Demonstrates the methodology of arranging payment for casual staff in the SECForms - book of 12 stapled within orange colour covers, titled "Engagement & Termination dockets", by the SEC providing details to the Timekeeper of workmen engaged and terminated with information to register their employment along with details and their date and time of termination along with a reason. Title of document written in blue indelible pencil on the front cover.trams, tramways, forms, employment, employment forms, sec

William Malcom (Bill) Forrest, served Korea & Malaya. Refer Cat No 7281P for his two periods of service engagements.Certificate of discharge form AAF A16 register No P35010, light yellow colour, all print in black and signed in blue pen. Certificate details re name, date of birth and place, rank, Regt No, enlistment and discharge dates, physical description.Main points: "5/1788 William Malcolm Forrest"certificate, discharge, korea, malaya

Sanderson P (1988): '73 Walpole Street (Kew), 'Otira'. Built 1887. Original use - Residence. Architect - Crouch. Henry Berry, a noted philanthropist and salt merchant of Melbourne, was the original owner of this two-storey, boom-period house. Berry occupied the residence until his death in 1923 while in February the following year, the property was auctioned. Subsequently purchased by the Methodist Church for use as a training college for missionaries, a number of additions and alterations were made at that stage including a memorial chapel that was built on the property in 1957.' Otira is now a private residence. Original colour positive photograph (polaroid) of 'Otira', 73 Walpole Street, Kew, taken in 1978 by students in Form 3R at Trinity Grammar School as part of a project. The view is of the painted glass panels surrounding the main door, viewed from the hall."Photo 4 / Stained glass door panels Otira"otira - 73 walpole street, henry berry, historic houses -- kew (vic.), trinity grammar school, melbourne architects -- crouch, interior design -- front doors -- 1880s, interior design -- painted glass -- 1880s

Quartz is an extremely common mineral to find across the world. Quartz can have two forms; Microcrystalline quartz or Crystalline quartz. Microcrystalline quartz is a fine grain quartz where crystalline quartz is often a large crystal. This specimen is a crystalline quartz. Made of silicon oxide, this specimen is called smokey quartz crystals because of its brownish colour. However, the colour of quartz can vary. In addition, quartz are formed in deep-seated igneous rocks and crystallized through hot aqueous solutions. This type of crystal can be found all over Australia, including Beechworth in Victoria. Other places quartz can be found is the Ashburton River area in Western Australia, Marlborough in Queensland, the Lune River area in Tasmania and Kingsgate in New South Wales. This specimen is significant because it is common to find this kind of mineral. While the location of where this specimen was originally from is unknown, it highlights the many places in Australia where quartz is found. It demonstrates that quartz makes up a large portion of Australia's geology. In addition, quartz itself can vary in its colour and shape. This specimen represents one of these variations. That being smoky quartz crystals. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study.A large hand-sized quartz mineral with shades of brown and gray throughout.Smoky quartz / crystals /locality/ unknown / (needs a wash) /BBgeological specimen, geology, geology collection, burke museum, beechworth, microcrystalline, quartz, quartz mining, quartz reefs beechworth, smokey quartz crystals, crystals, crystalline, silicon oxide, brown, colour, igneous rocks, magma, ashburton river, western australia, marlborough, queensland, lune river, tasmania, kingsgate, new south wales, nsw

Worn as part of a uniform, attached to the right shoulder of a jacket with the loose end in the right breast pocket. This jacket was worn by Bernie Farley, of the 8th/7th Battalion, Royal Victorian Regiment. This lanyard has social significance, being owned and worn by Secretary of the Warrnambool RSL, Bernie Farley. The lanyard was donated as part of a uniform set by Bernie Farley after 30 years of service in both the Australian Army and Royal Australian Air Force. Though worn in the 1990s, this uniform is in excellent condition as a representative example of an Army uniform of the period.Brown and white candy-striped cord lanyard with two loops knotted at either end; one knot has been looped around the lanyard to form an arm hole. The striped colour signifies membership of the 8th/7th Battalion, Royal Victorian Regiment.military uniform, ex-service, lanyard, army uniform, warrnambool

