Showing 113 items
matching palace hotel
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Ballarat Tramway MuseumSlide - 35mm slide/s, Ben Parle, Jan. 1954
Kodachrome Transparency - 35mm slide - cardboard mount, with one side with red border and words "Kodachrome Transparency" top and bottom. On the other side is "Made in England" and "View from this side". Photo taken by Ben Parle 1/1954. Image of Ballarat No. 27 crossing the Lydiard St. Level crossing with the Reid's Coffee Palace in the background. Shows gates, signals, Provincial Hotel and Lydiard St looking towards the Post Office. On the right hand side of the image, the camera or film removal has let in a small band of light which shows up in the photograph."Ballarat Railway Station" "1/54"tramways, trams, railway station, lydiard st, level crossings, tram 27 -
Ballarat Tramway MuseumPhotograph - Digital image Set of 11, Stuart Loddington, 10 images of Ballarat trams prior to closure, 1971
Yields information about Ballarat Tramways and trams prior to the closure of the tramway system.Set of 11 digital images, comprising 1 donation text image and 10 images of Ballarat trams prior to closure, scanned from original slides by Stuart Lodington, 1971 prior to closure of the system. .1 - Donation text slide. .2 - No. 26 southbound in Lydiard St North, with the Ballarat Railway Station level crossing gates in the background. .3 - No. 27 and 30 crossing at Bell St Loop, Skipton St. (see also btm4976i4) .4 - No. 17 Wendouree Parade, near Gardens Loop .5 - Single truck tram at Victoria St terminus, taken from the west side of the Buninyong Rail line bridge, with CRB Roadwork sign, Eureka Caravan Park and Meagher Hotel in the background, possibly No. 11, see entry for .10 .6 - No. 12 and 30 crossing at the Urquhart St Loop, Drummond St South. .7 - No. 12 westbound in Sturt St, with Grenville St in the background. .8 - No. 17 at Gardens Loop with the Trolley pole being reversed. .9 - No. 30, Lydiard St North with Reid's Palace building in the background. .10 - No. 11 passing over the Buninyong rail line bridge, with Gardens via Sturt St West and a Twin Lakes sign. Has a number of children alongside the driver. .11 - No. 21 heading northbound in Wendouree Parade, Gardens, just to the north of the now BTM depot junction.trams, tramways, ballarat, level crossings, buninyong railway, lydiard st north, bell st, victoria st, wendouree parade, gardens, drummond st, sturt st, tram 26, tram 27, tram 30, tram 17, tram 12, tram 21, tram 11 -
Ballarat Tramway MuseumPhotograph - Digital image Set of 8, 21/08/1971 12:00:00 AM
Yields information about the SEC Ballarat trams in the months before the closure of the SEC Tramway system. Yields information about the streetscape. Set of 8 Digital images, scanned from slides by Graeme Cleak, scanning by Peter Winspur 9/2011. .1 - Slide FS14 - No. 31 and 32 crossing at the High St Loop in Macarthur St. Tram 31 has the destination of Victoria St. Geoff Dean and his mini on the right hand side of the photograph. Another depot bound single trucker in the photograph, .2 - Slide FS3 - 31 outbound in Victoria St, with St Alipius church in the background. .3 - Slide FS5 - No. 31, and four other trams, some running special at Sturt and Lydiard Sts during the ARHS tour of that day. Has the ANZ Bank and SEC offices in the background. .4 - Slide FS9 - Nos. 39, 26 and two other trams in Lydiard St for the ARHS tour with Reid's Palace, Macleod & Co and J.J. Collier buildings in the background along with other buildings in Lydiard St North. Taken from the Provincial Hotel. .5 - Slide FS11 - No. 26 northbound showing Special running through the level crossing at Ballarat with the Kennedy Murray General Carrier in the background. Taken from the Provincial Hotel. .6 - Slide FS13 - No. 32 turning from Sturt St into Drummond Street North showing Depot via Drummond North, with the Southern Cross Hotel, Rimmington Bros and J.A, Malpass(?) buildings in the background. .7 - Slide FR35 - night shot of No. 17 (with Twin Lakes sign) and No. 32 in Nos 3 and 4 roads at the depot. .8 - Slide FR34 - night shot of the front of the depot - as above and No. 43 on "0" road. All photos 21-8-1971 trams, tramways, railway station, macarthur st, victoria st, sturt st, lydiard st north, level crossings, depot, tram 31, tram 32, tram 39, tram 26, tram 17, tram 43 -
