Bendigo Performance of Vic Arts Dance Company - ''Landscape'' - program of four different works modern dance by four choreographers with the two underlying elements of music and costume.. With two-paged Media Release. Date 1993.

The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.A natural undyed straw woman’s hat with a rounded crown and a wide brim. At the base of the crown there are added decorative elements comprising silk rosebuds and leaves and a purple ribbon. A band of cream tulle surrounds the floral decoration.Nilwomen's clothing -- hats, sun hats, straw hats, headwear

The BSO logo was created in 2021, The icon is a stylised shape inspired by three key elements: - the movement of the hand, or baton of the conductor, - the shape of the stringed instruments, - and the five lines of a musical staff. This logo was designed by Kristen Beever.

Memorabilia of all Australian service elements engaged in Vietnam.Shows collective indication of all Australian Service elements engaged in Vietnam.Shield, Australian Force Vietnam; timber backing with metal artwork of: a border of Australian Corp insignias with a Red Kangaroo insignia being top and centre, South Vietnam colours bannered across world globe with sword vertical up centre.Australian Force Vietnam bannered across bottom of artwork.vietnam, vietnam war, diamond valley vietnam veterans sub branch

The collage represents different elements of the Battle of Long Tan.The Battle of Long Tan is generally recognised as Australia's major battle in the Vietnam War; the the lingering memory and conclusive evidence of the courage of the soldiers in the battle holds great reverence amongst Vietnam veterans.Framed presentation of Long Tan story with 6 panels - 1 x text and 5 x photos - 4 x landscape, 1 x portraitText panel is a brief introduction of Long Tan story; 5 photos have short descriptive text.vietnam, vietnam war, battle of long tan, diamond valley vietnam veterans sub branch

Donated to Sub Branch to provide historical and formal elements to Meetings.It is significant to members in as much as it provides a standard of protocol, authority and respect to formal meetings eg the Annual General Meeting.Model in polished wood of a Gavel and Plate. Plate has inscription plate "To The DViets From Mackay Vietnam vets."; gavel has on the side a badge of the Rising Sun and on the top face an insignia of TBA; the handle of the gavel has a decorative snake entwined thereon.diamond valley vietnam veterans sub branch, mackay vietnam veterans qld

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A black and white photograph of a Viet Cong patient captured, in one of the wards by elements of 6 RAR/NZ (ANZAC) during Operation Marsden, explains the weapons and their significance to the Battalion Intelligence Officer in one of the many caves revealed by the prisonerphotograph, k76a hospital, nui may tao mountain, 6 rar/nz, gibbons collection catalogue, intelligence officers, vc prisoner, wounded viet cong soldier, operation marsden, battalion intelligence officer, 6 rar/nz (anzac), denis gibbons

Presented with Cerificate from the Speaker of the House of Representatives Neil Andrews on June 22nd 1999The flag has three elements on a blue background: the Union Jack, the Commonwealth Star and the Southern Cross. ... Below the Union Jack is a white Commonwealth, or Federation, star. It has seven points representing the unity of the six states and the territories of the Commonwealth of Australia.polyester, australian, flag, national

Cap in Belarus colours and stating Belarus in Belarusian language on front. Cap is red and green and has red and white patterened trim around side edges. COlours and pattern match elements of Belarusian national flag. Materials: Cotton, Threadtennis

The first section of Studley House, now part of the preparatory school for Xavier College conducted by the Society of Jesus in Kew, was built in about 1857 for Parliamentarian John Hodgson, an early settler in the district, as a two-storey residence in the Classical Revival style. The name Studley House was first recorded in the Kew ratebooks in 1862, after the house was purchased in 1860 by James McEvoy, squatter. Alterations and an extension, designed by William J Ellis were undertaken in 1875. The house was again altered in 1919 during the ownership of John Wren, former bookmaker, ALP lobbyist, influential Irish-Catholic and millionaire. After 1969 the house was used by the school. (Victorian Heritage Database, 2023)This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Original monochrome photograph of architectural elements used in the decorative scheme on the exterior of Studley House in Nolan Avenue, Kew. The POV is of the rendered and painted Doric columns forming the ground floor colonnade. Note the Victorian tessellated tiles used on the floor of the verandah.dorothy rogers, studley house -- nolan avenue (kew), xavier preparatory school

