WO Harold Jackson Bailey Burrell mentioned on P.10 B.E.M. Section.This is a foolscap size booklet. The front cover is white cardboard with the Royal Crest. The printing is in black ink and there is a decorative rectangular around the title. Inside are 12 pages. Printed in block letters are the Rank and Names for Honours. In lower case is a brief paragraph as to why the award was given.souvenir, booklet, queens investitture

Refer to Cat 5556.2 and 2481.2 "J.A. McDonald".Army form WF88. No.8089 for Mr. J.A. McDonald, 63 green St, Windsor. dated 17/1/46. Army NR VX79511. Plain white quarto size, black printing, handwritten in a "purple" pencil are the figures. The balance due to the member was 179 Pounds, 6 shillings, 7 pence.Rubber stamp at bottom - 22 Jan 1946. A circular stamp with OHE & KIN & Staff 3rd M.D.pay statement, army form, ww2

This refers to the WW2 service of VX25591 Edward Hildebrandt.This is a small black & white photo. It portrays a couple walking on a footpath arm in arm. The lady is wearing a coat and hat, She is carrying a small bouquet of flowers and a hand bag. The soldier is in an Australian Army uniform wearing a slouch hat.On the rear of the photo, written in ink is " Marjery (Phillips) and Ted Hildebrandt in Swanston St. Melbourne. The year 1942 is written in a different pen.ww2, photo

In WW1 the Australian Light Horse served from the Suez Canal right around through Palestine - Syria.1. Memorial Card. Black cardboard with gold printing. It is a religious article with images and prayers. In the top centre is an oval shaped hole with a B & W portrait of an Aust soldier. Slouch hat with side up. 2. Set of 31 B & W photos depicting scenes of light horse activity. Beaches - Middle East buildings - locals - repairing train lines - daily life - campsites - ships off shore etc.Thomas McGinty, Beloved son of Catherine Power. "Who gave his life for the Empire. At Gallipoli, Turkey, August 13 - 1915. Aged 33 years.ww1, middle east, light horse

In the newsletter are numerous subects. Vale section from WW2 incudes Ron Barassi, There are plans for the ANZAC March and VP Day. There is a Äustralia Remembers page 1945 - 1995".This newsletter is composed of 7 sheets of A4 paper. They are printed on both sides. It has texts, photos, cartoons and Unit symbols. The news letter was for the 1995 time. The sheets are stapled in top left corner.Nil7 division, ww2, army service corp

WW2 TrainingThese three pamphlets have a brown cardboard cover held together with staples. Front covers are in red ink. 1. Small arms training - anti aircraft and A/C recognition 1942 Aust. Vol, 1. Pam No.6A. 62 pages with illustrations. 2. Small arms training - Application of Fire 1943 Aust. Vol 1, Pam 2. 32 pages with illustrations. 3. Small arms training - .303 inch machine gun 1943. Vol 1 Pam.7. Part 11. 123 pages with illustrations & photos.1. Written on front cover - CPL Hughes. 2. Front cover has C.L. Gourlay crossed out and CPL Hughes. 3. Front cover has C.L. Gourlay crossed out and CPL Hughes L.R.ww2, military training

This badge was issued to Harold Hall No 270, 10th Batt & 7th Field Ambulance AIF. Refer 2062.Returned from Active Service Badge, brass, round with a crown at the top. Centre is the Rising Sun badge emblem. On the rear are two lugs for clothing attachment.Around the outside dia, “Issued by the Dept of Defence” , “Returned from Active service”. Centre of badge, “Australian Military Forces AIF”, Rear, “Stokes & Sons MELB, 61406”.military service, returned, history, metal work., ras, badges

Spiral bound gloss paper illustrated notes for the Australian defence Corp Volunteers, 32 pages, subjects covered, camouflage, stalking, self defence, small arms, aircraft ID, reconnaissance reporting and general information on enemy forces.volunteers, defence corp