Ballarat Tramway MuseumPhotograph - Digital image Set of 10, Tony Smith, 1971
Yields information about Ballarat Tramways and trams prior to the closure of the tramway system.Set of 10 digital images of Ballarat trams prior to closure, scanned from original slides by Tony Smith, 1971 prior to closure of the system. .1 - 27 crossing Lydiard St North level crossing, with Reids Coffee Palace in the background. .2 - 11 and 26? crossing at the Bell St loop - 11 has destination of Lydiard St North, Twin Lakes sign and a SEC Briquette advert. 26 - enroute to Lydiard St North. .3 - 13 in Bridge St, at Stones Corner. Tram has a Twin Lakes advertisement. Has the Bank of NSW, ? Hotel, with a JP Howard sign on the building. .4 - 26 and 27 crossing at Bell St loop. 26 has a Briquettes roof advert. .5 - 13 and 12? crossing at the Parker St loop. 13 has a Twin Lakes advert. .6 - 13 at Carlton St loop, Wendouree Parade. Has the Olympic rings in the background. .7 - 17 in Wendouree Parade, with destination of Gardens via Drummond St North, near the depot. Tram has a Twin Lakes advert. .8 - 31 turning from Wendouree Parade into Macarthur St at View point, with a shelter in the background. Tram is showing Special. .9 - 31 in Macarthur St at View Point - has destination of Victoria St. .10 - 21 enroute to Victoria St, about to cross Grenville St. Tram has the destination of Victoria St. Has the signal control box on the adjacent pole.trams, tramways, level crossings, lydiard st gates, lydiard st nth, drummond st sth, bridge st, stones corner, bell st, parker st loop, wendouree parade, carlton st, view point, macarthur st, grenville st, sturt st, tram 27, tram 11, tram 26, tram 13, tram 21, tram 31, tram 12, tram 17 -
Ballarat Tramway MuseumPhotograph - Digital image Set of 9, Tony Smith, 19/09/1971 12:00:00 AM
Yields information about Ballarat Tramways and trams prior to the closure of the tramway system.Set of 9 digital images of Ballarat trams prior to closure, scanned from original slides by Tony Smith, 1971 prior to closure of the system. This set of slides appears to be the last day of operations - 19/9/1971 .1 - 40 south bound in Lydiard St Nth, at the Gregory St Loop. .2 - 40 after passing through the loop .3 - 42, north bound in Lydiard St. North at Macarthur St. .4 - 42 southbound at the Railway station level crossing with the Kennedy Murray Pty Ltd General Carriers building at the station yard in the background. .5 - 42 southbound in Lydiard St North after crossing the railway - taken from the signal box (B) with Reids Palace in the background and the Provincial Hotel. .6 - 35 northbound after passing through the level crossing. .7 - bogie tram crossing the tracks with Ballarat Railway Station in the background. .8 - bogie tram entering the double track section in Lydiard St with Reids Palace in the background. Note the new bus stop bay. .9 - 35 and another bogie in Sturt St, with the Town Hall, Golden Star Chinese Cafe and Georges Fish & Chip shop in the background.trams, tramways, lydiard st nth, gregory st, level crossings, ballarat railway station, sturt st, closure, tram 40, tram 42, tram 35 -
Stawell Historical Society IncPhotograph, Main Street Stawell looking East from the Present War Memorial site 1878
