Colour photograph - 2nd Cricket, 1979."Attached to photograph" Back Row-L to R: ?, James Patterson, ?, Dean Morton. Front Row-L to R: Martin Phillips, ?, Darren De Jersey (Captain), David Rigg, Peter Booth.

1sts Cricket Team 1980. Names taken from handwritten attachment. Some missing or not clear. Teacher: Bruce Bower Back Row L-R: 1. Scott Berrigan, 2?, 3. Jamie Hodder, or 3. Ian Pederson, 4.?, 5. Kevin Crane Front Row: 1. Eugene Richards, 2?, 3. David Rigg, 4. Jeff Cook, 5. Daryn Bousnahan(?), 6. David Postlethwaite, 7. Peter Booth

A Seamless Bobby Riggs Signature tennis racquet, with ribbon whipping around shoulders and bevelled shaft, and, leathwer handle grip with quatrefoil perforations. Seamless logo features across base of head. Model name features across the throat. Inscription: FOR CHAMPIONSHIP PLAY features along the shaft. Seamless trademark symbol features on plastic butt cap. Materials: Wood, Nylon, Leather, Plastic, Ink, Adhesive tape, Glue, Lacquer, Metal, Paint, Ribbontennis

Pressed copper image of HMAS Bendigo. Pressed on timber with cork print plastic on back.Stamped on starboard side: “J187’ In black texta in back: “To my skipper in Bendigo 1942 - 1943 thanks Griffo from Ric. Rigg. Hopper. We all went through rough - good time together & were a happy united crew. Thanks to Management”craft, copper, hmas, bendigo

Colour photograph - Grade 4, 1978."Attached to photograph" Back Row-L to R: ?, ?, Daren Brusrahan, ?, David Rigg, ?, ?, Kevin Crane, ?. 2nd Row- L to R: ?, ?, ?, Grant Sanders, ?, ?, ?, ?, ?, ?. 3rd Row- L to R: Dean Morton, ?, ?, ?, Wendy Graham, ?, ?, ?, ?. Front Row- L to R: Rodney Kempton, ?, ?, ?, ?, ?. Teacher:

1985 GR 1: Back Row: Stewart Brown, Stuart Rowley, Brian Donald, Tony Aravanis, Paul Tsiokis, Alex Dinic, Jess Sinclair, Paul Eldridge 2nd Row: Ben Collinson, Joanne Gibson, Michelle Rigg, Adele Matthews, Krista Terzioski, Jasmina Pavlov, Christie Attwood, Carly White, Paul Constellis Front Row: Samantha Weaver, Carly Pryke, Naomi Terrell, Rebecca Rogers, Tara Barker, Melanie Warby, Emily Sykes. Teacher J. Smith

Colour photograph -Football, 1979."Attached to photograph" Back Row-L to R: David Rigg, ?, ?, Mark Bomar, Terry Aravanis, ?, ?, ?. Middle Row-L to R: ?, Darren Brusnahan, Jim Pumpa, Gavin Thorpe, Darren De Jersey, Carl Handreck, Milio Baltas. Front Row-L to R: Peter Booth, Paul Evans, ?, ?, ?, ?.

A Cortland, Bobby Riggs Tournament tennis racquet, with plastic whipping on shoulders and shaft, and leather handle grip with quatrefoil perforations. Base of head features Courtland logo. Throat features the model name. Shaft on obverse features the 'RF' (i.e. Radio-Frequency Bonded) and 'Whip Shaft' decals. Shaft on reverse features Cortland trademark featuring tennis player in front of ball. 'C' trademark features on butt cover. Name burnt into left side of shaft: JUDY SAMPLE. Materials: Wood, Nylon, Plastic, Leather, Cloth, Ink, Glue, Lacquer, Metal, Painttennis

Black and white photograph - Grade Prep B, 1977"Attached to photograph" Back Row- L to R: Carl (?), ?, ?, ?, Dean Mavroudis, ?, Mark McDougall 2nd Row- L to R: Brett Davenport, ?, ?, Chris McEwan, Mathew Rooks, Peter Rigg. 3rd Row- L to R: ?, ?, Melissa Beard, Deanna Dinic, ?, Michelle(?), ?. Front Row- ?. Teacher: Miss Harrison, Mrs Thatcher.

