photograph - colour -mural of early forms of transport.photograph, train, steam train

photograph - colour -mural of early forms of transport.photograph, train, steam train

Mural Project for Walkway – Stawell (Templates) & Plaquestawell

3 x copies of Cream coloured , stapled Booklet with brown printing -'History of the Napier Waller Murals , Myer Mural Hall Bourke Street store.The booklet contains a guide to the various murals with numbers and descriptions giving information about the characters portrayedMyer Historian's Officebooks, catalogues, napier waller murals /napier walle

Artist Leonard French said of this work:- "The centre panel suggests a tree of knowledge growing out of a jewelled fish (a spiritual accompaniment is intended), and from the tree birds rise, spreading out through the cloud shapes of the other panels. Hands and figures rise from the earth, reaching for the birds. The left hand panel depicts the journey of figures in a boat, the seeking after or journeying to the source of knowledge. The far right hand panel is the garden, figures in a primitive state, a sort of evolution of figures from a primitive garden (the first garden). Visualization, verbalization, music and dance are tools we have to express a concept. The analysis of an art work is a delicate and sensitive task and great harm can be done in an attempt to become verbal about a form which relies upon elements peculiar to itself for intrinsic meaning." Leonard FRENCH (OBE) (08 October 1928 - 10 January 2017) Born Brunswick, Victoria Died Heathcote, Victoria Known for his enormous dalle de verre (concrete and slab glass) ceiling in the Great Hall of the National Gallery of Victoria Leonard French produced a large body of work throughout his lifetime. French won the Sulman Prize in 1960, and the Blake Prize for Religious Art in 1963 and in 1980. He was also awarded a Harkness Fellowship in 1965. In the Queen's Birthday Honours of June 1968 he was appointed an Officer of the Order of the British Empire. In early 1959 Leonard French was commissioned by the Ballarat Teachers' College students to paint a mural. The students were responsible for the payment of the work. When unveiled artist George Bush remarked: "the 1959 students have left something not just to 'oooh' and 'ah' at, but something that is thought provoking, arresting and interesting. This work of art keeps something in reserve and draws you to search for deeper meaning behind the splendour of colour. This mural is not one which will not fade the interest of its beholders, but one which will provide intrigue for generations to come." Originally French intended the mural to be five panels, each entitled (left to right) 'the Journey', 'Man', 'The Tree', 'The Earth', 'The Garden'. The finished mural was reduced to four panels with the central tree incorporated into the panels 'Earth' and 'Man'. Ballarat Teachers' College Art lecturer Arch Cuthbertson explained that the artist:- "Aims at evoking emotional flashed, opening doors to simultaneous thinking and feeling. To accomplish this he juxtaposes the threads of conscious and unconscious images, thus effecting a tapestry that allows many points of reference to converge upon his singular images. Whether the colours offer metaphysical sensations or convey a literal meaning will depend upon the breadth and depth of the viewer's experience. Similarly with the bird - we might well ask is it a defiance of gravity, a metaphysical ascension or the elusive winged knowledge? Again the answer could well be that these three associations have a singular purpose. " This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.A four panel mural by Leonard French, commissioned and gifted by the Ballarat Teachers' College Student in 1959. Art lecturer Arch Cuthbertson was highly involved in this commission. Artist Charles Bush unveiled the mural at the Ballarat Teachers' College in Gillies Street, Ballarat. At that time he said:- "You have left behind you on object which will be full of interest to a lot of people. A work of art, so long as it is in existence, is constantly under review. Most of the good things that keep on going are usually to the uninitiated a little worrying. Many of you will be worried by this, because it does not make its message immediately clear. But come back and assess it again and again." art, leonard french, french, artwork, mural, ballarat teachers' college, class of 1959

Alnis Ansons (1928-2015) was introduced to architect Kevin Knight in the lead-up to the opening of the Brighton Municipal Offices in 1961. The architect, on seeing some relief work in the artist’s home, asked Ansons if he would attempt an ambitious 70 square metre work within the council building which would wrap around the lift shaft of the three storey building. The tight deadlines and budgetary constraints imposed on the project impacted on the artist’s process but, in adapting to these limitations, Ansons developed a bold and original technique for producing commercial ceramic works. The mural, which symbolises the people of Brighton at work, worship and play, is constructed from hundreds of individual ceramic casts that have been treated with an engobe, similar to an underglaze, to produce a myriad of colours. The pieces were then fired only once, and grouted with copper grouting from top to bottom, creating a three-dimensional effect on the central column in the council chambers. Ansons was assisted during the installation by his future wife, Ralda, who was tasked with holding the pieces in position as they dried, to prevent them from sliding or shifting.Alnis Ansons, Brighton Council Chambers Mural 1961, ceramic. 750 x 595 cm. Bayside City Council Art and Heritage Collection. Commissioned c. 1960Circular ceramic relief mural around lift well in Brighton Council Chambers. The work begins on the ground floor of the Brighton Library, through to the mezzanine level up to the Chambers. mural, public art, alnis ansons, brighton council chambers, brighton library, ceramic, kevin knight, bayside chambers, bayside city council

