Booklet - Cardboard green with cream print and decorative motif, 15 pages.“Sandakan Memorial Park” “Sandakan, Sabah, Malaysia”booklet, sandakan memorial park

Karl Duldig’s ceramic bowl is a particularly interesting example of Karl’s ability to creatively respond to a new environment with a fresh visual repertoire, in this case, the flowering Eucalyptus in a design reminiscent of traditional European folk art. The bowl is an excellent example of the utilitarian and decorative studio pottery produced by Karl and his wife Slawa Horowitz-Duldig between 1944 and 1960. Clay was an important medium for Karl. When he was forced to flee Austria for Switzerland, working with clay became a convenient medium; and he continued to expand his use of clay in Singapore. In Australia his work in clay extended from domestic hand-made pottery to public sculptures and architectural reliefs. In 1944 Duldig purchased a kiln, which was installed in the garage of the family’s St. Kilda flat, soon after a pottery wheel was acquired. It was the beginning of a cottage industry that supplemented the family income during the war years and beyond. Duldig initially sold his decorative ceramic wares through a local florist in St. Kilda, and subsequently through shops such as the Chez Nous French Art Shop (Howey Place) and Light and Shade (Royal Arcade), and the Primrose Pottery shop in Collins Street. The Primrose Pottery shop was an extremely important commercial outlet, and hub, for emerging artists, potters and designers from 1929 until 1974. Its proprietors Edith and Betty MacMillan worked closely with their suppliers, commissioning and taking items on consignment. In the post war period important Melbourne studio potters such as Allan Lowe, Arthur Boyd, John Perceval and Neil Douglas exhibited and sold domestic wares in the Primrose Pottery shop. The Duldigs studio pottery provides a counterpoint to the ceramics produced at Arthur Merric Boyd Pottery in Murrumbeena, which was established in 1944 by Arthur Boyd, John Perceval and Peter Herbst. The emphasis on painterly decoration was important and the AMB potters also produced simple household wares decorated with Australian flora and wildlife, for example Neil Douglas also made small bowls decorated with the fairy wrens, lyrebirds, gumnuts and eucalypts. Ann Carew 2016The Duldig Studio’s collection of ceramics has national aesthetic and historic significance. It contains a representative sample of works of art in ceramics created by Karl Duldig during his lifetime, including small sculptures, as well as functional and novelty items for the tourist market during the 1956 Melbourne Olympic Games. The artist’s working methods and the development of his practice are comprehensively demonstrated in the collection. This in-situ collection demonstrates the philosophy of the Vienna Secession and its inheritors that handcrafted, simple functional domestic wares might enrich both the lives of the maker and the user. This bowl is part of a collection of ceramics that has national historic significance in providing a rich illustration of an immigrant and artistic experience, and touching on the themes of settlement adaptation of artistic practice. The collection is also associated with places of cultural and historical significance in Melbourne such as the Primrose Pottery Shop, and the story of Australian studio ceramics in the post-war years. Ann Carew 2016Cream earthenware bowl with flowering gum motif and sponged green background.Duldig in script incised under.

Colour drawing of stylised carnation, influenced by folk art. Motif is for embroidery.Neva Bole, 3B

Navy blue tie with motif of City of Nunawading Coat of Arms in centreWoven and manufactured/in Australia by/'Tee-Dee'/the special Tie/Specialists.costume, male

Fine lace used as a costume trimmingEdging of Bobbin lace motifs appliqued onto machine made net

Fine lace used as costume trimmingEdging of Bobbin lace motifs appliqued onto machine made net.

Silver-plated trophy with crossed racquets motif. Materials: Silver/Metaltennis

Silver-plated napkin ring with racquet motif. Materials: Silver/Metaltennis

Silver-plated napkin ring with racquet motif. Materials: Silver/Metaltennis

Set of four buttons, each with tennis match motif. Materials: Metaltennis

Set of three buttons, each with tennis match motif. Materials: Metaltennis

Set of six buttons, each with tennis lady motif. Materials: Metaltennis

Round bronze medallion depicting a male nude with spiral tree motif. Inscribed MS on lower front. Inscribed Matcham Skipper top reverse.matcham skipper, bronze, medallion, male, nude, spiral tree

Bronze medallion depicting the heads of two young girls with floral motif.Nonematcham skipper, medallion, bronze, jewellery, girl

