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Kew Historical Society Inc
Clothing - Two Piece Pale Green Silk Day Dress, 1860s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Netta Fuller and her husband Alec were long-term residents of Kew. As a boy, Alec had attended East Kew Primary School and was later highly involved in the Kew Presbyterian Church during the 1950s and 60s. Netta's passion was for historic clothing and its exhibition. In 1985, Netta Fuller and Elizabeth Pace launched a parade of garments sponsored by Kew Historical Society at Holy Trinity Church, Kew. The parade was called 'Downunder Dressmakers' and included a collection of over fifty items of clothing dating from 1800 to 1984. The collection included dresses, hats, scarfs, capes, sporting costumes etc. The core of the parade consisted of a collection of 19th century costumes worn by the ancestors of a Miss Gertrude Murray, a resident of Blackburn. In sourcing items for her collections, Netta Fuller collected costumes stored in old trunks and wardrobes, or even purchased from opportunity shops. (During the period in which she collected and exhibited costumes, the latter could often be a reliable source for the purchase of historic and aesthetically significant costumes.) Not satisfied with purchasing authentic costumes of the period, Netta also used these as models for artistic recreations. Following her retirement from both collecting and exhibiting, Netta Fuller donated a number of 19th Century garments to the Kew Historical Society's costume collection. A number of garments were parts of costumes such as bodices, while others were complete outfits. Some of the latter exhibit signs of old damage, however very few of the costumes had been modified to enable them to be worn in exhibitions. Provenance, apart from that the costumes were donated by Netta Fuller after 1985 is limited to donor information, although some of her donations may have originally been part of the collection owned by the Murray family. While the costumes are old and therefore historic, provenance is less important than the representativeness and/or rarity of the costumes. Similarly, the costumes need to be evaluated as a group and separately, considering their aesthetic and artistic significance as well a their age.Two piece pale green and gold shot silk dress comprised of a skirt and top. The very full skirt has a scalloped edge front panel with bands of grey/green silk ribbon. The scalloped panels seem to be backed with later lining fabric (sic). The bodice has decorative buttons at the front from the high round neck to the waist. The bodice, like the skirt has a scalloped panel at the front, which is edged with ribbon. 1860-70. netta fuller, australian fashion - 1860s, women's clothing - 1860s, dresses - 1860s -
Kew Historical Society Inc
Clothing - Two Piece Iridescent Silk Day Dress, 1860s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Netta Fuller and her husband Alec were long-term residents of Kew. As a boy, Alec had attended East Kew Primary School and was later highly involved in the Kew Presbyterian Church during the 1950s and 60s. Netta's passion was for historic clothing and its exhibition. In 1985, Netta Fuller and Elizabeth Pace launched a parade of garments sponsored by Kew Historical Society at Holy Trinity Church, Kew. The parade was called 'Downunder Dressmakers' and included a collection of over fifty items of clothing dating from 1800 to 1984. The collection included dresses, hats, scarfs, capes, sporting costumes etc. The core of the parade consisted of a collection of 19th century costumes worn by the ancestors of a Miss Gertrude Murray, a resident of Blackburn. In sourcing items for her collections, Netta Fuller collected costumes stored in old trunks and wardrobes, or even purchased from opportunity shops. (During the period in which she collected and exhibited costumes, the latter could often be a reliable source for the purchase of historic and aesthetically significant costumes.) Not satisfied with purchasing authentic costumes of the period, Netta also used these as models for artistic recreations. Following her retirement from both collecting and exhibiting, Netta Fuller donated a number of 19th Century