Two piece pink and white box with stylized butterfly on top and three sides of the lid. Label on one end of the lid reads, Berlei 1033, Full slip - long sleeve, stretch lace bodice, fashion - natural Qnty 2 16. 1. One piece of gold coloured net gathered in centre. Border of seeds scattered !8cm X 14 cms. 2. Wire decorative hair comb with gold lame ribbon attached to a band across top of comb. Twenty four wire teeth with loops at the tips, 15 cms X 7 cms. 3. Two sprays of plastic flowers in plastic bags, two white plastic flowers with two green plastic leaves 10 cms X 7 cms. 4. White fabric rose with green paper wrapped stem, 13 cms X 6 cms. 5. Coffee coloured fabric rose backed with four patterned fabric leaves - coffee coloured. Two green plastic tubes attached as stems. 16 cms X 9 cms. 6. Cream coloured fabric rose. Four petals of flocked fabric.Green paper wrapped stem. 16 cms X 9 cms. 7. Black fabric rose with four petals of flocked fabric.Three black fabric leaves. Black paper wrapped stem. 15 cms X 8 cms. 8. Pink fabric rose with six green fabric leaves attached to the back . 13 cms X 10 cms. (.Pale pink fabric rose backed with three green paper leaves, loops of pink ribbon, six small pink fabric flowers and two sprays of brown fern like leaves. 14 cms X 10 cms.ephemera, mementoes, box of flower brooches and pins

The donor and family of this gown were long-term Brighton residents, and the gowns were held by them as family heirlooms prior to donation to Brighton Historical Society. Originally owned by Elizabeth Emma Adams and Cecilia Elizabeth Adams, it is believed that the dress was brought to Australia by either a half brother, James Smith Adams, or a younger sister, Sophia Charlotte Louisa Adams (later known as Mother Rose Columba Adams). Elizabeth and Cecilia were the daughters of James Smith Adams (a squire, 1780-1860) and Elizabeth Emma McTaggart (1793-1843) of Tower House, Woodchester in Gloucester, a property which Elizabeth later inherited. Originally a monastery, Tower House had been converted into a stately home after the Reformation. According to information originally provided by the donor, both this dress and the dress T0004.3 were made for Elizabeth and Cecilia, to be worn at the young Queen Victoria’s first 'drawing room ball' following the end of court mourning in 1838 for her uncle William IV who died in 1837. In 1838 Cecilia would have been twelve years old and Elizabeth would have been ten years old. It is possible that the dress T0004.3 was worn by one of the girls to this event as it is of appropriate dimensions for a child of that age, although its design is very formal and adult. However, it is unlikely that either of the girls wore this dress at the ball due to the size and styling of the dress. It is likely that the dress belonged to one of the girls, but was worn at a later date. Elizabeth was born on 30 June 1828 at Tower House and died on 1 May 1909. She created a scandal when she eloped with her first husband, Thomas Charles Gardiner at the age of 18. The validity of the marriage was later formally investigate and, while it was confirmed as valid, a second church wedding was subsequently held. Thomas died in 1878. Elizabeth subsequently remarried Reverend R. E. Blackwell, but was widowed again by 1889. Cecilia was born on 17 December 1826 and died in 1902 a spinster recluse in England. At the inquest into Cecelia's death in 1904 it was revealed that she had clearly come from a family of means as her home was filled to the brim with highly valuable goods, many in boxes. She was buried in the family vault at Woodchester. Elizabeth and Cecilia's sister Sophia converted to Roman Catholicism in 1851 and became a nun, taking the religious name 'Rose Columba'. In 1883 Mother Rose Columba led a group of eight to Australia, answering a call for Dominican sisters to nurse the sick in Adelaide. Upon arrival, she founded St. Dominic's Priory and the Church of Perpetual Adoration in North Adelaide, using her inheritance to build the chapel. Elizabeth's second son, George Henry Somerset, who inherited the Adams family estate dropped the 'i' in Gardiner and added the maiden name of his grandmother. Therefore, the family name has now become Gardner McTaggart. These Adams family entries have been updated with information provided by Dr Herbert Gardner McTaggart, great-grandson of George Henry Somerset in April 2016. Mr McTaggart contacted the society after finding our entries online.A hand sewn white purple, pink, green, blue and yellow floral silk chiffon dress from circa 1870. The dress consists of two pieces worn together as a dress. This dress has received a great deal of mending and alteration and so it is difficult to be sure of what constitutes its original state. The following description is of its current state. The bodice has a high neck with a simple shallow band collar, an olive braid and a press stud closure. The bodice fastens down the centre front with ten hook and eyes closures and two sets of ribbon ties . The bodice has three darts providing shaping into the waistline. The bodice finishes at the waist and gently tapers towards the front creating a 'V' line. Down the centre front from the neck to the waist concealing the bodice opening is a pressed pleated ruffle of the dress fabric and a line of olive braid. The dress features pagoda sleeves finished at the hem with pressed pleated ruffle of the dress fabric, a line of olive braid and a silk fringe of 4 cm pale pink and white. The skirt part of the bodice section attaches to the front of the dress with two hooks and eyes on the left hand side of the waist. The fabric drops down to approximately the knees at the front, curving up and splitting on either side over the hip. The edge of this piece is also trimmed with a pressed pleated ruffle of the dress fabric and a line of olive braid. Just below the hip on either side is a large bow of pink, cream, purple and green taffeta. The bodice at the back is shaped with four panels into the waistline. Where it joins the bodice skirt the skirt is pleated, creating fullness. The skirt of the dress ensemble secures at the waist on the left hand side. At the front it has two pleats (that may have been repositioned during repair), and is fully gathered at the back. At the front the dress falls to the floor whilst at the back it is longer to accommodate the bustle and possibly a small train.cecilia elizabeth adams, elizabeth emma adams, 1870s fashion, tower house, woodchester, james smith adams, elizabeth emma mctaggart, mary rose columba adams, sophia charlotte louisa adams