Colour aerial photograph of the land forms around the entrance to the Gippsland Lakes, from Kalimna West to Lakes Entrance, North Arm to the ocean. Shows massive sand buildup between Rigby Island and Kalimna, also Bullock Island. Lakes Entrance Victoriawaterways, navigation

Pugh was one of many artists who brought an Australian experience to attention. This work reveals the colour, textures, harshness and inhabitants of the natural bush, with the angular forms found on the ‘black birds’ dominating the composition with dramatic effect. Shanahan, Albert Tucker, Frank Werther and Fred Williams have at one time settled and or work there. Untitled (Black Birds) from the Bodford Terrace Suite 1978, created by Clifton Pugh - a celebrated Australian artist known for his landscapes and portraiture as well as (three-time) winner of Australia’s Archibald Prize. This piece plays a significant role within the Nillumbik Shire Collection due to Pugh’s strong connection to the local land where he settled in Cottle’s Bridge in 1951, purchasing 15 acres and named it Dunmoochin. Artists, potters and others settled at Dunmoochin and formed the Dunmoochin Artists Co-operative in order to collectively protect the land. Numerous renowned artists worked or resided at Dunmoochin including: Rick Amor, Fred Williams, Albert Tucker, Frank Hodgkinson, Mirka Mora, John Olsen, John Percival and John Howley amongst others. Upon his death in 1990 he left an art collection and extensive properties at Dunmoochin to be appreciated and utilised by artists for years to come lithographic print on French Arches paper. Dynamic and expressive depiction of black birds in flight on far left of composition, cropped elements of Australian landscape in blue and red in the background (trees, shrubs, rocks). Inscribed lower right 'Clifton'; 1:1; 179/300clifton pugh, bodford suite, dunmoochin

Pugh was one of many artists who brought an Australian experience to attention. His landscapes reveal the colour and textures of the natural bush, often with a dramatic emphasis. His reference to the harshness of the bush consistently arises, with angular forms dominating the composition. White Choughs in the Landscape is typical of his representations of the bush as a dynamic environment. White Choughs in the Landscape, 1958, created by Clifton Pugh - a celebrated Australian artist known for his landscapes and portraiture as well as (three-time) winner of Australia’s Archibald Prize. This piece plays a significant role within the Nillumbik Shire Collection due to Pugh’s strong connection to the local land where he settled in Cottle’s Bridge in 1951, purchasing 15 acres and named it Dunmoochin. Artists, potters and others settled at Dunmoochin and formed the Dunmoochin Artists Co-operative in order to collectively protect the land. Numerous renowned artists worked or resided at Dunmoochin including: Rick Amor, Fred Williams, Albert Tucker, Frank Hodgkinson, Mirka Mora, John Olsen, John Percival and John Howley amongst others. Upon his death in 1990 he left an art collection and extensive properties at Dunmoochin to be appreciated and utilised by artists for years to come White Choughs in the Landscape is typical of Pughs' representations of the bush as a dynamic environment. The brittleness and fragility of the landscape is recorded in the surface of the work, where paint is applied in thin layers.Signed 'Clifton Sept. 1958'clifton pugh, dunmoochin, white choughs

Yields information about the appearance of BTM owned tram No. 8 Scrubber when in MMTB service at the South Melbourne Per way depot.Printed colour photograph in the form of a postcard, of the Perway yard at South Melbourne depot 1950's with grinder car No. 2 and other service trams and a tower truck. No. 8 is the MMTB green and cream colour scheme. Has the two road Perway yard shed in the view. TMSV publication On the rear is a postcard framework and in the address portion a written inscription.In red ink, "Sth Melb Perway yard scrubber 8w, with cabins from PMTT 32"trams, tramways, south melbourne, mmtb, scrubber tram, tower truck