The Hamilton-Smith collection was donated by the children of Grace Mary Hamilton-Smith nee Ellwood (1911-2004) and John Hamilton-Smith (1909-1984) who settled in Wodonga in the 1940s. The Ellwood family had lived in north-east Victoria since the late 1800s. Grace’s mother, Rosina Ellwood nee Smale, was the first teacher at Baranduda in 1888, and a foundation member of the C.W.A. Rosina and her husband Mark retired to Wodonga in 1934. Grace and John married at St. David’s Church, Albury in 1941. John was a grazier, and actively involved in Agricultural Societies. The collection contains significant items which reflect the local history of Wodonga, including handmade needlework, books, photographs, a wedding dress, maps, and material relating to the world wars. This item has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of social and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.Grey paper photograph album, front covered embossed with a floral motif. photo, photograph, family photograph, albumm, photograph album, hamilton-smith, wodonga, ellwood

1 Square White Linen & Lace Table Centrepiece With Wheel Motifs.handcrafts, country crafts, table centrepiece

The 1996 Summer Paralympics in Atlanta, USA were the tenth edition of the Summer Paralympics. It was the first Paralympic Games where International Sports Federation for Persons with an Intellectual Disability athletes were given full medal statusRound lapel badge with blue, white and gold design.Official logo of the 1996 Paralympics on a white background, surrounded by a white, blue and gold motif.paralympics, 1996 atlanta paralympics

Standing proud, still here, the spirit of ten ancestral matriarchs adorned in contemporary ceremonial cloaks. Representing our women past, present and future, her Spirit, our culture, our Country (spelt with a capital for its importance and this is part of First Peoples protocols on acknowledging Country, our strength, our resilience and healing towards a sustainable future). This cloak represents a traditional shield and stands for strength, resilience and standing proud. It protects us as we move forward. The gold represents the gold fields of Ballarat and Golden Plains shire. It also represents fool’s gold (pyrite) as First People had no use of gold, instead the people are the gold.Black, white, and red stripe design with flower and stem motif on outer cloak. Lining is a red and white stripe motif. Trimming is solid black. Cloak is machine sewn and handstitched with hand stitching on shoulder seam.deanne gilson, wadawurrung dja, first nations art, cloak, murnong

Sweetheart cards WW1 Woven silk postcards were produced in Krefeld in 1898 , Germany. Embroidered silk postcard were first made in Paris in 1900. The popularity of the silk postcard peaked during World War 1. The different examples shown reflect what, and to whom the soldiers sent them to during this period. An estimated 10 million hand made cards were produced from 1915 1919. Tjhe cards were generally hand embroidered by French women in their homes on strips of silk mesh, with as many as 25 on strip. They were then sent to a factory for cutting and mounting on postcards. Rectangular post cards , cream coloured with silk embroided silk motifs on the frontpostcards, sweetheart cards, silk embroidered cards, world war 1, lara rsl, france

Returned from Active Service No (187814) ? William J HUMPHREY (46) ? Battalion AIF.Yellow metal badge imprinted with Rising Sun motif & printing. Crown on top.Around edge: “ISSUED BY DEPARTMENT OF DEFENCE, RETURNED FROM ACTIVE SERVICE” Inside circle: “AUSTRALIAN MILITARY FORCES AIF”badge, active service, returned

Badge, brown brass, Rising Sun motif centered on a crown with a scroll beneath.: "Australian Commonwealth Military Forces"numismatics-badges-military, rising sun, passchendaele barracks trust

The All - Australia Memorial (Victoria Edition)A Historical Record of National Effort during World War One. Australia's Roll of Honour 1914 - 1916 History, Heroes and HelpersDetails of the Campaigns at Gallipoli and the Western front, also at sea and the effort at home. Includes many photographs. The Regimental Register of the Australian Imperial Force 1914 - 1915Large book with reddish brown leather outer cover with gold lettering and motifDedicated to Francis J Williams, son of George and Emma Williams of Canterbury; Husband of Ada Williams of Box Hill. Pvt Williams killed in action October 4th 1917. Foreword by Senator G.F.Pearce,Minister of State for Defence

Navy blue and white china plate from Nanchang University, with tree motif. Nanchang University 1921 on the front. Jingdezhen China and symbol on the back.nanchang university, ceramic plate, navy and white, tree plate

Fashion accessoryScarf / Tie of bobbin lace motifs appliqued onto machine made net.

- Reticella lace edging on rectangular handkerchief - Probably c 19th century Italian originExample of European 19th century handkerchief- Cream net rectangular handkerchief with applied lace edging - Floral motif throughoutNilitaly, reticella lace

Silver candlestick with racquet motif. Graphical stamps in base. Materials: Silver/Metaltennis

A striped belt with tennis motif buckle. Materials: Brass/Metal composite, Threadtennis