garments to the Kew Historical Society's costume collection. A number of garments were parts of costumes such as bodices, while others were complete outfits. Some of the latter exhibit signs of old damage, however very few of the costumes had been modified to enable them to be worn in exhibitions. Provenance, apart from that the costumes were donated by Netta Fuller after 1985 is limited to donor information, although some of her donations may have originally been part of the collection owned by the Murray family. While the costumes are old and therefore historic, provenance is less important than the representativeness and/or rarity of the costumes. Similarly, the costumes need to be evaluated as a group and separately, considering their aesthetic and artistic significance as well a their age.Two piece olive green and gold shot silk dress comprised of a skirt and top. The very full skirt has a scalloped edge front panel with bands of grey/green silk ribbon. The scalloped panels seem to be backed with later lining fabric (sic). The bodice has decorative buttons at the front from the high round neck to the waist. The bodice, like the skirt has a scalloped panel at the front, which is edged with ribbon. netta fuller, australian fashion - 1860s, women's clothing - 1860s, dresses - 1860s -
Kew Historical Society Inc
Clothing - Purple Rayon Day Dress, Scotchco of Melbourne, c.1950
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Plum coloured single piece dress, belted at the waist, with a belt covered with the same fabric. It has pearl buttons. The dress was retailed by Scotchco of MelbourneLabel: Scotchco of Melbourneaustralian fashion - 1950s, melbourne fashion designers - scotchco of melbourne, women's clothing, day dresses -
Kew Historical Society Inc
Clothing - Swiss Guipure Lace Wedding Dress, Hartnell of Melbourne, 1969
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. Golda Whelan, a designer with Hartnell of Melbourne designed this wedding dress for her daughter Liane Whelan. Liane married John Merry at St John's Anglican Church in Toorak in 1969.The dress was manufactured in the 'house' of Hartnell of Melbourne, a leading Melbourne Fashion House in the 1950s and the 1960s.White slim line lace wedding dress, featuring eleven self-covered buttons down centre back Off centre rear opening done up by metal press studs. The dress has a silk satin lining and netting underskirt.hartnell of melbourne, golda whelan, wedding dresses, lace dresses -
Tatura Irrigation & Wartime Camps Museum
Clothing - Childs Apron, 1940's
Made by Gretl Hornung's mother.White cotton (child's apron) embroidered with orange, pink, blue and yellow and tan flowers and a border of yellow, orange and brown. 2 pockets with same flower and borders. Same border pattern above hem. Ties from the shoulder fasten with 2 buttons to 2 buttonholes at the waist. 2 ties at the waist.childs apron -
Tatura Irrigation & Wartime Camps Museum
Clothing - Child's dress, 1940's
Worn by Gretl Hornung, daughter of internee, at camp 3. Dress made by her mother, Emma Frank. Worn in an official family photo. No 809 in front of 3 Frank families. Kurt, my father, Roland and Max. On the back of the photo is some sort of stamped ID. Photograph No MH 302 44/809 supplied by Military History Section (SD9) General Staff LHQ for personal enjoyment only and on condition that it will not be produced in any form.Blue grey knitted child's dress, round yoke, puffed sleeves, skirt is gathered onto yoke. Yellow, pink, orange, blue daisy like flowers embroidered on yoke. Opening at back of neck, fastened with 4 small buttons which have been crocheted over with blue cotton and fastened cord like loops.gretl hornung, emma frank, camp 3 sewing, gretl frank, kurt frank -
Tatura Irrigation & Wartime Camps Museum
Clothing - Dress - child, Emma Frank, 1940's
Worn by Gretl Hornung, daughter of internee, at Camp 3. Dress made by her mother Emma Frank.Round neck, sleeveless, navy blue cotton dress. 6 bronze like buttons, fastened through loops and 1 press stud. Red, green and yellow embroidered dots around neck, down the front and around the armholes and across the top of 2 pockets, gathered skirt.gretl hornung, emma frank, camp 3 clothing -
