The telephone number beginning with '9' against the artist's name on the back of the painting dates it as 1995 or later, that being the year this landline telephone numbering format was introduced.Unframed portrait of a man in ceremonial regalia.Handwritten notation on back of painting - "Jan Sebinski 97295172".

Daniel O’Connell was born near Cahirciveen, Co. Kerry, on 6 August 1775. His wealthy childless uncle adopted him at an early age and brought him up at Derrynane. He spoke Irish and was interested in the traditional culture of song and story still strong in Kerry at the time. He also understood how the rural mind worked which served him well in later years. In 1791 he was sent to school at St. Omer and Douai and what he saw there of the French Revolution left him with a life-long hatred of violence. He read law at Lincoln’s Inn (1794 -96) and continued his studies in Dublin where he was called to bar in 1798. He had soon built up an enormous practice. The 1798 rising and the terrible butchery that followed it confirmed his horror of violence. While he approved of the principles of the United Irishmen, their call for reform and for Catholic Emancipation, he disagreed with their methods. In 1815 O’Connell criticised harshly the Dublin corporation. O’Connell was challenged to a duel by one member D’Esterre. In the exchange of shots D’Esterre was killed and O’Connell vowed never to fight again. O’Connell was soon drawn into political action. Hopes of Catholic emancipation had been raised by promises given while the act of union was being passed. In 1823, O’Connell founded the Catholic Association. The aim of the organisation was to use all the legal means available to secure emancipation. It turned into a mass crusade with the support of the Catholic clergy. All members of the association paid a membership of a penny a month (the Catholic rent). This helped to raise a large fund. The Clare election in 1828 was a turning point. O’Connell, with the support of the forty-shilling freeholders, managed a huge victory against the government candidate. He was well supported by the clergy whose influence on the poor uneducated peasant class was enormous. The polling took place in Ennis at the old courthouse where the O’Connell monument now stands. At the final count, O’Connell was elected by a majority of about eleven hundred votes. The ascendancy party had suffered its first big knock since 1798. The whole country was aflame. The British Government feared a rising and granted Catholic emancipation in April 1829. The franchise was, however, raised to 10 pounds which excluded the forty-shilling freeholders. O’Connell was now the undisputed leader in Ireland and he gave up his practice at the bar to devote his time entirely to politics. At the King’s insistence, O’Connell was not allowed to take his seat until he had been re-elected for Clare. In February 1830, O’Connell became the first Catholic in modern history to sit in the House of Commons. For the rest of his life, he was supported by “The O’Connell Tribute”, a public collection out of which O’Connell paid all his expenses. O’Connell now decided to concentrate on winning repeal of the act of union and getting an Irish parliament for the Irish people. British political leaders feared repeal as they did not fear emancipation. They saw repeal of the Act of Union as the first step in the break-up of the act of union, as the spirit of the repeal movement was revived when the young Ireland writers wrote about it in the Nation. In 1841, O’Connell was elected Lord Mayor of Dublin and in 1843 the subscriptions to his Repeal Association, the Repeal “Rent” came to 48,400 pounds. He now began to organise monster meetings throughout the country. It is thought that three-quarters of a million people gathered on the hill of Tara to hear the man they called the “Liberator”. The government became alarmed at the strength of the Repeal Movement and a meeting which O’Connell had planned for 8 October 1843 in Clontarf, Dublin was banned. Huge crowds were already on their way when O’Connell called off the meeting to avoid the risk of violence and bloodshed. He was charged with conspiracy, arrested and sentenced to a year in jail and a fine of 2,000 pounds. The sentence was set aside after O’Connell had been three months in prison. When he was released he continued with his campaign for repeal. However, a turning point had been reached. The tactics that had won emancipation had failed. O’Connell was now almost seventy, his health failing and he had no clear plan for future action. There was discontent within the Repeal Association and the Young Irelanders withdrew. There was also some failure in the potato crop in the 1840’s, a sign of things to come in the Great Famine of 1845-1847. Aware of the fact that he had failed with his great goal, (the Repeal Movement), O’Connell left Ireland for the last time in January 1847. He made a touching speech in the House of Commons in which he appealed for aid for his country. In March, acting on the advice of his doctor, he set out to Italy. Following his death in Genoa on 15 May 1847, his body was returned to Ireland and buried in Glasnevin Cemetery. [http://www.clarelibrary.ie/eolas/coclare/people/daniel.htm, accessed 13/12/2013]Portrait of a man known as Daniel O'Connell.ballarat irish, daniel o'connell, o'connell

Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 to 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1979 for his portrait of Phillip Adams. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.A large portrait of a man painted in oil.wes walters, artwork, artist, portrait, alumni, archibald prize winner, available

Jeff WILKINSONLinocut of a portrait of a man wearing a hat.Lino. cut by J. Wilkinsonlinocut, printmaking, alumni, portrait, j. wilkinson, jeff wilkinson, requires framing

The telephone number beginning with '9' against the artist's name on the back of the painting dates it as 1995 or later, that being the year this landline telephone numbering format was introduced.Unframed portrait of a man wearing a jacket and tie.Handwritten notation on back of painting - "Jan Sebinski 97295172".

John McAllister was a lecturer in Mining at Ballarat University College, a predecessor institution of Federation University Australia.Colour photographuc portrait of a man - John McCallister.ballarat university college, mcallister, mining

William Foster Stawell was Chief Justice of the Supreme Court of Victoria from March 1857 until September 1886. He was president of the Ballarat School of Mines Council from 1876 until 1889.Photographic portrait of a man named William Stawellwilliam stawell, legal, supreme court of victoria, ballarat school of mines, ballarat school of mines council, sir william foster stawell

William Hodge had mining operations at Linton from about 1856. Photograph is part of Old Lintonian collection ; No. 5.Oval portrait of a man wearing jacket and tie.william hodge, miners

Part of Old Lintonian collection ; No. 9.Portrait of a man wearing suit coat and tie.robert linton, old lintonian collection

Studio Portrait of Robert Anderson Jnr. in oval frame. Dressed in dark jacket and waistcoat, white shirt and striped tie. Son of Robert and Margaret Anderson, Fourth child.Studio Portrait of young man, Robert Anderson Jnr.local history, photography, photographs, slides, film, robert anderson jnr, sepia photograph, mrs emma anderson jacobs

Port of Portland Authority archivesFront: (no inscriptions) Back: Capt. Ian Baird (blue pen, lower left)port of portland archives, portrait photography, captain ian baird

significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culturePortrait of a man local Beaufort farmer Joe LambSigned: M Dannatt '94 (lower right)

Duncan Cameron, the second son of Ewen and Marion Cameron, was born in 1856 at Ashby and died at Linton in 1936. He worked as a stonemason, and was an active member of the Old Lintonians' Association. Photograph is part of Old Lintonians' collection ; No. 120.Sepia portrait of bearded man wearing a jacket and collar."Mr Duncan Cameron".duncan cameron, old lintonians collection

This most likely is Frederick Gardner Davey when in the Militia before joining the RAAF. Part of Frederick Gardner Davey DFC No.410533 RAAF Collection. See Cat. No. 3536P for his service record and photo. There is a slight possibility it is Fred’s Brother, Allan Thomas Davey VX12370Photo - Black & White, portrait of a man in Australian Army uniform. photography, portraits, military

Joseph Gillies Biggar was a Belfast pork merchant. The Protestant faith has given more leaders to the Irish rebels than the Catholic faith, such as Grattan, Davies, Butt, Mitchell, Parnell, Shaw, Biggar, etc., and all, without exception, were Protestants.(http://www.marxists.org/archive/connolly/1911/connwalk/2-rebirel.htm) "Looking through the long list of those who were present at the Home Rule Conference, one may see the names of men, young or obscure, who were to achieve fame in the movement, and, in some cases, to exercise a decisive influence on its development. The earliest that springs to the eye is " Joseph Gillies Biggar." It was the first time that that misshapened form, with its homely face, its broad smile, its shrewd and fearless glance, was seen ; and the rasping voice, and odd and jerky mode of speaking, was heard, at a nationalist gathering. Biggar was then forty-six, a Presbyterian, head of a successful firm of provision merchants in Belfast, a member of the Municipal Corporation of Belfast, and chairman of the Water Commissioners; and was to commence soon his extraordinary career in the House of Commons. (http://archive.org/stream/homerulemovement00macduoft/homerulemovement00macduoft_djvu.txt) Portrait of a man wearing a glasses. He is Joseph Gilles Biggarballarat irish, biggar, joseph biggar, joseph gillies biggar, pork, belfast

