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matching grass trees
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University of Melbourne, Burnley Campus Archives
Album - Black and white prints, Gardens Other Than Burnley, 1890-1920
... . (28) Narrow path through long grass and trees. (29) Trees... view. (28) Narrow path through long grass and trees. (29) Trees ...Identification and information on reverse of some photographs given by Georgina Whitehead (Tel-9572 1225) who visited Archives on 26 September 1995 when she was writing a book on the various gardens owned and run by the Melbourne City Council-'Civilizing the city: a history of Melbourne's public gardens' State Library of Victoria, Melbourne 1997.34 photographs. Possibly used for Magic Lantern slides. Fitzroy Gardens: (1) Possibly, towards St Patrick's Cathedral. (2, 3) Path through avenue of trees. (4) Winter. Heavily pruned Elms. (5) Looking towards Clarendon St-eastwards. (6) Probably, lawn. (7) 2 copies, possibly Kiosk. (8) 1920's or earlier. Man sitting on bench. (9) Path through avenue of trees. (10) 2 copies. Probably-fenced originally-fences coming down 1890's on. (11) Statue at crossroad. (12) The Vase Fountain. (13) Tree trunks. (14) Tree trunks. (15) Probably, tree trunks. (16) Winding path. (17) Probably, misty winter scene. (18) Probably, summer. (19) Probably, this is the sort of garden seat used. (20) Avenue of trees, information about exposure on reverse. (21) 2 copies. Probably. Treasury Gardens: (22) Japanese Garden. (23)Japanese Garden. This area around the Lake done by Guilfoyle c.1901-1902. This photograph about this period. (24) Gardener at lake edge. Snowdon Gardens: (25) View towards city. Unidentified: (26) ?Botanic fern Gully/ Fitzroy Fern Gully. (27) Lake view. (28) Narrow path through long grass and trees. (29) Trees in winter. (30, 30a) Tree ferns. (31,32) Cordylines. (33) People on lawn. (34) Winter view of path through elms. These photographs have been scanned but have not been uploaded.georgina whitehead, fitzroy gardens, trees, elms, the vase fountain, trunks, treasury gardens, japanese garden, guilfoyle, snowdon gardens, fern gully, lake view, parks -
The Beechworth Burke Museum
Animal specimen - Regent Parrot, Trustees of the Australian Museum, Taxidermy Regent Parrot, 1880-1860
This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. The Regent Parrot has two separate populations separated by the Nullarbor Plain: one in the Mallee regions of eastern Australia, and the other in the Wheatbelt region of southern Western Australia. Though the populations are widely separated, the birds of each region do not appear especially different, one being a little duller than the other. There are, however, other differences between the two populations, especially in how they have fared: eastern populations are endangered, while the western population is thought to be increasing. The Regent Parrot eats seeds of grasses and plants and cereal crops, especially wheat. It also eats buds and flowers, insect larvae, psyllids and lerps. It forages in pairs or small parties, usually on the ground, but also in the canopy of trees or in spilled grain on the ground. The Regent parrot is endangered in NSW and Vulnerable in VIC This Particular specimen has been mounted correctly.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.A slim parrot with a long, dusky tapering tail and back-swept wings. It is mostly yellow, with blue-black wings and tail. There is a prominent yellow shoulder patch and red patches in the wings. The bill is deep pink. It is mounted on a thin wooden branch that is attached to a wooden mount with the scientific name located Label: T.L. 430MM / W.S. 540MM / WT. 200GMS / SEX [female symbol] Mount: Polytelis / Anthopeplus / Regent Parrot taxidermy mount, regent parrot, taxidermy, animalia, burke museum, bird, parrot -
The Beechworth Burke Museum
Animal specimen - Budgie, Trustees of the Australian Museum, 1860-1880
The budgie is a very social bird, found in large groups in the wild. They primarily live across mainland Australia. They are often found near water. Budgies are very popular pets globally (called parakeets in other countries). They eat grasses and seeds. They nest in hollowed trees. Budgies in the wild are often right green with a yellow face. This specimen is a good example because it has the common colouring of wild budgies and has not got signs of wear/use. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. This male budgie is perched with its wings partially opened and looking to the left. It has a yellow head with black stripes on the back, indicating the specimen was quite aged before it was killed. It has a blue nose, indicating it is male. Its body is light green. Its wings are green-yellow with black lines. Its tail is a blue-green. It has some minor pest damage around its eyes.no markings or identification tags -
The Beechworth Burke Museum
Animal specimen - Wood Duck (male), Trustees of the Australian Museum, 1860-1880
