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Tatura Irrigation & Wartime Camps Museum
Carpenters Square, 1940's
Made by Internees at Camp 3. Tatura and used there as a carpentry handtoolHandmade wooden carpentry squaresquare, messerle t, haering m, camp 3, tatura, ww2, trades, carpentry -
Tatura Irrigation & Wartime Camps Museum
Domestic object - Bread tin, 1940's
Made by internee at Camp 3, Tatura and used for cake makingRectangular handmade bread tinbread tin, hoefer family, camp 3, tatura, ww2 camp 3, domestic, cooking -
Uniting Church Archives - Synod of Victoria
Ceremonial object - Gavel
The Methodist Girls' Comradeship was formed in 1918 with the first Branch being in Bondi, NSW. There were three sections: Junior Rays, 8 - 11 years; Senior Rays, 11 - 15 years and Comrades, 15 years and over. The aims of the MGC was to "challenge young people with the saving power of Jesus Christ and provide avenues of christian service" and "to provide for the spiritual, social, physical and educational welfare of the members". The MGC's motto was "The Utmost for the Highest". A gavel was part of the MGC Branch equipment. Small wooden handmade gavel.methodist girls' comardeship -
University of Melbourne, Burnley Campus Archives
Document, The Mallee Eucalypts of Victoria
Handmade booklet by Dorothy Cainedorothy caine, eucalyptus, victoria, mallee -
Clunes Museum
Tool - NAILS
THE ITEMS ARE Handmade metal nails Nilnail, hand made nail -
Clunes Museum
Tool - Nail
THE ITEM IS A Handmade metal nailNilnail, hand made nail -
Yarrawonga and Mulwala Pioneer Museum
Indigenous Collection. Boomerang, Not Known
UnknownHandmade Wooden Boomerang with marking:Dot pattern28cm long. Two circles in centre,leaf shape on end. Band of 3 dots at each end which is painted black. See photo -
Flagstaff Hill Maritime Museum and Village
Textile - Lace Sample, Late 1800s to 1930s
The sample of crochet lace is an example of a handmade item that would have been used to decorative purpose around the home. It may have been used to edge curtains, a table runner or a mantlepiece. The Christmas Bells pattern suggests usage as a Christmas decoration.The item is significant socially to show the use of textile crafts, such as handmade crocheted lace, to decorate regular domestic objects around the home such as curtains and mantlepieces.Length of handmade crochet lace. Mercerised white crochet thread has been used to crochet a repeat pattern consisting of four rows: a decorative top row, a second row composed of diamond shapes, a repeat of the decorative top row and finally a row of Christmas bells to complete the pattern.flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, lace, handmade lace, crocheted lace, decorative edging, decorative lace edging, domestic object, crocheted trim -
Flagstaff Hill Maritime Museum and Village
Painting - Maritime, 19th century
This handmade picture has been painted on a cast plaster or composition frame. Plaster frames were popular in the e19th century. The material is quite fragile and many pictures from this era suffer from damage such as chips and cracks.This simple handmade painting on cast composite frame is typical of 19th century art work found in middle and upper class Victorian homes of that era. It cannot be attributed to a particular artist due to lack of inscriptons.Painting, oil on composite material, handmade Pink coloured cast composite oval frame with decorative border. Painting depicts two figures in a small green boat on the shore, sandy beach, rocks nearby, small surf waves, mild sea, two sailing vessels in background. No inscription on front of painting. flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, victorian art work, maritime scen, composite material, plaster, cast frame, oval frame, victorian era -
Kew Historical Society Inc
Ceramic - Lidded ewer, Viola Ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade ewer, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Handmade ceramic lidded ewer fully covered in an olive green glaze. The lower section of the body, the spout and the lid reveal the coil work construction technique used, whereas the upper body is smoothed.Signature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), ewers, viola ayling -
Orbost & District Historical Society
axe head