Born on July 3, 1746, in Dublin, Ireland, Henry Grattan became a brilliant parliamentary orator who pushed for Irish legislative independence from Britain, achieved for a time starting in 1782. As a Protestant, he also advocated for Catholic emancipation and voting rights, clashing with ex-ally Henry Flood over ideology. Later serving in the House of Commons, Grattan died on June 4, 1820. [http://www.biography.com/people/henry-grattan-9318523, accessed 14/12/2013] Born in 1746, died in 1820; was admitted to the Irish Bar in 1772; entered the Irish Parliament in 1775; secured the restoration of independence to the Irish Parliament in 1782; retired from the Irish Parliament in 1797; returned to the Irish Parliament in 1800, in order to oppose the Union; elected to the Imperial Parliament in 1806, remaining a member until his death.[http://www.bartleby.com/268/6/4.html, accessed 14/12/2013] Portrait of a man wearing a jacket. He is Henry Grattan, MP.ballarat irish, henry grattan, henry grattan

Henry (Harry) Mitchell, born 1867 at Scarsdale, was the only son of Frederick Mitchell and his first wife Jane McDonagh. He married Ethel Annie Austin in 1902. Henry Mitchell and his wife adopted George Ah Lyee (the name later Anglicised to 'Lee') after the death of his parents. Henry died in Western Australia in 1945. Part of Old Lintonian collection ; No. 10.Photographic portrait of a man wearing a suit and a lady wearing glasses.On back: "Best wishes to L W UR - E H M".henry (harry) mitchell, ethel annie mitchell née austin, old lintonians collection

Collected by Dorothy Brumby in relation to Great Western ResearchB/W Studio portrait of young man in striped shirtW.J. Chapman Stawell

Black and White Photo on Tin, Portrait of a man with a moustache and wearing a suit,person, individual, portrait, tin back photo, male portrait

Biographical details: Born 1888, Nagambie; married Jessie Winifred Temby in 1910; died 27 Feb 1969 in Mont Albert. Mr Joseph Sutton Crow lived at ‘Strathmore’, 75 Victoria Crescent, Mont Albert from 1924-1952. In 1907 Sutton gained a Diploma of Music at the Marshall Hall Conservatorium (later the Melbourne University Conservatorium). He taught piano and organ and was organist and choir-master in several churches. From 1912-1948 he served in that capacity at the Auburn Methodist Church. In 1910 Sutton Crow was appointed Assistant Secretary at the Melbourne Conservatorium of Music. In 1939 he became Assistant Director and Librarian and from 1941-1945 was its Acting Director. He retired in 1945. Administrator under Sir Bernard Heinze he devoted much time to the development of the ‘Music in the Schools” programme. This led to tours of country centres taking leading musicians to give concerts in schools and for the public, introduced by a talk on musical appreciation. After retirement he organized concerts for the Council of Adult Education and in 1950, when he concluded his professional work, he was giving concerts twice annually in 144 country towns. From 1926-1939 Sutton was Manager of the Melbourne University Symphony Orchestra (which later became the Melbourne Symphony Orchestra). During some years he had been Concert Manager for local and visiting musicians such as Edward Goll, a Bohemian pianist who lived locally, John Amadio, a flautist and Sutton’s wife Jessie Temby, a soprano who sang professionally until she gave this up for family life. Donor was his daughter.A black and white portrait of a man wearing round tortoise-shell glasses.(mr) sutton crow, victoria crescent, surrey hills, melbourne university symphony orchestra, melbourne symphony orchestra, house names, (ms) jessie temby, 'strathmore'

