Sydney Joy (joy) Stewart (1925-2018) was a founding member of the Kew Historical Society, and during the 1970s its secretary. During her residence in Kew, she completed numerous property illustrations on commission. These ranged from preliminary sketches, including architectural details to finished pen & ink and wash illustrations on paper. On moving to Queensland, Joy Stewart donated the remaining property illustrations in her possession to the Kew Historical Society. In 1987-88, she fulfilled a commission by the Society of designs for a series of embroideries completed by residents during the Australian Bicentennial commemorations.Sydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.Pencil, pen and ink drawing of Victorian buildings that comprise Trinity Grammar School - Merritt House, Roberts House and Roxeth House by the artist Joy Stewart. c.1978Inscription: Trinity Grammar School". Unsigned.joy stewart, roxeth house, roberts house, merritt house, trinity grammar school

Items in the collection relating to C.J.C. McQuie MM, refer Cat No 9680P for his service details. The Postcards are written from dates 18.4.1917 through to 20.11.1917, seven are in November. The April card talks about going back to France on the 22nd. In July being made Sgt. There others were from on Leave.Series of 10 Postcards all different scenes and colour range, all dated and signed. .1) Australians ready for the trenches, B7W, text in pencil. .2) Castle Terrace, B&W, text in pen. .3) Rouen France, B&W, text in pen. .4) Gold Street Northampton, sepia, text in purple. .5) Church Northampton, sepia, text in purple. .6) High Street Clovelly, colour, text in pen. .7) See Post Office, sepia, text in pencil. .8) Map of Ilfracombe area, colour, text in black. .9) Ilfracombe, sepia, text in black. .10) Capstone Parade, colour, text in pencil.postcards, photos, mcquie

Nine boys posed for school photographPencil: 5C; JT19 Pen: -1966

Photocopy of newspaper clipping.The publication and date in pencil and pen respectively.walsh st library

An address delivered by Legatee Brian Armstrong (according to handwritten note on Envelope L.6) at the graveside of Sir John Monash in Brighton Cemetery on 24th October 1937, six years after Monash' death. In it he mentions how he, Armstrong, was one of "the great Company of junior officers and men who carried his orders into effect." and quotes from the message sent by Monash to all the men of the Australian Army Corps before a battle on 8 August 1918 when "for the first time on the western front we fought as an Australian army, with the green grass beneath our feet and a retreating enemy in sight." Legatee John Henry Brian Armstrong was President of Melbourne Legacy in 1937, and rose from Private to Lieutenant in the AAMC 22nd Btn. He was wounded at Dernancourt 25.4.1918 and Herleville, becoming a P.O.W. 18.8.1918. He was discharged as medically unfit 2.8.1919 and became a solicitor, serving as a Legatee for 54 years. Although Melbourne Legacy is not referred to specifically, it is clear that Monash' service to his country lives on in the work of Legatees in caring for others.Typed and hand written quarto paper, black on white, bound with green cord.Numerous annotations in black pen, and pencil.john monash, speech, obituary

Document. Norman Penrose collection: heavier weight piece of paper with notes on drawing materials. Notes on pencil work, ink work, Gillott pens, watercolour work, useful articles and paper.person, bendigo, norman william penrose, norman penrose collection, drawing materials

Image dated as Aug. 1963 based on same image in Port of Echuca collection (print 20 x 25.5cm) On reverse in pencil: " Upgoods dep. Echuca". In blue pen:" Photo by: George L. Coop Aug 1963" https://victoriancollections.net.au/items/59d57e6221ea701278b58cf5Digital TIFF file Scan of 35mm Ilford FP3 black and white negative transparencyechuca, george coop collection, r-706, r-class steam locomotive