The card is for use in being able to obtain ration books from the Ration Book Issuing Centre. It is issued under the National Security (General) RegulationsAdministrative Occupation Survey form, light card, khaki colour, all print in black type front and rear, designed for civilians aged 14 years and over on June first 1945, front has spaces for individuals details, rear has instructions and details.occupation survey, national security, ration books

The Form states the Entitlement to War Gratuity for VX 132642 L W Davey who served in the AIF during WW2The Form W G 3 is an original and shows entitlements due to VX 132642 L W DaveyWhite colour Office Stationery W G 3 AMF Form Entitlement to War Gratuity Ronson Cigarette Lighter engraved L.W. Davey 4-12-47 1948 Clothing and Ration Card CHILD under 6 years at 1 January 1948Entitlement to War Gratuity for VX 132642 L W Daveyaif, ww2, gratuity, davey

This particular brand of tobacco (State Express 555) was first made in 1915, and was most popular in Asia and China. The number triple 5 was mooted as a sacred number, and may have contributed to its high level of demand by Asian smokers. This would have been a favourite "smoke" for the Chinese emigrants, and especially those who settled in rural areas of Australia. In the era where 'male' type of activities such as motor racing, were sponsored by tobacco companies, roll your own cigarettes was ingrained as a macho male requirement. It was only in the early 2000s, when cigarette advertising had greater restrictions attached to the product, that the roll your own, and cigarettes in general, became less "cool". This particular cigarette tin would have also been useful for roll your own (ready rub tobacco)The significance of this particular Qantas cigarette tin to this rural region is that it demonstrates that overseas travel by plane was not only for the affluent city dweller but also available, and not impossible to the inhabitants of the Kiewa Valley. This cigarette tin also may hint that the influx of Asian immigrants into this region where able to visit relatives back in Asia without too much effort. The use of a Qantas cigarette tin in the Kiewa Valley also suggests a degree of affluent there or tourists from elsewhere. This tobacco tin relays a long ago era, when personal contact, and not something that has been written down by some "unknown", was valued as the true appraisal of a member of the community. This was especially relevant in a small regional area such as the Kiewa Valley. Although social networking was not as fast then as the internet provides now, appearances, manners, fashion and etiquette with first impressions high on the order of evaluating someone in the community. Pointer such as the brand of tobacco smoked was part of the rural assessment method. Up until the demise of the Australian Tobacco Industry, circa 2004, the Kiewa Valley and surrounding district was part of a vibrant producer of tobacco leaves. The remnants of this industry still remain today but the drying sheds (for tobacco leaves) are now used to store hay for the valley's dairy and beef cattle industries.This tobacco/cigarette tin is constructed from tin plated thin rolled steel. The lid is attached by two pressed and formed (from the main frame) hinges using the nip and tuck construction method.The outside lid and frame has a yellow colour anodised to the metal.On the front of the lid are the following printed: "STATE EXPRESS" ,in yellow print, and below this are two horizontal lines in brown and central to these are the numbers "555" . Below this appears and within a 'royal' crest, in yellow writing on a brown circular background "STATE EXPRESS". Below this, in brown print, "PICCADILLY, LONDON". On each side of the tin are printed in brown colour: front side" ARDATH TOBACCO CO. LTD. PICCADILLY, LONDON" . On the left and right sides are printed in brown colour "20 STATE EXPRESS 555". On the rear side is with smaller print "MANUFACTURED UNDER ARRANGEMENTS WITH THE POPRIETORS". On the inside of the lid printed in red colour, are the following words, the royal crest and sketch of the winged kangaroo(symbol of the QANTAS logo). Within a red elongated square border, are the Royal Crest and in very small red print "BY APPOINTMENT TO HER MAJESTY THE QUEEN" underneath in slightly larger print "STATE EXPRESS" The print underneath this and in smaller print is "CIGARETTE MANUFACTURERS ARDARTH TOBACCO CO. LTD." Next to the royal crest and in much larger print is "STATE EXPRESS" and underneath this ,the numerals 555 with the words "CIGARETTES" below. The lower half of the inside lid has the following words and the "flying" kangaroo(winged). These words in written (running free hand) style "Specially packed for QANTAS(in red print). Underneath and in smaller print is "AUSTRALIA'S OVERSEAS AIRLINE". On the bottom of this tobacco tin is stamped into the metal surface, the number"704"qantas supplied cigarettes, roll your own, cigarette tins, smoking accessories, personal effects, tobacco containers, tobacco