Two printed photographs of a mural on a building side in Bridge Street, Bendigo. The mural advertises Cohns lemonade - quick to quench. Photos sent by Cilla Brady 31/03/2016.bendigo, business, cohn bros

Mural of US and Australian troops in a rubber plantation, vehicles in backgroundPhoto courtesy of 1 Tp A Sqn 4th/19th Prince of Wales Light Horse Rgt 1965-66mural, 4/19 prince of wales light horse regt

Colour Photograph of 6 people standing in front of a mural (inside)stawell historical society

Louise Hearman used the Norla Dome and painted a mural painted which had taken her around a year to complete. The exhibition called Elephant Room was shown from June 1988. The work was vandalised in 1989 and subsequently demolished.Louise Hearman is a Melbourne born artist and Archibald Prize winner. Hearman first came to public notice in 1987/88 when she spent a year painting the mural in the Norla Dome. The premises of the Mission also served as her studio at that time.Black and white copy of a newspaper article, printed on A3 paper.It’s Louise’s masterpiece, come heaven, hell or high water Report: SARAH TURNER PICTURE: LEIGH HENNINGHAM When her Little Bourke St studio was pulled down to make way for a carpark, artist Louise Hearman, above, contacted The Seamen’s Mission in Flinders St to see whether she could use their cottage. They agree. But neither knew what it was going to lead to. When Hearman saw ‘the Elephant Room’ at the mission, a big domed room, she felt she “just had to do something with it”. She applied for and was granted a $3250 grant from the Australia Council, with which she was able to buy the necessary scaffold and paint, and then set about transforming the room. Now, a year later, her masterpiece is complete. Hearman emphasised the the mural doesn’t represent “heaven and hell”. Rather, she said, “people should make their own interpretations”. She said it was “not particularly heaven and hell, it’s not particularly anything”. And there is “no narrative” to the mural. It “just developed with the building”, out of whatever images and feeling Hearman had at the time. Sadly though, Hearman said the mural was likely to fall off the walls and domed ceiling unless the room was waterproofed - water damage is a serious problem at the mission. louise hearman, norla dome, exhibitions, 1988, elephant room, flinders street, melbourne, leigh henningham, cultural events

Ron Setford and his wife Grace Setford lived in Tanner Avenue, East Kew, from c.1946 to c.1995. A keen photographer, he recorded the changing face of Kew over a 20 year period. Apart from 30 photographs of built structures and places in Kew dating from 1960 and 1961, 145 of his 35mm colour slides chronicle the development of the F19 (later renamed Eastern) Freeway through the Yarra Valley in Kew over a five year period from c.1972 to c.1977. This important collection was donated to the Society by his granddaughter in 2025.This collection of 175 35mm slides is of local and statewide significance, owing to its subject matter, particularly the major development of road transport infrastructure during the 1970s with the construction of the Eastern Freeway. The photographer also took care to annotate and date most of his slides which enable the researcher to pinpoint temporal and spatial locations."Eastern Freeway / Mural in Willsmere tunnel under pass / 11/73"ron setford, eastern freeway, f19 freeway

Article on the opening of the Greensborough Centre (now Plaza) on 14 November 1978.Newspaper article from Diamond Valley News with photo of ceramic mural.greensborough plaza

Arch Cuthbertson lectured at the Ballarat Teachers' College.Black and white photograph of a mural by Arch Cuthbertson in position in a Ballarat Bank.arch cuthbertson, ballarat teachers' college, mural, bank

Coloured photo of Plans in Progress for Bicentennial Leadlight Mural in Nunawading Arts & Entertainment Centre.nunawading arts centre, bicentenary leadlight mural, arrowsmith, ted

Coloured photo of Final Plans for Bicentennial Leadlight Mural for Nunawading Arts & Entertainment Centre.nunawading arts centre, bicentenary leadlight mural, arrowsmith, ted

Coloured photo of Completed Bicentenary Leadlight Mural in Foyer of Nunawading Arts & Entertainment Centre.nunawading arts centre, bicentenary leadlight mural, arrowsmith, ted

Coloured photo of continued Planning of Bicentenary Leadlight Mural in Nunawading Arts & Entertainment Centre.nunawading arts centre, bicentenary leadlight mural, arrowsmith, ted

Section of Centenary Mural painted by parents and students to commemorate the school centenary 1897 - 1997.mount dandenong, mt dandenong school

Pamphlet - large 8 fold pamphlet, full colour, titled "The History of the Transport Mural - 1835-1935" - providing a detailed description of the Mural, its parts, making, painting, detailing its preparation by Harold Freedman, timing, his work and other details. Prepared by VLine, priced $3, c2000? Understood that Keith provided details for the mural. Imaged over 8 jpg files.trams, tramways, spencer st, mural, southern cross station

Coloured photo of Erection of First Panel of Bicentenary Leadlight Mural in Nunawading Arts & Entertainment Centre.nunawading arts centre, bicentenary leadlight mural, arrowsmith, ted

Coloured photo of Foyer of Nunawading Arts & Entertainment Centre prior to planning of Bicentenary Leadlight Mural.nunawading arts centre, bicentenary leadlight mural, arrowsmith, ted

Coloured photograph of a mural erected on Blackburn Railway Station in 1980. See related article ND5450blackburn railway station