The pay books relate to : John Donaldson Gardiner. Enlisted in the AIF on 26.6.1915 Regt No 2832 age 29 years 7 months in the 9th Reinforcements to the 5th BN. Embark for Eygpt 10.9.1915, embark for France 25.3.1916, hospital 10.5.1916 injury to Rib and Knee, rejoin unit 21.5.1916, hospital 18.1.1917 with Septic Throat, rejoin unit 2.2.1917, hospital 5.4.1917 with Influenza, rejoin unit 10.5.1917, hospital 8.10.1917 with Scabies then while on leave Sprained left ankle serious, rejoin unit possibly 11.2.1918, hospital 26.10.1918 with Influenza, embark for Australia 25.1.1919, discharged from the AIF 15.5.1919 medically unfit..1) Pay book Serial number 126092 brown colour covers 16 pages, front has space for details (all blurred), entries are in blue pen or pencil, stamped in purple “Discharged”. .2) Pay book Serial number 126092 dark brown covers with black tape on edges 10 pages with a single slip pasted in the back, entries are in blue pen or pencil, stamped “Cancelled” Entries relate to pay and deductions also inoculations.On Both. “ Pay book No 5025, Gardiner, John Donaldson, Regt No 2832, Pres, Pte"pay books, administrative, records

Image dated as 1962 based on same image in Port of Echuca collection (print 20 x 25.5cm) On reverse in pencil: 351, D3 Loco" In blue pen:" Echuca Locomotive shed 1962 Photograph: George L. Coop" https://victoriancollections.net.au/items/59c31c1321ea890ecc057721Digital TIFF file Scan of 35mm Ilford FP3 black and white negative transparencyd3-640, echuca railway station, george coop collection, railway workshop

Image dated as August 1963 based on same image in Port of Echuca collection (print 20 x 25.5cm) On reverse in pencil: " R Class intro 1968". In blue pen:" Photo by: George L. Coop Aug 1963" https://victoriancollections.net.au/items/59dea66221ea6b12dc44ffc0Digital TIFF file Scan of 35mm Ilford FP3 black and white negative transparencyechuca, echuca railway station, george coop collection, r-704, r-727, railway workshop, r-class steam locomotive

The letter is re Bill Jeffers handing the telegram to the lady as they passed through Sunshine for Sydney to embark. Bill Jeffers VX52782, refer Cat No 147 for his service details..1) Letter blue ruled lines, rectangular shape written in black pencil. .2) Telegram reddish brown colour, rectangular shape print in blue hand written entries in black pen..1) “4 Withers St Sunshine W.20, Yours sincerely Joy Smart”. .2) Main points, “Mrs W Jeffers Stanhope, left Darley Camp Friday night, Bill 11.40am, 26.6.1941”letters, telegrams

Taken in c. 1902, depicted is a group of adults and children dressed in formal clothing, with some of the women in the crowd carrying parasols, standing and sitting around and upon the rock at Queen Victoria Park on the Ford Street side of the park. This group is celebrating the official opening of the park. On top of the rock is a gas lamp post.Originally known as the Beechworth Botanical Gardens, the Queen Victoria Park features a extensive collection of historic trees and plants, which have been listed on the Indigo Shire’s Significant Tree Register. Sepia rectangular photograph printed on matte photographic paperReverse: 3716 (in black pen)/ 97.2273 (in pencil)/entertainment album, beechworth, queen victoria park, gardens & parks, opening, burke museum

Taken in the late 1800s, depicted is the Cribbes merry go round team lead by Alexander Cribbes, traveling along a dirt road. The merry go round team is spread out between 3 horse drawn wagons that each contain parts of the Cribbes merry go round. Along the sides of the road is a small group of onlookers made up of adults and children, while a horse drawn wagon gives way to the Cribbes procession.Black and white rectangular reproduced photograph printed on matte photographic paperReverse: 6958 (in pencil)/ 6958 (in blue pen)/entertainment album, burke museum, beechworth, entertainment, alexander cribbes, cribbes merry go round

This document appears to be a script to be accompanied by music, perhaps for radio, to run for 15 minutes. It relates the story of Fisher's Ghost, starting with housemaid Margaret (later married to John Farley) before her sentence to transportation for life from Britain to Australia. (See items D519 and D520.) Typewritten, quarto, 6 pagesHeavily notated in pencil and black and red pen.fisher's ghost, john farley frederick fisher, george worrell, john georg lang