Used by conductors or conductors to retain and sell tickets from.Demonstrates the method of dispensing tickets by conductors, how the tickets could be arranged. Yields information about the style and printing of tickets used in Ballarat tramways and how they were presented.Sheet of leather, approx 2mm thick, stained brown with four pockets formed on each side with another sheet of leather, stitched on all sides to form pockets to hold eight blocks of tickets. Stitching is a white colour cotton. Has four blocks of tickets. 80c - blue - A 1016901 - Ballarat Vintage Tramway 30c - purple - A 69601 - Ballarat Tourist Tramway 10c - black - A 114000 - Ballarat Tourist Tramway 5c - red - A 137000 - Ballarat Tourist Tramwaybtm, ballarat tramway museum, ballarat tramways, tickets, ticket wallet, sec, conductors

.1) 19.1.41 To Gladys with best wishes from Viv. Later someone has written VX15538 VRG THOMAS D Coy 2/14 Battalion Vivian Raymond George Thomas enlisted in the 2nd AIF on 17.5.1940 age 28 years. He is listed as KIA at Gona New Guinea on 28.11.1942 while serving in the 2/14th Batt with the rank of Cpl and is buried in the Bomana War Cemetery Port Moresby..1) Post card in the form of a 'One Palestine Pound' with inset photo of an Australian Soldier VRG THOMAS. Colour in sepia tones. .2) Photograph copy enlarged from .3) showing German graves. Sepia colour. .3) - .39) Series of original photographs in black & white, sepia re war in North Africa, pyramids, towns, cities. Several are in the islands.photography-photographs, military history - army, documents - postcards

Colour photograph of Bill and Stella Montague's original house with the orchard that was planted in 1952 in the foreground. The home of Alf and Marion Montague (Bill's parents) is on the left. A line on the left side indicates this is two photos stuck together to form a panorama. Trees in orchard appear to be quite young.

Sarah ANDERSON (1984- ) Born Ararat, Victoria Sarah Anderson is a ceramic artist currently completing her tertiary education at Federation University, and upon completion intends to study for a post-graduate teaching qualification. Influences on Sarah’s work range greatly, from historical Mexican tilework to delicate pinched porcelain sculpture. Barbara Hepworth, Constantin Brancusi and Jun Kaneko continue to be great sources of inspiration for Sarah’s final year of studies, for their challenging looks at shape, form and colour in their ceramic work. Sarah’s current ceramic practice involves exploring organic shapes in brightly coloured finishes. At once the shapes are earthy and vaguely figurative, an exploration of three dimensional shape and how our minds seek to align them with familiar forms. Her colour treatments are designed to create a dichotomy between shape and colour, inviting the viewer to apply their own meaning to the works. In future, Sarah hopes to combine her love for art history and education with her art practice in a fulfilling career. Sarah Anderson completed a Bachelor Visual Arts (Ceramics) at the Federation University Arts Acadamy in 2017. Three earthernware sculptures with mid-fired underglaze treatment. An airplant is attached to one of the items. This work won the 2017 Federation University 3D Art Acquisition award.On each base 'Sarah Anderson'sarah anderson, ceramics, sculpture, alumni, art acquisition award, available