The first section of Studley House, now part of the preparatory school for Xavier College conducted by the Society of Jesus in Kew, was built in about 1857 for Parliamentarian John Hodgson, an early settler in the district, as a two-storey residence in the Classical Revival style. The name Studley House was first recorded in the Kew ratebooks in 1862, after the house was purchased in 1860 by James McEvoy, squatter. Alterations and an extension, designed by William J Ellis were undertaken in 1875. The house was again altered in 1919 during the ownership of John Wren, former bookmaker, ALP lobbyist, influential Irish-Catholic and millionaire. After 1969 the house was used by the school. (Victorian Heritage Database, 2023)This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Original monochrome photograph of architectural elements used in the decorative scheme on the exterior of Studley House in Nolan Avenue, Kew. The POV is of the two storey rendered and painted colonnade featuring Doric columns o the ground floor and Ionic columns on the first floor.dorothy rogers, studley house -- nolan avenue (kew), xavier preparatory school

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A black and white photograph of the interior of Armoured Personnel Carrier (APC) 13A "The Nympho" destroyrd by a NVA/VietCong mine, whilst operation with task force infantry elements on operation Massey Harris. (September 1970) All the Diggers on the APC were wounded.photograph, apc 13a, operation massey harris, nva/vc, mine, gibbons collection catalogue, the nympho, nva viet cong, diggers, wounded servicemen, nva vietcong mine, denis gibbons

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A black and white photograph - Elements of 6 RAR/NZ (ANZAC) during Operation Marsden, in contact with the NVA/VietCong forces in the hospital wards of the NVA/VietCong K76A Hospital, on the Nui May Tao Mountain. The enemy fought hard as they extracted their wounded.photograph, operation marsden, 6 rar/nz, k76a hospital, nui may tao mountain, gibbons collection catalogue, nva/vc, 6 rar/nz (anzac), nva/vietcong, wounded viet cong soldier, denis gibbons

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection.A black and white photograph of Long Binh Province at an Australian Fire Support Base in the late afternoon,as the sun is setting, a 105mm gun of 104 Battery RAA fires in support of 4 RAR/NZ (ANZAC) infantry elements in contact with NVA/VietCongphotograph, artillery, raa, 104 battery, long bien, 4 rar nz, gibbons collection catalogue, fire support base, long binh province, australian fire support base, 105mm howitzer, 4 rar/nz (anzac), nva/vietcong, denis gibbons

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A black and white photograph of an Australian Intellegence Interpreter attempts to decode NVA/VietCong message left carved into a tree trunk, at a bunker complex, captured by 1st Australian Task force Infantry elements. The message was somewhat garbled, and probably in some form of code.photograph, military intelligence, gibbons collection catalogue, nva/vc, 1st australian task force, infantry, australian intellegence interpreter, nva/vietcong, bunkers, denis gibbons

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A black and white photograph of elements of A Company, 7 RAR under command of Maj Chris Thompson move out on Operation Finschafen 13/03/1970. Maj Thompson had previously spent fourteen years with Gurka Battalions in Malaya and Hong Kongphotograph, maj chris thompson, operation finschafen, 7 rar, gibbons collection catalogue, a company, denis gibbons