Image dated as November 1963 based on same image in Port of Echuca collection (print 19.5 x 24.5cm) On reverse in pencil: " J Class 1940-1960's" . In blue pen:" Photo by: George L. Coop Nov 1963" https://victoriancollections.net.au/items/59dea30a21ea6b12dc430192Digital TIFF file Scan of 35mm Ilford FP3 black and white negative transparencyechuca railway station, george coop collection, j-500, j-class steam locomotive (vulcan foundry), railway turntable

Image dated as Nov. 1963 based on same image in Port of Echuca collection (print 19 x 24.5cm) On reverse in blue pen:" Photo by: George L. Coop Nov 1963". In pencil : " Echuca Rail Yard. J Class" https://victoriancollections.net.au/items/59deb9e721ea6f12dca8efdbDigital TIFF file Scan of 35mm Ilford FP3 black and white negative transparencyechuca, echuca rail yard, echuca railway station, george coop collection, r-711, railway workshop, r-class steam locomotive

This ledger was used in Orbost as many of the names written inside are locals. It may have been used at a haberdashery store or by a local person who made items in a private business.This appears to be a record of a small commercial enterprise conducted by an Orbost local. It would have been used in a time when the needlework / knitting skills of women were important for the economy of the family.A buff coloured cardboard covered ledger book. On the front cover is a white rectangular sticker with "LEDGER" in black print. It contains accounts for sewing and knitting items. The hand - written entries are in pencil and blue pen.On front cover - hand -written is "...ANNE MUM's WORK BOOK FOR SEWING & KNITTING". There are some calculations in pen.haberdashery sewing knitting

The postcard letters continue on one from the other in text on the rear. They talk about Training camps in England for those who have not gone to France yet and others waiting to be posted back to the front. Cards are to the Father of C.J.C. McQuie MM. refer Cat No 9680P for McQuie's service details..1) Envelope with address in purple indelible pencil, no other markings. .2) Post card B & W showing 4 images rectangular shape with 3 oval images imposed over, on rear is text in blue pen. .3) Postcard sepia tone showing a street scene, on the rear is text in blue pen..2) "Sutton Veny 19/11/18 - Dear Father", "Longbridge Deverill" .3) "Warminster"postcards, envelopes, training, mcquie

The origins of the pen rack probably began when quill pens were being replaced by steel nib pens that were held at oblique angles for writing this method of writing started to gain popularity around 1820-1860. To understand the development of display racks to hold pens on a desk we need to understand the development of the pen itself. Before the early 19th-century steel pens were almost universally all barrel pens affixed to a holder pretty permanently. Pens were also not disposable. There were even steel pen repair services, just like the same services around at the time to repair you're fine quills. Individual slip nib pens which fit into a holder were originally pieces of a quill which came in a box of nibs and fit into a holder. These were disposable and meant to obviate the need to mend your quills. By 1831 you start to see more what they called “slip nib pens” or “portable pens” (easier to carry than a long barrel pen), but the idea of holding the nib at an oblique angle in the holder was an idea new enough that it warranted a patent. In 1831, an enterprising and very successful stationer and inventor, Sampson Mordan (inventor of the silver mechanical pencil) combined with one William Brockedon to patent the first oblique pen and oblique holder. In the patent application, they mention as the benefits that this would allow the writer to hold the pen more comfortably as well as it should allow the pen to last longer since both tines will be moving across the paper evenly. It appears at the time the idea of holding a pen obliquely was new. As a result of the popularity of the oblique pen many different designs of pen desk holders were being made, to keep pens suspended on a rack alleviated the possibility that the expensive new steel nibs with their holder could be damaged if left in a desk draw with other items.Double sided Pen Rack, decorative metal with four metal legsflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Unknown chaplain in the Vancouver Mission speaker with a young sailor.The photograph is typical of the images used as marketing to d'escrime the Mission's work around the world.medium sized rectangular b/w photograph in landscape formathand-written marking in pencil: "IL" and in pen: Vancouverchaplain, comforting, seamen, sailors, seafarers, overseas missions, vancouver, welfare

