier)" / "Donated by Sue Barnes".lily chasey?, lily crosier?

The newspaper clipping (item F251-2) reads: "Sister Enid of the Methodist Mission in Prahran has won this week's Bouquet for a Lady. And as the bouquet was given to her by the mission's superintendenet, Rev. Frank Hartley, she said, 'This is the biggest surprise I've ever had.' Sister Enid has been a mission sister for 23 years. As Miss Alice Blenkinsop she trained at Melbourne Central Mission, and later worked in the slums of Collingwood and at the Wesley Mission in Hobart. She has also been a court probation officer. On Thursdays Sister Enid runs the Friendship Club for elderly women and pensioners at Prahran. Children have a special place in her heart. 'We used to mother the poor little dears during the depression, take them on holidays and form clubs where they could be together,' she said. She is training a children's choir for the Christmas carol service at the mission."Shows her standing behind a chair with a painting behind her."Sister Enid Wesley Prahran Mission Hobart 1940s, 1950s 1960s. Alice Blenkinsop. Happy birthday to Win, with my love, Alice"blenkinsop, alice, sister enid

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a man dressed in a suit with a lady dressed in a long summer frock, hat and holding a large bouquet of flowers. They are standing outside the door of a bluestone church, with other people in the background. The man is holding the arm of a small flower girl. The man is Frank Wright and the occasion is a wedding.frank wright, conductor, brass band, blue stone church

Sepia Photograph on fawn board. Wedding Photo. Bride in short wedding gown of 1920's and one female attendant with hat large trailing bouquet, men in 3 piece suits with buttonholes and gloves. Inscription: Printed B.R. of board 'CROXTON/STUDIO','631 HIGH ST/Northcote'person, group, wedding, see 815

16.5 cm x 10.5 cm Black & White studio portrait. Full length woman dark dress with bustle. Gloves, umbrella and floral bouquet under arm. Black choker neckband with small brooch. Printed on front 'The Oriental Gallery' 209 Bourke Street East, Melbourne.The Oriental Gallery Melbourne.photograph, person, female

Photograph. This is a photo-copy of 11400.751. A black and white photo mounted on cream card. It is from the Wedding of Mrs James Mitchell (nee Ella Nicholls, Bendigo). A floral head-dress holds a long veil, fingerless gloves, and a large round bouquet complement this beautiful silk and lace dress.photograph, person, copy wedding photo of mrs james mitchell, refer research notes included in clothing box 136

Un Named colour Debutante ball photo in Brown heavy paper folder. Boys in black suits with bow tie white ruffle fronted shirt and pink buttonholes. Girls in white dresses with pink bouquets. Flower girls in pink. Chaperones to left. Cream brick walls red carpet.photo, group, mixed group

A corsage is a small bouquet of flowers worn on a woman's dress or worn around her wrist to a formal occasion, traditionally purchased by the woman's date. A corsage originally referred to the bodice of a woman's dress. Since a bouquet of flowers was often worn in the center of the bodice, the flowers took on the name "corsage." This corsage was worn by Marjorie Burton.It was probably pinned on a dress to decorate it and may have been made by Marjorie or her mother. Marjorie Burton ( nee Whiteman), born 12 June, in Birmingham, England came to Orbost in 1995. In England she did office work – typing, shorthand and secretarial work - in accountants’ offices and also trained as a comptometrist with Burroughs in London. She came from a middle-class, working, church-going family. Her mother was a milliner who made many of Marjorie’s clothes, hats and outfits. Marjorie was married in 1938 to a salesman who later became a mechanic in the R.A.F. during WW11This item is an example of a typical dress accessory and reflects women's clothing styles of the mid 20th century.A corsage of pink and white artificial flowers with green leaves and tied with a pink ribbon. The stems are bound with green tape. In the centre of the flowers sre tiny white pearly beads.corsage accessories burton-marjorie