Colour photograph - Grade 5,1979."Attached to photograph" Back Row-L to R: David Rigg, Ian Pederson, ?, ?, Darren Brusnanan, David Postlethwaite, ?, ?. 2nd Row- L to R: Kevin Crane, ?, Grant Sanders, ?, ?, ?, ?, ?. 3rd Row L to R: ?, Helen Johnston, ?, Mathew Brownrice, ?, ?, Julie Kane, ?. Front Row- L to R: ?, Sharon Pebbles, ?, Henny Tompson.

Coloured photograph - Newcombe Team, 1980"Attached to photograph" Back Row- L to R: Lori Maye, Lexi Jekinson, Sari Walker, Trina de Jersey, 2nd Row- L to R: Tanja Alhouse, ?, Max (?), Kerryn Hopgood, ?, ?, Olga (?). 3rd Row- L to R: ?, Rachael McEwan, Grant Sanders, ?, ?, Leslie Galliger, ?, ?. Front Row- L to R: ?, ?, ?, ?, ?, Julie Rigg, ?. Seated: Ellen Hodgerson.

Donated by Helen Dudley.Black and white photographs. (1) 2 copies. 5 girls and a boy posing by the Potting Shed wearing ballet clothes. (2) 2 girls and a boy posing by the ponds. (3) 2 copies. Several girls dancing by the ponds. (4) "1945 Break up Ballet in progress with final act of Les Woolcock being thrown in the pond by the girls of the ballet."(1) On reverse, "1945 Break up 2nd Year students Ballet Group. L to R Rhonda Shaw, Helen Dudley (at rear), Jane Collingwood, Les Woolcock, Pauline Macaboy at rear, Mary Hume, Helen Hanna outside Potting Shed used for dressing room." Alma Rigg may be in it too. (2a,b) "1945 Break up Ballet in progress."helen dudley, female students, ballet group, rhonda shaw, jane collingwood, les woolcock, pauline macaboy, mary hume, helen hanna, potting shed, dressing room, alma rigg, ponds, ballet, students, break up, final assembly 1945, luffmann ponds, lily ponds

Most of the ephemera assembled by Francis Rigg were patriotic buttons but also included come sporting event buttons including two associated with the East Kew Citizens Sports Carnival. The subdivision of the area now known as Kew East commenced before World War 1, but it was not until the 1920s that it became fully developed. At this time, there was a strong Progress Association and this body raised funds to purchase land and build the East Kew Citizen’s Hall in Normandy Road, the first stage of which was completed in 1922. This hall was designed to be extended, although this never occurred, and the building now forms part of the facilities of the East Kew Uniting Church. The ‘East Kew Citizens Sports Carnival’ may well have been a fundraiser event for the building fund. As far as is known, the carnival was only held for a couple of years.Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.A circular badge produced for the East Kew Citizens Sports Carnival in 1924. The badge has a ground of vertical stripes in shades of blue. The name of the event is within a white circular band. A white shield in the centre includes the words “Admit” which would indicate that the badge was purchased and worn on the day of the carnival to indicate that the wearer had paid the admission fee."East Kew Citizens Sports Carnival / Admit 13 Dec. 1924"kew east, sport buttons

Most of the ephemera assembled by Francis Rigg were patriotic buttons but also included come sporting event buttons including two associated with the East Kew Citizens Sports Carnival. The subdivision of the area now known as Kew East commenced before World War 1, but it was not until the 1920s that it became fully developed. At this time, there was a strong Progress Association and this body raised funds to purchase land and build the East Kew Citizen’s Hall in Normandy Road, the first stage of which was completed in 1922. This hall was designed to be extended, although this never occurred, and the building now forms part of the facilities of the East Kew Uniting Church. The ‘East Kew Citizens Sports Carnival’ may well have been a fundraiser event for the building fund. As far as is known, the carnival was only held for a couple of years.Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.A circular button produced for the East Kew Citizens Sports Carnival in 1922. The button has a ground of vertical stripes in shades of blue. The name of the event is within a white circular band. A white shield in the centre that includes the words “Admit” would indicate that the badge was purchased and worn on the day of the carnival to indicate that the wearer had paid the admission fee. "East Kew Citizens Sports Carnival, Admit 2nd December 1922"east kew, east kew citizens sports carnival, sports, badge, numismatics, francis rigg