Arthur Jones from the Eureka Improvement and Progress Association was holding a centenary exhibition of the "Affair at Eureka" and was canvassing support for the event from the principal of the School of Mines and Industries, R. W. Richards for material for their exhibition. The correspondence details the school's inability to assist in the exhibition at this time.This correspondence refers to the centenary celebrations of the Eureka Stockade.6 pages detailing correspondence which is handwritten and typed, with an image of the Eureka monument on the letterhead. 1) Handwritten in blue ink with a colour image of the Eureka Monument on the letterhead. Dated 9/11/1954 from Arthur Jones to R. W. Richards 2) Typed letter in black ink and signed by hand. Dated 10/11/1954 from R. W. Richards to Arthur Jones 3) Handwritten letter in black ink. Dated 11/11/54 from Lucille Quinlan to R. W. Richards 4) Typed letter in black ink and signed by hand. Dated 13/11/1954 from R. W. Richards to Lucille Quinlan. 5) Handwritten in blue ink with a colour image of the Eureka Monument on the letterhead. Dated 15/11/1954 from Arthur Jones to R. W. Richards 6) Typed letter in black ink and signed by hand. Dated 26/11/1954 from R. W. Richards to Arthur JonesThe letters are annotated with handwriting in pencil and pen on the front of the letters.letterhead, dick richards, eureka-improvement-and-progress-association, eureka, eureka-stockade, eureka-monument, ballarat, exhibition, affair-at-eureka, school-of-mines-and-industries

Yields information about the demolition or removal of the depot roof and how it was done.Black and White copy photograph of a newspaper photograph taken by The Courier - published 22/7/1972 Demolition of tram depot. See Reg Item 1791 for the Newspaper cutting the photo used in. Collected by Alan Bradley from the Ballarat Courier early 1980's. See Excel file "Record of Ballarat Courier Photos SEC era" (Archive Documents) for source of details.In Pencil "Photo No. 6" and in felt pen "91 ARPT"tramways, trams, demolition, depot, sec depot

A brochure explaining 'A brief account of its history, membership, ideals and activities' The notation H2 in red pen shows that it was part of the archive project that was trying to capture the history of Legacy. The brochure lays out the history of the young organisation, it has 146 members in 1927, and clubs had started in Geelong, Ballarat, Bendigo and Sydney. Members were all men who had served in the forces of the British Empire during the war. 'The membership is selected and elected, only one representative being admitted from each occupation. An endeavour is always made to secure a prominent representative of each business, profession or trade, thus extending the influence of Legacy throughout the community.' Meetings were held in the Victoria Coffee Palace at 1pm on Tuesdays and included a half hour lecture. The policy and objectives were laid out including to preserve the memory of fallen comrades and to assist their dependents, particularly the children. Also to maintain a spirit of comradeship, and to safeguard the good standing and interests of ex-service men in the community and to assist the the to secure suitable employment. The brochure shows activities as: Employment Committee, Comradeship Committee, a pledge to assist the National War Memorial being established on the Domain site, and for the children the 'Deceased Soldiers' Children's Welfare Committee. A schedule of Boys' and Girls' Classes is included to show the options for the children. Also picnics, Christmas camp, cycle club, and rambles as arranged. There is help for vocational options for the children.This is one of the first documents that pertains to the Legacy Club, it was published in 1927 shortly after it's name change from Remembrance Club.Brochure describing the ideal and activities of the Legacy Club in 1927.Handwritten 'H2' in red pen and 'Page 3' in pencil.legacy promotion, history, founding legatee, remembrance club