The Australian Wood Duck is commonly described as 'goose-like' in appearance. They reside throughout Australia and Tasmania in regions including grasslands, open woodlands, wetlands, flooded pastures and along the coast and bays. Unlike some breeds of ducks, this species can walk on land with ease and can often be seen perched on logs and in trees. The Wood Duck eat grass, clover and other herbs. On occasion they eat insects. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This male Australian Wood Duck has a dark brown head with a pale brown-grey speckled body. The lower belly of this specimen is dark brown and the bill is a pale grey-yellow. The legs are a pale grey and stand upon a wooden platform. There is a paper tag tied to the upper part of the Wood Duck's right leg, a white label attached to the front right of the wooden platform and a grey label on the left beside the white label. 132. / Maned Goose / Male / 132taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, australaisian shovelor, shovelor, wood duck, male, male duck, australian wood duck -
The Beechworth Burke Museum
Animal specimen - Wood Duck (female), Trustees of the Australian Museum, 1860-1880
The Australian Wood Duck is commonly described as 'goose-like' in appearance. They reside throughout Australia and Tasmania in regions including grasslands, open woodlands, wetlands, flooded pastures and along the coast and bays. Unlike some breeds of ducks, this species can walk on land with ease and can often be seen perched on logs and in trees. The Wood Duck eat grass, clover and other herbs. On occasion they eat insects. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The female Wood Duck has a pale brown head with dark glass eyes. The head is looking backwards over left shoulder. The bill is a dull grey colour and the legs are a similar grey.The breast is speckled cream-grey with a white lower belly and under-tail. There is a paper tag tied to the upper part of the Wood Duck's right leg, a white label attached to the front right of the wooden platform and a grey label on the left beside the white label.....[missing] Goose / ....[missing] page 38. / 133 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, australaisian shovelor, shovelor, wood duck, australian wood duck, female duck, maned duck, female -
Ringwood and District Historical Society
Map - Public Land Sale by Thomas Ham, 2000 Acres for Sale - Crown Sections 20, 23, 24 - Ringwood, Victoria - 1855
Two 1850s surveyor's maps on cardboard backing showing area from Melbourne extending East beyond Bulleen and Nunawading. Detailed description of lots for sale and navigational directions to the property from Richmond by Thomas Ham, Victorian public servant, map maker, publisher, lithographer and original Ringwood land owner. Inset map enlarging area between Yarra River and Dandenong Creek, with southern boundary of allotments later forming part of Oban Road, North Ringwood.TRANSCRIPT: "This really valuable Property is now offered to the public for sale, in lots to suit purchasers at the Iow rate of £1 per Acre for 80 acres and upwards, and £1.10s per Acre for any smaller portion. Terms of payment Half Cash, Balance in 6 and 12 months, bearing 8 per cent interest. The Estate is well wooded with Gum, Cherry Tree and Stringy Bark, with Wattle in the valleys of the several creeks. Every lot is Staked and Trenched at the corners marked on the Plan thus - The Surveyor has carefully sub-divided the Property, in order to give every Farm a Creek for Water, Valley for Cultivation, and Hills for House and Grass Paddock. The ROADS have been very carefully laid out so as to give a firm, well drained, and nearly level road to each Homestead. Intending purchasers can readily find the property by the following directions, viz: Start from Richmond Bridge, at Hawthorne, then take the left-hand road to KEW. When at the "Woodman Inn", take the Cotham Road to the right, bearing due east, keep this Road, passing Trainor's "White Horse" Inn, and before you leave the fences, you will see calico bills (see margin) nailed to the Trees on the bush track leading to the Upper Yarra country, follow the Bills till you come to the SOUTH boundary line of the Property, which bears East and West (see Plan) where you will see Bills nailed up "THIS PROPERTY FOR SALE, etc." The Bills from Town lead direct to where Mr. Jull is erecting his Store, and arrangements have been made with him to show the lots to intending purchasers free of charge. At the respective corners of the lots the Bills are nailed up double, with numbers to denote the lot, and that the corner stake is adjacent. Any parties wishing to proceed to the property by way of BULLEEN will find Bills nailed on the Trees, commencing at the NEW INN, at "Wilson's Slip Rail." Keep this Track till you come to the Log Bridge, over the Deep Creek at Bloxhome's Paddock; go through the land now being cleared; keep the track over the hill till you come to an Iron House, you will then be on the property, which Iies to the North and East as per Plan. Follow the Bills till you come to Mr. Jull's Store, etc. etc. Further particulars can be had from the Agent for the Property. THOMAS HAM. " -
Eltham District Historical Society Inc
Photograph, George Burton Coop, The Royal Train enroute to Lilydale, near Croydon, 6 Mar. 1954