Main St. looking East towards Big Hill from Coffee Palace Verandah over Present War Memorial area. 1878 Businesses from left Walters and Son Factory, General Furnishing Mart, Stawell Town Hall, J. & A. Price Wine Spirits & Provision Merchants, Stawell Post Office. On right south side of Main Street, two-storey wooden Bull & Mouth Hotel, Whiteside Taylors, Carters Boot shop, Lecky Draper, C. Mulcahy Post Office Hotel, G.J. Hewlett Baker & Confectionery, Iron Monger, Victoria House Bond Draper, Town Hall Hotel, J. Richards Fancy Repository. Victorian Views. C. Herbert, Photo. Stawell 1878stawell business streetscape -
Stawell Historical Society IncPhotograph, Lower Main Street Stawell looking West towards the Unicorn Hotel later Coffee Palace c1885
... Hotel later Coffee Palace c1885... later the Coffee Palace. c1882 formerly the Castlemaine Hotel... later the Coffee Palace. c1882 formerly the Castlemaine Hotel ...Lower Main Street looking West towards the Unicorn Hotel later the Coffee Palace. c1882 formerly the Castlemaine Hotel and before then the Royal Hotel. Bullock wagons and horse drawn buggies in street. Railway Goods Shed and Railway Station and Church of Christ visible in distance. Anglican Church roof on right, J & A Price Grocer and Spirit Merchants.Victorian Views. C. Herbert, Photo. Stawell 1878stawell business streetscape -
Surrey Hills Historical Society CollectionPhotograph, Parer family portrait
Members of the Parer family began arriving in Australia from 1852. By the 1890s several had settled in Surrey Hills and Box Hill. Identification is as follows: Back L to R: Phillip ( ), Stephen, Joseph, Francis. Front L to R: John, Tici, Eulalia, Tia. Phillip lived at 'Monserrat' in Mont Albert Road (land later subdivided so that house was renumbered as a Weybridge Street address. Stephen was was the youngest child of Antonio and Josefa Parer. He left for Australia when he was 17 years old and landed in Melbourne in 1888 and went straight to work at Parers’ Crystal Palace for his brother Francis. Stephen preferred the outdoors and went to work on the family market garden in Box Hill. Joseph was the first Parer to arrive in Australia, in 1855. He and his brother Francis created the Parer dynasty in Australia, bringing all the family members from Spain and offering them work in their hotels. Francis Parer was born in Alella in 1836 and left for Australia when he was 17. In partnership, he commenced a business of general produce dealers in Little Bourke Street. He later entered the hospitality business buying in partnership the ‘Spanish Restaurant’ on Elisabeth Street and later, the Victoria Restaurant on Bourke Street with his brothers. In 1870 he purchased 40 acres of land at Box Hill at £15 per acre. The property became a famous market garden where he grew all kinds of vegetables and orchards. It is believed the first tomatoes in Australia were grown there. Juan or John lived in 'Gerona' in Weybridge Street. Eulalia Parer married Marcus Clota at Alella on 9 September 1867 and came to Australia in 1876. They lived in Guildford and Union Roads. Tia Marieta married and lived in Guildford Road. There are many members of the family buried in Box Hill Cemetery. Black and white formal studio portrait of 8 members of the Parer family mounted on brown board. There are 4 men standing and one man and 3 women seated.White paper label stuck to rear: "THE ORIGINAL PARER FAMILY WHO SETTLED IN AUSTRALIA - 1852. / Photograph with compliments of SANS family."phillip parer, stephen parer, box hill cemetery, joseph parer, francis parer, john parer, tici parer, eulalia parer, tia parer, "monserrat" -
Port Fairy Historical Society Museum and ArchivesPhotograph
... premises. Over the years it was also used as a Hotel, boarding... as a Hotel, boarding house, coffee Palace and boarding school ...The Stag was built 1848-1854. John Sanders purchased the land from Atkinson in 1848 and built the building as a licensed premises. Over the years it was also used as a Hotel, boarding house, coffee Palace and boarding school. It is still used today as Accommodation and a restaurant. This photo looks like it may have been taken when it was a boarding house.Black and white Photograph of Corner of 2 story building with balcony, 2 males sitting on step and children leaning on wallhotel, seacombe, stag, inn, sackville street, cox street, john sanders, coffee palace, boarding house, boarding school -