Made for the Australian Comforts Fund and published by Brown, Prior Anderson Pty LtdPocket book with red cloth cover, title in black ink on front. Contains information of use to Australian soldiers including signalling, first aid, military terminology etc Revised 5th Edition.Page 3 personal details of owner .pocket books, soldiers, military,

Exploders, Dynamo. Metal case, folding handle, 110 volt outputMaker's plate: Exploders Dynamo Mk VII Thorne & Dean Pty Ltd ELEC ENGRS. MELB. AUST Made in Australia 1943 DD (with broad arrow) SERIAL NO 7879 440 exploder, army engineers, demolitions, thorne and dean

There is no record of where this Tankard came from or who donated it.Pewter drinking cup with ornate handle, Rising sun Badge with Queens Crown. Glass bottom. Tpered sides. Listing Captains and locations. From World War 1, World War 11,, Korea, Malaya and VietnamAustralian Rising Sun Badge in Front centre. On Base serial No 0983, Makers markings, Other pewter markingstankard, pewter, drinking, cup

"The fist references the Black Lives Matter movement and also represents the strength of Indigenous peoples all over the world and symbolises solidarity and justice for everyone affected by systematic racism. Bunjil (wedge-tailed eagle) is flying high on the building. He is the creator spirit for Wurundjeri people who looks over us and protects us. Bunjil represents healing and power to our people. The blue circles and lines represent revival and waterways; in particular, they depict the Birrarung (Yarra River), which is very significant for the Wurundjeri people. Our people are known as the Manna Gum people. The leaves in the artwork highlight Wurundjeri people and their Country. These leaves also represent the cleansing of negative spirits. The Manna Gum leaf is also an important symbolic offering in our traditional Welcome to Country ceremony. Leaves are offered to visitors as they are granted safe passage through our land. They are made welcome to everything from the tops of the trees to the roots of the earth. We ask that they take care of the land, plants and animals and to respect the protocols and rules of the Traditional Owners whilst on our Country."In 2020 Council declared its support for the global Black Lives Matter (BLM) movement. In consultation with Yarra City Council's Yana Ngargna advisory group a motion was prepared and passed unanimously by all Councillors. A number of actions were generated from this decision; one of which was for Council to commission a large-scale mural that aligned with the movement. Emerging artist Ky-ya Nicholson-Ward, a proud Wurundjeri, Dja Dja Wurrung, Nguarai Illam-Wurrung, German and Irish woman, created the mural installed on a building in Peel Street Park, Collingwood. Selected by Council's Yana Ngargna, Black Lives Matter Working Group the artwork identifies the cultural importance of the local area to the Wurundjeri Woi Wurrung people as the Traditional Owners. With a strong focus on Aboriginal identity the mural outlines the local context of the Black Lives Matter movement, which is connected to racism, policing of Aboriginal and Torres Strait Islander peoples and associated deaths in custody. The artwork acknowledges the ongoing challenges faced by Aboriginal community members and their struggle to survive white systems, policies and institutions. Ky-ya's mural tells the story of Aboriginal resilience, strength and self-determination; and will support the process of healing. It is a celebration of the local Aboriginal and Torres Strait Islander community; the significant Aboriginal history of Fitzroy, Collingwood and surrounds; and community's continuing cultural connection to the area. Importantly, this artwork provides a platform to educate a broader audience about the local context of the Black Lives Matter movement and Aboriginal deaths in custody. The mural will activate this site, enliven the area, promote inclusion, incite conversation and contribute to the creative capital of this locale. A welcoming environment for Aboriginal and non-Aboriginal communities.Aboriginal Lives Matter Ky-ya Nicholson WardOn a black background a hand fist (strength, solidarity and justice) is placed at the centre of the building; Bunjil (wedge-tailed eagle) is depicted flying high on the building; blue circles and lines represent revival and waterways (Birrarung-Yarra River) and the leaves in the artwork highlight Wurundjeri people (cleansing of spirit and welcome to Country)The artist name 'Ky-ya Nicholson Ward' painted in white, low right of the wall facing into Peel Street Park. black lives matter (blm) movement, wurundjeri woi wurrung, bunjil, identity, birrarung, country