Albert E. WILLIAMS (1899-1986) Born Victoria, Australia Albert Edward Williams was among the first to undertake the five-year, Technical Art Teacher’s Certificate (TATC) at the Ballarat Technical Art School in 1915, with work placement at the Ballarat Lithographic company. Williams taught for several years before he was selected to undertake further teacher training at the Working Men’s College, Melbourne, in 1926. He returned to teach at Ballarat in 1928, facilitating many student activities, while pursuing the arduous Art Teacher’s Certificate. From its inception in 1914, it was 30 years before the first candidate achieved the certificate’s exhaustive requirements. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Mounted original illuminated artwork in Celtic style"Design for Title Page, in Historic Style of Ornament." "Submitted by Albert E. Williams, Technical Art School, Ballarat, for Art Teacher's Certificate" "Celtic Art. A treatise on the history and peculiarities of Celtic Art with numerous illustrations in colour taken from ancient national manuscripts in the British Museum and other libraries." "Ballarat A.D. 1936". Monogram of AW forms part of the artwork.art, artwork, albert e. williams, celtic art, ballarat technical art school, art teacher's certificate, illumination, title page, design

Peter Ball collection, refer Cat No 4704.1) Envelope, Will AAF - 131 light fawn colour rectangular shape all print in black, hand written in blue pen, 2 X initials, stamped in purple. .2) Will, form AAF - A130 off white colour folds 3 ways, all print in black, hand written in blue pen both sides, witnessed by 2 people, Will relates to the person in .1).1) Hand written, “3796117, Pte BALL Peter Charles RFT WING INF CENTRE 26 feb 1970”, stamped, “16 MAR 1970”. .2) Names hand written on, “Alan Ball, Jean Ball, Barry Chandler, Trevor Bowden”wills, envelopes, military

It is not known where this opal originated. Common Opal is formed from silica-rich water entering the earths crust and hardening into a gel of water and silica-spheres, layered through the specimen. Common opal differs from precious opal in colouration and appearance, with precious opal including more colours, and having a translucent or glossy appearance, where common opal shows less colour and is typically opaque. It scores high on the Mohs hardness scale, and is common throughout the world, especially in Australia, where it is far more prevalent than the highly-prized precious opal. Australia is also the highest producer of opals in the modern world. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study.A solid, silica-based mineral specimen of Common Opal in shades of grey, green, and yellow, with a thick grey vein running through the centre. geological specimen, geology, geology collection, burke museum, beechworth, opal, common opal, gemstone, mining

Silk postcard from a soldier in France. Flags would suggest WW1.1. Pale cream colour postcard with an embroidered front in the form of a folded envelope. On top part is embroidered a red and green bunch of flowers. On the bottom part is embroidered a message. Inside the pocket is a card. 2. The card has a message surrounded by 8 shields with the flags of the various allies in WW1.1. Embroidered in "To my dear Daughter". 2. On card is "Hearty Birthday Greetings" and various flags.postcard, ww1

John Murphy VX15580 in 2/7 Australian Infantry Battalion, 5th March 1940 and was discharged on 3rd October 1945 at Royal Park. Refer Cat 512.2 for Service Details.Certificate of Discharge No. 193910, Parchment Paper, light yellow colour with black print. Coat of Arms at top with form giving details of Name, No, Unit, Length o Service, Enlistment Date, Discharge Date, Description of Soldier, Location of Discharge & Signature of both Discharging Officer and Soldier Discharged.Some unrelated numbers written on back and front in pencil.discharge certificate, ww2

Refer Cat No 4783.Identity card civilian, OHMS FORM C.R.3, rectangular shape khaki colour, front has PO date stamp, all print in black stamped in purple, hand written in black pen, rear all print in black hand written in dark blue & black pen.Front has, “N19 - M25 - 15519 Oliver Foster Rosedale Rd St Ives”, stamped “PARRAMATTA”, rear signed by witness, “Amy Oliver Rosedale Rd St Ives”, signed by card holder, Oliver Foster Rosedale Rd ST Ives”cards, civilian identity