Photograph shows the view from William St looking west along Bourke St. Has two cable tram sets in the view, along with on the south side of Bourke Street the former St. James Building, Gollin & Company Building, then over King Street, Bourke Street West Police Station, McLean Bros. & Rigg Ironmongery & Hardware Store, (later Hudon's Store) and the Tramways Head Office Building. On the northside of Bourke Street is the Massey-Harris Building, John Connell & Co. Pty Ltd "Gresham House" and over King Street, H.V. McKay Harvester's Sunshine Head Office. Also in the distance is the Spencer Street Railway Station buildings. The Archway visible through the St. James Building led into the former Lt. James Street. Yields information about Bourke Street between 1909 and 1913Photograph - sepia toned on A4 sheetHas TMSV Sales stamp on rear.trams, bourke st, william st, cable trams, tramways, tram 402, st. james building

Black and white photograph - Grade 2, 1977"Attached to photograph" Back Row- L to R: Craig McDonald, ?, James Edis, Simon Ignations, Robert McDougall, Dale Franklin. 2nd Row- L to R: Julie Rigg, Kerryn Hopgood, Lexie Jenkinson, Johnny Tomada, ?, Racheal McEwan, ?, Nicole Mathieson. Front Row- L to R: Ellen Hodgson, ?, ?, ?, Jenny Murray, Kerry (?), ?, ?, Tania Alhouse. Teacher: Miss Harmon (American Exchange Teacher)

Colour photograph - Grade 3, 1978."Attached to photograph" Back Row-L to R: Simon (?), Johnny Tomada, ?, David Postlewaite, Mark Hirt, ?, Robert McDougall, Dale Franklin. 2nd Row- L to R: Craig McDonald, ?, Nichole Mathieson, Kerryn Hopgood, Rachel McEwen, ?, Lexie Jenkinson, ?. Front Row- L to R: Tania Alhaus, ?, Jenny Murray, Anthoula (?), Julie Rigg, Tania (?), ?, Tracey Williams, Ellen Hodgson. Teacher: Mr Hatfield.

The Kew Bowling Club was formed in 1880 while the privately owned Auburn Heights Recreation Club was opened in 1904. By 1998, the two Clubs decided to amalgamate at the Auburn Heights site in Barkers Road, forming the Kew Heights Sports Club. The combined club was itself taken over by the Melbourne Cricket Club in 2012 becoming MCC Kew Sports Club. In 2017 MCC Kew closed and its landholding was subsequently sold to Carey Baptist Grammar School. The combined collections of the four sporting clubs making up the collection number hundreds of items that are historically and socially significant to the development of Kew. They are also significant to the sporting history of the greater Melbourne area and to the sports of lawn bowls and tennis in Australia in the 19th and 20th centuries. The collections illuminate two of the Victorian Historic Themes - 'Building community life' through forming community organisations and 'Shaping cultural and creative life' by participating in sport and recreation'.Kew Bowling Club : Skippers Average Trophy presented by S. R. PritchardKew Bowling Club presented by S. R. Pritchard / Skippers Average won by: 1931–2 G.H. Cole; 1932–3 W. Stronach; 1933–4 D.S.M. Norris; 1934–5 F.H. Rigg; 1935–6 A.E.H. Phillipps; 1936–7 P. Vance; 1937–8 D.B. Ross; 1938–9 C.G. Wood; 1939–40 W.H. Tregear; 1940–1 H. Coleman.kew bowling club, bowling clubs -- melbourne (vic.), sports awards, trophies

Bendigo Operatic Society Production Oklahoma Capital Theatre Bendigo Opening Friday, 14th July, 1961 For Six Nights. Produced By Norman Lee. A Rodgers & Hammerstein Musical based on Lynn Rigg's play 'Green Grow the Lilacs.' A Chappell & Co. Ltd Production. Songs Include: 'Oh What a Beautiful Morning,' 'The Surrey with the Fringe on Top' 'Many A New Day' People Will Say We're in Love,Oklahoma. Cast: Gertrude Perry, Harry Brewer, Dawn Beckwith, Leonard Carr, Peter Houston, Gerald Gleeson, Bryan Brewer, Brian Thomas, Annette Wilson, Alfred Annison, Wendy Griffiths, Emily Westgarth, Joan Crane, Carol McKenzie, Aileen Simmonds, Patricia McCraken, Frederick Trewarne, Reginald Boromeo, Gerald Hayward, Victor White, Peter Haines, Terry Carr, Bronwen Townsend.Cambridge Press.clubs and associations, theatre, bendigo operatic society, https://en.wikipedia.org/wiki/oklahoma!_(1955_film)

Black and white photograph - Grade Prep 1C, 1975"Attached to photograph" Back Row-L to R: ?, Ross Sinclair, ?, Luke Johnson, ?, Robert McDougall, 2nd Row-L to R: Jenny Murray, ?, ?, ?, ?, Johnny Tomada, ?, Adam Fern, Lori Mays. 3rd Row-L toR: Julie Rigg, Lexi Jenkinson, Lisa (?), Kerryn Hopgood, Rachel McEwen, Kelly (?), Nicole Mathieson, Kate (?). Front Row-L to R: Tania ALihouse, Anthoula (?), ?, ?, ?, Kylie Balinger, ?, ?, Ellen Hodgson. Teacher: Anneli Symons.