'Close Knit' was conceived based around providing the high density accommodation of the area with what many residents will never experience; the iconic ‘Aussie’ backyard, symbolised by washing on a Hills Hoist. This concept was transposed into several elements, including two large flying jumper sculptures. These stainless steel and fibreglass structures are supported on slanted poles, reminiscent of Hills Hoist arms. The jumpers appear to catch the breeze, and billow up, like washing on the clothesline on a sunny day, and cast lovely shadows across the paths and gardens. They are bright and joyful reminders of simple homespun joys. The handcraft theme is also featured in knitted concrete garden walls throughout the gardens. As if the wind is captured in the movement of the Hellenistic drapery, these panels echo the Lady of Justice, an earlier work of mine on the Victorian County Court. These feature walls bring a softness to the park and hark back to classic European garden design. There are 6 finial/balls of wool marking gateways and entrances to the park, as well as a couple randomly scattered throughout to be discovered. There is also a draped plinth at the Peel street entrance which has my signature. Again these elements echo traditional garden design and are a tactile and recognizable link to the hand knit themes of the park. Given the strong themes of domesticity and handcrafts, I have titled my work ‘Close Knit’, as it applies to the purpose of this public space as well as the works scattered throughout. Yarra City Council delivered Cambridge Street Reserve in partnership with the Victorian Government, who have supported the project with $1.3m funding. Yarra City Council has invested a further $731,130 towards the project. Urban Imitative Landscape Design worked with artist William Eicholtz at the beginning of the design process to consider the needs of a growing high-density population of the area. At double the size, with extensive park seating and a large lawn space which is shaded by native trees, Cambridge Street Reserve is now the largest park in Collingwood. 'Close Knit' by William EicholtzTwo knitted fibreglass 'jumpers' over stainless steel framework; six concrete balls of wool throughout the park; 25 metres of cast (drapery) concrete walls; concrete plinth at Peel street entry which is draped with a concrete knit and a ball of wool on top as finial; reverse rope reliefs on the front façade of eastern stairs. Artist name and date 'William Eicholtz 2023' inscribed on plinth with ball of wool on top as finial. handcrafts, domesticity, aussie icons, european garden design, public space, high density accomodation

'Queep-Queep’ means ‘birds’ in Woi-wurrung language—the language of the Wurundjeri people—the Traditional Owners of the land on which the building is standing. Referencing what lived and flourished in this area prior to European invasion, the artwork acknowledges the important Aboriginal history of the area now known as the City of Yarra. The six native birds depicted in the artwork can all be found living within the City of Yarra: the male red-rumped parrot, kookaburra, superb fairy wren, rainbow lorikeet, raven, and wedge-tailed eagle. Many south-eastern Aboriginal people recognise the wedge-tailed eagle as Bunjil—the creator spirit. Bunjil is the head of the Kulin Nation and is very powerful. Bunjil created the land, waterways, animals, plants and even the people. He is watching over the land to ensure that we are caring for Country—reminding us to respect ourselves, respect others and respect the environment.'Queep-Queep' is a site-specific artwork commissioned for the new Richmond Kindergarten, Lord Street, Richmond, 2023.Two aluminium birds (a wedge-tailed eagle and a raven) at the entrance to the building, and a large, colourful mural of Australian native birds painted in a graphic style on the other side of the wall facing into the playground.accompanying plaquebirds, bunjil, country, kulin nation, environment, public art

"Situated at the intersection of three major arterial flows – a railway, a freeway and the Birrarung river, the Mary Rogers Pavilion is a place where people are drawn together through movement. The artwork 'Momentum' draws on the coalescing flows of traffic, sound, air, time, water, and human kinetic energy, mapped together into a horizon of oscillating lines."'Momentum' was commissioned for the new Mary Rogers Sports Pavilion at Ryans Reserve, Richmond, a $3 million redevelopment in partnership with the Victorian Government. Named after the former City of Richmond Mayor, the pavilion is home to the Yarra Netball Association as well as acrylic surfaced courts which cater to netball, local tennis players and groups. The new pavilion meets legislative, functional, disability access and environmental sustainability requirements, allowing the club to grow, provide greater flexibility and capacity to train and host competitions. 'Momentum' is a result of Council’s Public Art Policy 2015-2020, which ensures Council commits a percentage of the capital works budget for new community infrastructure projects over $1 million dollars to an integrated art component.A landscape/horizon of oscillating black lines (waves) and sun filled in with warm colours. accompanying plaquesport, mary rogers, women, birrarung, energy, movement