Creamy white card with embossed flowers, leaves and decorative work. The left fold with flowers on overlaps the right fold which is narrow and has a leaf at the top and decorative work along the edges. The flowers are pink with pale leaves above them and a darker green background. The top edge of the card is cut along the edges of the leaves. Below, printd in gold, with a gold edged capital letter is: 'Wishes'. It also has decorative work above and below it. Inside is written; 'To Bettie from Uncle Audre (the rest is missing.)Raphael Tuck & Sons Ltd., London, Paris, New Yorkperson, greeting cards, malone collection, malone collection, greeting cards

This afternoon dress belonged to Clara Johnstone Miller (nee Bell, 1866-1910). Clara was the only daughter of Mr James Bell, a councillor of the Shire of Leigh (today a part of Golden Plains Shire) and owner of Woolbrook Homestead in Teesdale, near Geelong. In 1888, Clara married prominent businessman, racehorse owner, racing identity and pastoralist Septimus Miller (1854-1925). Septimus was the sixth of seven children born to Henry 'Money' Miller and Eliza Miller (nee Mattinson). 'Money' Miller was a well known financier and politician and reputedly one of Australia's wealthiest people in his time. In 1889, Clara and Septimus moved into the house 'Cantala' in Dandenong Road, Caulfield. They had one child, Gwendoline Stewart Miller, who died in 1902 at the age of thirteen of diabetes - a largely untreatable condition at the time (insulin would not be discovered until 1921). Clara died in 1910, aged only 44. Septimus subsequently married Helen (nee Henderson), with whom he had a son, Ronald (1915-1990). The Millers were buried in the Brighton General Cemetery in a large Gothic-style vault. Upon Clara's death, Septimus sent much of her clothing and Gwendoline's to her mother Mary Bell. Some of these items were passed down to two of Clara's nieces, Miss Mary Bell and Mrs Lois Lillies, who donated them to BHS around 1973.A salmon (pale orange pink) corded silk afternoon dress with orange beaded embellishments, consisting of a bodice (.1) and skirt (.2) from c.1890. The bodice features a high standing collar with triple pleated bone silk chiffon trim along the top line, under the chin. This same chiffon is also secured in two pieces gathered and secured under the collar and and at the waist adding volume over the bust line and partially obscuring the jacket closing. The chiffon is secured at the side into the main fabric of the bodice by the beaded embellishment. The pink seed beads are sewn in lines of five beads one after the other creating a diagonal design that tapers from the shoulder to the waist. The bodice is boned around the front and back and secured down the centre font by nineteen hook and eyes and additional cotton tapes. Further beading details the bottom centre front and base line of the bodice. The shoulders have been repaired with replacement fabric to match, from our records it appears that the repair work was performed in circa 1974 but no record exists of the original shoulder design and if the repair was an exact copy of the original. The repaired shoulders feature a small frill around the shoulder yoke and top of the arm. The sleeve is fitted and three quarter finishing just below the elbow. The base of the sleeve is also trimmed with the pink bead design and bone three pleat chiffon trim. The back of the bodice features shaped panels contouring the jacket neatly in at the waist and then splitting and splaying out over the fullness of the skirt. The skirt appears to have been floor or ankle length held at the waist by a wide waistband. The skirt openings have been altered from the original currently featuring two openings secured by press studs. The skirt is gathered to the waistband at front and back creating fullness. The lower part of the skirt features the same pink bead embellishment and additional beaded flowers and diagonal point edge detail.clara miller, woolbrook, septimus miller, henry 'money' miller, gwendoline miller, cantala, 1890s fashion, caulfield, brighton general cemetery