Colour photograph - Grade 2,1979."Attached to photograph" Back Row-L to R: ?, Frances (?), Steven Harris, Brett Davenport, Chris McEwan, Peter Rigg, Melissa Beard, Nicole Banks. 2nd Row- L to R: ?, ?, ?, ?, Troy Larkins, ?, Steven Chambers, ?, Mark McDougall. 3rd Row L to R: Pauline Shone, Cindy Bellangerie, Tina Gould, Anthony Day, Cameron Browne, Debbie (?), Carl (?), ?. Front Row- L to R: Frances Bellangerie, Donna Somers, Joanne Tabone, Natasha Haggar.

Colour photograph - Grade 1, 1978."Attached to photograph" Back Row-L to R: Dean Mavroudis, Steven Harris, ?, ?, Brett Ratten, ?, Peter Rigg, Dean Munsie. 2nd Row- L to R: David Price, Nicole Banks, ?, Kelly Winn, Deana Dinic, ?, Rachel Lindsay, ?, Mark McDougall, ?. 3rd Row- L to R: Cindy Berlingeri, Natalie (?), Donna (?), Francis Barbato, Frances Berlingeri, ?, Joanne Tabone, Natasha, Hagger. Front Row- L to R: ?, ?, Corey Price, Anthony Day, ?, ?. Teacher: Miss Harrison.

Black and white photograph - Grade 5A, 1980"Attached to photograph" Back Row- L to R: Craig (?), Jenny Murray, Kerry (?), Rachael McEwan, Lexie Jenkinson, Kerryn Hopgood, Julie Rigg. 2nd Row- L to R: Nigel Mason, Robert McDougall, Johnny Lomada, Jason (?), David Postlethwaite, Simon Ignatious, Robbie (?), Dale Franklin. Front Row- L to R: Ellen Hodgerson, Tracey Williams, Katrina de Jersey, Anthoula (?), Sharon Evans, Lori Mays, Janice ALhouse, Olga Itouritit. Teacher:

Most of the civic and sporting ephemera assembled by Francis Rigg were patriotic buttons. The use of these buttons as a means of raising revenue through patriotic sentiment occurred soon after Australia pledged allegiance to Empire. Buttons reflected ‘public sentiment, courage, patriotism, generosity and several [un- named] virtues’ such as the martyred mother of a ‘fallen’ hero. Attention was paid to attractiveness of design, encoded symbolism and high quality of production. Expressing ‘loyalty’, they were tokens to be kept for perpetuity. Female labour was used to operate the die that compressed the tin backing, photographic print and celluloid cover together. The pin was applied by hand. Women, of all ages, entered into the spirit of voluntary sales. Often they were sold at the entry and exit points of major pedestrian thoroughfares. The women of Kew set up a kiosk in front of the Post Office and the Railway Station to solicit their round, oval and square shaped wares. Pride in salesmanship was affected by publishing the name of the woman and her fiscal achievement in the major newspapers of the day. The badges form part of a collection of ephemera originally purchased by Francis Horace Rigg (19/10/1882-05/03/1946) of 50 Belford Road, Kew (Vic.). Frances Rigg was a local business identity in Kew, ultimately managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street, Kew from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and badges was inherited by his son, Ken Rigg (14/11/1922-19/01/2014). The collection was subsequently donated to the Kew Historical Society in 2015 by his grandson Adrian Rigg during the Gallipoli and Beyond Commemoration.The collection covers a period of almost 40 years. The majority of the badges are patriotic buttons, issued and sold during and immediately after World War 1 to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.The use of common symbols for a range of purposes is sometimes a feature of wartime and post-war fundraising buttons. Like the ‘Hospital Day 1919’ badge, the ‘Come Back to God’ badge is within a seven pointed star on a dark blue ground with sprays of wattle; attempting to harness nationalism with religion.Come back to Godbutton

