To keep current with media articles on how vision impaired people, blindness organisations and their activities were reported in the press, books of newspaper cuttings were created. News stories were taken from local, regional and national papers covering a variety subjects.1 blue covered notebook with newspaper cuttingsGuiding light press cuttings (written on spine)association for the blind

This heavy seaal press would have been used to emboss impressions of the Shire of Bulla seal onto documents. This seal impressed "The Mayor, Councillors And Citiizens of the Shire of Bulla" and was used between 1989-1994. Various Councils within Victoria amalgamated in the early 1990's with the Shire of Bulla becoming part of the City of Hume.A large heavy dull black seal press.council seals, seals, shire of bulla, bulla shire council

Royal Princess Theatre - Special Entertainment for the benefit of the Bendigo Easter Fair. Friday, April 24, 1914. Stage Manageress: Miss M Eadie. Mistress of the Ballet: Miss G Mackay. Secretary: Mr H M Marks. Programme written by Miss Calma Boyd. Theatre kindly lent by Wm. Crowley, Esq. PART 1. Selected Pictures including BENDIGO ON EASTER MONDAY: THE PROCESSION AND THE FAIR. PART II. The Pierettes and Pierots Present for the first time their entire Company, introducing Miss Marjorie Eadie, Emperess of Ragtime. Miss Girlie Mackay, Genee's Revival. Miss Francie Moore, Miss Calma Boyd and Miss Jean Mackay, Shining Stars. Miss Winifred Dunstan, Dainty Balladist. Miss Dorothy Dunstan, Madame Butt's Protégé. Miss Claire Connell, Front Stall Favorite. Miss Beryl Leggo, Pianiste of Perfection. Press and other comments-'The Herald'-'Come over here?' Sir Ian Hamilton-'Spare my days!!' Madame Melba-'I never heard anything like it.' Mark Hambourg-'Miss Beryl Leggo's playing is Potslausenlililzenundgeyalikyoptor.' [don't hesitate to talk during the items--disturbing the performers really doesn't matter.] Opening Chorus-The Pierettes and Pierots. 'How do you Do, Miss Ragtime?' The Company. Chesapeake Bay, Sung by miss Eadie, with effects by Company. 'Mandy', Misses D Dunstan and C Connell, augmented by Misses Moore and Boyd. 'Here's to Love!' Miss D Dunstan (a solo of primary interest). Alabam, The Pierettes and Pierots, an effort of alleged humour. The Pierot's Wooing, Misses G Mackay and Meadie. The Dance is a result of an amicable attangement with the Pianist, Miss Beryl Leggo. Piano Solo, Miss Beryl Leggo [See Press Opinions.] 'My Sumurum Maid', The Pierettes and Pierots, [Presented with the idea of breaking up the prevailing gloom.] Interval of Ten Minutes. [If the audience can tolerate any more, they may retain their seats without extra charge.] Diamonds, Motor Cars, Confectionery, Sweets, Flowers: Gentlemen must have their name of donor attached. When you have had enough, don't hesitate to leave - the performers will sing on regardless of aching hearts. Part III. The Pierot Ballet, The Company. [Please do not throw anything harder than a brick.] Duet: 'Pretty Poll', Misses Moore and Boyd will sing to each other. 'Poor wandering One' Claimed by Miss M Eadie, with acquiescing chorus. 'Hush-a-Bye!' Part song, The Company [This item is introduced to soothe the infuriated audience.] 'Blue-eyed Baby', Miss M Eadie is associated with this number. Danse de Pierot, Miss Girlie Mackay. Leap Year!, The Pierittes- A distinctly Personal Chorus. [Gentlemen are warned that all exits will be barred]. Finale by the Pierettes. God Save The King. ___We Did It! - Cambridge Press, Bendigo.Cambridge Press, Bendigo.program, theatre, royal princess theatre, royal princess theatre - special entertainment for the benefit of the bendigo easter fair. friday, april 24, 1914. stage manageress: miss m eadie. mistress of the ballet: miss g mackay. secretary: mr h m marks. programme written by miss calma boyd. theatre lent by wm. crowley, esq. part 1. selected pictures including bendigo on easter monday: the procession and the fair. part ii. the pierettes and pierots present entire company, miss marjorie eadie, emperess of ragtime. miss girlie mackay, genee's revival. miss francie moore, miss calma boyd and miss jean mackay, shining stars. miss winifred dunstan, dainty balladist. miss dorothy dunstan, madame butt's protégé. miss claire connell, front stall favorite. miss beryl leggo, pianiste of perfection. press and other comments-'the herald'-'come over here?' sir ian hamilton-'spare my days!!' madame melba-'i never heard anything like it.' mark hambourg-'miss beryl leggo's playing is potslausenlililzenundgeyalikyoptor.' [don't hesitate to talk during the items--disturbing the performers really doesn't matter.] opening chorus-the pierettes and pierots. 'how do you do, miss ragtime?' the company. chesapeake bay, sung by miss eadie, with effects by company. 'mandy', misses d dunstan and c connell, augmented by misses moore and boyd. 'here's to love!' miss d dunstan (solo of primary interest). alabam, the pierettes and pierots, an effort of alleged humour. the pierot's wooing, misses g mackay and meadie. the dance is a result of an amicable attangement with the pianist, miss beryl leggo. piano solo, miss beryl leggo [see press opinions.] 'my sumurum maid', the pierettes and pierots, [presented with the idea of breaking up the prevailing gloom.] interval of ten minutes. [if the audience can tolerate any more, they may retain their seats without extra charge.] diamonds, motor cars, confectionery, sweets, flowers: gentlemen must have their name of donor attached. when you have had enough, don't hesitate to leave - the performers will sing on regardless of aching hearts. part iii. the pierot ballet, the company. [please do not throw anything harder than a brick.] duet: 'pretty poll', misses moore and boyd will sing to each other. 'poor wandering one' claimed by miss m eadie, with acquiescing chorus. 'hush-a-bye!' part song, the company [this item is introduced to soothe the infuriated audience.] 'blue-eyed baby', miss m eadie is associated with this number. danse de pierot, miss girlie mackay. leap year!, the pierittes- a distinctly personal chorus. [gentlemen are warned that all exits will be barred]. finale by the pierettes. god save the king. _we did it! - cambridge press, bendigo.

Object produced to celebrate centenary of printing press use in Australia 1982.Tiny Metal replica of early Australian printing press. Basic shape. No moving parts. Silver frosting coloured.Modern Printing Company 1882 - 1982printing presss, alloy models

This heavy seal press would have been used to emboss impressions of the Shire of Bulla seal onto documents. This seal impressed "The President Councillors and Citizens of The Shire of Bulla" plus a central emboss and would have been used sometime between 1866-1989. Various Councils within Victoria amalgamated in the early 1990's. The Shire of Bulla amalgamated and became part of the City of Hume.A large heavy shiny black seal press.council seals, seals, shire of bulla, bulla shire council

John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) Two mechanical sorts used in the letter press process are drawn. One carries the letter J the other the letter G.bookplate, printmaking, australian bookplate design award, keith wingrove memorial trust

Golden Square Methodist Church Tennis Club Grand Concert & Social held in the school Hall. Tuesday June 2nd, at 7.45 c1930. Participants Misses A and L Saunders, Mr Will Brown, Miss Ethel Cravino, Miss Lila Peatling, Master Duncan McDonald. Miss Irene Dorrity, Mr A Kirby, Miss Lily Walker, Mr Hector Taylor, Miss Audrey Courtis, Mr Irvine Brimacombe and Nellie Roach. Accompaniste Miss A Saunders, Chairman Mr R Saunders. Admission 6d. Lydia Pethard Hon. Sec. Printed by Cambrige Press, The Printers, Bendigo. Copy a is in excellent condition and unmarked. Copy b is in excellent condition but has be written on across top May 12th 1929 Welcome Home along bottom on front Welcome Show March 27 1919 June 26th 1919 Oct 2nd 1919. On back is written: Back to Numurkah 23rd to 29th March 1951 meat with G & H & their grandsons Geo & David Back to Huntly 1939 took mother 8 & 9th April.Cambridge Press, The printers, Bendigoprogram, music, golden quare methodist tennis club, golden square methodist church tennis club grand concert & social held in the school hall. c1930. participants a and l saunders, will brown, ethel cravino, lila peatling, duncan mcdonald. irene dorrity, r a kirby, lily walker, hector taylor, audrey courtis, irvine brimacombe and nellie roach. accompaniste a saunders, chairman r saunders. admission 6d. lydia pethard hon. sec. printed by cambrige press, the printers, bendigo. copy a is in excellent condition and unmarked. copy b is in excellent condition but has be written on across top may 12th 1929 welcome home along bottom on front welcome show march 27 1919 june 26th 1919 oct 2nd 1919. on back is written: back to numurkah 1951 meat with g & h & their grandsons geo & david back to huntly 1939 took mother 8 & 9th april.

John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) A printing press with books standing alongside is depicted behind the title. One book has the initials HP and an anchor on its cover.bookplate, printmaking, australian bookplate design award, keith wingrove memorial trust