Tatura Irrigation & Wartime Camps Museum
Clothing - Ladies Blouse, 1940's
Used by internees at Camp 3Long sleeved lightweight linen cream blouse. Fastened with 5 mother-of-pearl, shank buttonsblouse, hoefer family, female, ladies blouse, ladies clothing -
Tatura Irrigation & Wartime Camps Museum
Clothing - Women's Cardigan, 1940's
Knitted in Camp 3 for Luise WiedHand knitted cardigan. Light brown back, sleeves and collar. Front knitted in two colours (light brown and orange). 2 Pockets on front. 6 orange buttonscardigan, anderson h, ww2 camp 3, female clothing -
Tatura Irrigation & Wartime Camps Museum
Clothing - Ladies Cardigan, 1940's
Babette Kirsch was a member of a New Guinea Lutheran Missionary family and knitted the cardigan Green long sleeved ladies button up woollen cardigan. 2 pockets, 12 brown wooden buttons, double moss stitch pattern on body, garter stitch collarladies cardigan, babette kirsch, woollen clothing, lutheran missionaries, new guinea missionaries, hedwig schulz, internment camp hand craft -
Tatura Irrigation & Wartime Camps Museum
Clothing - Suit - Ladies, Two Piece Woollen Suit
Made by InterneesGrey woollen ladies suit, fully lined jacket, collar has wide lapels, 2 pockets, 3 buttons, back has inverted pleat with 1/2 belt. Skirt has inverted pleat back & front, no waistband hem not finished.tatura, female, wool, handmade -
Tatura Irrigation & Wartime Camps Museum
Clothing - Cardigan, 1940's
Made by Internee at Camp 3Dark brown hand knitted cardigan. Small diamond pattern, long sleeves, two pockets, 8 brown buttons. Front edges crocheted. Made in Internment Campcardigan, beck h, camp 3, tatura, ww2, costumes, female -
Tatura Irrigation & Wartime Camps Museum
Clothing - Blouse, Helena Hoefer, 1940's
Used by internees in Camp 3. Made by Helene Hoefer.Beige coloured ladies embroidered blouse featuring european alpine wild flowers. Buttoned down the front with 10 brown gold wooden, shank buttons. Short sleeves. Bodice tapered to a fitted waist line.blouse, traude glenk, ww2 camp 3, ww2 camp clothing, ww2 camp handcrafts, helene hoefer -
Tatura Irrigation & Wartime Camps Museum
Clothing - Child's Frock, 1940's
Handknitted by internee Helene Hoefer, at Camp 3, for her daughter Traude.Child's knitted long sleeved woollen frock, green in colour with bands of yellow and red at edgings. Has knitted tie belt and 4 bown wooden shank buttons on centre opening of bodice.traude glenk, traude hoefer, knitted clothing, internment camp hand crafts, children's clothing, helene hoefer -
Tatura Irrigation & Wartime Camps Museum
Clothing - Ladies Vest, 1940's
Vest made by Helene Hoefer. Wooden buttons made by Rudolf HoeferDark brown sleeveless, low scooped neckline vest, belt sown into front darts and goes around the back. Stitched at centre back. Fastened at front with 6 handmade wooden buttons, 2 small buttons on inside. Lined with poplintraude glenk, traude hoefer, ladies vest, helene hoefer, camp 3 handcrafts, rudolf hoefer -
Tatura Irrigation & Wartime Camps Museum
Greatcoat, 1940's
Ex Australian Military Forces great coats were dyed a brilliant burgundy to make them easier to see, particularly should there be an escape. They were not exactly colour fast. Issued to Richard Bladau, internee from South Africa, at Camp 13.Greatcoat, 9 AMF buttons, 2 plain buttons. Pleat and belt at the back. 2 pockets with flapsM. TX. Size 28great coat, australian army, baumann m, camp 13, tatura, clothing, pow burgundy great coat, costume, male -
Tatura Irrigation & Wartime Camps Museum
Clothing - Child's Dress, 1940's
Worn by Gretl Hornung, daughter of internee, at Camp 3. Dress made by her mother Emma Frank.Orange knitted dress. Bodice rib pattern, embroidered white and blue flowers and white zig zag pattern on ribbed bodice. Long sleeves. Garter stitch band around neck and hem of skirt. 8 glass buttons down the back.gretl hornung, emma frank, camp 3 clothing, knitted dress -
Tatura Irrigation & Wartime Camps Museum
Clothing - Lederhosen
Traditional clothing worn by Rudi Kuhnle.Short trousers made of leather with braces attached. Pale green with dark green outline. Very ornamental leather strapping. Fancy buttons. Pattern on braces. Sheath on one side for knife. 2 pockets.lederhosen, german traditional clothing, rudi kuhnle -
