Showing 247 items
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Eltham District Historical Society Inc
Photograph - Digital Photograph, Ingrid Everett-Majewski, The Bluestone Chapel, April 2023
Montsalvat Youth Photography Prize 2023 The Montsalvat Youth Photography Competition 2023 was opened to young people aged 14 - 18, based in Victoria. Entrants were invited to explore the grounds, buildings, people, and activities of Montsalvat – to capture its essence and bring their own imagination to the process. First Prize: $1000 sponsored by Future Leaders The winner’s work printed and framed by Montsalvat for display in the Barn Gallery for a three-week exhibition slot. Second Prize: $500 Ten artists were shortlisted and placed on rotational display on Montsalvat’s website and screened in the Barn Gallery for a three-week digital exhibition. In sponsorship with Eltham District Historical Society, the shortlisted works were also to be catalogued and preserved, providing a permanent display of work for young photographers. KEY DATES: Entries opened: Monday the 3rd of April 2023 Entries closed: Friday 8th September - Midnight Finalists advised: Friday 15th September The winners were formally awarded their prize at Montsalvat on Sunday, October 8, 2023. The winners: • 1st place – Yirong Huang Enliven • 2nd place - Rhys Humphries, The Countess • 3rd Place- Jemimah Lavis Windowmontsalvat youth photography prize 2023, montsalvat -
Eltham District Historical Society Inc
Photograph - Digital Photograph, Jemimah Lavis, Window, 21 August 2023
Montsalvat Youth Photography Prize 2023 The Montsalvat Youth Photography Competition 2023 was opened to young people aged 14 - 18, based in Victoria. Entrants were invited to explore the grounds, buildings, people, and activities of Montsalvat – to capture its essence and bring their own imagination to the process. First Prize: $1000 sponsored by Future Leaders The winner’s work printed and framed by Montsalvat for display in the Barn Gallery for a three-week exhibition slot. Second Prize: $500 Ten artists were shortlisted and placed on rotational display on Montsalvat’s website and screened in the Barn Gallery for a three-week digital exhibition. In sponsorship with Eltham District Historical Society, the shortlisted works were also to be catalogued and preserved, providing a permanent display of work for young photographers. KEY DATES: Entries opened: Monday the 3rd of April 2023 Entries closed: Friday 8th September - Midnight Finalists advised: Friday 15th September The winners were formally awarded their prize at Montsalvat on Sunday, October 8, 2023. The winners: • 1st place – Yirong Huang Enliven • 2nd place - Rhys Humphries, The Countess • 3rd Place- Jemimah Lavis Windowmontsalvat youth photography prize 2023, montsalvat, third place -
Eltham District Historical Society Inc
Photograph - Digital Photograph, Rhys Humphries, The Countess, 2023
Photo was taken on a Pentax k1000 on 35mm B&W film. And burned and dodged in the darkroom with a filter of 5 layered on filter 2. Montsalvat Youth Photography Prize 2023 The Montsalvat Youth Photography Competition 2023 was opened to young people aged 14 - 18, based in Victoria. Entrants were invited to explore the grounds, buildings, people, and activities of Montsalvat – to capture its essence and bring their own imagination to the process. First Prize: $1000 sponsored by Future Leaders The winner’s work printed and framed by Montsalvat for display in the Barn Gallery for a three-week exhibition slot. Second Prize: $500 Ten artists were shortlisted and placed on rotational display on Montsalvat’s website and screened in the Barn Gallery for a three-week digital exhibition. In sponsorship with Eltham District Historical Society, the shortlisted works were also to be catalogued and preserved, providing a permanent display of work for young photographers. KEY DATES: Entries opened: Monday the 3rd of April 2023 Entries closed: Friday 8th September - Midnight Finalists advised: Friday 15th September The winners were formally awarded their prize at Montsalvat on Sunday, October 8, 2023. The winners: • 1st place – Yirong Huang Enliven • 2nd place - Rhys Humphries, The Countess • 3rd Place- Jemimah Lavis Windowmontsalvat youth photography prize 2023, montsalvat, second place, emilion clark -
Eltham District Historical Society Inc
Photograph - Digital Photograph, Cleo Farago, Through the blossom light, September 2023
Montsalvat Youth Photography Prize 2023 The Montsalvat Youth Photography Competition 2023 was opened to young people aged 14 - 18, based in Victoria. Entrants were invited to explore the grounds, buildings, people, and activities of Montsalvat – to capture its essence and bring their own imagination to the process. First Prize: $1000 sponsored by Future Leaders The winner’s work printed and framed by Montsalvat for display in the Barn Gallery for a three-week exhibition slot. Second Prize: $500 Ten artists were shortlisted and placed on rotational display on Montsalvat’s website and screened in the Barn Gallery for a three-week digital exhibition. In sponsorship with Eltham District Historical Society, the shortlisted works were also to be catalogued and preserved, providing a permanent display of work for young photographers. KEY DATES: Entries opened: Monday the 3rd of April 2023 Entries closed: Friday 8th September - Midnight Finalists advised: Friday 15th September The winners were formally awarded their prize at Montsalvat on Sunday, October 8, 2023. The winners: • 1st place – Yirong Huang Enliven • 2nd place - Rhys Humphries, The Countess • 3rd Place- Jemimah Lavis Windowmontsalvat youth photography prize 2023, montsalvat -
Eltham District Historical Society Inc
Photograph - Digital Photograph, Yirong Huang, Enliven, 2 September 2023