Believed to have been taken bewteen Croydon Railway Station and the Dorset Road bridge. Taken late afternnon by George Coop's father. There is a Landrover parked on the grass with a person standing on it - believed to be Security. George recalls originally being located closer to the fence and being ushered up the hill where it was 'safer' to stand. In 1954 at age 27, Queen Elizabeth II was the first reigning British monarch to visit Australia.. She visited Victoria between March 1-10. Where to see the Queen (1954, January 21). Fern Tree Gully and District Times (Boronia, Vic. : 1953-1954), p. 5. Retrieved October 25, 2021, from http://nla.gov.au/nla.news-article264220429 “The Lilydale Shire President, Cr. Burgi, stated that the Royal train en route for Warburton on Saturday, March 6th, would slow down at Croydon and Lilydale. There was little possibility that it would stop at either of these towns. The train would pass through Lilydale at 5.52 p.m. Council had appointed a sub-committee to arrange matters, and had allocated £400 towards expenses. It was suggested that the train slow down between the railway station and Dorset Rd. bridge at Croydon, and between the Cave Hill Quarry and railway station at Lilydale.” An album of images of the Queen's visit to Victoria is available on the PROV Flickr account at https://www.flickr.com/photos/public-record-office-victoria/7252885616Digital TIFF file Scan of Kopdak 620 black and white negative transparencygeorge coop collection, croydon, royal train -
Eltham District Historical Society Inc
Photograph, George Burton Coop, The Royal Train enroute to Lilydale, near Croydon, 6 Mar. 1954
Believed to have been taken bewteen Croydon Railway Station and the Dorset Road bridge. Taken late afternnon by George Coop's father. There is a Landrover parked on the grass with a person standing on it - believed to be Security. George recalls originally being located closer to the fence and being ushered up the hill where it was 'safer' to stand. In 1954 at age 27, Queen Elizabeth II was the first reigning British monarch to visit Australia.. She visited Victoria between March 1-10. Where to see the Queen (1954, January 21). Fern Tree Gully and District Times (Boronia, Vic. : 1953-1954), p. 5. Retrieved October 25, 2021, from http://nla.gov.au/nla.news-article264220429 “The Lilydale Shire President, Cr. Burgi, stated that the Royal train en route for Warburton on Saturday, March 6th, would slow down at Croydon and Lilydale. There was little possibility that it would stop at either of these towns. The train would pass through Lilydale at 5.52 p.m. Council had appointed a sub-committee to arrange matters, and had allocated £400 towards expenses. It was suggested that the train slow down between the railway station and Dorset Rd. bridge at Croydon, and between the Cave Hill Quarry and railway station at Lilydale.” An album of images of the Queen's visit to Victoria is available on the PROV Flickr account at https://www.flickr.com/photos/public-record-office-victoria/7252885616Digital TIFF file Scan of Kopdak 620 black and white negative transparencygeorge coop collection, croydon, royal train -
Eltham District Historical Society Inc
Photograph, George Burton Coop, The Royal Train enroute to Lilydale, near Croydon, 6 Mar. 1954
Believed to have been taken bewteen Croydon Railway Station and the Dorset Road bridge. Taken late afternnon by George Coop's father. There is a Landrover parked on the grass with a person standing on it - believed to be Security. George recalls originally being located closer to the fence and being ushered up the hill where it was 'safer' to stand. In 1954 at age 27, Queen Elizabeth II was the first reigning British monarch to visit Australia.. She visited Victoria between March 1-10. Where to see the Queen (1954, January 21). Fern Tree Gully and District Times (Boronia, Vic. : 1953-1954), p. 5. Retrieved October 25, 2021, from http://nla.gov.au/nla.news-article264220429 “The Lilydale Shire President, Cr. Burgi, stated that the Royal train en route for Warburton on Saturday, March 6th, would slow down at Croydon and Lilydale. There was little possibility that it would stop at either of these towns. The train would pass through Lilydale at 5.52 p.m. Council had appointed a sub-committee to arrange matters, and had allocated £400 towards expenses. It was suggested that the train slow down between the railway station and Dorset Rd. bridge at Croydon, and between the Cave Hill Quarry and railway station at Lilydale.” An album of images of the Queen's visit to Victoria is available on the PROV Flickr account at https://www.flickr.com/photos/public-record-office-victoria/7252885616Digital TIFF file Scan of Kopdak 620 black and white negative transparencygeorge coop collection, croydon, royal train -
Eltham District Historical Society Inc
Book, Percy Leason: an artist's life by Margot Tasca, 2016