Thousands of volunteers work tirelessly to conserve and protect the environment of Geelong and the Bellarine. Their work often goes unnoticed. In 'The Work of Nature' the National Wool Museum and the Environment Department at the City of Greater Geelong worked with photographer Nicole Marie to showcase the significant contribution of environment volunteers in our region. Each of the eight people showcased in these portraits were nominated by their peers and members of the community for their significant contribution to conserving and protecting the environment. Trevor Prescott - Geelong Field Naturalists Club From his earliest years, Trevor Pescott has been fascinated by nature. In 1961, he was part of an active group that re-established the Geelong Field Naturalists Club. And in the 1970s he was also one of the founding members of the Geelong Environment Council. For more than half a century he has been a passionate advocate, observer and chronicler of Geelong’s changing environment. Since 1960, he wrote the weekly column “By Field and Lane” in the Geelong Advertiser. He has written several books on nature in the Geelong region, including Birds and Botanists: A Field Naturalists History of Geelong. He remains passionate about the flora and fauna of the Geelong region organising fauna surveys every month as member of the Geelong Field Naturalists Club amongst many other activities. Photo at Trevor’s Belmont home by Nicole Marie.Image showing an environmental portrait of a man holding a book with trees in the background.environment, conservation, portraits, geelong, nature, exhibition, work of nature, geelong nature forum, volunteers

Thousands of volunteers work tirelessly to conserve and protect the environment of Geelong and the Bellarine. Their work often goes unnoticed. In 'The Work of Nature' the National Wool Museum and the Environment Department at the City of Greater Geelong worked with photographer Nicole Marie to showcase the significant contribution of environment volunteers in our region. Each of the eight people showcased in these portraits were nominated by their peers and members of the community for their significant contribution to conserving and protecting the environment. John Fyfe - Friends of Edwards Point, the Bellarine Catchment Network and many more For over twenty years John Fyfe has been actively involved in all areas of restoring native vegetation on numerous locations throughout the Bellarine. John’s passion for caring for the environment and sharing his vast knowledge has earnt him wide respect from the community. John is not only approachable but a great communicator. His vast knowledge has made the go to person for help on support on all matters regarding revegetation. John introduced direct seeding to the Friends of Edwards Point team, which has been successful on numerous sites within Edwards Points Reserve. The approach has been adopted throughout the reserve. Reflecting on John’s impact to the local community, local residents widely refer to him as a “living legend,” while others simply say, “there should be more John Fyfe’s in the world.” Photo at Edwards Point Wildlife Reserve by Nicole Marie.Image showing an environmental portrait of a man standing in grasslands with trees in the background.environment, conservation, portraits, geelong, nature, exhibition, work of nature, geelong nature forum, volunteers, edwards point

William Todd Snr was born in England about 1823. He married Sarah Thompson in 1852, and they came to Victoria on the ship "Una" in 1853. William and Sarah lived at Amherst before settling at Linton. They had at least eight children. Part of Old Lintonian collection ; No. 17.Mounted portrait of a man with white whiskers wearing suit coat and tie.william todd snr., old lintonian collection

Photograph - Portrait of a man On rear of photo: BGO's Andrew Stirling STIRLCAP Sportrecreations, sports, cycling, bendigo advertiser

Thousands of volunteers work tirelessly to conserve and protect the environment of Geelong and the Bellarine. Their work often goes unnoticed. In 'The Work of Nature' the National Wool Museum and the Environment Department at the City of Greater Geelong worked with photographer Nicole Marie to showcase the significant contribution of environment volunteers in our region. Each of the eight people showcased in these portraits were nominated by their peers and members of the community for their significant contribution to conserving and protecting the environment. Dr John Newman - Geelong Field Naturalists Club Over almost twenty years John Newman has organised large groups of volunteers to conduct surveys across Geelong and the Bellarine for shorebirds and waterbirds. Understanding and collecting important environmental data helps in the effort to preserve important sites, much of this data is collected by volunteers. The information collected in Geelong and the Bellarine also forms part of national and international datasets that helps in understanding global patterns of migratory birds, such as sharp-tailed sandpiper, red-necked stint and the critically endangered curlew sandpiper. The data collected at the Moolap Saltworks (since 1981) and co-ordinated by John since 2003 highlighted the importance of this site for these three species and played a crucial role in protecting the area as a conservation site. Photo at Taits Point, Lake Connewarre Wildlife Reserve by Nicole Marie.Image showing an environmental portrait of a man holding binoculars with a water landscape in the background.environment, conservation, portraits, geelong, nature, exhibition, work of nature, geelong nature forum, volunteers, lake connewarre