'The first panel celebrates the long history of runners that use the park. Richmond Harriers Athletics Club was established in 1913 and is the oldest athletics club in Victoria. The central panel depicts young female footballers and recognises female athletes and the popularity of women and girls' teams in contemporary sports. The final panel depicts a children’s cricket match. The young players are represented through the depiction of a game that is part of our national psyche and firmly entrenched in Australian culture.'Inner-city parks like Citizens Park have many diverse uses. They provide places to play, to exercise and to relax. They are spaces for community and are often subject to competing values and interests. The re-development of the Jack Dyer Pavilion at Citizens Park allows for the growth of the local community’s diverse interests and values and enables participation and interaction. 'The Park' focuses on the recreational uses of Citizens Park and its role as a community space in an area that is changing rapidly. The mural consists of three panels that address inclusivity and access to sport. Three core sporting groups who each utilize the pavilion and park as a public recreational space are represented: children, sport teams and runners. In fostering the representation of these groups, the panels also attest to the past, present, and future of this important space.Three sporting groups are represented: athletics/runners, women footballers in line formation and young cricketers in action/play. Accompanying plaquesport, women, community, richmond, parks

'Drop Zone', is set in an imagined future where decreasing water availability has affected us more dramatically than anyone predicted. The water shortage has become so severe that we have to access water on a first-come first-serve basis, from military-like water ‘drop zones’, like this one, made from modified rain water tanks. These tanks function on three levels: Collected rain water causes the totem sculptures to rise and bloom; evaporation causes the totem sculptures to fall; and an anemometer (device that measures wind speed) drives a process that plays the tank like a giant drum, tuned by the amount of water contained within. This artwork envisions a future for Australia where the impact of decreasing water availability has had a more dramatic effect than any of the predictions. The shortage is so severe that military-like water ‘drop zones’, constructed of modified rainfall storage tanks have been established across the public parks of the City of Yarra for access on a first come, first serve basis. However, as the water is only replenished through rain catchment the tanks may only offer infrequent relief for the City of Yarra residents, standing as hollow reminders of the effects of inaction on the shaping of sustainable national water use.'Drop Zone' was one of three public art works installed in Yarra, in 2011, under the banner of The Environmental Public Arts Project which responded to key features of Council's Environment Strategy: 'Towards Local Sustainability 2008-2020.' The aims of this project included activating public spaces in new and creative ways through the creation of artworks which act as catalysts for further engagement and discussion around environmental themes and issues.Copyright the Artists. Ready-made corrugated water tanks arranged on a site. Situated within the tanks are small totemic sculptures that float on top of the water within the tank.Accompanying plaquesustainability, water, environment, climate change

25PDR FIELD GUN.SERIAL No.5346artillery gun / field gun

Two coloured Photograph to Commemorate the 40th Anniversary of the Battle of Long Tan in melbourne 18th August 2006 Photo 1. Veterans with Banners in front of Shrine Photo 2. Cross in front of Shrine of RemembrancePlaque on Cross, various Bannersbattle of long tan, 40th anniversary, photograph, vietnam veterans day

Patricia Agnes Penrose (nee Rattray) OAM Convenor Australian Women's Army Service, Royal Australian Corps of Signals. She was awarded the OAM in the Australia Day 1993 Honours List for 'service to veterans and to the community'. She passed away at home on June 27, 2006. Colour photograph unmountedInvestiture of Patricia Agnes Penrose with the Order of Australia medal by his Excellency the Governor of Victoria, the Honorable Richard E McGarvie, at Government House Melbourne, 7 May 1993. Photo taken at reception given afterwardspatricia agnes penrose oam, patricia penrose, australian women's army service, royal australian corps of signals