"Who would have thought that a boy born in 1889 from the Victorian Mallee would become a successful artist on New York’s Staten Island? This finely illustrated, exhaustively researched and beautifully written biography on Leason features the artist’s entire career as a painter and cartoonist renowned for his depictions of Australian society in the 1920s and 1930s. Leason’s story is a poignant one tracing his beginnings as a cartoonist, to the bohemian Melbourne art scene in the early 20th century, to his involvement in the artists’ camps of Eltham, to his important series of portraits of Lake Tyers Indigenous Australians, and his eventual move to the US where he has been acknowledged as making an enormous contribution to the New York arts scene. This story, as yet untold, fills a gap in the history of art in Australia and offers a new perspective on Australian art in the first half of the 20th century." - Thames and Hudson website A NEW HOME IN ELTHAM Once they had settled back into Melbourne, Perry and Belle began to look for a place to make a permanent home. Having enjoyed the bush setting of Mosman, they decided to explore the rural fringes of Melbourne. Each weekend they packed a picnic and travelled to the towns in the nearby hills - such as Ferntree Gully, Sassafras, Lilydale and, of course, Cockatoo Creek. Eventually deciding these places might be a little too far from The Herald office, they searched closer to the city. The Heidelberg and Box Hill regions that had inspired his old teacher McCubbin, had become busy, urban areas but further east, towards Warrandyte and Templestowe, there were still large tracts of bush. Finally they settled on Eltham, an area Percy knew very well, having often painted there with Jock Frater. Perry's old friend Dick McCann and his wife Margery had also settled in Eltham. The township was fifteen miles from Melbourne and serviced by an electric train that went to the central Melbourne station of Flinders Street, near where The Herald offices were located. Eltham was a small village in 1925, separated from Melbourne by the Yarra River, and surrounded by orchards and large tracts of bush. Small farms dotted the landscape and the main businesses revolved around ironmongers, blacksmiths, and farming supplies. Of particular appeal to artists was Eltham Park, a large expanse of bushland bounded by the Yarra River on the south side and the Diamond Creek on the east. The park included a playing field that was busy on weekends with cricket or football matches, but for the rest of the week it was mostly empty and an ideal place to paint. The scenery there provided the inspiration for many paintings by Leason, Meldrum and other artists such as Colin Colahan and Peter (A.E.) Newburv. The Leasons found a rundown old farmhouse on four-and-a-half acres of land in New Street, now known as Lavender Park Road. The site was splendid, at the top of a gentle slope which gave panoramic views east to the Dandenong hills, south over the Templestowe orchards and north to Kinglake. The front lawn was taken over by onion grass (or wiregrass as Leason called it) and scattered about the property were many wattles and gum trees. Aloe cacti covered much to the front of the house, while old quince and lucerne hedges separated the house and out-buildings from a rundown apple orchard. Here they would build a new home. ·with financial assistance from The Herald, Leason bought the property and immediately commissioned an architectural firm to design a new house in the popular bungalow style of the time. The old farm house was demolished but Percy saved the siding boards, bricks and corrugated iron for the outbuildings of his new home. The new house was a two storey, triple brick with a large, gabled, terracotta tiled roof. It was situated at the very top of the slope. The paint and varnish were barely dry when the family moved in during the summer of 1925-26 and the fumes were overpowering in the heat. Despite the house being wired for electricity, power poles had not yet reached the area and initially the family had to rely on kerosene lamps and candles. When electricity did arrive, Leason reflected on the community's reception of electricity at the expense of the old growth gum tree corridors in his cartoon, Electricity comes to Wiregrass. The family had now grown to seven. Jack was nearly nine, Jean was seven, Marjory was four, Nancy was two and the baby Patricia was seven months old. Jack and Jean were enrolled in the local primary school down the hill. A retired farmer, Jock McMillan, came to live on the property and help out with the general maintenance. Jock built himself a shack and Belle provided him with meals. He was kept occupied building structures around the property·, such as the garage, the outside toilet, garden beds, trellis arbours and a number of ponds. The elderly, bearded Scotsman with his old hat and baggy pants also provided the inspiration for one of the characters Leason regularly included in his cartoons. Like Leason, Jock smoked a straight stemmed pipe. A neighbour was employed to help Belle with domestic chores, and so the family settled down to live comfortably in their new Eltham house. Two dogs, Maginary and Wodger, completed the large and vibrant household. “Percy Leason; an artist’s life” by Margot Tasca, Thames & Hudson Australia Pty Ltd, Port Melbourne 2016, pp 63-64 Hardback Bookpercy leason, margot tasca, biography, artist, landscape -
Federation University Historical Collection