Tatura Irrigation & Wartime Camps Museum
Accessory - Buttons, Brown Wood Buttons, 1940's
Wooden buttons made in Camp 3 during WW2. 8 brown wood domed buttons with wooden shank which has a hole through to stitch to clothing. Fastened onto a piece of tan cardboard with cream thread. 1 button larger than the rest.buttons, wooden buttons, frank family -
National Wool Museum
Clothing - Children's clothing, 1944
Two items of newborn clothing dating to 1944. The first item is a dress and the second is a singlet. Both items are made from wool and are in new, unused condition. The clothing was owned by Mrs L. Brawdrup and was donated to the National Wool Museum in 2022 by Lila Gore.Clothing item one is a cream woven dress. It is finished at the sleeves, neck, and hem with a white lace trim. The trim is formed from a thread that has a metallic gleam, presumably cotton. The dress is styled under the neck with a stitched patterned of frills and flowers in the same white metallic thread. The dress gathers under the armpits, similar in style to a dirndl. At the rear, the dress is loosened and fastened by 3 press stud buttons in an opening at the centre. Clothing item two is a cream woven singlet. It is finished at the sleeves, neck, and hem with a white lace trim. The trim is formed from a thread that has a metallic gleam, presumably cotton. The lace is like the dress; however, it is less intricate. baby clothing, 1940s, 1940s baby clothing -
Stawell Historical Society Inc
Clothing - Underskirt
Huttley Martin Costume collectionBlack Underskirt. floral embroidered band. 2 buttonoles, missing buttons, 7 bands with darts -
Chiltern Athenaeum Trust
Brass Buttons : Post Master General (Australia), 1901
Used for uniforms at the initial establishment of the Post Master Generals Department (Australia) 1901. Staff wore uniforms depicting they belong to the postal service. Used for uniforms in the initial establishment of the Post Master Generals Department circa 1901. round brass button with round ring attachment at reverse for affixing to clothing. Inscribed - Post Master Generals Department with an etched crown in he middle of the button. 1901 post master generals department, australia postal service -
Chiltern Athenaeum Trust
Clothing - Pair of gloves and an umbrella/parasol cover, Unknown
Ladies’ gloves were an essential part of life in the 1840s to 1900 Victorian era, regardless of class most ladies wore gloves. The glove design, material, and fit would hint at a lady's status, despite their hands being covered. A shorter style of glove would have been used for daytime wear, along with the matching parasol cover and would be matched to the owner's outfit. Leather was a material often used since the 1900s, however when WWI hit the price of leather gloves increased and many resorted to cheaper materials for their accessories. Although particular styles for evening-wear gloves altered throughout the 20th Century, the classic neutral leather glove was a staple throughout Australian ladies' fashion during this time. The need for gloves and parasol cover however disappeared in the 1960s when gloves were only used in the winter months as a practicality rather than a fashion accessory.The leather gloves and parasol cover indicate the owner was wealthy and was able to spend money on good quality accessories. This may have been due to the fact that Chiltern was a gold-rush town and would have had some wealthy families living there from the late 19th Century. The leather items are a symbol of such wealth and social signifiance in the rural town of Chiltern.Gloves: Beige colour with brown hand stitched detail on the upper hand - 3 lengths. Brown stitched all around with finger gussets. Three brown leather button detail to the upper cuff (actual leather circular pieces meant to resemble buttons, hand stitched in beige). Umbrella/parasol cover: Same soft leather as gloves and detail, metal zip along the length and tapered to one end. Two leather circular pieces meant to resemble buttons, one missing at the top). chiltern, leather, leather gloves, leather parasol cover, parasol, parasol cover, gloves, wealth, gold rush, chiltern athenaeum museum, chiltern gold rush -
Nhill & District Historical Society Inc.