Montsalvat Youth Photography Prize 2023 The Montsalvat Youth Photography Competition 2023 was opened to young people aged 14 - 18, based in Victoria. Entrants were invited to explore the grounds, buildings, people, and activities of Montsalvat – to capture its essence and bring their own imagination to the process. First Prize: $1000 sponsored by Future Leaders The winner’s work printed and framed by Montsalvat for display in the Barn Gallery for a three-week exhibition slot. Second Prize: $500 Ten artists were shortlisted and placed on rotational display on Montsalvat’s website and screened in the Barn Gallery for a three-week digital exhibition. In sponsorship with Eltham District Historical Society, the shortlisted works were also to be catalogued and preserved, providing a permanent display of work for young photographers. KEY DATES: Entries opened: Monday the 3rd of April 2023 Entries closed: Friday 8th September - Midnight Finalists advised: Friday 15th September The winners were formally awarded their prize at Montsalvat on Sunday, October 8, 2023. The winners: • 1st place – Yirong Huang Enliven • 2nd place - Rhys Humphries, The Countess • 3rd Place- Jemimah Lavis Windowmontsalvat youth photography prize 2023, montsalvat, first place -
Eltham District Historical Society Inc
Photograph - Digital Photograph, Samuel Lei, Spiritual Resonance, 2023
Montsalvat Youth Photography Prize 2023 The Montsalvat Youth Photography Competition 2023 was opened to young people aged 14 - 18, based in Victoria. Entrants were invited to explore the grounds, buildings, people, and activities of Montsalvat – to capture its essence and bring their own imagination to the process. First Prize: $1000 sponsored by Future Leaders The winner’s work printed and framed by Montsalvat for display in the Barn Gallery for a three-week exhibition slot. Second Prize: $500 Ten artists were shortlisted and placed on rotational display on Montsalvat’s website and screened in the Barn Gallery for a three-week digital exhibition. In sponsorship with Eltham District Historical Society, the shortlisted works were also to be catalogued and preserved, providing a permanent display of work for young photographers. KEY DATES: Entries opened: Monday the 3rd of April 2023 Entries closed: Friday 8th September - Midnight Finalists advised: Friday 15th September The winners were formally awarded their prize at Montsalvat on Sunday, October 8, 2023. The winners: • 1st place – Yirong Huang Enliven • 2nd place - Rhys Humphries, The Countess • 3rd Place- Jemimah Lavis Windowmontsalvat youth photography prize 2023, montsalvat -
Eltham District Historical Society Inc
Photograph - Digital Photograph, Rachael Krialis, Whispers of Time, 30 July 2023
Montsalvat Youth Photography Prize 2023 The Montsalvat Youth Photography Competition 2023 was opened to young people aged 14 - 18, based in Victoria. Entrants were invited to explore the grounds, buildings, people, and activities of Montsalvat – to capture its essence and bring their own imagination to the process. First Prize: $1000 sponsored by Future Leaders The winner’s work printed and framed by Montsalvat for display in the Barn Gallery for a three-week exhibition slot. Second Prize: $500 Ten artists were shortlisted and placed on rotational display on Montsalvat’s website and screened in the Barn Gallery for a three-week digital exhibition. In sponsorship with Eltham District Historical Society, the shortlisted works were also to be catalogued and preserved, providing a permanent display of work for young photographers. KEY DATES: Entries opened: Monday the 3rd of April 2023 Entries closed: Friday 8th September - Midnight Finalists advised: Friday 15th September The winners were formally awarded their prize at Montsalvat on Sunday, October 8, 2023. The winners: • 1st place – Yirong Huang Enliven • 2nd place - Rhys Humphries, The Countess • 3rd Place- Jemimah Lavis Windowmontsalvat youth photography prize 2023, montsalvat, great hall -
Federation University Historical Collection
Book - Book - Scrapbook, Ballarat Institute of Advanced Education: Scrapbook of newspaper cutting. Book 1; December 1968 to August 1969
Newspaper cuttings relating to Ballarat Institute of Advanced Education. These are from various newspapers and include The Age, Ballarat Courier, The Australian, The Herald. The cuttings cover the period from 21 December 1968 to 12 August 1969. Book with grey cover, front. Spiral boundballarat institute of advanced education, biae, metallurgy scholarship awards, higher pay for academic staff, deep-sea housewife, jan watson, yendon bluestone for smb, building at mt helen, hepburn springs camp, cricket match, government may cut grants, quotas a must, apex scholarship to christopher dower, j m hasker of cement and concrete association, concrete course at smb, john stevens winner of gold medal, master plumbers' association, trade students prize night, education the answer, smb success depends on local support, $950000 expasion by smb, dr r schrieke, barry shearer, craftsmen receive awards, top swimmers, stephen yorke, ian ellis, apprentices on show, open night at smb, master builders' awards, first equipment at mt helen, craftsmanship awards, commonwealth must not control education, courses in computers, motor for trainee mechanics, bores under road, don skewes invents drill, bluestone blocks as terracing at smb, boost college intake, the lake relay, stuart alexander wins award, biae commands interest, ballarat gas company scholarships, smb on eve of new era, alan graham, r w richards medal, art in the sunshine, retirements from engineering firm, stan sweatman joins biae, smb diplomates in many fields, $130000 computer at biae, learning for living -
Federation University Historical Collection
Book - Book - Scrapbook, Ballarat College of Advanced Education: Scrapbook of newspaper cutting, Book 15; January 1985 to August 1985