Booklet - Booklet - Media Clippings, University of Ballarat: Community Service Activities, 1994
Booklet of article that appeared in the newspaper outlining events, programmes, etc. that are of community involvement. Computer and IT programmes; Uni helps kids learn about safe, active, healthy life; Uni eager to foster partnership with local community; Professor David James (Vice Chancellor) to be chair of regional consultation group reforming State's planning system; Ballarat's Martin Hughes of BU Geology Department and Queensland's Neil Phillips to present paper at Geological Society of America in Seattle; Uni to build aquatic centre to attract top swimmers; Open Days planned by Ballarat Universities; Sue Hadden, Ballarat Uni, received $75,000 grant to carry out research on Victoria's disappearing native grasses; Ballarat Uni to host major student sculpture show; Moves to develop high-tech park plan; New Research Plans assisted by Professor Tom O'Donnell; Indian experts look for answers to get more from their depleted desert forests; Uni conducts nursing survey re courses to be offered; Rabbit numbers rise - survey from farmers; Ted Lovett, VFL footballer (Fitzroy) talk on racism in sport at Ballarat Uni.; Australian beer awards at Ballarat Uni.; Study on Unhealthy Fitness - Heart Foundation suggests regular exercise at level suited to individual needs; Survey tracks path of yellow spotting; Tertiary push for hospital - Ararat; University considered for athletics facility; Top-level study on fitness for the elderly to be monitored by Human Movement and Sports Science students, University of Ballarat; Institute of Chartered Accountants will hold its annual accounting information day at the University of Ballarat's Foundation Hall. Students from other universities to attend; Prince Edward's visit - challenge of "Great Rubber Tube Raft Regatta" at Lake Wendouree; Uni, company in joint training initiative - installation on Novell's networking software in the degree course; Uni begins study into tree threat; Eureka leadership conference in Ballarat; Leadership conference an outstanding success.Buff coloured cover, black print. Pages glued and bound - black tape. Newspaper articles - photographs and print - on separate sheets in reverse order of appearance in paper; December to February.Symbol of University of Ballarat - cover.computer and it, newspaper items, health, local community involvement, david james, vice chancellor, state's planning system, martin hughes, geology department, neil phillips, queensland university, geological society of america, seattle, aquatic centre, sue hadden, research grant, $75000, native grasses, sculpture exhibitiontom o'donnell, indian experts, nursing survey, rabbit survey, ted lovett, footballer, racism in sport, australian beer awards, unhealthy fitness, heart foundation, athletics facility, fitness for the elderly, human movement and sports science, intitute of chartered accountants, networking system in degree course, eureka leadership conference -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Poem, The Horses Stay Behind, 1919
During WW1 Australia sent 39,348 Walers overseas to the AIF. Many Light Horsemen enlisted with their horses with a government promise that they would be able to bring their horses home with them. On the outbreak of peace, costs became important and it was deemed too costly to have horses repatriated to Australia - except for one horse, "Sandy", owned by General W T Bridges who died at Gallipoli in 1915 Quarantine was offered as a reason for not permitting the walers to return to Australia. However, the horses would have had a long sea voyage, giving time for problems to emerge. Many of the fit horses were sold to the Indian ArmyFramed print of poem "The Horses Stay behind". In days to come we'll wander west and cross the range again; We'll hear the bush birds singing in the green trees after rain; We'll canter through the Mitchell grass and breast the bracing wind: But we'll have other horses. Our chargers stay behind. Around the fire at night we'll yarn about old Sinai; We'll fight our battles o'er again; and as the days go by There'll be old mates to greet us. The bush girls will be kind. Still our thoughts will often wander to the horses left. I don't think I could stand the thought of my old fancy hack Just crawling round old Cairo with a Gyppo on his back. Perhaps some English tourist out in Palestine may find My broken-hearted waler with a wooden plough behind. No; I'd better shoot him and tell a little lie: "He floundered in a wombat hole and then lay down to die" May be I'll be court-martialled; but I'm damned if I'm inclined To go back to Australia and leave my horse behind. Trooper Bluegum -
Phillip Island and District Historical Society Inc.
Photograph
Part of a collection donated by Miss Edith Elms via Chrisy Northcote. Children's identity unknown.Three young children standing on grass with two tricycles holding two white dogs. Trees in background at middle sited on right.Boys tricycles and petslocal history, photography, photographs, family history, social activities, sepia photograph, family groups, san remo -
Phillip Island and District Historical Society Inc.