These items were made as samplers either at school or most likely college. They are samples of embroidery stitches, seam types and sewing and knitting techniques.Nos 1-16 are group of samplers made from cotton lawn, cotton with sateen weave and flannel and made by Ruth McGannon. No 17 is a pair of gloves made by Margaret Russell. .1) A small square of yellow lawn with three horizontal rows in blue thread and three vertical rows in red thread of running stitch each 3.5 centimeters apart. The edges are frayed to 1.2 centimeters. .2) A larger rectangle of yellow lawn with three horizontal rows 7.8 centimeters apart and three vertical rows 10 centimeters apart of long stitch, stitched in blue thread. The edges are frayed to 2 centimeters. .3) A small square of yellow lawn with three horizontal rows and three vertical rows of blue thread of running stitch, each 1.9 centimeters apart. The edges are frayed to 1.5 centimeters. .4) A larger rectangle of yellow lawn with three horizontal rows 9 centimeters apart and three vertical rows 11.2 centimeters apart of running stitch, stitched in red thread. The edges are hemmed with two rows of long stitch .5 centimeter apart with a loose blue thread of laced running stitch weaving in and out of the red long stitch. .5) A rectangle of hemmed yellow lawn with a pocket formed at each end. Two rows of long stitch in red thread hem the edges with a blue thread stitched between each red stitch. The pockets are formed by turning back the edges and stitching them down in brown thread. R.M. is embroidered in brown chain stitch on the right side. .6) A rectangle of hemmed blue lawn the same as the previous piece but with five rows of back stitch in yellow and orange thread creating a pattern. .7) A rectangle of blue lawn with the top and bottom edges hemmed with two rows of long stitch close together in yellow and orange. The other two edge are frayed to 2.5 centimeters and has four rows of long stitch .7 centimeter apart in yellow and orange thread. .8) A blue lawn bag with two packets was made by hemming a rectangle of fabric on three sides in long stitch with orange thread, then yellow thread between the stitches. The fourth side is hemmed in hemming stitch in yellow thread with blanket stitch in yellow thread along the edge. This edge is folded up by one third to create a pocket. The edges on either side are stitched together. A row of chain stitch in orange thread is stitched down the middle to create two pockets. A tape is stitched to either side at the top and this is folded over the pocket. .9) A cream cotton with sateen weave rectangle is hemmed with a double row of orange thread in long stitch. On both sides is embroidery in orange and yellow thread. .10) A yellow cotton with sateen weave baby's bib is made from a rectangle of fabric with a semi circle cut out of the top. The edges are turned and hemmed with a narrower turning on the neck. A tape is stitched at either side of the neck. On the front is embroidered a train in blue and yellow threads. .11) A yellow lawn embroidery sampler using blue and brown thread shows long stitch, stem stitch, herringbone stitch, chain stitch, fly stitch, lazy daisy stitch, cross stitch and satin stitch. It is hemmed using drawn thread work and the bottom is scalloped and finished in blanket stitch. .12) A pink lawn embroidery sampler with green thread shows herringbone stitch, stem stitch, running stitch, chain stitch, cross stitch, lazy daisy stitch, fly stitch, feather stitch, satin stitch and back stitch. The bottom is scalloped and finished in buttonhole stitched. The other three edges are hemmed using drawn thread work. .13) A small cream flannel square with two smaller squares are stitched together down the middle in decreasing sizes using chain stitch. The largest piece is hemmed using both herringbone and a decorative blanket stitch. It also has a run and fell seam on the opposite side using both running and herringbone stitches. A row of feather stitch is on either side of the seam. The two smaller squares are frayed on the edges. .14) A cream rectangular flannel sampler has two seams along the length. One is a run and fell seam using running and herringbone stitches and the other is an open seam using running stitch and both edges are stitched down with herringbone stitch. The two shorter edges are bound and the longer edges have a tape which is stitched down to neaten the edges. On the right side are two rows of feather stitch. .15) This blue lawn apron has a rectangular gathered skirt which is attached to a waistband and in turn attached to a bib front which goes over the head. The bib and skirt sides are hemmed using decorative blanket stitch in pink and dark blue thread. The skirt hem and both sides of the waistband are stitched in two rows of herringbone in pink and dark blue thread. .16) This pale pink lawn child's shirt has french seam side seams, a waist band to which the shirt is attached using slight gathering. The sleeves have cuffs. There is a front facing and a collar and there is a small pocket in the left hand breast. .17) These yellow knitted gloves are made using plain stitch for the hand and rib for the wrist.Written on paper and stitched on to a couple of items - Ruth McGannon V.3 - 312 Written on paper and stitched to the gloves - Margaret Russell x No2embroidery, sampler, gloves, stitches, sewing, knitting, apron, costume, needlework, dressmaking, textiles