Newspaper cuttings relating to Ballarat College of Advanced Education. These are from various newspapers and include The Age, Ballarat Courier, The Australian, The Herald. The cuttings cover the period from 31 January 1985 to 22 August 1985. . Book with yellow cover, front. Spiral bound.employment advertisements, application for enrolment, outline of courses, computing for engineers, $24000for course, new residential college for bcae, sandy blythe's will to succeed, aboriginal students at bcae, beer of distinction, geoffrey lowe wins award, karen bibby, jack barker, new chair of australian council of directore and principals of cae, peter pearson - teacher with class, education method observations, kenneth wullf, european wasp menace, fitness test for rowers, "zigger zagger" production, bcae to study ballarat volunteers, ballarat photographic project, world student games, sharon stewart, stephen moneghetti, ian anderson, r w richards obituary, miles coverdale to head apprenticeship group, dr murray gillan, women as engineers, ballarat asian links, tertiary fees, nursing's new era, three course in nursing, hospital-based training to end, bill hitchins, computer-swap to boost library, jacki straude's exhibition, louise tomlinson, aids seminar at bcae, statistic in map form, accommodation to double, bcae staff union branch, death of allan sonsee, naturalist, brett robinson, student union president, inustry-bcae research bid, engineering award winners, mark davies, grant mcghie, pamela dethridge, e j tippettretires, tribute to antarctic explorer, barry jones, civil engineering award, anthony sperber, bush will be surveyed, professor michael birt, elizabeth miles, national safety council trophy, technology and old gold mines, women in education still a 'privilege', ian moore - dean of education, mining firm's prizes, last intake of nursing students, ballarat base hospital, peter blizzard, selkirk sculpture, brick sculpture, keating's budget -
Federation University Historical Collection
Book - catalogue, Shelley Hinton, Guirguis New Art Prize Catalogues, 2013, 2015, 2017
Three soft covered catalogues covered the 2013, 2015 and 2017 Guirguis New Art Prize. .1) 2013, ochre covered catalogue .2) 2015, Maroon covered catalogue .3) 2017, blue covered catalogue.non-fictionguirguis new art prize, federation university, shelley hinton, yhonnie scarce -
Ballarat Clarendon College
Book, Half hours with the best authors, Vol 1
According to the Ballarat College Report, Prize list and Prospectus published 1875 Miss E Rees was Dux of the school 'Ladies Department' and winner of the Mr R F Glover's Prize Essay. This book was awarded to Miss E Rees the following year by the Ballarat Ladies College associated with the ballarat Grammar School, Principal F J Thomas. Thomas had been appointed principal of Ballarat College in 1874 following the untimely death of the school's first principal Robert Oliver McCoy. However Thomas's credentials were questionable and he left the school under a cloud during 1875. Thomas established a rival college. This action had a devastating impact on Ballarat College because many students enrolled at the new college. This book is evidence of just one such transition. Ornately decorated book with calf spine and cover detail, marbled covers and end-pages, gold lettering and patterns on spine; Book plate inside front cover: Ballarat Ladies College / in association with the Ballarat Grammar School / CHRISTMAS 1878 / University Class / SPECIAL PRIZE / the gift of / the pupils of the Ballarat Gr. Sch. / for / 'the favorite girl' 2 vol. / awarded to / Miss E Rees / F J THOMAS, PRINCIPALe-rees, f-j-thomas, ballarat-ladies-college, grammar-school, 1876 -
Ballarat Clarendon College
Trophy
Trophy awarded to the most improved woodwind student in memory of former student Sonya Batstra who passed away in 2001. Sonya attended the school 1981-1986.Light coloured wooden trophy on dark wood square block standInscribed on stand in relief lettering: Sonya Batstra (1986) memorial prize for / 'Most improved woodwind student' Inscribed on gold coloured plaque on trophy: Names of winners 2001 - sonya-lousie-batstra, woodwind, music, ballarat-clarendon-college, bethany-taylor, daniela-hicks, matthew-day, caitlin-bruty, jess-cassells, charlotte-olsen, ellen-leishman, zachary-stute, caleb-newell, ashton-wood, timothy-snibson -
Federation University Historical Collection
Book - Book - Scrapbook, Ballarat School of MInes: Scrapbook of Newspaper Cuttings, Book 21, July 1984 to September 1984
Collection of newspaper articles related to Ballarat School Of Mines.They cover activities and advertisements for staff. The papers concerned are The Courier, Ballarat, The Australian, The Age over the period of 12 July 1984 to 19 September 1984.Book with beige cover, front, spiral bound. teaching positions advertised, pre-employment courses, courses available, ballarat ladies art association, rotary exchange students, val inguanez ontario canada, sam bourne nevada usa, roger mcfarlane pilot of the year, a-grade automobile engineers certificate, neale goad, wayne harbour, mark white, smb trained, william knight of usa at smb, u s teachers visit ballarat, smb chief urges employer support, increase in smb apprentices, e j tippett elected patron of smb, 50 years service, apprentices to show their skills, robyn sedgwick dance workshop, l f j hillman recreation building - smb, work skills contest, peter brown winner of carpentary section, richard siebert competing in electrical wiring section, smb students with val d'angri make piece as work experience venture, george helon - a dream to publish, digger's dugout sign, smb's self-help effort opened by l f j hillman, thoroughly modern typist, apprenticeship safety seminar, laying pipes the modern way, v f l medal count at ballarat, smb wins welding prizes, leigh gillette - oxy welding, william kerr - electric welding, ballarat may get pilot youth scheme, david davies - ballarat's gifted son, nursing aide students - smb presentation, secretaries - dispel the "office housewife" stereotype, portrait for smb, geoff mainwaring painter, apprentice of the year - daryl edwards, tertiary campus built from scratch, do more for womens' education, thomas walsh farm apprentice award -