Photograph, approx 1865
Samuel and Thomas Anderson seated upright on grass in parkland area under trees. The old homestead, "Netherwood", is in background fenced from side to side. "Netherwood" is comprised of two rambling gabled buildings. One brother with axe.Samuel and Thomas Anderson at Netherwood about 1865local history, photography, photographs, slides, film, netherwood, buildings--historical, black & white photograph, miss elms san remo -
Glenelg Shire Council Cultural Collection
Painting, Travis Webber, Greenmount, c. 1955
CEMA Art Collection Previously located in History HouseThe painting depicts a large stone building with two smaller buildings in the foreground. Within the foreground is a small patch of dirt and grass with a side view of a small building to the right and a front and side view of a small stone building to the left. In the background is the large building which features two chimmneys. To the left of the building is a leafless tree and pale blue sky. The work has a gold and green frame with glass.Front: "GREENMOUNT" (brown, lower left) TRAVIS WEBBER (brown, lower right) 23 (white sticker attached to glass Back: (No inscriptions) -
Phillip Island and District Historical Society Inc.
Photograph, Isle of Wight Hotel
Part of a collection from Mrs Jessie Smith showing original Isle of Wight Hotel.Isle of Wight Hotel showing white column gate posts. Five people standing with one holding a child, two sitting on the grass and little dog all near a Cypress tree.Isle of Wight Hotellocal history, photographs, isle of wight hotel - cowes phillip island, black & white photograph, esplanade cowes, phillip island, jessie smith collection, stan mcfee -
Glenelg Shire Council Cultural Collection
Painting - Painting (Henty Street Casterton), Untitled, 1995
The watercolour painting depicts a street scene with a grass hill in the background. The street forms the centre of the foreground and features a row of buildings and cars on both sides of the street. Long shadows extend from the buildings and trees with yellow leaves frame both edges of the work. Across the middle of the work green trees are used to separate the street from the hill in the background. The large grass hill features an outlined shape (Scout symbol) on the side and a building surrounded by trees on top. The work is mounted and framed in a brown and gold frame with glass.Front: Mervyn Hill/95 Back: Framing by W.D. & C.M. Davis RMB 1256 Casterton 3311 Phone (055) 75 3290 -
Glenelg Shire Council Cultural Collection
Artwork, other - Illustration, THE OLD BRIDGE, PORTLAND, n.d
Illustration. Taken and cut from a book. View of bridge across Salt Creek. Bridge has the appearance of being timber and features to the left of the bridge a half arch opening through to the other side of the creek. 3 people are on the bridge. Fore ground has part of a fence visible through long grass and some shrubbery. Observatory Hill in background with a large cross structure on the top to the left. A road or path is visible up the side of the hill towards a dwelling with a panel fence and trees. Two people are on the path and what appears to be 3 sheep to the left of them grazing on the hill. Sky appears cloudy with 3 birds flying. Underneath is written THE OLD BRIDGE, PORTLAND.portland victoria -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - LB / TB, n.d
Port of Portland Authority Archivesport of portland archives -
Glenelg Shire Council Cultural Collection
Painting, Sunset, Blairs Creek 1893, 1893
Roundel painting in circular frame. Scene depicts a lagoon edged with grass and low bushes in foreground and trees in background. Two black swans swim in foreground and a boat with a mast and rigging is anchored near land and a tree at centre right of image. Top half of painting is a sunset with clouds in pink, red, white, yellow, indigo, russet. These colours are generally reflected in foreground water. Framed in round wooden frame.Front: (no inscriptions) Back: "Sunset" Blair's Creek, Portland. Jan. 7th 1893 (centre) (black ink). 90 (ink on varnish) (centre left). 1996 (pencil) (upper left). -
Halls Gap & Grampians Historical Society
Postcard - B/W
No. P4892 in the "Rose Series" of postcards. For information on Grampian House, refer to "Victoria's Wonderland" pp. 69-75. For information on the Wonderland Range refer to pp.41, 70, 73, 77, 84, 145-146 of "Victoria's Wonderland".Photo of the entrance to Grampian House. There is a grass are and a wire fence in the foreground. A track leads back into a bush area , there is a sign saying "Grampian House" attached to a tree. The peaks of a rocky range (the Wonderland Range) are visible behind.accommodation, guesthouses, scenery, wonderland range -
Halls Gap & Grampians Historical Society
Photograph - Sepia, c 1876
Cottage is said to be that of Foulkes family. The cottage was situated below Mackey's Peak in the Fyans Valley. See p.77 Victoria's Wonderland.Photo shows old house with verandah enclosed with pickets. Two gum trees can be seen either side of houses. Vegetation, either a garden or grass is growing in front of verandah. An old door or doors are leaning against left side of house.buildings, houses -