Port Fairy Historical Society Museum and ArchivesPhotograph
The Stag was built 1848-1854. John Sanders purchased the land from Atkinson in 1848 and built the building as a licensed premises. Over the years it was also used as a Hotel, boarding house and boarding school. It is still used today as Accommodation and a restaurant. This photo has probably been taken in the 1980'sBlack and white Photograph of 2 story building with multi paned windows power pole on corner and telegraph pole to the righthotel, stag, seacombe, inn, john sanders, boarding house, school, coffee palace -
Port Fairy Historical Society Museum and ArchivesPhotograph, March 1960
The Stag Hotel The Stag was built 1848-1854. John Sanders purchased the land from Atkinson in 1848 and built the building as a licensed premises. Over the years it was also used as a Hotel, boarding house and boarding school. It is still used today as Accommodation and a restaurant. This photo is printed in reverse..Black & white photograph of the Sackville street frontage of the Stag Hotel or Seacombe House as now KnownSeacombe House (Back to Front) Port Fairy March 1960hotel, stag, seacombe, sackville street, stag hotel, john sandeers, boarding school, boarding house, coffee palace -
Port Fairy Historical Society Museum and ArchivesPostcard - Photograph, Seacombe House Port Fairy
... as a boarding school. It later became a Coffee Palace and Accomodation ...Seacombe House Formerly named The Stag Cnr Sackville and Cox Streets Port Fairy John Sanders (Saunders) first came to Port Fairy in charge of the "Sally Ann" owned by the Henty family of Portland. He left the sea behind in 1844 and established the "Sally Ann Inn" named for his old ship, on the site of the present day Star of the West hotel. After selling the Sally Ann Inn to John Taylor he acquired the land on the South west corner of Sackville Street and erected a detached cottage facing Sackville Street for which he obtained a licence to sell alcohol and named the premises The Stag Inn. He died in 1850 and his wife leased the Inn to John Mason. By 1852 a large two story rendered bluestone building had been constructed on the corner site. The second un rendered section was probably added in 1854. Abijah John Brown became licencee in 1855 and made the Stag the centre of entertainment for the district, with many balls, dinners and concerts taking place there. It boasted "a billiard room and a twenty stall stables and coach house". By 1861 Abijah Brown had left The Stag and Lennox Trew was now owner and licencee. It came up for sale in 1869 but failed to sell. After Trew's death in 1886 it was sold to a syndicate and opened as a boarding school. It later became a Coffee Palace and Accomodation house named Seacombe House, and in the 1950's a motel was built on the old stable site. It is still a Hotel Motel and a restaurant which has revived the old name of "The Stag". Black and white Photograph of 2 story rendered building with multi paned windows and power pole on cornerhotel, lennox trew, abijah brown, john sanders, john saunders, john mason., sackville street, cox street, stag inn, stag hotel, seacombe house, coffee palace -
Port Fairy Historical Society Museum and ArchivesPhotograph
... The Stag Inn note balcony and sign "Coffee Palace" hotel sackville ...Seacombe House Formerly The Stag Inn note balcony and sign "Coffee Palace"Black and white photograph of 2 story building with a corner balcony 3 males and a female on footpath 1 female on balconyhotel, sackville street, bank street, lennox trew, john sanders, john saunders, john mason, abijah brown, coffee palace -
Mrs Aeneas Gunn Memorial LibraryBook, John Ruskin, The Stones of Venice: v.1. The Foundations, ????