Clinton Naina’s earliest memory is attending Collingwood football matches at Victoria Park with his father and uncles. His dad was an avid Collingwood supporter and Naina proudly wore his football colours. Lining up to enter the grounds at the big old black-and-white painted wooden doors gave Naina the feeling of entering into another world. 'Rule 30' is a comment on race relations in sport. The artwork is made from the original doors located at the front entrance of the Collingwood Football Club’s grounds at Victoria Park. When the club was refurbished the door was gifted to Naina by a friend—an ex-Collingwood football player—for use in his art practice. The work depicts a big red target painted on the existing Black and white stripes—Collingwood colours—of the door. Naina placed a fabric number ‘30’ on top of the target—created from material used for numbers on the back of players’ football vests. This represents the individuals who have been racially vilified while playing football over many years. The red represents the colour of human blood, while the Blak and white Collingwood colours already painted on the wood are a very fitting comment on race relations. The door itself becomes a potent metaphor for “overcoming barriers, making change, breaking down doors and moving forth into a new era of respect for people”. Rule 30 in the AFL was the first racial vilification code in Australian sport. It prohibited conduct between players, clubs and other AFL officials, which threatened, disparaged, vilified or insulted another person on the basis of that person’s race, religion, colour, descent or ethnic origin. In 2013, ‘Rule 30’ was amended to ‘Rule 35’ to combat other forms of discrimination including disability, appearance and sexuality.The number '30' cut out of fabric placed on top of a painted red target at the centre of an existing black and white wooden door.Accompanying labelracism, sport, football, afl

Letter 1 - Letter answering query saying correct training material has been sent. Letter from recruitment Centre in Melb. Letter 2 - from RAAF Recruiting Centre to V H Evans No. 418615 outlining training material that had been sent to him prior to training starting. Refer 1760.4, Box 41 for details.Letter 1 - single sheet paper, standard form of blue writing and typed in black on one side only. Paper yellow in colour. Letter 2 - Letter on yellow paper, folded twice. Type in black and large tear along fold. Single sheet with the type only on one side.Letter 1 - name of applicant and description of items sent. Letter 2 - Quote reference "694" and signed by Senior Education Officer.raaf recruitment, training, ww2

Army Unit Colour Patches were worn as a distinguishing unit indication at the top of each sleeve from 1916.The 8th Light Horse Regiment was formed as part of the 3rd Australian Light Horse Brigade, 3rd Contingent and attached to the Australian Division. Made up of men drawn from the 3rd Military District [Victoria], the 8th Light Horse Regiment was established at the Broadmeadows Training Camp in Melbourne, Victoria. The Army Unit Colour Patches (UCP) were orginally designed in a simple manner,allowing other member to easily identify the member's unit, division and battalion. A UCP is worn on the puggaree of the slouch hat whilst the Unit Shoulder Patch will incorporate the UCP normally with a border showing the unit's superior HQ. Horizontally aligned rectangular colour patch for 8 Light Horse Regiment, AIF, divided diagonally yellow (left) below light blue.Nilwwi, world war 1, light horse, 8th regiment

The notification to Mr Oliver Foster to tell him he will be notified in either off 3 ways to attend a medical examination. Refer Cat No 4783Military Post Card Eastern Command PRO FORM U 19A, rectangular shape, off white colour, front has green stamp & P.O stamp print in black, purple stamp hand written in black pen, rear all print in black stamped in purple hand written in black.On front in black pen, “Mr O FOSTER Rosedale St St Ives”, stamped, “Area 18B Hornsby”, rear signed by, “W Brown” area Officer 18B, date stamped, “25 Feb 1943”.card, post cards, medical, examinations

Used by conductors or conductors to retain and sell tickets from. Demonstrates the method of dispensing tickets by conductors, how the tickets could be arranged. Yields information about the style and printing of tickets used in Ballarat and Bendigo tramways and how they were presented.Sheet of leather, approx 2mm thick, stained brown with four pockets formed on each side with another sheet of leather, stitched on all sides to form pockets to hold eight blocks of tickets. Stitching is a dark brown colour cotton. Has seven blocks of tickets, possibly of Bendigo origin, each with 200 tickets. 4c - red - C551400 5c - orange - City Section - A391000 5c - yellow - B796200 7c - City Section - purple - A183800 10c - black - C468800 13c - black - B602000 18c - brown - A482200 tramways, trams, tickets, conductors, sec, ticket wallet