This badge was issued to Mrs M Deacon (mother) of 67 Cramer St, Preston to commemorate her son Flying Officer Stanley Alfred DEACON (255057) who was lost in a Consolidated Catalina A-24-22 of No. 20 Squadron RAAF, on the night of 08/09March 1943. The aircraft flown by the Commanding Officer of No. 20 Squadron W.Cdr Francis Bloomfield Chapman (271349) with Flying Officer S.A.Deacon as R.D.F. Operator (ie. radio officer) and 7 other crew members departed Cairns, and later reported being on fire, probably force landing 30 miles south east of Gasmata. A 3-4 day air search failed to find any sign of the aircraft or survivors. Gasmata is located in New Britain, Bismarck Archipelago, Bismarck, New Guinea. Stanley Alfred Deacon is commemorated at the Australian War Memorial and the Rabaul Memorial. https://www.awm.gov.au/collection/P10307635 Obverse: Circular metal (silver-coloured) badge with raised image of woman with floral bouquet. Raised lettering (see below) Suspended from badge, a rectangular metal strip (suspended by two rings) with small star held by split pin. Reverse: Hinged metal pin clasp Engraving (see below)Obverse: FOR AUSTRALIA Reverse: ISSUED BY THE C'WLTH GOVT A.F. 3713 AMOR SYDNEYww2., mothers and widows badge

Huttley - Martin FamilyCard: Cream foxed. Stained, worn. Photograph B/W: 1 Woman Seated, white dress holing bouquet hair hair hanging loose over right shoulder, ribbon around head. 1 Male standing to left with arm resting on back of chair, wearing 3 piece suitEmbossed on card: With Best Wishes. Printed on card The Burlington Studios 254 Bourke St Melbourne. O Rear of Card Madge & Ray Huttleyhuttley, martin

Classic Australian Poster Series. Limited edition reproduction No.15. All gifts and souvenirs P/L - Melbourne (03) 328 4025.1. Poster - paper, white print on poster, illustration in colour, woman holding a large bouquet of flowers. Red Cross depicted bottom right corner. Poster stored in cardboard tube. 2, Tube - storage. Cardboard with two plastic caps. Adhesive label in colour depicting small copy of poster and edition information.Printed on poster "Welcome Back - by the/ Australian/ Red Cross/ Society"red cross, poster

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This item has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.Three postcards and one greeting card. The postcards depict a photograph of a city with text reading "Board of Works" overlaid; a man posing with an early 1900s airplane; and an illustrated cartoon man and woman walking on a road in a rural area in Europe. The greeting card has text that reads "Loving Greetings" and a raised floral bouquet design made of plastic.haeusler collection, wodonga, postcards, postcard, post, mail, airplane, greeting cards

Sepia photograph large group of men and women outside. 8 Woman + 23 men standing, 4 women with flower bouquets. Men wearing top hats. Mounted on grey board. Inscription: handwritten in ink on the back, 'A.N.A. convention. (note badges)/Bendigo show grounds ± 1900' in bal pen 'Councillor J.H.Curnow at end right back row'organization, club/society, a.n.a

Photograph of four men and two women in wedding pose. The two women are standing either side of a male sitting in a chair, there are two other males standing behind them and on the right of the group is a clergyman. Bride is wearing an ankle length bridal frock with tiara and veil and white shoes, the other lady is also wearing white and both are carrying bouquetsperson, group, wedding party, wedding party

From the Chapman family photograph albumStudio Photograph on card Backing Drop background ferns rail rustic bench. Elderly woman sitting on bench - dark dress with puff sleeves. Dark fascinator tie/scarf. Holding bouquet. Young woman standing in dark suite long skirt fitted jacket - pockets unbuttoned. something attached to breast pocket, white blowers with bow tie. Great Grandmother Henderson (nee Mary Ann McCord and daughter Ruth

Sepia toned studio photograph of John Alexander and Rita Wills after their marriage at St Andrews Bairnsdale. Groom in dark three piece suite, white shirt, pale tie. Bride has simple head dress and veil, dress with long sleeves slashed at upper arm, short train, bouquet tied with white ribbon. Bairnsdale Victoriagenealogy

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.A yellow and blue ‘Wattle Day’ badge featuring a seated girl holding a bouquet of wattle. The first ‘national’ Wattle Day was celebrated in Sydney, Melbourne and Adelaide on 1 September 1910. Public support for Wattle Day peaked during World War I, when it was a potent symbol of home for military personnel serving overseas, and a means of raising money for organisations such as the Red Cross."Wattle Day"patriotic buttons, wattle day, first world war (1914-18), badges