Federation University Historical Collection
Book - Book - Scrapbook, Ballarat School of MInes: Scrapbook of Newspaper Cuttings, Book 27, June 1986 to 30 August 1986
Collection of newspaper articles related to Ballarat School Of Mines.They cover activities and advertisements for staff. The papers concerned are The Courier, Ballarat, The Australian, The Age over the period of 7 June 1986 to 30 August 1986.Book with yellow cover, front, spiral bound. teaching positions advertised, pre-employment courses, courses available, fire hazard-memorial theatre, new women's skill program at smb, colin mccurry, funding delay hampers theatre repair, work skill newsletter, minister for the arts, race mathews, royal south street society, president peter barwood, secretary stan hooper, john snowden, smb school of performing arts, jared dickson student, smb fitness program older adults, lee-anne law, rehabilitation after accident, geoff browning hairdressing department, young workers show their skills, governor praises smb buildings, davis mccaughey, e j tippett, official opening, e j tippett learning resource centre, catering and hospitality, kay mcfarlane, david boyle, women's theatre, patrick kirby boilermaker, most skilful 10 chosen, andrew wardell apprentice of the year, bcae celebrations, ballarat college of advanced education, theatre funding restoration, dino procaccino, richard goss, tops at their trade, safety contribution, changing role of women, christine pearce welding, laurelle pearse welding, amanda burns drafting, michelle scott drafting, small business course at smb, jack barker to retire, sebastopol technical school 25 years, ballarat group apprenticeship schemme, electrical mechanics david thomson and ron irwin, panel beaters glenn virgo and geoffrey mason, motor mechanics alex bond and mark lewis, fund-raising by hairdressing students for new salon, annette evans and suzanne gandur, smb performing arts, mellissa bone photography prize, david stoddart cookery course at smb, nelson thomas and jamie holloway reiv scholarship winners, building work on schedule, literacy course for adults -
Frankston RSL Sub Branch
Plaque, Memorial, 1914-1918 Memorial Plaque, 1920 (estimated); Issued from 1920
This round, bronze memorial plaque was presented to the family of Private Richard Evans Harkness, service number 3426, of the 37th Battalion, (8th Reinforcements) who was killed in action at Villers-Bretonneux on 12th August, 1918. Colloquially known as 'Dead Man's Penny' or 'King's Penny', this plaque was given to the next of kin of service personnel who died on active service in WW1. 1914-1918 Memorial Plaque In early 1920 it was announced that the next-of-kin of all Australian servicemen and women whose deaths were attributable to the First World War would receive a memorial plaque and scroll "as a solace for bereavement and as a memento". The memorial plaques were not uniquely Australian. In fact they were designed and produced in Britain and issued to commemorate all those who died as a result of war service from within the British Commonwealth. The idea for the plaques was originally conceived mid-way through the war. In 1917 a competition was announced to obtain a suitable design and 800 entries were eventually received. The winner, Mr. E. Carter Preston of Liverpool, England, was chosen in 1918. He was awarded a prize of 250 pounds. Mr Manning Pike directed the manufacture of the memorial plaques at the Memorial Plaque Factory set up at Acton, London. Some later plaques were also made at the Woolwich Arsenal. The cost of manufacturing so many plaques must have been considerable. Each plaque had the name of the soldier commemorated individually embossed (some were engraved) as part of the design. The full name was given without any indication of rank or honours to show the equality of sacrifice of all those who had lost their lives. The scroll designed to accompany the plaques was of thick paper, headed by the royal coat-of-arms, and bore the following message: "He whom this scroll commemorates was numbered among those who, at the call of King and Country, left all that was dear to them, endured hardness, faced danger, and finally passed out of the sight of men by the path of duty and self-sacrifice, giving up their own lives that others might live in freedom. Let those that come after see that his name is not forgotten". Underneath the message the serviceman or woman’s name, rank, honours and unit were written by hand in red ink. Because of the late arrival in Australia of the plaques many scrolls were sent out separately. A message from the King, "I join with my grateful people in sending you this memorial of a brave life given for others in the Great War", was included with the scroll. The first plaques were distributed in Australia in 1922. Each plaque was sent out from Base Records Office at Victoria Barracks in Melbourne by second-class mail. Approximately 60,000 plaques were issued in Australia. Families of deceased members of the Royal Australian Navy and the Australian Army Nursing Service also received plaques and scrolls This plaque is significant because it commemorates the death of an Australian soldier on active service in World War 1. It is representative of some 60,000 issued to next of kin of soldiers killed in World War 1. Although Richard Harness was living at 52 Victoria Street, Abbotsford when enlisted, together with a scroll from the King, it was donated by a Frankston Family.This round, bronze memorial plaque was presented to the family of Australian Army private Richard Evans Harkness, service number 03426, of the 37th battalion, 8th re-inforcement. Harkness was killed in action on 12th August, 1918, near the French village of Proyart, during the 3rd Division's advance along the Somme Valley. further details can be found here: https://www.awm.gov.au/collection/U51477 Colloquially known as 'Dead Man's Penny' or 'King's Penny', these plaques were awarded to the next of kin of service personnel who died on active service during WW1. refer to link for further information : http://www.awm.gov.au/encyclopedia/memorial_scroll/plaque.aspAround the edge are the words 'HE DIED FOR FREEDOM AND HONOUR' On the righthand side of the plaque is the name of the soldier, in this case Richard Evans Harkness.commemorative, memorial, plaque, dead, man s, penny, king s, richard, evans, harkness -