Halls Gap & Grampians Historical Society
Photograph - Coloured
Originally owned by a Warren family, being the local baker. Warren's daughter, Ida, married Robert Greer, who continued with the bakery until retirement.Side view of cream cottage. Veranda with broken railing. Red iron roof,dark chimney and small 4-paned window on side. small tin fence at side. Autumnal tree in background. Expanse of grass in foreground. Greer's Holiday cottage (rental) c1990's. written in pencil on back.buildings, houses -
Ararat & District Historical Society (operating the Langi Morgala Museum)
Animal specimen - Sulphur-crested cockatoo, 1913
Full sized sulphur-crested cockatoo specimen, perched on wooden tree branch and surrounded by leaves and grasses. Mounted on a circular polished wooden base with blue rope supporting tall cylindrical glass dome. -
Kiewa Valley Historical Society
Badge Girl Guides, circa mid to late 1900's
This commemorative badge identifying the wearer as a Girl Guide and was used in the 1970's and later. The Girl Guides "World Camps" was founded in 1924 and each subsequent "camp" was in other global countries. The Camp Baree was held in 1947/1948 in Pennsylvania in the USA. In Victoria, Australia, a Barree Regional location for Girl guides, encompasses the Kiewa Valley and its regions. Girl guides in rural areas covered the same developmental programs as in the city areas but the bush settings of annual camps did not have the same impact as for city based guides. The comradeship however, bringing together girls from a widely diverse background, was still a very important objective of the Girl Guide movementThe significance of this badge is that the Girl Guides held a World Camp in the Barree region which included the Kiewa Valley.This world wide attention(Girl Guides) to this region paid special attention to the "home side" girls and highlighted in particular those girls in the Kiewa Valley who participated in the Girl Guide movement. The ability to have such a personal contact with so many girls from so many world regions helped to break the somewhat isolated regional life. The fundamental lessons of the girl guides was and still is to enrich young girls knowledge of skills which provides self esteem, pride in achievements and the togetherness with like minded girls. Social barriers are left behind and good friendships are formed. Some of these friendships continued as life long links.This round badge made from brass and has coloured enamel sections outlining various "Barree Region" scenery. In the far distant horizon are snow capped mountains. These are coloured brown with white tipped summits.The central focus is a blue stream with a dark blue "gum" tree to the left and a brass etched tent pegged onto green grass. These pictures are framed within a house structure. A red coloured boomerang lies under the "house" frame with the name of the region on it,"BARREE REGION" The badge is fastened onto a lapel or other clothing by two "L" shaped hooks extending from the back of the badge.On the front of the badge (on the sketched boomerang "BARREE REGION". On the back in raised lettering is"BERTRAM BROS MELB."societies, girl guides, barree region, metal identity badges -
Eltham District Historical Society Inc
Book, School at the crossing place : Lower Plenty Primary School no. 1295, 1874-1974 / W.F. Henderson, 1974c
23 pages including information on inside covers. Text with black and white illustrations and photographs and map. Contents: Crossing Place Need for a school Residence for the teacher Closure A View of Lower Plenty 1918 Moving day at the Village The Golf Club Depression 1931 Vandals Electricity Grass Fires Cows at School Mothers' Club Women's liberation 1950's Lower Plenty after 1945 Swimming Pool - drowned dreams Long Grass - snakes - meadow hay - Fire Brigade The Royal Visit 1954 School Band Community Centre Our School Hall Trees and Gardens The Library Education 1874-1974 A Teacher's View The Second generation - children of ex-pupils (photo with names) The Third generation - Grandchildren of ex-pupils (photo with names) Head Teachers (list with dates) The Staff 1974 (photo with names) The sketch on the cover shows the Lower Plenty Bridge, toll house and the Plenty Bridge hotel, both no longer there. The bridge is listed in the Banyule Heritage Study and has recently been restored by Banyule Council as a pedestrian bridge - NL 137 March 2001 Paperback; [24] p. : ill. ; 25 cm.lower plenty, state school no. 1295, lower plenty primary school -
Eltham District Historical Society Inc
Photograph, Memorial Tower, Kangaroo Ground c.1934, 1934c