Part of his numerous writings concerned his work on Venice in three volumes: The Stones of Venice. He visited Venice in November 1849 with his wife, Effie, and stayed at the water-fronted Hotel Danieli. Their six-year marriage was never consummated and for Effie, Venice provided an opportunity to socialise, while for Ruskin it was a venue to engage in more solitary studies. In particular, he made a point of drawing the Ca' d'Oro and the Doge's Palace, or Palazzo Ducale, fearing they would be destroyed by the occupying Austrian troops. Ruskin made extensive sketches and notes for the three-volume work, which soon developed from a technical history of Venetian architecture, from the Romanesque to the Renaissance, into a broad cultural history. Cleverly Ruskin managed to reflect his own view of contemporary England and to weave in a warning about the moral and spiritual health of society. Ruskin argued that Venice had slowly deteriorated. Its cultural achievements had been compromised, and its society corrupted, by the decline of true Christian faith. Instead of revering the divine, Renaissance artists honoured themselves, arrogantly celebrating human sensuousness. It is a work of immense worth both culturally and artistically.Ill, p.373non-fictionPart of his numerous writings concerned his work on Venice in three volumes: The Stones of Venice. He visited Venice in November 1849 with his wife, Effie, and stayed at the water-fronted Hotel Danieli. Their six-year marriage was never consummated and for Effie, Venice provided an opportunity to socialise, while for Ruskin it was a venue to engage in more solitary studies. In particular, he made a point of drawing the Ca' d'Oro and the Doge's Palace, or Palazzo Ducale, fearing they would be destroyed by the occupying Austrian troops. Ruskin made extensive sketches and notes for the three-volume work, which soon developed from a technical history of Venetian architecture, from the Romanesque to the Renaissance, into a broad cultural history. Cleverly Ruskin managed to reflect his own view of contemporary England and to weave in a warning about the moral and spiritual health of society. Ruskin argued that Venice had slowly deteriorated. Its cultural achievements had been compromised, and its society corrupted, by the decline of true Christian faith. Instead of revering the divine, Renaissance artists honoured themselves, arrogantly celebrating human sensuousness. It is a work of immense worth both culturally and artistically. venice, venice - architecture -
Mrs Aeneas Gunn Memorial LibraryBook, John Ruskin, The Stones of Venice: v.2. The Sea Stories, ????
Part of his numerous writings concerned his work on Venice in three volumes: The Stones of Venice. He visited Venice in November 1849 with his wife, Effie, and stayed at the water-fronted Hotel Danieli. Their six-year marriage was never consummated and for Effie, Venice provided an opportunity to socialise, while for Ruskin it was a venue to engage in more solitary studies. In particular, he made a point of drawing the Ca' d'Oro and the Doge's Palace, or Palazzo Ducale, fearing they would be destroyed by the occupying Austrian troops. Ruskin made extensive sketches and notes for the three-volume work, which soon developed from a technical history of Venetian architecture, from the Romanesque to the Renaissance, into a broad cultural history. Cleverly Ruskin managed to reflect his own view of contemporary England and to weave in a warning about the moral and spiritual health of society. Ruskin argued that Venice had slowly deteriorated. Its cultural achievements had been compromised, and its society corrupted, by the decline of true Christian faith. Instead of revering the divine, Renaissance artists honoured themselves, arrogantly celebrating human sensuousness. It is a work of immense worth both culturally and artistically.Ill, p.406.non-fictionPart of his numerous writings concerned his work on Venice in three volumes: The Stones of Venice. He visited Venice in November 1849 with his wife, Effie, and stayed at the water-fronted Hotel Danieli. Their six-year marriage was never consummated and for Effie, Venice provided an opportunity