Inspected by Joanna Freslov, archaeologist 2.6.2008. Ground-edged axes first appeared in south-eastern Australia about 4,000 years ago and were used either with handles or hand-held. Stone tools were used for a variety of purposes, in ways similar to those of steel knives, axes, hammers and chisels. Ground-edge tools are made from fracture-resistant stone, such as basalt. This is able to withstand repeated impact making it suitable for use in objects such as stone axes. The stone was quarried, and then roughly shaped into a tool blank with blows from a hammerstone. The edges were then sharpened and refined by grinding the tool against a coarse, gritty rock. The necessary tools and equipment for hunting, fishing and warfare were one of the very few items that Aboriginals carried with them from place to place. Most were used for a multiplicity of purposes. Because many were made from raw natural materials, such as wood, generally only partial remains are found today. This item is an example of a stone tool used by the early Indigenous people of Eastern australia.A handmade stone Aboriginal axe head.axe-head aboriginal tool stone-artefact -
Orbost & District Historical Society
axe head
Inspected by Joanna Freslov, archaeologist 2.6.2008. -unusual axe head. Ground-edge tools are made from fracture-resistant stone, such as basalt. This axe would able to withstand repeated impact. The stone would have been dug or found and then roughly shaped into a tool blank with blows from a hammerstone. The edges were then sharpened and refined by grinding the tool against a coarse, gritty rock. Ground-edge tools could be held in the hand, or fashioned to be fixed onto a haft or handle.The necessary tools and equipment for hunting, fishing and warfare were one of the very few items that Aboriginals carried with them from place to place. Most were used for a multiplicity of purposes. Because many were made from raw natural materials, such as wood, generally only partial remains are found today. This stone axe head is an example of a ground-edge tool used by the early Indigenous people in Eastern Australia.A handmade stone Aboriginal axe head.aboriginal tool aboriginal stone-artefact -
Orbost & District Historical Society
axe head
Inspected by Joanna Freslov, archaeologist 2.6.2008 Ground-edged axes first appeared in south-eastern Australia about 4,000 years ago and were used either with handles or hand-held. Stone tools were used for a variety of purposes, in ways similar to those of steel knives, axes, hammers and chisels. Ground-edge tools are made from fracture-resistant stone, such as basalt which is able to withstand repeated impact, and so is suitable for use in objects such as stone axes. The stone was quarried, and then roughly shaped into a tool blank with blows from a hammerstone. The edges were then sharpened and refined by grinding the tool against a coarse, gritty rockThe necessary tools and equipment for hunting, fishing and warfare were one of the very few items that Aboriginals carried with them from place to place. Most were used for a multiplicity of purposes. Because many were made from raw natural materials, such as wood, generally only partial remains are found today. This item is an example of an early axe head used by the Indigenous people of East Gippsland.A handmade stone Aboriginal axe head.aboriginal tool stone-artefact axe-head -
Orbost & District Historical Society
axe head
Inspected by Joanna Freslov, archaeologist 2.6.2008. Stone tools were used for a variety of purposes, in ways similar to those of steel knives, axes, hammers and chisels. Ground-edge tools are made from fracture-resistant stone, such as basaltwhich is able to withstand repeated impact, and is suitable for use in objects such as stone axes. The stone was quarried, and then roughly shaped into a tool blank with blows from a hammerstone. The edges were then sharpened and refined by grinding the tool against a coarse, gritty rockThe necessary tools and equipment for hunting, fishing and warfare were one of the very few items that Aboriginals carried with them from place to place. Most were used for a multiplicity of purposes. Because many were made from raw natural materials, such as wood, generally only partial remains are found today. This axe head is an example of an early stone tool used by the Indigenous people of Eastern Australia.A handmade stone Aboriginal axe head.aboriginal tool stone-artefact axe-head -
Orbost & District Historical Society
basket, Untitled, second half 19th century