Sepia photograph of Joyce McMahon and 'Tiny' Carroll at the War Memorial Tower, Kangaroo Ground c.1934. The guns were installed in 1934 and removed in 1942. Taken in the early 1930s, the photograph ... shows the Kangaroo Ground Tower of Remembance with Joyce McMahon, daughter-in-law of Mr. P. J.McMahon, the then Shire of Eltham Secretary, her horse and a very tall person patting the horse. He is ex-serviceman W. "Tiny" Caroll who was the council's caretaker of the surrounding War Memorial Park. He lived in the stone cottage which still stands in the park. "Tiny" is seen as the fictional character "Tiny Bourke" who, in author Alan Marshall's book "This is the Grass", "was a giant of a man, well over six feet high, with huge hands that completely encircled the cup of tea". The bronze casting, which shows the 79 names of those who paid the "supremen sacrifice" in World War 1 (1914-1918), was erecfed above the entrance to the Tower in September, 1930. The Monterey cypress trees which now form the windbreak around the park's fenceline, were just knee high in this photograph. They were planted in August 1926, with all the plantings paid for, and done, by the public as the Tower was being erected. The two field guns have been identified as of German origin, Krupp 77 mm calibre captured on October 4, 1918 at Geneve, France. They were removed in 1943/44 as a wartime requirement of the Australian Govenment. A public notice dated October 16, 1926 by Cr. H Rutter, Chairman of the Eltham Soldiers War Memorial League stated: "On the summit of that central and conspicuous landmark, Garden Hill, there is being erected a massive memorial tower which will, for all time, remind every passerby of the part played by the men of the Shire of Eltham in the Great War. The work has been undertaken by the people of the Shire a a tribute of love and admiration for those who were known and dear to use in the days of their youth and early manhood, who went out from amongst us, never to return, and whose self-sacrifice has made us, each and all, thier ever-lasting debtors" Harry Gilham, Eltham District Historical Society Kangaroo Ground Tower of Remembrance, A Journey in Time: a column about Nillumbik's history, Nillumbik Mail, 9th August, 2000 Since that research the following has been sourced from Eltham and Whittlesea Shires Advertiser and Diamond Creek Valley Advocate, April 8, 1921, p. 3 Retrieved April 25, 2020, from http://nla.gov.au/nla.news-article57639687 Eltham Shire Council From Town Clerk, Melbourne, stating that a light machine-gun captured by the 22nd battalion, A.I.F. at La Motte Farm, near Beaurvoir, on Oct. 3rd, 1918, during the operations which won the Beauvoir line and completed the smashing of the great Hindenburg defence-system, has been alloted to the Shire of Eltham. - On the motion of Crs Hubbard and Smedley, it was decided to have the gun placed in the Memorial Park. Sepia Photographgarden hill, gun, joyce mcmahon, kangaroo ground, memorial tower, shire of eltham war memorial tower, tiny carroll, war memorials, war trophy, william carroll -
Victoria Police Museum
Photograph (police car)
Wireless Patrol carFord Fairlane 300 in open field with trees in the background and flowers in the grass in the foregroundpolice vehicles; wireless patrol; motor transport branch; ford fairlane car -
Marysville & District Historical Society
Book, Edith Thacher Hurd, Jack's Adventure, 1962
A book from the Little Golden Books series of children's books that was founded in 1942.Front cover has a drawing depicting a small boy holding a piece of grass looking out of a window at a bird sitting on a tree branch. A Little Golden Book 243 : 30 Back cover has a list of The Little Golden Library. Surrounding the list is a series of cartoon pictures of various characters from the books.fictionA book from the Little Golden Books series of children's books that was founded in 1942.little golden book, jack's adventure, edith thacher hurd, john p miller, golden press, fiction -
Glen Eira Historical Society
Article - Vegetation
Four items pertaining to vegetation within Caulfield: 1/2 copies of a booklet produced by the Caulfield City Council (undated) offering residents advice on the planting and care of trees within the district. Contains seven black-and-white photographs portraying various spots of vegetation within the district, plus nine black-and-white cartoons portraying the steps involved in correctly planting a tree. 2/An article from the Caulfield Contact, dated 04/1992, pertaining to Caulfield’s indigenous vegetation. Contains three black-and-white photographs of portraying three species of said vegetation – the swamp gum, the Kangaroo Apple and Poa grass. 3/An article from the Southern Cross, dated 13/05/1992, pertaining to Caulfield’s indigenous vegetation, and the efforts of groups and individuals such as the Caulfield Environment Group (CEG) to preserve it. Contains a black-and-white photograph of CEG member Paul Cain with a Red River Gum and large tussock grass, part of a re-vegetation program in a Murrumbeena linear park. 4/ A clipping from the Southern Cross, dated 20/05/1992, pertaining to the presence of Murray River red gum at Elsternwick primary school. Contains a black-and-white photograph of two pupils of the school, Craig and Emelia (surnames unmentioned), planting saplings.caulfield, plants, trees, caulfield city council, gardening, horticulture, landscape planning, caulfield contact, outer circle parklands, caulfield environment group, cain paul, smith colin, joint effort community house, outer circle railway, conservation of natural resources, murrumbeena, parks, minister for conservation, pullen barry, glenhuntly neighbourhood house, primary schools, elsternwick primary school, murphy street, mcinerney peter, elster canal