Barn Owls are the most widely distributed owl species in the world and one of the most widespread of all bird species, including in Australia. Barn Owls are sedentary and prefer open habitats such as grasslands, farmlands, and open woodlands, where they forage and hunt small mammals, particularly rodents, at night. Barn Owls nest in deep hollows in old trees, especially eucalypts, but also in caves, rock cavities, and sometimes cavities in buildings. Barn Owl's have a highly distinctive white heart-shaped face and pale underbelly feathers. They can be seen circling low above grassland areas at dusk or at night, and their drawn-out shrieking, hissing, and 'eerie' rasping sounds have led some rural populations to consider they have magical powers. Barn Owls vary in size but average 330-390mm in length, with wing spans between 800-950mm. Females are larger than males and most are a mix of white, pale brown and shades of grey speckled with fine black tear-shaped spots. They have a distinctive flat heart-shaped facial mask with oversized oblique black eye-slits and black irises. A ridge of feathers sits above the beak resembling a long nose. The feet vary in colour from pink to grey, and beaks can be pale to dark buff, corresponding to general plumage hue. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Barn Owl is medium sized with long wings and a short squarish tail. Its underbelly is pale and speckled with dark spots. The wings and tail feathers are light brown, grey and white with small, dark, tear-shaped speckles on the upper parts. It has a distinctive white heart-shaped facial disc with large black eyes and curved beak. This specimen stands on a wooden perch pedestal and it has metal and paper identification tags attached to its legs. Swing tag: 36. / Barn [torn] / Catalogue [torn] / Metal tag: 4058 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, owls, birds of prey, tyto alba, heart-shaped faced owl, nocturnal birds, predator birds, 'harbingers of misfortune', demon owl, ghost owl, death owl, magical animals, lich owl, birds as omens, barn owl, carnivore, hissing owl

Worn by the grandmother of Marjorie Burton (nee Whiteman) in England early 19th century. Marjorie Burton ( nee Whiteman), born 12 June, in Birmingham, England came to Orbost in 1995. When she was admitted to Waratah Lodge, Orbost, following a stroke, her daughter Ann Quaadgras donated a number of her mother's personal belongings to the Orbost & District Historical Society. Marjorie died in 2015.These items are examples of the needlework skills of women in the 19th century. They are items which are no longer commonly worn.Two night caps. 2483.1 is a pink lady's night cap, hand sewn and cotton edged in lace. It has been embroidered with pink flowers. the straps are red. 2483.2 is a hand sewn man's night cap of pale striped cotton. It is brown, and grey stripes on a white background with white tapes for tying. night-cap sleepwear burton-marjorie

Marjorie Burton ( nee Whiteman), born 12 June, in Birmingham, England came to Orbost in 1995. In England she did office work – typing, shorthand and secretarial work - in accountants’ offices and also trained as a comptometrist with Burroughs in London. She came from middle-class working church-going family. Her mother was a milliner who made all of Marjorie’s clothes, hats and outfits. Marjorie married in 1938 to a salesman who later became a mechanic in the R.A.F. during WW11. Her father served in Civil Defence during the war. Marjorie was in Birmingham during the war and remembered sheltering with her young daughter, Anne (Quaadgras) in the air raid shelter during bombing. These items are examples of handcrafted items and reflect the handcraft skills of women during the early 20th century.Two hand-made nightcaps. 2483.22 is a fine ecru coloured net with a pink trim. 2483.23 is made of lace and ribbon and edged with a crochet band. It is blue and pink with a pale green ribbon.hand-made nightcap sleepwear clothing