Clothing - 1949 Wedding dress handmade and worn by Marjorie Schneider, 2 March 1949
This wedding dress was made & worn by Marjorie Gertrude Schneider, elder daughter of Mr & Mrs A. A. Schneider, of Lorquon, married Harold Francis Rohde, youngest son of Mr & Mrs J. B. Rohde, of Gerang, at St. Paul's Lutheran Church, Woorak, March 2nd, 1949.The dress was handmade by the bride, Marjorie Schneider.A charming frock of ivory cloque, inset with a yoke of beige lace with scalloped edges, cut on very flattering lines. The bodice, fitting perfectly to the waist and the back having a row of buttons, was ornamented as the shoulder with a diamante clip which had adorned her mother's wedding gown. The full skirt was draped softly from the waist, & extended into a long train at the back. The halo of orange blossom, which held the veil in place, set off to perfection the exquisite bride. She carried a shower bouquet of creamy white tiger lilies, gardenias, dahlias, gladioli and rose buds, & added to this was several horseshoes given by friends.schneider, rohde, woorak, st paul's lutheran church, gerang, lorquon, wedding -
Tatura Irrigation & Wartime Camps Museum
Clothing - Fireman's Dress Jacket
Uniform worn by A. Perry, who was a Fireman in Tatura from 1959 to 1967 ( 8 years )Navy blue Pure wool, double breasted, 7 brass buttons, ( 2 on lapels ), brass hook each side at waistline for belt. Red patch at top of each arm embroidered with Tatura Urban Fire Brigade. White label inside with David Lock P/L Melbourne., NAME A. Perry, 8 739. Shoulders lined with navy cotton fabric. Buttons are brass with Country Fire Authority Victoria , Shield and Helmet embossed on them. One button is missing -
Tatura Irrigation & Wartime Camps Museum
Uniform - Greatcoat
Army Greatcoat, Burgandy colour, 5 Buttons on front, 2 side pockets with flap closures. Back pleats at shoulders and below waist. Belt missingarmy greatcoat, uniforms, internee clothing -
Tatura Irrigation & Wartime Camps Museum
Clothing - Ladies Cardigan, Cardigan, 1940.s
Believed to have been knitted and worn by a female internee at TaturaHistoricLadies hand knitted woollen cardigan, long sleeves, 2 side pockets, pointed collar. Pale tan colour. fastens at the front with 11 brown wooden buttons. Knitted in a self check pattern. Cotton tape lines where the buttons are sewn on -
Tatura Irrigation & Wartime Camps Museum
Clothing - Greatcoat
Navy coloured woollen greatcoat, 3 big navy buttons down each side, 1 flap each side on pocket, sleeves are turned up. Inside top has a black quilted lining. Back has a kick pleat. Inside top has a pocket each side and inside left front under pocket is a triangle piece from same fabric as coat held onto front by two small navy buttons. Has a large and small navy button under each lapel. Can be worn either for male or female.label: Ladage & Velkegreatcoat -
Tatura Irrigation & Wartime Camps Museum
Clothing - Black Knitted Dress, 1944
Made by internee, Rosa Rubitschung, at Internment Camp 3, Tatura.Handknitted woollen black dress , with belt. black shank buttons & white material collar. Plain knitting with full length centre panel which is patterned.rosa rubitschung, ladies dresses, internment camp hand crafts -
Tatura Irrigation & Wartime Camps Museum
Clothing - Frock, Handsewn Ladies Frock, 1940
Sewn by Internee Emma Aberle in Camp 3b from cloth woven in the camp by Franz Laumen, Krefeld, Germany, an internee from England.Ladies Frock - tartan Part Pleated Frock with buttons. Hand sewn with collar, short sleeves, buttoned, slightly pleated skirt. Woven clothe is a Tartan Pattern, mainly green/red.ww 2 camp 3