Manufacturing History Museum Victoria|Commentary: Australian manufacturing history Philip Wollen|Many years ago, when I was an ambition young man, I took over a company called Hecla. This business was formed in 1872, long before Federation was even contemplated. The company established a rich tradition in the Australian manufacturing industry. The prodigious product range included kettles, mixers, toasters, hairdryers, urns, pie warmers, bain maries, and electric blankets for the domestic and commercial market. During the war it even manufactured parts for aircraft. It was one of Melbourne's largest employers.|Hecla was one of the pioneers in TV advertising, led by icons like Bert Newton, Bobby Limb, Evie Hayes and Graham Kennedy who ad Jibbed his way through irreverent and unscripted naughtiness about Hecla electric blankets and foot warmers. The slogan was 'By Hecla, its good.'. One can imagine the fun Bert and Graham had with their double entendres.|In the 60's Hecla entered into a partnership with General Electric and expanded rapidly. The massive factory, on the corner of Alexandra Parade and Chapel Street overlooking the Yarra River was a Melbourne landmark.|The business was formed by one of the scions of Melbourne industry. Mr Marriott was a metal worker of some repute, building the lights in front of Melbourne's Parliament House, the first steam car, the sideboard at the RACY Club, and the first factory to run on electricity.|By the time I acquired the company it was a shadow of its former self, incapable of competing with cheap Chinese imports. Wandering around the warehouse late one night I discovered a large, boarded up storeroom which appeared not to have been opened in decades.|Over several months I combed through the room, unearthing a treasure trove of products from a bygone era. Dusty files, engineering drawings, wooden prototypes, patent records, and correspondence from distributors on every continent.|I decided to track down an old man, Ray, long retired after 50 years with Hecla. He was not well off financially and welcomed the paid work. It turned out that he had done his apprenticeship with the company and there wasn't much he didn't know about it. He had been personally involved in the manufacture of almost every type of product on the Hecla smorgasbord's of products.|So for over 2 years he methodically assembled a mini museum of Hecla products, painstakingly polishing them and ensuring they were in working order. He attached the original brochure of each product and their respective warranty cards. For him it was ,a labour of love. For me it was a fascinating, if vicarious journey, into Australia's manufacturing past.|My colleagues complained that I was wasting money on his salary, our time and factory space on stuff that should have been dumped years ago. I tried to explain that I was merely a steward of the Hecla tradition, not merely an owner. Besides, the look on Ray's face convinced me that there was another dynamic at work. One I could see, but didn't really understand.|After he Passed away I faced a dilemma. What to do with this 'museum' of Hecla history. Nobody was interested.|So I kept the 'stuff' in private storage, hoping that same day someone would be interested in it. And the years passed.|Finally, I had a brainwave. Perhaps the Melbourne Museum would be interested. It was a long shot but I made the call. I had a nagging suspicion that they would think I was simply trying to get them to relieve me of paying for this huge collection to be taken to the tip.|To my surprise they said they would be willing to take a look, I secretly hoped that they would take the whole collection and not leave me with an incomplete jumble of appliances that I would indeed have to take to the tip.|On the appointed day, four serious looking young people showed up. Armed with digital cameras, note books and poker faces they spent four hours analysing the goods and the supporting materials. I asked them if they had any interest and their response was decidedly non-committal. It depends on the acquisitions committee, I was told. I was disheartened and packed up the exhibits to go back into storage.|Imagine my surprise when months later they telephoned to say that they had researched the history of the company, and yes, they would like to take the whole collection. And a truck with 'handlers' would arrive the following day to pick it up. Two years ago all Hecla's archives left me forever and went to the Museum's warehouse.|Well, to my delight I received a call yesterday inviting me to a private viewing of the exhibition at the Melbourne Museum. These young historians had meticulously assembled an impressive display of Melbourne's industry and technology going back to the 1800's. They thanked me like a significant benefactor when it is I who should have thanked them.|I saw the excitement in the eyes of these young people who had somehow managed to dig out and assemble memories from Australia's past. If this is the standard of care that the curators of the Melbourne Museum show all their exhibits, our history is in safe hands.|Their meticulous work took me back to those years long ago when I saw an old man lovingly assembling and cataloging a lifetime of his work.|It took me back to the day when Australians actually made things. Long before we became a nation of quarrymen. Before we became animal-factory 'farmers'. Of a time when products didn't break down, or dumped and replaced before the warranty expired. When men like Mr Marriott cared deeply about what their hands produced.|It reminded me of the call I received from an elderly lady in Tasmania asking for the electrical element for a Hecla K7 kettle. I searched the archives and called her back. The K7 was produced decades earlier and we no longer carried that spare part. She was quite disheartened and told me her kettle had finally 'given up the ghost' and she couldn't bear to part with it. It was a present from her husband on their wedding day 45 years ago. Her final words were 'they don't make them like that, do they? By Hecla they were good.'|I'm glad I followed my instinct and put Ray back on the payroll all those years ago..|I like to think Mr Marriott would have been pleased.Large electric heater with two radiator bars and a protective grille at the top and false coals at the bottom.Replacements for this fire - Elements No. F314 - Illuminators No. 3P. Berry's Electric Ltd - Volts 230 - 240 -Watts 2000 V/AD/Cat No. 454 . Made in Australia by Hecla Electrics Pty Ltd Melbournedomestic items, heating

A guide to period building styles in Victoria. Contains heritage colour suggestions and description of main architectural elements.These house styles are common throughout Victoria and may also be found in the Greensborough area.31 pages, soft yellow cover with title in grey and white. Colour illustrations and black and white line drawings.houses victoria, heritage council of victoria, heritage victoria, david harvey