The bronze statue of a horse commemorates poet and horseman Adam Lindsay Gordon and the horses and mules killed during WWI. The statue depicts a horse going into battle known as a 'charger' mounted on a base of Warrenheip granite. During World War II the artist, Raymond Ewers was made an official war artist with the rank of lieutenant. Funds were raised from visitors to the Adam Lindsay Gordon cottage for the artwork which was unveiled on the centenary of the poet's arrival in Ballarat. Adam Lindsay Gordon the English born Australian poet spent some time in Ballarat, at one stage owning and running Craig's Stables in the city. He was not a very good businessman and his ventures left him in financial ruin. However his ballads and poems were recognized around the world as strong lines that told the story of the Australian bush. He is the only Australian Poet to be memorialized in Westminster Abbey, UK. The Queen quoted his work in 1992 Queens message..."Kindness in another's trouble, courage in one's own.."The artwork is of historic and aesthetic significance to the people of BallaratBronze horse on granite plinthERECTED BY/ THE ADAM LINDSAY GORDON SOCIETY/ TO MARK THE CENTENARY OF/ THE POET'S LIVING IN BALLAARAT,/ ALSO AS A MEMORIAL TO THE 958,600 HORSES AND MULES/ KILLED IN THE FIRST WORLD WAR/ INCLUDING 196,000/ THAT LEFT THESE SHORES NEVR TO RETURN./ "THE LAY OF THE LAST CHARGER"/ FORWARD, THE TRUMPETS WERE SOUNDING THE CHARGE./ THE ROLL OF THE KETTLEDRUM RAPIDLY RAN/ THAT MUSIC, LIKE WILDFIRE SPREADING AT LARGE/ MADDEN'D THE WAR HORSE AS WELL AS THE MAN./ WHERE ARE THEY? THE WAR-STEEDS WHO SHARED IN OUR GLORY/ THE "LANERCOST" COLT AND THE "ACROBAT" MARE,/ AND THE IRISH DIVISION "KATE KEARNEY" AND "RORY" AND RUSHING "ROSCOMMON" AND EAGER "KILDARE"./ WE TOO, SPRUNG FROM THE LOINS OF ISHMAELITE STALLIONS,/ THE RENDERING OF BLACKTHORNS AND RATTLE OF RAILS./ AND WHAT THEN? THE COLOURS REVERSED, THE DRUMS, MUFFLED/ THE BACK NODDING PLUMES, THE DEAD MARCH AND THE PALL/ THE STERN FACES, SOLDIER-LIKE SILENT UNRUFFLED,/ THE SLOW SACRED MUSIC THAT FLOATS OVER ALL/ BY A.L. GORDON/ UNVEILED BY/ HIS WORSHIP THE MAYOR OF BALLAARAT,/ CR. M.J.BROWN/ 1969/ PRESIDENT CR.W.E.ROOF C.B.E. SECRETARY P. ABSOY. ESQ.horse statue, adam lindsay gordon horse statue

From Glen Iris.Dark blue and gold felt triangular pennant with gold screen print text."P.M.B.A. UND. 13 ZONE 1. RUNNERS-UP 1963"

From Glen IrisDark blue and gold felt triangular pennant with gold screen print text."P.M.B.A. UND. 17 A.GRADE PREMIERS 1966"

From Glen Iris.Dark blue and gold felt triangular pennant with gold screen print text."P.M.B.A. UNDER 15 RUNNERS-UP 1964"

From Glen Iris.Dark blue and gold felt triangular pennant with gold screen print text."P.M.B.A. UNDER 13 A GRADE RUNNERS-UP 1968"

From Glen Iris.Dark blue and gold felt triangular pennant with gold screen print text."PRES. BOYS ASSN. ZONE BASKETBALL PERMIERS HARTWELL 1953"