Two widows beside an exhibit of craft work at Legacy House, possibly 1999 or 2000. The widows would complete craft items for sale at the widows stall in badge week and also for competition in the Widows Craft Exhibitions. On the left is Sue Sargent and on the right is Vera Lang. Both ladies participated in many events and may have been on the widows committee at the time. A record of the type of activities Legacy provided as a social outlet for widows. Colour photo x 2 of two ladies looking at the craft exhibition.Printing on the back "widows, widows club, craft, activities

Medal, Australia : Victoria. Melbourne International Exhibition 1880, silver.Front: Melbourne Exhibition Building and Southern Cross / Melbourne / Exhibition / 1881 Back: Early "Coat of Arms" showing kangaroo and emu supporting a shield divided into quadrants representing Produce and Transport / rising sun (above) / 1880 (below)stokes melbourne, melbourne international exhibition 1880-1881

From its beginnings in 1958, the Society has mounted exhibitions and/or displays, in early days in shop window and in community spaces located in the Kew City Hall (later Kew Library), and since 2010 at the Kew Court House. Exhibitions typically coincided with the annual Kew Community Festival in March, but after 2013 evolved into three new exhibitions yearly at the Kew Court House. Smaller displays continue to be mounted in the Kew Library. Photos of the third Kew Historical Society exhibition at the Kew Court House for 2017, focussing on aspects of performing arts in Kew from the 1940s to the 1970sexhibitions -- kew court house -- kew historical society, fashion exhibitions

Photos taken at the 13th Annual Widows' Art and Craft Exhibition held at Legacy House in 1994. The note with the photos says: "The quality and ingenuity of the arts and crafts entered were outstanding and quite a daunting task for the judge, Mrs Janice Bridges". Photos show President George Woodward speaking, other names are not known. This was an Annual Art and Craft Exhibition that was run by the widows club. The items could be sold at trading tables and at the table outside Legacy House during Badge Week in September to raise funds. There were craft afternoons throughout the year for widows to learn new skills and gather together at Legacy House. These regular meetings, fetes and workshops provided important opportunities for widows to meet, socialise and be activeA record of the type of activities the Legacy widows participated in. Craft days throughout the year provided times to gather together and socialise. The Art and Craft Exhibition gave them a chance to show off their talent. Items were sometimes sold in the stall outside Legacy House in Badge Week to raise money for Legacy.Colour photos x 10 of a widows craft exhibition and President George Woodward in 1994.widows, craft, activities, george woodward

One of two albums presented to Mr EJ Fairnie in appreciation of his work towards the exhibitions of 1928 and 1938.Photograph album, 22pp - Loose leaf album, grey board pages with four holes punched at left side and tied with cord. "Geelong Made in Australia Exhibition 1928" is on front cover, the first page is inscribed in white ink. The rest of the album contains two handwritten letters and black and white photographs in connection with the exhibition.An Appreciation/ of Courtesy to/ E J Fairnie, esq Photographs by the Lockwood Studiostextile mills - history textile machinery textile mills, returned soldiers and sailors mill valley worsted mill collins bros mill pty ltd albion woollen mills co. pty ltd james munday & coy j c brown & co bright & hitchcocks pty ltd, fairnie, mr edward john - returned soldiers and sailors mill walter, mr a l, textile mills - history, textile machinery, textile mills

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.An undated photograph of Alma Figuerola and an as yet unidentified man hanging paintings for an art exhibition at one of the Kew Arts Festivals held between1944-51.arists - kew (vic), art exhibitions - kew (vic), alma figuerola

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia. He died in England in 1970 at the age of 69.Black and white photograph of a large grassed oval surrounded by a picket fence. There are stands with spectators on both sides of the oval. In the centre is a group of men in band uniform, marching and playing their brass instruments.The place is the Brisbane Exhibition Ground and the group is the City of Ballarat Band.Written in pen on back - The City of Ballarat Band (winners A & B grade quickstep) On March exhibition ground, Brisane Easter, 1923 (V. Hall)frank wright, vernon holt, city of ballarat band, brisbane exhibition ground, brass band

The Kew Historical Society, founded in 1958, is one of the oldest continuing historical societies in the Greater Melbourne region. From its beginnings, the Society has mounted exhibitions and/or displays, in early days in shop windows and in community spaces located in the Kew City Hall (later Kew Library), and since 2010 at the Kew Court House. Exhibitions typically coincided with the annual Kew Community Festival in March, but after 2013 evolved into three new exhibitions yearly at the Kew Court House. Smaller displays continue to be mounted in the Kew Library. A born digital photograph of members and guests at the exhibition opening. Photo 1: L-R Terryl de Lacey, Janet Walker, Don Garden Photo 2: Les Littlechild, Sue Littlechild, Ian Job, ..., ... Photo 3: John Torpey, Slavka Jelovac kew historical society - exhibitions, exhibition - aerial photographs - kew (vic)

Provides information about an exhibition at Scienceworks, opened by the Minister for the Arts, Haddon Storey on 15-11-1993 featuring the story of the painting of the third series of Transporting Art trams. Gives the names of the artists and sponsor - Victorian Health Promotion Foundation. The trams themselves did not go.Yields information about a Transporting Art exhibition at Scienceworks during late 1993.News Release - Transporting Art Exhibition - dated with a hand date stamp 24 Nov. 1993.Has number 4377 in ink.exhibitions, press release, news release, transportiong art, minister for the arts, scienceworks, haddon storey