Sir Edward "Weary" Dunlop appears to be pinning a badge on ex-footballer Ron Barassi. It was in the Melbourne City square, there is a Legacy Banner behind them. A tug of war held in Melbourne City Square to promote Legacy Week in 1992. Other photos at 01797 mentions it was a Legacy team against a media team. Ron Barassi can be seen at the end of the rope of the Legacy team. The judge appears to be Sir Weary Dunlop. Another photo shows a staff member (Susie Howard?) and radio personalities also competing - possibly the Fox FM crew that helped in other events. Ron Barassi was a Legacy Boy after losing his father and has helped promote Legacy many times at events. Weary Dunlop has also been active in promoting Legacy and participating in Legacy events. Ron Barassi's father, Corporal Ronald James Barassi, was killed in action at Tobruk in 1941, aged 27.A record of some important personalities giving their time to promote Legacy in 1992.Black and white photo of Weary Dunlop and Ron Barassi4-18 in blue pen and P7 in pencil on reverse.events, legacy promotion, legacy week, dunlop, ron barassi

The letter was printed for the donors who financed the biography informing them of the refund due to them which would go to the Sir Stanley Savige Memorial Trust unless they elected to receive it themselves. The multiple lists tracked the names and addresses of the donors.Illustrates the number and variety of people who committed funds towards the project to write up the biography of Stan Savige.White quarto printed letter with 20 foolscap sheets listing donors, some typed and some handwritten.Multiple annotations in both pencil and different coloured pens.savige book, stan savige

This pencil was found in 1946 by Mr Jim Pelling when an old wall was being pulled down in Warrnambool. This type of pen would have been used in the 19th century and apparently produced good legible writing and the lead point never wore out. No information is available on Jim Pelling or the location of the wall.Although this pencil has no known provenance it is of considerable interest because of its finding in an old wall in Warrnambool and because of its antiquarian value. It is a good example of a writing tool of the past and the ivory handle is of particular interest. This is a pencil with a handle made of ivory with a sharpened point of metallic lead screwed on the end of it. The end of the handle has an ornamental column shape. The lead at the end is slightly bent. Accompanying the pencil is an extract from a 1946 Warrnambool Standard detailing the finding of the pencil and some handwriting from a later date. The newspaper extract is pasted on to a piece of cardboard (a piece of a Rice Bubbles packet).In blue handwriting: ‘Extract from 1946 Warrnambool Standard’ and ‘Given to Warrnambool Historical Society by Mr J. Pelling 1970’jim pelling, metallic lead pencil, warrnambool history

Image dated as 1962 based on same image in Port of Echuca collection (print 20 x 25.5cm) On reverse in pencil: "351, D3 Intro 1902 DD, Converted 1929 D3" In blue pen:" Echuca Locomotive shed 1962 Photograph: George L. Coop" https://victoriancollections.net.au/items/59d5663721ea6e1278d00bdcDigital TIFF file Scan of 35mm Ilford FP3 black and white negative transparencyd3-640, echuca railway station, george coop collection, railway workshop

George Reed was a draftsman who lived in Bentleigh , City of Moorabbin in mid 20th C and used this pencil for his work. Eversharp is an American brand of writing implements founded by Charles Rood Keeran in 1913 and marketed by Keeran & Co., based in Chicago. Keeran commercialised Eversharp mechanical pencils (manufactured by two companies, Heath and Wahl) then expanding to fountain pens when the company was acquired by the Wahl Adding Machine Co. in 1916 and it was named "Wahl-Eversharp". In 1941 the company renamed itself, this time as Eversharp. The company continued until 1957 when it was acquired by Parker Pen, which continued to use the Eversharp brand for a time. In 1993 Parker was purchased by the Gillette Company, which already owned the 'Paper Mate' brand - the best-selling disposable ballpoint pen. In 2000 Gillette sold its writing instruments division to the company Newell Rubbermaid, USA, and In 2011 the Parker factory at Newhaven, East Sussex, England, was closed, and its production transferred to Nantes, France.An 'Eversharp' propelling pencil manufactured prior to to the development of the ball point penA gold plated propelling pencil c1941engraved : G. . Reed Made in Eversharpwriting implements, pencils, pens , propelling pencil, fountain pen, biro, ballpoint pen, keeran & company chicago, parker pen pty ltd, gillette pty ltd, eversharp, paper mate, bic pty ltd,