Most of the civic and sporting ephemera assembled by Francis Rigg were patriotic buttons. The use of these buttons as a means of raising revenue through patriotic sentiment occurred soon after Australia pledged allegiance to Empire. Buttons reflected ‘public sentiment, courage, patriotism, generosity and several [un- named] virtues’ such as the martyred mother of a ‘fallen’ hero. Attention was paid to attractiveness of design, encoded symbolism and high quality of production. Expressing ‘loyalty’, they were tokens to be kept for perpetuity. Female labour was used to operate the die that compressed the tin backing, photographic print and celluloid cover together. The pin was applied by hand. Women, of all ages, entered into the spirit of voluntary sales. Often they were sold at the entry and exit points of major pedestrian thoroughfares. The women of Kew set up a kiosk in front of the Post Office and the Railway Station to solicit their round, oval and square shaped wares. Pride in salesmanship was affected by publishing the name of the woman and her fiscal achievement in the major newspapers of the day. The button forms part of a collection of ephemera originally purchased by Francis Horace Rigg (19/10/1882-05/03/1946) of 50 Belford Road, Kew (Vic.). Frances Rigg was a local business identity in Kew, ultimately managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street, Kew from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and badges was inherited by his son, Ken Rigg (14/11/1922-19/01/2014). The collection was subsequently donated to the Kew Historical Society in 2015 by his grandson Adrian Rigg during the Gallipoli and Beyond Commemoration. The collection covers a period of almost 40 years. The majority of the badges are patriotic buttons, issued and sold during and immediately after World War 1 to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Round metal button in red, white, blue and gold showing a sun setting over the sea with words printed in red around border and on lower outer rim.hospital day, patriotic buttons, first world war (1914-18)

Black and white photograph - Grade 1A, 1976."Attached to photograph" Back Row- L to R: Nigel Mason, ?, Adam Tern, ?, Luke Johnson, ?. 2nd Row- L to R: Robert McDougall, Johnny Tomado, ?, Nicole Mathieson, Kerry (?), ?, ?. 3rd Row- L to R: Julie Rigg, Cally(?), Rachel McEwan, ?, ?, Kerryn Hopgood, Lexie Jenkinson, Carmel (?). Front Row- L to R: Kylie Bolinger, Tania Alhouse, ?, Katrina (?), Sharon (?), Lori Mays, Jenny Murray, Anthoula (?), Ellen Hodgson. Front: Craig McDonald. Teacher: Mrs Burgess

Black and white photograph - Grade 3, 1980"Attached to photograph" Back Row- L to R: Frances Barbato, ?, Deanne Dinic, Rachael (?), Melissa Beard. 2nd Row- L to R: ?, Steven Gillen, Dean Mavroudis, Chris McEwan, Peter Rigg, Sean Cawley, Steven Harris. 3rd Row- L to R: Cory Price, Cameron Browne, Dean Munzie, Scott (?), Andrew (?), Mark McDougall, Anthony Day, Carl (?). Front Row- L to R: Cindy Belingeri, ?, Tina Gould, Nichole Banks, ?, Joanne Tabone, Natasha Haggar, ?. Teacher: Mr Foreman

Colour photograph - Grade 4,1979."Attached to photograph" Back Row-L to R: Mark (?), Leslie (?), Bronwyn (?), Rachel McEwan, David Postlethwaite, ?, ?, Nicole Mathieson. 2nd Row- L to R: James Edis, Kerry (?), Mathew Jobling, Lexie Jenkinson, Kerryn Hopgood, Simon Ignatious, Jenny Murray, Julie Rigg. 3rd Row L to R: Ellen Hodgson, Tracey Williams, Tania Alhouse, Anthoula (?), Robert McDougall, Nigel Mason, Dale Franklin, Karen Evans, Craig McDonald. Front Row- L to R: Johnny Tomado, Kylie Balinger, Lori Mays, Katrina de Jerseys,

Black and white photograph - Grade 6/5M, 1983."Attached to photograph" Back Row- L to R: Chris Barnes, Darren Post, Jamie Hayes, Sean Cawley, Peter Rigg, Jason Ulrich, Greggan Boots, Sebastian Calvi, Mac Tanalii. 2nd Row- L to R: Stuart Adamson, Nick Constellis, Nathan Harris, Malcolm Peebles, Belinda McEwan, Sarah Horsey, Denis Leadbetter, Stephen Bringoff, Michael Papadopoulos, Marc Cianci. Front Row- L to R: Melinda Jessop, Amanda Charlton, Cindy Berlingeri, Anthoula Ignatiadis, Tina Phillips, Natasha Haggar, Donna Nicholson, Carmen Barbato, Sandy Quon. Teacher: