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Dandenong/Cranbourne RSL Sub Branch
Work on paper (item), Painting HMAS Australia 1945
Painting by Edward H Thornton 2003 -
Greensborough Historical Society
Painting (Framed), The Bush by Doug Hall, 1970c
Bush scene of local area, painted by Greensborough artist, the late Doug Hall.Oil painting of a bush scene, in timber frame.On back of painting "The Bush, Doug Hall"doug hall -
Tatura Irrigation & Wartime Camps Museum
Artwork, other - Painting, Farm Scene
This artwork was painted by Charlotte Rippert who was interned in Camp 3 with her whole family. The painting was painted in camp. Charlotte Rippert was a German Lutheran Missionary in Egypt, arrested as a security risk in Cairo, 1941. Transported on Queen Elizabeth to Australia and interned at Camp 3 1941-1945.Oil painting on Board (framed) - painting is of a farm scene with a large yellow-green tree in the centre-left with four other green trees and a farm and fence - in the background are hills against the skylineBack: 'Oil painting believed to be by Charlotte Rippert. Wedding gift to Otto Lobert in Camp 3, WW2. (One of a pair C3505) DONOR: Otto Lobert, Nov. 1993' charlotte rippert, otto lobert, mrs lobert, camp 3 weddings, queen elizabeth, camp 3 artwork -
Latrobe Regional Gallery
Painting, LOXTON, John Samuel b. 1903 Adelaide d. 1971, Narooma Moorings, Not dated
Watercolour paintingSigned 'John S. Loxton' in lower right corner of painting. -
Greensborough Historical Society
Painting (Framed), Oldstead Farmhouse by Doug Hall, 1978_
Oldstead Farmhouse, painted by Greensborough artist, the late Doug Hall. Oldstead Farm was in the area around the present Oldstead Road Greensborough.Oil painting of a house, in timber frame.On back of painting "Oldstead Farm, Doug Hall"doug hall, oldstead farm, oldstead road greensborough -
National Vietnam Veterans Museum (NVVM)
Painting, On Patrol
An original painting called "On Patrol" of two soldiers on patrol carrying weapons.Original painting by Deborah Polmanpainting, vietnam lest we forget, soldiers -
RMIT Design Archives
Work on paper - Paintings, Academy of Science, Canberra
... Paintings ...The Shine Dome is one of seven projects that the Royal Australian Institute of Architects has nominated to the World Register of Significant Twentieth Century Architecture. In 1956 six architects were invited to submit plans for the Academy of Science's new building in Canberra and the Academy's building design committee selected Grounds Romberg and Boyd's proposal designed by Roy Grounds. It features a shallow arcaded concrete dome, sheeted in copper and was one of a number of domed buildings that appeared around this time internationally, expressing the optimism of the post-war years. It perfectly reflected the Academy's ambition to champion excellence in Australian science and promote international scientific engagement. Paul Wallace, a well-known Melbourne renderer, drew this perspective of the proposed design, possibly for the competition submission, in 1956.Coloured perspective of the Academy of Science buiding in Canberra.Printed text on attached sticker, 'ACADEMY OF SCIENCE, CANBERRA / 1958 / Grounds, Romberg and Boyd, / Architects'. Printed centre on verso, 'ACADEMY OF SCIENCE CANBERRA GROUND, ROMBERG AND BOYD ARCHITECTS 340 ALBERT STE., MELBOURNE C2'.science, canberra, architecture, rmit design archives, design -
Clunes Museum
PAINTINGS, David Williams
... PAINTINGS ...Images of; Horse Trough & Wagon Residence 94 Bailey Street Former Presbytery St. Thomas Aquinas Former Clunes Free Library Residence 25 Camp Street Monument 100 years of gold Clunes in Melb Monument Former butcher's shop Fraser Street Residence & shops 41-43 Fraser Street Clunes School of Mines Clunes War Memorial Residence 32 Leslie St Clunes Former suspension bridge Former St Paul's Vicarage 42 Service Street Former Police Office Former Police residence Portable Lock Up Former Dow Residence 9 Hill St Former Hall & Fire Station 2 Hill St St Paul's timber Church hall St Paul's Church Masonic Lodge 23 Service St St Paul's Pulpit Masonic Lodge interior Everhard cordial bottles Scythes in Clunes Museum Ascot Blacksmith shop Former Ascot hotel MIA Hall Ascot The Coghill Monument Former Methodist Church Coghills Creek Clunes Cemetery Chapel Maiden Hill Homestead shearing shed Beckworth Court stables Beckworth Cour shearer's quarters Former School Evansford Glengower Outbuilding Amerst Former Mortuary 46-50 Fraser Street Wood fired heater Beckworth court farm shed Gold mine trolley Servant's bells Maiden Hill cow bail Former South Clunes school 29 George Street 70 Fraser Street Former Post Office "Allowah" Clunes Street Ascot "Homestead" Beackwith Court "The Meat House" Beckwith Court "Shearing Sheds" Beckwith Court Evansford Community Hall 54 watercolours remaining from the 2003 exhibition held at Clunes, all unframed, depicting Clunes and surrounds architecture and streetscapes.watercolour, 2003 exhibition -
Bendigo Military Museum
Painting - PAINTING PRINTS WW1, Post WW1
CF Reg No 2533.26, 2539.3, 2540.9, 2542.8Reproductions of paintings held at Australian War Memorial, Canberra depicting after battle of WWI.Individual descriptions of paintings handwritten on back.illustrations-reproductions, military history - army -
Bendigo Military Museum
Painting - PAINTING PRINTS WW1, Post WW1
CF Reg No 2533.26, 2539.3, 2541.2, 2542.8Reproductions of paintings held at Australian War Memorial, Canberra depicting location scenes of WWI.Individual descriptions of paintings handwritten on back.illustrations-reproductions, military history - army -
Bendigo Military Museum
Painting - ILLUSTRATIONS WW1, post WW1
CF Reg No. 2539.3, 2540.9, 2541.2, 2542.8Reproductions of paintings held at the Australian War Memorial, Canberra depicting battle scenes of WWI.Individual descriptions of paintings handwritten on back.illustrations - reproductions, military history - army -
Bacchus Marsh & District Historical Society
Painting, Portrait of Thomas Manly, 1930
Thomas Manly was a well-known resident of Bacchus Marsh. Born at Rowsley in 1863, Mr. Manly was a grandson in a family who had been in the service of the Greene family at "Greystones" from the time of its arrival in Victoria. The woolsheds at "Greystones" were built by deceased's grandfather, who also conducted a jeweller's shop at Rowsley. Like his forebears, Mr. Thomas Manly entered the service at "Greystones" and later worked for Messrs. Chomley and Boyd at "Glenmore." After his marriage to Miss Mary Johnston, whose mother arrived as an infant in Bacchus Marsh as early as 1839, Mr. Manly took up residence in the Main Street, Bacchus Marsh, where he has lived ever since. Deceased was a great walker, and mostly walked to his work, both at Rowsley and for the past 27 years to the Darley brickworks. Never a prominent man in public affairs, he was essentially a home-lover, and adopted horticulture as his hobby, gaining many prizes for both flowers and lucerne. Text for this description taken from the obituary for Thomas Manly in the Bacchus Marsh Express, 26 June, 1937, page 3, column 2.A framed painting based on a 1930 photograph of Tom Manly.'Heirloom' inscribed at the bottom right hand corner of the paintingthomas manly 1863-1937, bacchus marsh and district biographies -
The Dunmoochin Foundation
Gouache Painting, Painting with Clif, 1979
Painting depicting an old man with pipe painting in the landscape. Signed (L.r) 'Howley 79'. On reverse: Label (L.r) '37 Out painting with Clif Pugh by John Howley'. john howley, painting, portrait, clifton pugh, landscape, dunmoochin -
Bendigo Military Museum
Painting - PAINTING PRINTS WW1, Post WW1
CF Reg No 2533.26, 2539.3, 2540.9, 2541.2Reproductions of paintings held at Australian War Memorial, Canberra depicting portraits, group portraits of WWI.Individual descriptions of paintings handwritten on back.illustrations-reproductions, military history - army -
Ringwood and District Historical Society
Painting, Margaret Robbie, "View from Loughnan's Hill" (Ringwood) - Water colour on paper by Margaret Robbie, circa 1950s
"Margaret Robbie was another of the local painters who came late to art or combined it with a quite different occupation. Her grandparents, John Shaw and Margaret (Byers), went to Hobart in 1855 but then crossed the Strait and settled in Kyenton where they remained until 1918. Margaret was the issue of the marriage of Mary Shaw and Robbie. She spent a considerable time overseas for the YWCA, including a period as its General Secretary in Toronto, Canada, and worked in the Middle East during World War 2. Margaret Robbie made her garage in Ringwood Street into a flat-cum-studio-cum-gallery for her painting activities when she was not caring for her sister and an elderly aunt." - Hugh Anderson - Ringwood, Place of Many Eagles [p.218].Painting with cardboard border in glass-fronted frame.Inscription along lower edge of painting - "Margaret Robbie, copied from a postcard", and sticker on back of frame - "Ringwood Framing Gallery, 233 Whitehorse Road Ringwood, Phone 8704930" -
Mission to Seafarers Victoria
Painting, David K Taylor, Marking Time: Melbourne Waterfront, 1989
A period view of later 20th century waterside. Possibly MelbourneFrom the Artist website: "Born in Melbourne Australia in 1941, David’s early career began in etching and a 6-year apprenticeship at the north Melbourne Printing School of Graphic Arts to colour etching assisted in his future career as an artist painter. Many hand skills were learned such as hand engraving, lino and wood cutting also etching with zinc, copper and magnesium, later etching on film in lithography. David’s painting career expands many years of studying the art of watercolour painting and he has been involved in teaching his great love of this medium to painters both in Australia and overseas since the late sixties. He is involved in regularly tutoring for the Australian and International Artist magazine."Maritime ArtMatted framed and glazed watercolour painting of a waterfront with vessels and cranesArtist signature at lwr right corner On verso: number 31 in black ink / name and address of the artist written in black ink (top left corner) / sticker with number AMAA3053, name of artist, title of painting and number GFAM 047/ in pencil : GFAM 047waterside, docks, cranes, shipping, port, david k taylor, artwork, marine art, artwork-paintings -
Buninyong & District Historical Society
Photograph - Colour photograph, Launch of "Three Times Blest", 1988
Peter Griffiths and Elizabeth Griffiths in the old Buninyong Council Chamber in 1988 during the launch of the book "Three Times Blest".The photo shows the author at the launch of an important historical text on Buninyong in the old courthouse which is now the home of Buninyong and District Historical Society. Photo of a landscape painting displayed in the Buninyong Council Chamber in 1988."John Rowell's Painting" "Three Times Blest 1988"artwork, buninyong council chamber, three times blest, peter griffiths, elizabeth griffiths -
Bendigo Historical Society Inc.
Painting - Fire, William A. Delecca, "Stramit Industries fire at Golden Square 1961"
Bill Delecca was born in Bendigo, Victoria in 1929. A Bendigo-based teacher and painter, he has exhibited widely in the local area from 1951, including a retrospective in Bendigo Art Gallery, 1990. He has twice won the Bendigo Art Prize for watercolour and his work is represented in galleries and private collections throughout Australia and overseas. Instrumental in the establishment of degree courses in Art at Bendigo College of Advanced Education, he is also the author of an Education Department report to the Australia Council, 1987.Oil painting. The painting is done in dark grey and white with some splashes of orange. William Delecca Collection.In pencil on the back Stramit Industries fire at Golden Square 1961, painting by William A. Deleccagolden squrae, stramit industries, fire -
Bendigo Military Museum
Painting - PAINTING PRINTS WW1, Post WW1
CF Reg No 2533.26, 2540.9, 2541.2, 2542.8Reproductions of paintings held at Australian War Memorial, Canberra depicting naval scenes of WWI.Individual descriptions of paintings hand written on back.illustrations-reproductions, military history - navy -
Marysville & District Historical Society
Book - Hardcover book, Dacre Smyth et al, Waterfalls of Victoria, 1988
... paintings ...A book of photographs of paintings of the waterfalls of Victoria painted by Dacre Smyth.A book of photographs of paintings of the waterfalls of Victoria painted by Dacre Smyth. Each painting has the name of the waterfall, the date the painting was painted and a short poem accompanying the photograph. Commodore Dacre Henry Deudraeth Smyth, AO was a senior officer in the Royal Australian Navy, an artist and a poet. He joined the RAN in 1940, and participated in the D-Day landings and the Battle of the Coral Sea before retiring as a commodore in 1978. He served as Deputy Chairman of the Trustees of Melbourne's Shrine of Remembrance and was a Life Governor of the Shrine. He became well known after his retirement for landscape and seascape painting, publishing fourteen books containing his paintings and poems. He married Jennifer Haggard in 1952, and had four daughters and a son. He died in 2008.Hardcover. Front dust cover has a photograph of a painting of Erskine Falls painted by the author. Back cover has 4 photographs of paintings of Wannon and Nigretta Falls in summer and winter. Inside cover of book, both back and front have a map of Victoria with various towns shown and the location of all the waterfalls in Victoria.Signature of the author and painter, Dacre Smyth. Artist's Acknowledgements / I am most grateful to all who helped in the production of this book:- / Alan Copeland / Allan Tuite and staff at Crystal Offset Printers for the production and printing of this book / Photography Ralph Petty / Colour Separations front & back cover Scanagraphix & Image Scan / Binding J.P. Bookbinderswaterfalls, victoria, melbourne, paintings, poem, poetry, photograph, dacre henry deudraeth smyth, royal australian navy, d-day landings, battle of the coral sea, shrine of remembrance, jennifer haggard -
Tatura Irrigation & Wartime Camps Museum
Photograph, Dhurringile Mansion Painting
Lieutenant Albrecht was interned in Dhurringile during WW2, the images are of articles found in his books by his son Otto Albrecht, who forwarded copies by email. Emailed photo of painting of Dhurringile Mansion, possibly painted by Lieutenant Krampe, pow who is thought to have painted the mural on the internal wall of the Mansion, and which depicted a stallion rearing over a lion. Emailed photo of Lieutenant Krampe, Lieutenant Rahm with Pastor Strellan from Bendigo, probably taken at Camp 1B at Christmas 1946. Emailed notice of Lutheran service given to POW's in Camp 1B, Christmas 1946.Emailed copy of a painting of Dhurringile Mansion in colour. Tree to left and part of tree to right. Yellow border around picture.down right side: by courtesy of Pastor Otto Albrecht POW 4100 bottom left side: Dhurringile (painting found in a book)lieutenant albrecht, dhurringile mansion, otto albrecht, lieutenant krampe, lieutenant rahm, pastor strellan, camp 1b -
Mont De Lancey
Painting
... Paintings ...Hand painted by Margaret Quayle.Original painting of Heidelberg, Victoria by Margaret Quayle. River scene with house and bridge, in a wooden frame.paintings, artworks -
St Vincent's Hospital Melbourne Archives
Artwork, other - Painting, Circa 1966-1967
... Paintings ...This painting was presented to the St Vincent's civilian medical team by the people of An Giang Province, Vietnam, in recognition of their work in the area. St Vincent's sent four civilian clinical teams to Long Xuyen, South Vietnam, 1965 - 1966 as part of an aid program administered by the Australian Department of External Affairs to assist Vietnamese medical and paramedical personnel and provide medical aid to everyone who needed it. The service of the Australian civilian teams who went to Vietnam 1964 - 1972 was recognised with a special plaque within the grounds of the Australian War Memorial in October 2008. This item has historical significance because it is a memento of the hospital's involvement in a nationally significant wartime aid program to South Vietnam. Landscape painting of deer near a forest stream. Painted in the traditional Vietnamese style using lacquer and paint. Artwork is framed in a black frame but is not behind glass. The artist is unknown.Plaque is attached at lower left corner and translated reads: The people of An Giang Province / are extremely grateful to the Australian Surgical Team.st vincent's hospital melbourne, paintings, artworks, south vietnam, medical aid -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Print, A V Gregory, HMS Susan, 1934 (exact)
... paintings ...HMS Susan sailed from the Port of London on the 23rd September 1835. She carried 394 male convicts and a guard of officers and 30 rank and file of the 28th (North Gloucestershire) regiment, arriving in Sydney on 8th February 1836. Samuel Windridge, who was born in Warwickshire in 1817, was a Private in the Regiment on board the ‘Susan’. He served in various places: Sydney, Moreton Bay (Brisbane) and Port Phillip (Melbourne). He was discharged from the Regiment in 1842 with the rank of Sergeant. After his marriage he settled in Victoria and by 1852 he was often in charge of the gold escort from Bendigo. In 1854 he retired from the Gold Commission and settled in Kyneton. In 1860 the Kyneton Mounted Rifle Corps was formed with Samuel Windridge as one of its earliest members. In 1862 the ladies of Kyneton presented a standard to the Rifle Corps. In 1976 the Shire of Kyneton presented the Kyneton Colours to the 4th/19th Prince of Wales’s Light Horse Regiment Museum. In 1862 the whole of the Victorian Horse was amalgamated into one Regiment: The Prince of Wales Light Horse. Samuel Windridge rose to the rank of Lieutenant Colonel in the Kyneton Troop of the regiment. He died in 1896, aged 79 years, This painting is a gift from his Great Grand-daughters Mrs Mary Hopper and Miss Jean Baldwin. Framed reproduction of painting of HMS Susan. Wood frame, glass frontA V Gregory on proper left bottom corner of print On bottom right of print: H.M.S Susan 'Southward of the Cape' Arrived in Sydney Feby 1836paintings, kyneton, prints, hms susan, samuel windridge, a v gregory -
Clunes Museum
Painting - OIL PAINTING, Miner's Shack, Clunes. Vic
Representation of miners living conditions during the gold rush from 1851Oil painting on chipboard with image of miner's shack with 2 x pamphlets stapled on back of paintingHandwritten in left hand corner of painting "Miner's Shack Clunes Vic" Handwritten in right hand corner "James Egan"james egan, artist, miners shack -
Whitehorse Historical Society Inc.
Book
Paper painting for children. Some pages are coloured with a further identical image for colouring - others are black and white outline ready for colouring in.The Playtime Book.|A painting Book for Little Ones.books, children's -
Flagstaff Hill Maritime Museum and Village
Painting - Maritime painting, 1837
Research is currently being undertaken on this maritime painting.Painting behind glass, depicting P & O ship WILLIAM FAWCETT. Gold painted frame, gold matte. Signed N. P. Wilkinson ("on" at end of signature is obscured by matte). Inscriptions on back paper of frame. Signature on bottom right "N.P. WILKINSO - - " is partly obscured by the gold matte that covers the last letters "ON". (is artist Norman Wilkinson?) Inscription on paper on back of painting has pencil writing "24-ID 3/4/905" Also has a white sticker with pen writing "55"flagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, painting, norman wilkinson, n wilkinson, n p wilkinson, william fawcett, p & o ship -
Nillumbik Shire Council
Painting: Walter WITHERS (b.1854 Warwickshire, UK — d.1914 Eltham, Aus), Trestle Bridge, Eltham, c.1903-10
Walter Withers was a significant Australian landscape artist and a member of the Heidelberg School of Australian Impressionists. In 1903 Withers bought 'Southernwood', a house on 2½ acres (1 ha) at Eltham, to which he added a studio. Because of ill health, he lived during the week at his studio in Oxford Chambers, Melbourne, and on weekends and holidays with his family at Eltham until his death in 1914. The Eltham rail bridge is a unique and valuable historic relic of an earlier steam locomotive transport era in the Diamond Creek Valley and has long formed an important part of a magnificent Eltham landscape. When built in 1902 it was close to the terminus point of the Heidelberg-Eltham rail extension, on the route of the proposed Diamond Valley Railway that was then planned to continue much further up the valley towards Kinglake. This bridge is situated in attractive river-valley parkland amidst the tall and spreading manna gums and candlebarks of the Diamond Creek Valley. The Alistair Knox Park river-valley landscape, of which the timber trestle bridge is an important visual component, has been classified by the National Trust. Large manna gum and candlebark trees adorn the adjacent creek banks, and historic Shillinglaw Cottage is also part of this much-prized Eltham landscape. Eltham is home to a historic wooden railway trestle bridge. Mainly of timber-pier and timber-beam construction, but varied by a few longer steel-joists spans on timber piers at the main stream channel, this substantial bridge has almost two hundred metres of timber deck. Built in 1902, it is the only railway bridge of predominantly timber construction that is still in regular use as an integral part of Melbourne's metropolitan electric railway network and one of extremely few timber rail bridges in the State that still carry trains. Apart from its important continuing social function as a carrier of rail transport for the Hurstbridge line, this impressive bridge and its beautiful parkland environs contribute much to the character of Eltham township and that town's special reputation as an historic centre of environmental and conservation concerns. This section of the Diamond Creek Valley was the subject of a Walter Withers painting in the earliest years of the twentieth century and has strong historic links with our Heidelberg School of painters. Watercolour painting on paper of Eltham's Trestle Bridge in the middle of the day. A small section of the wooden bridge is located to the left of the painting. The focus is predominately on the wattle, manna gum and candlebark trees that is to the right of the bridge. The golden hues typically represent the australian sunlight and landscape. "W.W" in gothic script on the lower right side of the painting. Not dated. withers, eltham, trestle bridge, railway, watercolour -
Tatura Irrigation & Wartime Camps Museum
Photograph, 1942
A cross section of the artifacts of Camp 3. Templers.Colour photograph of a host of things. Dominant - precision weighing scales, wood fruit salad bowl and painting of a hut top right hand corner.most easiest to decipher is on the painting "Wagners Barracke"camp 3, templer society, camp artists, camp 3 hand crafts -
Marysville & District Historical Society
Painting (Item) - Watercolour painting, Miss I.K. Higgins, c1920
A watercolour painting of a track through a forest.A watercolour painting of a track through a forest.Painted by/ I.K. Higgins/ c.1920watercolour painting, i.k. higgins, forest