to socialise, while for Ruskin it was a venue to engage in more solitary studies. In particular, he made a point of drawing the Ca' d'Oro and the Doge's Palace, or Palazzo Ducale, fearing they would be destroyed by the occupying Austrian troops. Ruskin made extensive sketches and notes for the three-volume work, which soon developed from a technical history of Venetian architecture, from the Romanesque to the Renaissance, into a broad cultural history. Cleverly Ruskin managed to reflect his own view of contemporary England and to weave in a warning about the moral and spiritual health of society. Ruskin argued that Venice had slowly deteriorated. Its cultural achievements had been compromised, and its society corrupted, by the decline of true Christian faith. Instead of revering the divine, Renaissance artists honoured themselves, arrogantly celebrating human sensuousness. It is a work of immense worth both culturally and artistically. venice, venice - architecture -
Melbourne LegacyArtwork, other, Caricature of Stan Savige and autographs of Legatees, 1953
... and signed by Legatees. Date in the bottom right says 'Federal Hotel... by Legatees. Date in the bottom right says 'Federal Hotel Melbourne 23 ...A caricature of Stan Savige drawn on a piece of cloth and signed by Legatees. Date in the bottom right says 'Federal Hotel Melbourne 23/1/53'. Meetings of legatees often were held in hotels and coffee palaces and clubs before Legacy House was purchased in the mid 1950s. This could have been from a weekly meeting or from a special event. The details are not known.A record that the Legatees held Stan Savige in high regard and honoured him with a drawing and signatures.Caricature of Stan Savige on cloth surrounded by autographs of legatees in a frame.stan savige, autographs -
Wodonga & District Historical Society IncMemorabilia - China Bowl Ronan's Coffee Palace, Grindley Hotel Ware, C.1921 - 1930
... not to stay in public houses or hotels. coffee palace wodonga business ...Coffee Palaces were developed throughout Australia with the backing of the Temperance Movement as an alternative venue to pubs in the late 19th century. Two Coffee Palaces identified in Wodonga in the early days were the Railway Coffee Palace and the Wodonga Coffee Palace. In 1908 Wodonga Coffee Palace was advertised for sale, having 15 rooms, a 15 stall stable and feed-room. In 1921 Wodonga Coffee Palace was taken over by Julia Ronan who had successfully conducted the dining rooms at the Wodonga Sale-yards for 15 years. The building of the Hume Weir was in progress and many of the workers boarded at the Coffee Palace. In 1936 Wodonga Coffee Palace became “Glenburnie” Guest House. Mr. Loftus Henry Moran, born in Winchelsea, Victoria, was well-known in the tea trade, originally working with Griffiths Bros Ltd. He started his own business, Loftus Moran Pty Ltd in 1909. Loftus Moran's company imported chinaware from Britain and sold it into the Australian market. They specialised in supplying to hotels, businesses and institutions.This bowl is an excellent example of earthen ware items used throughout Australia in hotels, cafes and other institutions. Loftus Moran Pty Ltd, was a major distributor and successful Melbourne Company. Mrs. Ronan's Coffee Palace was an important business in Wodonga and an alternate food and accommodation venue for those who preferred not to stay in public houses or hotels.A small white bowl bearing the logo of Ronan's Coffee Palace in Wodonga printed in green.In a scroll at the top edge "RONAN'S COFFEE PALACE" Underneath the bowl in green writing below a green crown "GRINDLEY HOTEL WARE/ENGLAND/VITRIFIED/LOFTUS, MORAN/ MELBOURNE"coffee palace, wodonga business, wodonga, mrs. ronan wodonga, 1920s wodonga -
Melbourne LegacyPhotograph, Legatee function, 1932
... days meetings were held at places like the Phairs Hotel... were held at places like the Phairs Hotel, and Victoria Coffee ...The photo shows a room full of Legatees. The venue, date and names are unknown. Legatees met for many reasons including weekly comradeship luncheons with guest speakers. In the early days meetings were held at places like the Phairs Hotel, and Victoria Coffee Palace. The photo appears in Blatchford's history of Melbourne Legacy with the caption: Melbourne Legacy Club Weekly Luncheon, September 1932.Legatees met up for comradeship meetings and functions. Strong bonds were formed between Legatees.Black and white photo of a roomful of Legatees at a function.Embossed in the left hand corner is a logo for 'C. Stuart Tompkins, Camberwell' who would have been the photographer.legatee event, comradeship -
Warrnambool and District Historical Society Inc.Album, Photographs Views of Warrnambool, c 1891
This album contains photographs of many Warrnambool buildings and scenes, including Proudfoot Boatsheds, St. John’s Church, Christ Church, Shelly Beach, Hopkins Falls, Sherwood gardens and buildings, Ozone Coffee Palace, Kepler Street, Sandstone Quarries and the Titan Crane on the Breakwater. The photographs have been taken and put in album form by the photographer Joseph Jordan. The advertisements of the hotels on the inside covers place the publication of the album to the years1891-2. We have another album similar to this but there are six photographs in this album (VC000799) that are not in the other album. These extra photographs are of the original gardens and buildings of Sherwood.This is a most important album as the photographs are clear and show a good cross-section of Warrnambool in the early 1890s. Some of the photographs are not represented in other collections (eg Sherwood gardens) and so are of vital historical significance. The advertisements are also of great use to researchers.This album has a brown hard cover and contains three pages of local advertisements and sixteen pages of photographs and 32 photographs back to back. The pages have been bound but some pages have come loose. There is a fold-out section of a 180 degree panorama of Warrnambool taken from Liebig Street hill. The edges of these pages have been taped.Front Cover- Views of Warrnamboolwarrnambool, views of warrnambool, photos of warrnambool -
Melbourne Tram MuseumNegative, Wal Jack collection, Dec. 1939
Negative of a photograph of 558 and grip at the Nicholson St terminus, December 1939. Has the outside the Palace Theatre 790 Nicholson St Fitzroy in the view and the Railway Hotel 800 Nicholson St Fitzroy. Tram has the destination of Spencer St. and an advert for Apollo Theatre on the side of the grip car. The Theatre has "Rose of Washington Square" showing that night. The associated sho9p is selling Nestles Mil, Swallows Ice cream.trams, tramways, cable trams, nicholson st, fitzroy, hotels, theatres, tram 558 -
Melbourne Tram MuseumNegative, Wal Jack, c1956
Black and white negative, by Wal Jack, of W6 992 (East Preston, route 88) waiting to depart the Bourke St terminus. In the background is 667 Bourke St - Parkway Motors, the MTOC office building (MMTB) and Carlyon's Hotel and the Salvation Army's Peoples Palace. Photo not in Wal Jack Melbourne album.trams, tramways, bourke st, route 88, head office, w6 class, east preston, tram 992 -
Ballarat Heritage ServicesPhotograph, Reid's Palace, Ballarat, c1935
... Reid’s Coffee Palace was constructed in 1886 and designed ...Reid’s Coffee Palace was constructed in 1886 and designed by architecture practice Tappin and Gilbert, with extensions designed by Tappin, Gilbert and Dennehy built in 1888. Advertisement for Reid's Coffee Palace, Ballarat,.ballarat, hotels, reid's palace, reid's coffee palace -
Clunes MuseumPhotograph, 1869
UNION BANK - LATER A.N.Z. NOW PRIVATE RESIDENCE. CORNER OF TEMPLETON ST. NEXT TO C. OF E. - NOW SUNDAY SCHOOL. NEXT TO PRESENT C. OF E. NOTE BELL ON BUILDING NEXT TO RED BOOT WAS A SCHOOL.- TWO CHURCHES ON TOP OF NORTH CLUNES HILL. ONE OF THESE BECAME THE ASSEMBLY HALL AT TOWN HALL. SIGNS ON BUILDINGS, KENT EDWARD DART HOTEL, PITCHER BROS, PORT PHILLIP BAKERY R. HARVEY, C. WILES WASHINGTON HOTEL, R. MORRISON AGE OFFICE NEWS, BULL & MOUTH COACH OFFICE J. H. DALTON.1 PHOTOGRAPH OF A PORTION OF A LITHOGRAPH OF LOWER FRASER STREET, CLUNES. WOODEN BUILDINGS IN FOREGROUND, CRESWICK CREEK BEHIND BUILDINGS. HILL IN BACK GROUND. .2 .3 BLACK AND WHITE COPIES OF THE ABOVE PHOTOGRAPH PRINTED ON GLOSS PAPERshops, red boot palace, clunes township