Frankston RSL Sub Branch
Plaque, Memorial, c. 1919
Originally would have been issued with a scroll & letter from the King but neither with plaque. 1914-1918 Memorial Plaque In early 1920 it was announced that the next-of-kin of all Australian servicemen and women whose deaths were attributable to the First World War would receive a memorial plaque and scroll "as a solace for bereavement and as a memento". The memorial plaques were not uniquely Australian. In fact they were designed and produced in Britain and issued to commemorate all those who died as a result of war service from within the British Commonwealth. The idea for the plaques was originally conceived mid-way through the war. In 1917 a competition was announced to obtain a suitable design and 800 entries were eventually received. The winner, Mr. E. Carter Preston of Liverpool, England, was chosen in 1918. He was awarded a prize of 250 pounds. Mr Manning Pike directed the manufacture of the memorial plaques at the Memorial Plaque Factory set up at Acton, London. Some later plaques were also made at the Woolwich Arsenal. The cost of manufacturing so many plaques must have been considerable. Each plaque had the name of the soldier commemorated individually embossed (some were engraved) as part of the design. The full name was given without any indication of rank or honours to show the equality of sacrifice of all those who had lost their lives. The scroll designed to accompany the plaques was of thick paper, headed by the royal coat-of-arms, and bore the following message: "He whom this scroll commemorates was numbered among those who, at the call of King and Country, left all that was dear to them, endured hardness, faced danger, and finally passed out of the sight of men by the path of duty and self-sacrifice, giving up their own lives that others might live in freedom. Let those that come after see that his name is not forgotten". Underneath the message the serviceman or woman’s name, rank, honours and unit were written by hand in red ink. Because of the late arrival in Australia of the plaques many scrolls were sent out separately. A message from the King, "I join with my grateful people in sending you this memorial of a brave life given for others in the Great War", was included with the scroll. The first plaques were distributed in Australia in 1922. Each plaque was sent out from Base Records Office at Victoria Barracks in Melbourne by second-class mail. Approximately 60,000 plaques were issued in Australia. Families of deceased members of the Royal Australian Navy and the Australian Army Nursing Service also received plaques and scrolls Bronze Memorial Plaque 1914-1918 for 4876 Pte. Harry Milne , 46 Battalion KIA 10/5/1918, In a cardboard square envelope. http://www.awm.gov.au/research/people/roll_of_honour/person.asp?p=493414Embossed around edge of plaque "HE DIED FOR FREEDOM AND HONOVR" Name of serviceman embossed on plaque right of centre "HARRY MILNE"ww1, dead mans penny, kings penny, memorial plaque -
Frankston RSL Sub Branch
Plaque, Memorial
1914-1918 Memorial Plaque In early 1920 it was announced that the next-of-kin of all Australian servicemen and women whose deaths were attributable to the First World War would receive a memorial plaque and scroll "as a solace for bereavement and as a memento". The memorial plaques were not uniquely Australian. In fact they were designed and produced in Britain and issued to commemorate all those who died as a result of war service from within the British Commonwealth. The idea for the plaques was originally conceived mid-way through the war. In 1917 a competition was announced to obtain a suitable design and 800 entries were eventually received. The winner, Mr. E. Carter Preston of Liverpool, England, was chosen in 1918. He was awarded a prize of 250 pounds. Mr Manning Pike directed the manufacture of the memorial plaques at the Memorial Plaque Factory set up at Acton, London. Some later plaques were also made at the Woolwich Arsenal. The cost of manufacturing so many plaques must have been considerable. Each plaque had the name of the soldier commemorated individually embossed (some were engraved) as part of the design. The full name was given without any indication of rank or honours to show the equality of sacrifice of all those who had lost their lives. The scroll designed to accompany the plaques was of thick paper, headed by the royal coat-of-arms, and bore the following message: "He whom this scroll commemorates was numbered among those who, at the call of King and Country, left all that was dear to them, endured hardness, faced danger, and finally passed out of the sight of men by the path of duty and self-sacrifice, giving up their own lives that others might live in freedom. Let those that come after see that his name is not forgotten". Underneath the message the serviceman or woman’s name, rank, honours and unit were written by hand in red ink. Because of the late arrival in Australia of the plaques many scrolls were sent out separately. A message from the King, "I join with my grateful people in sending you this memorial of a brave life given for others in the Great War", was included with the scroll. The first plaques were distributed in Australia in 1922. Each plaque was sent out from Base Records Office at Victoria Barracks in Melbourne by second-class mail. Approximately 60,000 plaques were issued in Australia. Families of deceased members of the Royal Australian Navy and the Australian Army Nursing Service also received plaques and scrolls First World War Memorial Plaque, bronze, in recognition of Private Sydney Frederick TURNER, from C Company, 9 Battalion who was KIA at Pozieres on 25 July, 1916. it is housed in a wooden surround with pattern embossed in the margins with a liking of the rising sun at the top. He is recorded on the Villers-Bretonneux Memorial and is listed with an Australian Red Cross Society Wounded and Missing Enquiry Bureau File, a copy of which is attached.Embossed around the edge of the plaque "HE DIED FOR FREEDOM AND HONOVR". The name of the serviceman is embossed on the plaque, right of centre, SYDNEY FREDERICK TURNER -
Frankston RSL Sub Branch
Collection, A. E. Bolger
1914-1918 Memorial Plaque In early 1920 it was announced that the next-of-kin of all Australian servicemen and women whose deaths were attributable to the First World War would receive a memorial plaque and scroll "as a solace for bereavement and as a memento". The memorial plaques were not uniquely Australian. In fact they were designed and produced in Britain and issued to commemorate all those who died as a result of war service from within the British Commonwealth. The idea for the plaques was originally conceived mid-way through the war. In 1917 a competition was announced to obtain a suitable design and 800 entries were eventually received. The winner, Mr. E. Carter Preston of Liverpool, England, was chosen in 1918. He was awarded a prize of 250 pounds. Mr Manning Pike directed the manufacture of the memorial plaques at the Memorial Plaque Factory set up at Acton, London. Some later plaques were also made at the Woolwich Arsenal. The cost of manufacturing so many plaques must have been considerable. Each plaque had the name of the soldier commemorated individually embossed (some were engraved) as part of the design. The full name was given without any indication of rank or honours to show the equality of sacrifice of all those who had lost their lives. The scroll designed to accompany the plaques was of thick paper, headed by the royal coat-of-arms, and bore the following message: "He whom this scroll commemorates was numbered among those who, at the call of King and Country, left all that was dear to them, endured hardness, faced danger, and finally passed out of the sight of men by the path of duty and self-sacrifice, giving up their own lives that others might live in freedom. Let those that come after see that his name is not forgotten". Underneath the message the serviceman or woman’s name, rank, honours and unit were written by hand in red ink. Because of the late arrival in Australia of the plaques many scrolls were sent out separately. A message from the King, "I join with my grateful people in sending you this memorial of a brave life given for others in the Great War", was included with the scroll. The first plaques were distributed in Australia in 1922. Each plaque was sent out from Base Records Office at Victoria Barracks in Melbourne by second-class mail. Approximately 60,000 plaques were issued in Australia. Families of deceased members of the Royal Australian Navy and the Australian Army Nursing Service also received plaques and scrolls Collection of items relating to the death of Private Arthur Ernest Bolger, service number 01338, 14th Battalion, Australian Imperial Forces, who was killed in action at Gallipoli on 27th April, 1915. Private Bolger was from Victoria and was recorded as being the first Frankston serviceman to be killed in the ANZAC landing at Gallipoli. For more information refer: < > see items 00014.1 and 00014.2 -
Wycheproof & District Historical Society Inc.
Show Certificate, Tom Kerr - Show winner, 1939 (exact)
Four families of Kerrs lived at Thalia, out of Wycheproof and when Tom's daughter Margaret donated the framed certificate she commented,"it has found a good home at the Wycheproof Historical Society."A valued Wycheproof SHOW prize for best practice agriculture in its day,year 1939. This item relates well to key themes in the history of the region,in particular progress in agriculture and pastoral production. Framed Special Certificate issued by the Farm Competitions Associations of Victoria and awarded in 1939 by the Wycheproof & District Agricultural & Pastoral Society - Secretary A.B. Hackwell. Coloured images of wheat grains and stalks surround the printed and written words."Donated by Margaret Smith nee Kerr 29. 2. 2008."1939, , wycheproof, show, wheat crop, winner -
Glenelg Shire Council Cultural Collection
Painting, Stephen Spurrier, Landscape Near Condah, 1966
Winner of Portland Art Society Art Prize for the category of watercolours.An abstract depiction of a landscape. The work is predominantly completed in shades of blue, purple and green using a watercolour technique. Further detail has been added to the work using black ink ink and white paint. The work has a painted wooden frame with with white mount and glass.Front: Stephen Spurrier (black ink, lower left) 1966 Back: Stephen Spurrier "Landscape Near Condah" (1967) typed label Watercolourscema, portland artists society -
Glenelg Shire Council Cultural Collection
Painting, Enid Denton, Flinders Ranges, 1963
CEMA Art Collection Winner of 1963 Portland Art Society Art Prize for category Watercolour. Included in the 1999 "Salvage" exhibition at CEMA Arts Centre.The painting depicts mountain ranges from an elevated position looking down across the mountains. The mountains in the foreground are predominantly shades of green, yellow and brown. The mountains in the background are various shades of blue and extend into a pale blue sky. The work has a grey painted frame with a white cardboard mount and glass.Front: E Denton (lower right, black paint) Back: ENID DENTON "FLINDERS RANGES" (1963) Watercolour (typed label) 1963 (yellow sticker) -
Mission to Seafarers Victoria
Painting, Ian Parry, Night Time at North Wharf, 1990
Ian Parry (born 1947) is a Melbourne-born artist living in Tasmania, active since 1974 and collected by National and State Collections. He was winner of the 1990 ACTA Maritime art Prize. He also took part in 2006, to the ANL Art Prize organised each year at the Mission since 2003. In his biography on his website: Ian Parry was born into a family of seafaring descent. His extensive career as a respected practising artist and teacher, has uniquely included a fishing fleet apprenticeship and years as a single handed fisherman in Bass Strait. "In the early 70's when I first showed at the renowned Powell St gallery in Melbourne, the paintings were large, abstract, with allusion to the experience of the world of water, sky and land. My visual world has always been permeated with the wet parts of this place and continues to be so to this day. Maritime and geological charts and the daily necessity of plotting a course, appear in paintings where necessary, as a means of getting a schematic representation of the subject into play, trying to free the work from the tyranny of the horizon line but frequently returning. Now-a-days I am returning to abstraction, making paintings that allow me free rein with colour and composition, aiming for a sense of permanence and independence in each work." Maritime ArtLarge moulded gilt wood frame, non glazed painting of shipping, oil on canvasSignature and date bottom right corner: "Parry 89"p & o nedloyd, shipping, melbourne ports, docklands, wharfside, wharves, ian parry, maritime art, acta maritime art prize, artwork-paintings -
Mission to Seafarers Victoria
Flyer - The Elephant Room, 1988
... is a Melbourne born artist and Archibald Prize winner. Hearman first came ...Louise Hearman used the Norla Dome and painted a mural which had taken her around a year to complete. The exhibition called Elephant Room was shown from May 1988. The work was vandalised in June 1989 and subsequently demolished.Louise Hearman is a Melbourne born artist and Archibald Prize winner. Hearman first came to public notice in 1987/88 when she spent a year painting the mural in the Norla Dome. The premises of the Mission also served as her studio at that timeBlack and white flyer with dual lengthways ribbings on the back side, possibly indicative of an intent to fold the flyer in three.The Elephant Room You are invited into the dome at the “Mission to Seamen” building, no. 717 Flinders St (ext), painted by Louise Hearman. Opening night Thurs May 28th 6 pm - 9 pm Visiting hours 11am -6 pm Tues to Sun from May 29th to June 11th Or by appointment ph (03) 328 1400 a.h. Sponsored by: Australian Council, Crown Hire, Art Stretchers Oliver-Davey Glass and Box Archer Emery.cultural events, exhibitions, paintings, artists, norla dome, 1988, louise hearman, elephant room, flinders street, melbourne -
Mission to Seafarers Victoria
Article - Clipping, photocopy, Deborah Stone, The sky’s the limit for modern Michelangelo, 10 May 1988
... is a Melbourne born artist and Archibald Prize winner. Hearman first came ...Louise Hearman used the Norla Dome and painted a mural painted which had taken her around a year to complete. The exhibition called Elephant Room was shown from June 1988. The work was vandalised in 1989 and subsequently demolished.Louise Hearman is a Melbourne born artist and Archibald Prize winner. Hearman first came to public notice in 1987/88 when she spent a year painting the mural in the Norla Dome. The premises of the Mission also served as her studio at that timeBlack and white copy of a newspaper article, printed on A4 paper.The sky’s the limit for modern Michelangelo Because it was there . . . Melbourne artist Louise Hearman in the domed gymnasium of the Mission to Seamen - Picture: ROSS DUNCAN THE dilapidated pool halls of Melbourne’s Mission to Seamen are an unlikely setting for a budding Michelangelo. But when Louise Hearman came across the one-time mission gymnasium she could not resist the urge to create a fresco. It did, however, take a little persuading for the Anglican Church, which still owns and operates a mission in the 61-year-old building, to agreee to house a minor Sistine Chapel on their premises. A year of labour later, Hearman has had no complaints about the great swirling sky or huge oil paintings which now adorn the empty 11-sided room. Instead she is constantly visited by old sailors and passers-by who are thrilled to discover the unusual architecture and artwork. “When peoiple come here it’s a real discovery. It’s something they find for themselves,” she said. Her pictures are neither religious nor symbolic, merely outpourings to create an atmosphere. “THere are lots of things I’d like to say but I’m not saying them in my paintings. “There are no messages, they don’t have any political statement. Life was a little more comfortable for Hearman than her renaissance predecessors. After struggling with cumbersome scaffolding to reach her “canvas” she discovered the modern wonders of the scissor lift. She does not look on the work as a huge achievement. However, it may all be for nought. Unless money is spent to restore the building the paintings she has created will crumble and die - Deborah Stone The Australian Tuesday 10 May 1988louise hearman, elephant room, norla dome, exhibitions, 1988, melbourne, flinders street, ross duncan, cultural events -
Mission to Seafarers Victoria
Article - Clipping, photocopy, Megan Jones, It’s heaven now in the old gym, 1988
... is a Melbourne born artist and Archibald Prize winner. Hearman first came ...Louise Hearman used the Norla Dome and painted a mural painted which had taken her around a year to complete. The exhibition called Elephant Room was shown from June 1988. The work was vandalised in 1989 and subsequently demolished.Louise Hearman is a Melbourne born artist and Archibald Prize winner. Hearman first came to public notice in 1987/88 when she spent a year painting the mural in the Norla Dome. The premises of the Mission also served as her studio at that time.Black and white copy of a newspaper article, printed on A3 paper.louise hearman, exhibitions, 1988, norla dome, flinders street, cultural events, melbourne, elephant room, ian hunter -
Mission to Seafarers Victoria
Article - Clipping, photocopy, Sarah Turner, It’s Louise’s masterpiece, come heaven, hell or high water, 1988
... is a Melbourne born artist and Archibald Prize winner. Hearman first ...Louise Hearman used the Norla Dome and painted a mural painted which had taken her around a year to complete. The exhibition called Elephant Room was shown from June 1988. The work was vandalised in 1989 and subsequently demolished.Louise Hearman is a Melbourne born artist and Archibald Prize winner. Hearman first came to public notice in 1987/88 when she spent a year painting the mural in the Norla Dome. The premises of the Mission also served as her studio at that time.Black and white copy of a newspaper article, printed on A3 paper.It’s Louise’s masterpiece, come heaven, hell or high water Report: SARAH TURNER PICTURE: LEIGH HENNINGHAM When her Little Bourke St studio was pulled down to make way for a carpark, artist Louise Hearman, above, contacted The Seamen’s Mission in Flinders St to see whether she could use their cottage. They agree. But neither knew what it was going to lead to. When Hearman saw ‘the Elephant Room’ at the mission, a big domed room, she felt she “just had to do something with it”. She applied for and was granted a $3250 grant from the Australia Council, with which she was able to buy the necessary scaffold and paint, and then set about transforming the room. Now, a year later, her masterpiece is complete. Hearman emphasised the the mural doesn’t represent “heaven and hell”. Rather, she said, “people should make their own interpretations”. She said it was “not particularly heaven and hell, it’s not particularly anything”. And there is “no narrative” to the mural. It “just developed with the building”, out of whatever images and feeling Hearman had at the time. Sadly though, Hearman said the mural was likely to fall off the walls and domed ceiling unless the room was waterproofed - water damage is a serious problem at the mission. louise hearman, norla dome, exhibitions, 1988, elephant room, flinders street, melbourne, leigh henningham, cultural events -
Phillip Island and District Historical Society Inc.
Photograph, 1935
One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip Island The race in this photograph was the Australian Junior Tourist Trophy race over 75 miles/12 laps. The winner, Cec Weatherby received 20 pounds prize money and a sash. The race was run concurrectly with the Lightweight race, which was common back then. Peter Shannon's brother has the actual bike that came 3rd in that 1935 Lightweight race.Photograph of C. Weatherby leading other Motor Cyclists rounding "Tin Pot Corner" in a Motor Cycle Race in 1935. Corrections to the above given by Peter Shannon 2/11/2018. No. 11 was Don Bain actually leading the group, who came 3rd, No. 64 was Cec Weatherby who won the race and No. 25 was Ron Walters who came 4th. The Flyer was also given to us by Peter Shannon.local history, photography, motor cycle race, black & white photograph, sport, motor cycle racing, "tin pot corner", c weatherby, john jenner, bryant west -
Mission to Seafarers Victoria
Photograph - Photograph serie, Digital copies, Louise Hearman, 1988
... is a Melbourne born artist and Archibald Prize winner. Hearman first came ...Artist Louise Hearman visited the Mission on the 15th of September 2011 and brought photographs in colour of her artwork painted in 1987/88 in the Norla Dome. She shared some background information about how she created the artwork: Louise arranged with O'Brien Glass to have the glass panes donated to replace the steel plates once covering the skylight. She painted the entire ceiling of the Dome precariously balancing on scaffolding. The walls were made as canvas panels and then put in place. She angled some of them to create openings so when you entered the Dome you were totally encased in her work.Louise Hearman is a Melbourne born artist and Archibald Prize winner. Hearman first came to public notice in 1987/88 when she spent a year painting the mural in the Norla Dome. The premises of the Mission also served as her studio at that time.Series of 7 colour photographs scannedlouise hearman, exhibitions, cultural events, norla dome, 1988, cottage, flinders street, melbourne, elephant room -
Mission to Seafarers Victoria
Photograph - Photograph, photocopy, Vogue Living, November 1987
... is a Melbourne born artist and Archibald Prize winner. Hearman first came ...Louise Hearman used the Norla Dome and painted a mural painted which had taken her around a year to complete. The exhibition called Elephant Room was shown from June 1988. The work was vandalised in 1989 and subsequently demolished.Louise Hearman is a Melbourne born artist and Archibald Prize winner. Hearman first came to public notice in 1987/88 when she spent a year painting the mural in the Norla Dome. The premises of the Mission also served as her studio at that time. Vogue Living published an article about the artwork in the Dome. This is one of the few colour images of the artwork.Laminated A4 colour photograph published in Vogue Living in November 1987Vogue Living November 1987 135cultural events, exhibitions, paintings, artists, norla dome, 1988, louise hearman, elephant room, flinders street, melbourne -
Greensborough Historical Society
Newspaper Clipping, Print of rock legend a 'popular' winner of $10,000 competition, 16/12/2015
The Rick Amor Print Prize was won in 2015 by Jim Pavlidis. The award was presented at Montsalvat.News clipping, black text.montsalvat, jim pavlidis, rick amor print prize