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A black and white photograph of Trooper Normie Rowe in the field entertains the 4th Battalion, RAR/NZ (ANZAC) as a special guest artist at their owned produced farewell concert. All acts and musicians were from 4 RAR/NZ and its close support elements.photograph, 4rar nz, normie rowe, entertainer, gibbons collection catalogue, trooper normie rowe, 4th nz battalion, 4 rar/nz (anzac), denis gibbons

Viola Annie McVicars (1911–1990) was born in Korumburra on 29 April 1911. At the age of 21, she married William John Ayling (1909–1995). After their marriage in 1932, they moved to Kew, initially to 81 Tennyson Street, and later to 180 Pakington Street. A professional tailoress, Viola Ayling was also a talented amateur potter, creating her ceramics at her home in Pakington Street, where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. Following her death in 1990, her studio pottery passed to her daughter, and following the daughter’s death, to her granddaughter. This piece of glazed earthenware is part of a collection of 15 functional and decorative ceramic items donated by Viola’s granddaughter to the collection in 2024.A handmade container, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Pate.Handmade, initially thrown lidded container, with applied decorative coils as decorative elements. The pot has a vibrant yellow glazed ground with highlighting in green glaze. The underneath of the separate lid continues the circular design with an incised spiral design. The base is signed with the signature of the artist.Signature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), containers, viola annie mcvicars, viola annie ayling

The first sculpture awarded the Shire of Eltham 'Art in Public Places' Award/Commission. The Judges were Inge King, Jenny Zimmer and Daryl Jackson. The work deals with the juxtaposition of suburban and rural surroundings. This scupture is a typical example of the artist's oevre of the period. This sculptre is site specific and refers to the nature of the environment. The colour - bushfire red / sienna - alludes to the history of fire in the urban/rural fringe and the title, as well as the sculpture's shapes, forms and material refer to the natural and local elements. Judges report noted: "The most vital and expressive work for the site...with a great sense of dynamic movement and vibrant colour. Its' abstract forms will enliven the surroundings and the urban and natural environment. This work is the most appropriate for the site and expressive of the dynamics of an evolving community in which artistic discourse and debate has always thrived." The work has acquired the status of a major landmark from the National Trust. The Breeze is an abstract work made out of welded steel and painted in enamel in bush fire red / sienna. It comprises a series of flat, cut-out shapes, interlocking at different angles, giving the impression of being hinged together rather than fixed. The work references nature and the built environment. Its geometric shapes suggest man-made structures within industry and suburban life, while rural areas can be identified by the organic flame-like shapes fanned by the wind. The circular cut-out in the eye mimics the sun, symbolising the intense heat of the Australian climate, while the colour red alludes to the history of bushfire within the urban and rural fringe. N/Apublic art, ginger, red, sienna, elements, steel, abstract, breeze, fire, sculpture

Formerly the home of Greensborough pioneer, John Scotland, this renovated home retains many original architectural elements. It was sold in December 2016.Digital copy of colour photographjohn scotland, scotland avenue greensborough

Formerly the home of Greensborough pioneer, John Scotland, this renovated home retains many original architectural elements. It was sold in December 2016.Digital copy of colour photographjohn scotland, scotland avenue greensborough

Formerly the home of Greensborough pioneer, John Scotland, this renovated home retains many original architectural elements. It was sold in December 2016.Digital copy of colour photographjohn scotland, scotland avenue greensborough

Formerly the home of Greensborough pioneer, John Scotland, this renovated home retains many original architectural elements. It was sold in December 2016.Digital copy of colour photographjohn scotland, scotland avenue greensborough

Formerly the home of Greensborough pioneer, John Scotland, this renovated home retains many original architectural elements. It was sold in December 2016.Digital copy of colour photographjohn scotland, scotland avenue greensborough

Formerly the home of Greensborough pioneer, John Scotland, this renovated home retains many original architectural elements. It was sold in December 2016.Digital copy of colour photographjohn scotland, scotland avenue greensborough

Formerly the home of Greensborough pioneer, John Scotland, this renovated home retains many original architectural elements. It was sold in December 2016.Digital copy of colour photographjohn scotland, scotland avenue greensborough

Formerly the home of Greensborough pioneer, John Scotland, this renovated home retains many original architectural elements. It was sold in December 2016.Digital copy of colour photographjohn scotland, scotland avenue greensborough