The Victorian Rifle Association governs the operation of rifle ranges and target shooting clubs throughout Victoria. The Association was formed in 1860 and held its first individual competition at the end of that year. These programs were used by C. Curtis of the Orbost Rifle Club.The Orbost Rifle Club existed in the early 20th century. (There are records from 1900). It folded in the late 1970's. It had a substantial membership.Four programs for the Victorian Rifle association Annual Prize Meeting. 2090.1 has a pink cover -1967. 2090.2 has a pale green cover -1968. 2090.3 has a yellow cover -1969. 2090.4 has a pale green cover-1970. Inside 2090.4 is a newspaper cutting.orbost-rifle-club shooting victorian-rifle-association

The Pelican is commonly found throughout Australia, Papua New Guinea and Western Indonesia. The large throat pouch plays an important part in the diet of this species. The bill enables the Pelican to locate fish in murky water because of its sensitivity and it also has a hook at the end of the upper mandible which is used for gripping slippery foods. Pelicans work together large flocks to catch food by driving fish into one location by using their large bills and by beating their wings. A wild Pelican may live between ten to 25 years or more. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Pelican is a large specimen of white, black, orange and pink colouring. This specimen has the characteristic elongated bill with a large throat pouch. The bill and throat pouch are a combination of orange and light pink colouring. The neck is pale white which continue onto the specimen's back. The wings are tipped with black and the stomach has light brown colouring. The feet are large and webbed and are stood on a wooden platform. The eyes are made of glass and surrounded by pink coloured folds.taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, pelican

The Gang-gang Cockatoo can be found throughout much of south-eastern Australia. They reside in mountainous forests and open woodlands, often in small groups or larger flocks at sources of food and water. They eat mainly seeds from native trees and shrubs along with wattles, eucalypts and hawthorns. The Gang-gang Cockatoo is also known to incorporate berries, nuts, fruits and insects to their diet. The sound made by this type of Cockatoo is often described as a rasping screech which resembles the sound of a rusty hinge being moved.This type of call is made when the bird is in flight. These birds also fond of attention and can pick their own feathers if they are bored. The name "gang gang" derives from a New South Wales Aboriginal language, either the Ngunnawal or Wiradjuri. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This female Gang-gang Cockatoo has a grey head and crest with brown glass eyes. The beak is hooked and a pale bone colour. The neck and torso of the cockatoo is patterned with orange and black stripes. The feathers of the underparts and back are slate-grey with an edging of pink and yellow. The female cockatoo has more yellow in their feathers than the males which gives them a further barred appearance. taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, australaisian shovelor, shovelor, cockatoo, gang-gang cockatoo, cockie

The Royal Antediluvian Order of Buffaloes is an organisation that started in 1822 in the United Kingdom. It aids members, their families, dependents of former members and other charitable organisations. Membership is open to all males over the age of 18 years. The R.A.O.B. had lodges in the Kiewa Valley including Rocky Valley, Kiewa and in Tawonga as well as in nearby towns indicating that it was a popular organisation at the time. Lodge Officers are listed on each card.8 Cardboard R.A.O.B., G.A.B. Cards folded in half each with an emblem on the centre front and all with a date of meeting at the bottom. Card A - Blue from Yackandandah, Nov. 1953; Card B - Pink from Myrtleford, March 18th; Card C - Pink from Rocky Valley, July 1955; Card D - Pink from Kiewa (Foundation and Opening) Feb. 1955; Card E - Pale blue from Wodonga, Oct. 1958; Card F- Blue from Kiewa, April 1956; Card G - Blue from Rocky Valley, July 1956; Card H - Blue from Rocky Valley, May 1958. Card I-cream from Tawonga and Rocky Valley. April 1957.Card J -beige from Rocky Valley and Tawonga January 1954. Card K-Beige from Rocky Valley and Tawonga February 1956. Item L - Invitation pink December 1957 from Rocky Valley. Signatures on the invitationr.a.o.b., royal antediluvian order of buffaloes, charity organisation, lodge organisation, tawonga lodge, rocky valley lodge, kiewa valley lodges

Richard Kennedy (1826-1903), a wholesale , retail and manufacturing chemist in Timor Street, came to Warrnambool in 1880 and had what was described in "Cyclopedia of Victoria' as the "largest and best appointed pharmacy in Victoria'. Kennedy was Vice President of the Pharmaceutical Society of Victoria, on the Pharmacy Board and was prominent in community affairs in Warrnambool. He was for some time President of the Mechanics Institute and the Warrnambool Hospital and a foundation member of the Warrnambool Bowls Club. He also made locally perfumes with many varieties named after people or events of the time-Federation, Nellie Melba etc.. His pharmacy building in Timor Street and his house 55 Canterbury Road "Ivanhoe" still stands (2019) The use of a lighthouse in his advertising and on his bottles is of particular interest. W.D.H.S. has Kennedy bottles in its collectionThese labels are of great significance as they were produced for a pharmacist of note in Victoria and Warrnambool. .1 Rectangular paper label adhered to a piece of pink card. It features a lighthouse and small sailing ship in the centre of a red circle with black and white text, Surrounding the circle is text and decorations of flowers on an olive green background. The label is torn on the bottom right hand corner. It is adhered to a piece of pink card. .2 Light green label featuring a lighthouse in a circle underneath which is a scroll with text, There are finely drawn curly decorations and further text. It is adhered to a piece of pink card. .3 Similar to .2 with different text .4 Similar to .2 and .3 with different text .5 Similar to .2,.3,.4 with different text .6 Similar to .2,.3,.4,.5 with different text 6.1Similar to .2,.3,.4,.5,.6 with different text 6.2 Turquoise label with a gold diagonal wide band with text. The label features a lighthouse in a circle , there are decorations of leaves, and curls. The white and black text is stylised, especially the name of the manufacturer. .7 Buff coloured rectangular card adhered to a piece of pink card. The dark green text is surrounded by a decorative border. .8 White rectangular featuring a blue coloured lighthouse and detailed black text .9 White rectangular label with black detailed text surrounded by a border. .10 Similar to 6.2 with different text, adhered to white paper. .11 identical to .10 but adhered to pink card. .12 White rectangular card with black and red text .13 identical to .12 .14 Three joined pale blue labels with dark blue text. The central label is larger than the other two which are equal in size. One of the smaller labels in upside down. All have borders. .15 Identical to .14 excepting it is adhered to white card .16 White rectangular label with black text. It features a lighthouse, decorations of leaves and a variety of styles and fonts of the print. It is adhered to a piece of pink card. .17 Identical to .16 excepting it is adhered to white card. .18 Identical to .17 .19 Rectangular white label with red and black detailed text adhered to a piece of white paper .20 Identical to .19 excepting it is adhered to a piece of pink card. .21 Rectangular white label with grey text , a decorative border and further decorations adhered to a piece of white card. .22 Identical to .21 but not adhered, .23 Identical to .21 , adhered to white card .24 Identical to .22 .25 Square white label with red and black text. and a red border. .26 White rectangular label with dark green text and border. .27 Small white rectangular label with gold text adhered to a piece of white paper .1 LECTAR THE MIGHTY HEALTH RESTORING LIFE PRESERVER NERVE TONIC .2 POPULAR FAMILY MEDICINES CARBOLIC OIL POISON FROM R. F. KENNEDY& CO PHARMAISTS WARRNAMBOOL .3 As for .2 FRIAR'S BALSAM in lieu of CARBOLIC OIL .4 As for .2, .3 GLYCERINE in lieu OF FRIAR'S BALSAM .5 As for .2,.3,.4 Paregoric, Peppermint, Aniseed and Laudanum. POISON in lieu of GLYCERINE .6 As for .2,.3,.4,.5 CAMPHORATED OIL in lieu of Paregoric,Peppermint, Aniseed and Laudanum .6.1 As for .2,.3,.4,.5,.6 PARRISH'S FOOD . in lieu of CAMPHORATED OIL Dose- Adults 1/2 to 1 teaspoonful 6.2 Pure BENZINE FROM R. F. KENNEDY AND CO. Pharmaceutical Works WARRRNAMBOOL .7 LINSEED OILR.F KENNEDY & CO. Wholesale and Manufacturing Chemists WARRNAMBOOL .8 the primary text is : THE ALSATIAN INFLUENZA MIXTURE A section of the ensuing text is ; "For EXHAUSTION, LOSS OF APPETITE , NEURITIS and GENERAL RUN DOWN it will be found a Powerful Tonic." .9 Dr Law's PILE OINTMENT Directions ............... R.F KENNEDY & CO Wholesale and Manufacturing Chemists WARRNAMBOOOL 10. As for .2,.3,.4,.5,.6.6.1 VASELINE in lieu of BENZINE .11 Identical to .10 .12 COLOURED WITH TUMERIC. Labelled in accordance with the "SALE AND USE OF POISONS ACT" POISON R.F. KENNEDY & CO. Chemists WARRNAMBOOL APPROXIMATELY 7 GRAMS .13 Identical to .12. .14 Central label "THE CURE" FOR CORNS R.F. KENNEDY &CO manufacturing Chemists WARRNAMBOOL .Small label PROPRIETORS OF THE. CELEBRATED . CURE FOR TOOTHACHE . Small label PROPRIETORS OF The Sulpho- Thymol Soap, For Eruptions and Irritations of the Skin. .15 Identical to .14 .16TASTELESS ITALIAN CASTOR OIL OF THE PUREST QUALITY. Adults Dose one to two tablespoonfuls . Children half to one tablespoonful. IMPORTED BY R.F. KENNEDY&CO. Manufacturing Chemists Timor ST. Warrnambool .17 Identical to .16 .18 Identical to .16 .19 PURE REDISTILLED EUCALYPTUS OIL OF EXTRA STRENGTH & PURITY DEODORANT & DISINFECTANT FROM R.F. KENNEDY & CO'S Pharmaceutical Works Warrnambool ( Much more detail) .20 Identical to .19 .21,.22,.23,.24 PURE Refined SALAD OIL FROM R.F. KENNEDY & CO.MANUFACTURING CHEMISTS WARRNAMBOOL .25 Brilliantine AN ELEGANT AND FRAGRANT PREPARATION FOR THE HAIR, MOUSTACHE, OR WHISKERS. PROPRIETORS R.F. KENNEDY & CO. WARRNAMBOOL .26 Directions.--- To be applied to the irritable parts two or three times daily R.F. KENNEDY & CO., Chemists, Warrnambool .27 R.F. KENNEDY & CO. Manufacturing and Dispensing Chemists WARRNAMBOOL chemists, pharmaceutical society of victoria, mechanics institute, warrnambool, warrnambool hospital, warrnambool bowls club

Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Several views of flowers, buds and leaves, and one view of cutting. Stem cutting with pointed, thin leaves with dark green tops and pale green undersides. Flowers are white with pink colouring at the ends. Their shape is cup-like with five petals forming a star at top. Stamens end in brown pollen clusters. Work is mounted in a double matt (grey on mauve) and framed under glass in a gold painted wooden frame.Front: CEW/73 (lower left in image, signature) (maroon pencil), Peach heath. Lissanthe strigosa (lower left) (pencil) 34 (lower right, pencil) (erased). Back: (no inscriptions)cema, botanical, collin woolcock

Brought to the Ovens Goldfields by Chinese men working in the area in the 19th century. Most likely made in China.Aldo Gios recorded the location of where most of the pieces in this collection were found. Some maps drawn by Aldo Gios also give more detail. This detail is rare, as most pieces of broken crockery were discarded and complete items were usually collected with no thought to recording the location they came from. Part of one of the largest collections of Chinese ware found in the Upper Ovens area and the only one recording the location where found.Small Chinese porcelain cup, glazed, with a pink and green handpainted flower design on a pale blue base.chinese, cup, goldfields, gios, tableware, glaze, porcelain, handpainted

These hat pins represents women's fashion in the late 19thC and early 20thC. As the material used in the construction is not of a high monetary value it can be assumed it was everyday woman's apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important and many women used their craftwork skills to create their own hat pins. This item is a reflection of the fashion mode of the late 19thC and early 20thC when long hair needed to be controlled by hair pins It is also an example of society's mores of tidiness 14 lady's steel hat pins in various styles numbered A -i A) 6x pearl tear-drop ; B) 1x pink metal beads;C) gold ball in 'oyster shell'; D) gold ball; E) pink plastic weave; F) silver metal ball; g) black bead; h) white ball; i) pale blue glass set in brassmoorabbin, brighton, early settlers, pioneers, cheltenham, craftwork, clothing

This child's green, silk, party dress was worn by Sylvia Marriott in 1927. The Marriott family were early settlers in the Moorabbin ShireMembers of the Marriott family arrived in Port Phillip in 1857. However it was John and Jane Marriott who in 1876, (after toiling hard since their arrival in1871, for very little gain), first leased, then purchased in 1882, 30 acres with a four-roomed house in East Boundary Road, in the area then called East Brighton. (Now known as East Bentleigh). The land they purchased had previously been a part of the 1841 Dendy Special Survey. Over the following years, John and his four sons with hard work and determination became prosperous vegetable growers and purchased further land in the area. Following John's retirement and subsequent death in 1903, the land was passed to his sons, and then onto the Marriott grandchildren. The family continued to remain very prosperous and successful vegetable growers and are one of many families steeped in the tradition of vegetable growing which significantly contributed to the prosperity of the Moorabbin ShireA home-sewn pale green silk party dress, worn to a wedding by four year old, Sylvia Marriott c 1927. The skirt of the dress has layers of ruffles. It has short cap sleeves. Decorative ribbons are attached at the shoulder continueing to the waist, then hang loosely over the skirt of the dress. Small pink and white ribbon rose buds have been applied at the neckline, waist and the edges of the sleeves .brighton, moorabbin, marriott, clothing, market gardeners, home, dressmaker, needlework, dendys special survey

Portrait of a lady wearing a pale voluminous dress with a large bow at her neckline. The bow has been painted pink and there is also some pink on her cheeks. She is seated at a table with her left arm resting on it. It has a book and a cloth on it which have been coloured.photograph, portrait, female, portrait of a lady

4 calendars. (a) 1903 tiled Vine Leaves'. It is a foldable calendar. It is in four sections with a blue strip down each side. Each section has 3 months and a verse printed on it. There is vine leaves and grapes. Each month is printed on a large leaf. (b) 1941 calendae with 'A Calendar of Happy Days' printed in gold on the front of the little calendar booklet. It is a mottled grey colour with a light greenish ribbon at the top. It has a coloured picture of the Crucifiction glued inside a gold line border. (c) 1950 calendar. Coloured garden scene with trees and colourful flowers, pathways and steps. An archway at the back. Picture glued to a heavy piece of card with a pale blue calendar booklet glued to the bottom with a piece of pale blue heavy paper. 'May each Day be a Happy One' printed in gold on the front of the booklet. (d) Pale blue1937 calendar booklet with 'Calendar' printed on the front in dark blue. The back is a piece of wood (3 ply) with hand painted blue & yellow flowers painted on it. A piece of pink cord is threaded in a hole at the top for hanging.ornaments, residential, malone collection, assorted calendars

Pale blue card with white right side corners with gold edge along the blue & some on the white. A brown horseshoe with a pink ribbon at the top and lower down. Below the horseshoe are purple and white flowers in the grass. Darker blue shadow behind the flowers & horseshoe. 'Hearty Greetings' printed in gold on the right of the flowers. Card & insert held together with a cream cord.Philco Publishing Co. London W. C.person, greeting cards, malone collection, malone collection, greeting cards

Whitish card with pale green shaded edges. Near the top is a brown window with green curtains and looking out to a rural scene. In front of the window is a table with a green cloth on it, a green vase of pink blossom and an open book with 'Best Wishes' printed on it in black. At the bottom, printed in brown and gold is a verse by Whittier. Card & insert held together with a greyish ribbon.Raphael Tuck & Sonsperson, greeting cards, malone collection, malone collection, greeting cards

Whitish card with gold edged cut out on the front. Outside the gold border is a white border with blue shading outside it. Across the top right corner are some ivy leaves and blue flowers. Underneath on the left is a gold musical instrument with a pink cord tied around it and blue flowers and ivy leaves. On the right, printed in gold is: 'Wishes True'. Behind the cutout is a coloured scene of a house with a snow covered roof beside a stream and a lady walking beside the stream. A pale blue bow is on the left. The insert is glued into the card.Printed in Germanyperson, greeting cards, malone collection, malone collection, greeting cards

Whitish card with cut out window and an embossed border around the window. The window has fine net material which has ribbon embroidery on it. There are pale blue flowers, a green bow and two pink buds at the top joined by a piece of blue cord in a circle. Card & insert held together by a pink cord. Card is from May Somerset.person, greeting cards, malone collection, malone collection, greeting cards, may somerset

Small creamy card with celluloid front sewn onto card back. At top are two small scenes as seen through a window with purple curtains on each side. Window frames are gold. Below is a gold horseshoe. Below on the left is a blue & gold vase with 3 dark pink roses in it. In the bottom right corner printed in gold and embossed is: To Greet You. Card & insert held together with pale blue cord.Raphael Tuck & Sonsperson, greeting cards, malone collection, malone collection, greeting cards, raphael tuck & sons

Document. Greeting Cards. Green card, getting darker green as it nears the bottom. Has embossed pink thistles on the front. Outlines of leaves and 'Hearty Greetings' in gold. Ripple edges on card. Card & insert held together with a very pale green ribbon.person, greeting cards, malone collection, malone collection, greeting cards