Made as wedding present for Cameron, John (Mrs) in 1880 at Lakes Entrance. John Cameron (1847-1930) selected first land on Snowy River flats. Married Elizabeth Roadknight (1863-1939) who was born in Cunninghame (now Lakes Entrance).This item is associated with the Cameron family who were early Orbost settlers.Large handmade woven Aboriginal basket.basket household basket-woven aboriginal lakes-entrance cameron-john -
Bright & District Historical Society operating the Bright Museum
Mantle drape
Macrame fringed mantle drape, handmade.macrame mantle decoration -
Tatura Irrigation & Wartime Camps Museum
Recorder, Roland Frank & Herman Doster, 1940
\made by internees at Camp 3 Tatura. \the material was selected from fire wood. Erich Buloch tuned the recorder to a perfect pitch.Handmade light coloured wooden recordererich buloch, roland frank, herman doster, camp 3 musical instruments -
Tatura Irrigation & Wartime Camps Museum
Domestic object - Bread Tin, 1940's
Used by internees at Camp 3Oblong metal bread tin. Handmade.camp 3, ww2, cooking, bread tin -
Tatura Irrigation & Wartime Camps Museum
Recorder, 1940's
Made by internee and used by Helga Wied (Anderson) at Camp 3Handmade dark brown polished recorderrecorder, wood, wied l, camp 3, tatura, ww2, musical, instruments, wind -
Tatura Irrigation & Wartime Camps Museum
Recorder, 1940's
Made by Internees at Camp 3, Tatura. The material was selected from firewood. Erich Buloch tuned the recorders to a perfect pitchHandmade dark brown wooden recorderrecorder, frank r, doster h, vollmer h, camp 3, tatura, ww2 camp 3, musical, instruments, wind -
Tatura Irrigation & Wartime Camps Museum
Recorder, 1940's
Made by internees at Camp 3, Tatura. The marerial was selected from firewood. Erich Bulach tuned the recorder to a perfect pitchHandmade dark brown wooden recorderrecorder, frank r, doster h, vollmer h, camp 3, tatura, ww2 camp 3, musical, instruments, wind -
Tatura Irrigation & Wartime Camps Museum
Stilts - child, 1940's
Made by internee at Camp 3, Tatura and used there by childrenHandmade wooden child's stilts (pair)stilts, wied k, bissinger g, camp 3, tatura, ww2, toys, general -
Clunes Museum
Clothing - CHILDS' DRESS
BABYS' DRESS, TUCKED WITH A PANEL OF EMBROIDERY AT THE FRONT OF SHIRT AND BODICE. EMBROIDERED SLEEVES AND SHIRRED WAIST.CREAM LAWN DRESS. HANDMADE AND EMBROIDERED.local history, costume, dress, swainson family -
Clunes Museum
Tool - NAIL
Handmade metal round head nailNilfasteners, nail -
Melbourne Legacy
Photograph, Christmas gifts, c1966
Photo of a display of hand made toys (wooden trains, doll cribs, children's chairs, soft balls and dolls made by Victorian school children). Above them is a sign "I'm a set of wheels for a lucky boy". Appears to be gifts at a Christmas party for Junior Legatees. For many years Melbourne Legacy held Christmas parties for junior legatees - the children of deceased servicemen, often hosted by the Governor at Government House. It came from a Legacy envelope marked P7, 1966. It was an early attempt at building an archive. The contents were described in red pen as: 1 Christmas Party / Govt House 2 Toy presentation Dept of Education 3 Residence Christmas party 3 HMAS Cerberus / Operation Float / Operation Firewood (added in blue pen). (these other items will be items 00411 to 00416)A record of the items and events provided to Junior Legatees.Black and white photo of handmade toys.Stored in an envelope marked P7, listing it's contents in red pen and 1966 in pencil.christmas gifts, junior legatee outing -
Bendigo Historical Society Inc.
Tool - Chisel
A chiesel is a wedged hand tool for cutting hard materials such as wood, metal and stone.Handmade pointed chisel made of metal. tools, chisel -
Gippsland Art Gallery
Print, Jose, Ellen, Pelican - Sunset, 1989
Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Woodcut print and watercolour on handmade papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Jose, Ellen, Pelicans are Home I, 1989
Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Woodcut print and watercolour on handmade papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Jose, Ellen, The Pelicans are Back Home in the Inlet, Again, 1989
Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Woodcut print and watercolour on handmade papergippsland, artwork, permanent collection -
Ringwood and District Historical Society
Costume - Handkerchiefs, 2 handkerchiefs Ringwood c. 1900s
Part of Webber collectionOne handkerchief with handmade lace edging . Butterfly and flowers in one corner. Second cotton handkerchief has simple handmade lace edging.