"The passing of the Melbourne Cable Tramways", featuring photographs of first cable tram, Fitzroy power house, cable trams in the street, Nicholson St, the No. 1 tram entering the National Museum, some historic notes on the construction of the system, its operations, MMTB takeover, a drawing of the grip and of the badges and buttons used and an image of the cable used. Notes that it was compiled by A. R. Turnbull with co-operation of F. King, K.L.Mackenzie and H. G de Mamiel. Original poster prepared by the MMTB and presented to the State Library or the Museum of Victoria at the time of closure. See Reg Item 2854 for a framed photograph and 6368 for another poster of the time - Melbourne tramways past and present poster Yields information about the Melbourne cable tram system and its history. Photograph - of a MMTB Poster titled - "The passing of the Melbourne Cable Tramways"tramways, trams, cable trams, closure, museums, melbourne

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.An undated photograph of Alma Figuerola and an as yet unidentified man hanging paintings for an art exhibition at one of the Kew Arts Festivals held between 1944-51.arists - kew (vic), art exhibitions - kew (vic), alma figuerola

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.An undated photograph of Alma Figuerola and an as yet unidentified man hanging paintings for an art exhibition at one of the Kew Arts Festivals held between 1944-51.alma figuerola album, arists - kew (vic), art exhibitions - kew (vic)

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.An undated photograph of Alma Figuerola and an as yet unidentified man hanging paintings for an art exhibition at one of the Kew Arts Festivals held between 1944-51.arists - kew (vic), art exhibitions - kew (vic), alma figuerola

An exhibition, mounted by the Kew Historical Society, featuring a number of photographs and objects exploring the historical roles of the asylum in our culture, focusing on the Yarra Bend Asylum, the Kew Lunatic Asylum (later Willsmere Hospital) and the Kew Children’s Cottages. Photographs of the opening night of the exhibition on asylums by the Yarra, organised as part of the Kew Festival 2017. Institutions featured were: Yarra Bend Asylum, Kew Lunatic Asylum, and the Children's Cottages Kew. The exhibition was opened by Astrid Judge. The co-curators were Robert Baker and Judith Scurfield.kew historical society - exhibitions, childrens cottages kew, yarra bend asylum, kew lunatic asylum

The newsletter was produced for the Port Melbourne Business Association during a Covid lockdown which featured an article by Port Phillip Mayor, Cr Bernadene VOSS. Two other residents coping with the pandemic are Nick DIMITROKALLIS from the Port Melbourne Bakehouse and Michael McNAMARA, Chief Information Officer for the Federal Government. The back page has a section 'Port Voices' about ideas for Bay Street.A large 4 page coloured newsletter with articles about life in Port Melbourne during Covid.melbourne bakehouse, bernadene voss, nick dimitrokallis, michael mcnamara, port melbourne business association

Launch of Legacy Week in 1990 included an exhibition of Aviation Art at Legacy House. Paintings were by Frank Harding of Renmark, South Australia. A newspaper article published on 23 August 1990, mentions that Frank Harding had painted over 50 paintings of aircraft flown by Australians and published a book of the images. It was called 'They flew for the King'. Each painting had been extensively researched to capture a specific moment in the World War 2 combat career of various pilots, flight officers or bomb-aimers. His aim was to honour the fine efforts of these great individuals. Unfortunately the artist died a few weeks after the exhibition and launch of his book. Guests included Bud Tingwell, who flew for the RAAF in World War 2 and other RAAF personnel. It appears to have included a heritage display from the Royal Australian Air Force Museum at the same time. The article is at 01522 also see media release at 01521, more photos of the paintings and guests are in 01524. In 1990 the slogan was "Lest YOU forget" with an image of the statue of Simpson and his donkey rather than a personality. The main time of year for fundraising is September when Legacy holds 'Badge Week'. Often there is a celebrity who gives his or her time as 'Personality of the Year'. Was in a scrapbook of photos spanning 1987 to 1991.An example of an art exhibition being held at Legacy House to promote Legacy during Legacy week in 1990.Colour photo x 6 of an art exhibition for Legacy Week in 1990.legacy week, paintings, planes, warplanes, promotion

Launch of Legacy Week in 1990 included an exhibition of Aviation Art at Legacy House. Paintings were by Frank Harding of Renmark, South Australia. A newspaper article published on 23 August 1990, mentions that Frank Harding had painted over 50 paintings of aircraft flown by Australians and published a book of the images. It was called 'They flew for the King'. Each painting had been extensively researched to capture a specific moment in the World War 2 combat career of various pilots, flight officers or bomb-aimers. His aim was to honour the fine efforts of these great individuals. Guests included Bud Tingwell, who flew for the RAAF in World War 2 and other RAAF personnel. It appears to have included a heritage display from the Royal Australian Air Force Museum at the same time. Unfortunately the artist died a few weeks after the exhibition and launch of his book. The article is at 01522 also see media release at 01521, more photos of the paintings and guests are in 01523. In 1990 the slogan was "Lest YOU forget" with an image of the statue of Simpson and his donkey rather than a personality. The main time of year for fundraising is September when Legacy holds 'Badge Week'. Often there is a celebrity who gives his or her time as 'Personality of the Year'. Was in a scrapbook of photos spanning 1987 to 1991.An example of an art exhibition being held at Legacy House to promote Legacy during Legacy week in 1990.Colour photo x 9 of an art exhibition for Legacy Week in 1990.legacy week, painting, promotion, planes, warplanes

This exhibition was held in October 1907 and ran for 5 weeks. There were over 15000 contributors in the fields of needlework, cookery, Horticulture, fine and applied arts. There was a wide variety of activities, lectures and social events. There were approximately 250,000 people who attended.An important source of work and information relating to a major event in the State of Victoria and in the work of women.Eight sheets of microfilm enclosed in plastic sheet with title page, white with black text.State Library of Victoria Exhibition os Australian Women’s work 1907 6 microfiche. warrnambool, exhibition australian women’s work, 1907 women’s work exhibition