Grave of Samuel Payne (died 30/09/1892) in Plot# G12 Greensborough Cemetery. RIP. Mary 1851-22/09/1926. Mary married Samuel Payne in 1867 (4138) she then married Frederick William Henniker in 1902 (2137).Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photograph of grave/headstone.samuel payne, greensborough cemetery

Deep Lead – Samuel and Emma Rogers taken in front of home.stawell

Samuel and Emma Rogers ready for an outing in horse drawn wagon.stawell

Wedding portrait of Samuel Popp and Emma Popp and family groupstawell portrait

Coates men mining at Mafeking George, Thomas and Samuel Coates.stawell

Samuel Poulter (died 1910 on headstone) in Plot# C9 Greensborough Cemetery. Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photograph of grave/headstone.samuel poulter, greensborough cemetery

Grave of Samuel Payne (died 30/09/1892) and Mary Payne (died 1926) in Plot# G12 Greensborough Cemetery. RIP. Mary 1851-22/09/1926. Mary married Samuel Payne in 1867 (4138) she then married Frederick William Henniker in 1902 (2137).Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photograph of grave/headstone.samuel payne, greensborough cemetery, mary payne

Samuel Painter’s first home – early 1890’s. He is on the right of the photo.

People - "Hooppell, Samuel Ebenezer" Buildings - Studio Portrait Associated with - Stevenson & Mcnicoll Photographer

Believed to be L-R: Arthur Samuel (1878-1907), Agnes Shillinglaw (nee McIntosh 1852-1931) with Agnes Mary (1881-1968), Samuel Shillinglaw (1848-1925). At the time of the birth of Arthur Samuel in 1878, Samuel was resident at Benalla, Victoria. Subsequent to this photo, Samuel and Agnes had three further daughters, Barbara Ethel (1884-1898), Lilian Muriel (1887-1939) and Elsie Gladys (1890-1891) Margaret Ball's 2018 book, Shillinglaw Family of Eltham 1660-2007 suggests (page 79) that Arthur Samuel later changed his name to Arthur Ernest to avoid the initials ASS Another copy of same photo in Album 2 is Inscribed on reverse:"For Grandma from Sam" No photographer details CARTE-DE-VISITE (cdv) 1857-1890 Cartes-de-visite (cdv's) are the most common form of photograph from the nineteenth century, generally measuring two and a half inches by four and an eighth inches (6.3 x 10.5 cm) when mounted, sepia toned, mounted on a card which was generally printed with the photographer's name and address on the back or beneath the portrait. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, shillinglaw family photo album 1, 1882, agnes mary shillinglaw 1881-1968, agnes shillinglaw (nee mcintosh), arthur ernest shillinglaw, arthur samuel shillinglaw, benalla, house, samuel shillinglaw (1848-1925)

Lancaster, Samuel, Rodney Shire Councillor, and Member of the Legislative Assembly.|Shire of Rodney|Rodney Shire|Tatura

The official opening of a new school building by major donors, Shakespeare Grove, 23 March 1969. The community are seated outside in the school grounds watching the ceremony and unveiling of the newly designed and built school building, the 'Samuel and Margaret Wynn House' - a new ultra-modern buidling consisting of four classrooms and facilities. The opening ceremony was performed by Mr. Samuel and Mrs Margaret Wynn.shakespeare grove, major donors, celebration, opening ceremony, presentation, community, fundraising

Studio portrait Samuel Holywell / Mary Anne Holywell (nee Playford) on left and Eliza Kerr (nee Holywell) on right.stawell

Grave of Samuel Payne (died 30/09/1892) and Mary Payne (died 22/09/1926) in Plot# G12 Greensborough Cemetery.Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many of the early settlers in the district. The cemetery holds approximately 250 grave sites with 350 people buried there. Digital copy of colour photograph of grave/headstone.samuel payne, mary payne, greensborough cemetery

The Grave of Samuel Cameron McCallum (died 11/02/1930) and Harriet Ann McCallum (died 07/02/1946), St Helena Cemetery.St Helena Cemetery was originally the burial place of the Beale family and friends. The first burials took place in the 1850s. There are now over 200 burials.Digital copy of colour photograph (grave)st helena cemetery, mccallum family

People - "Hooppell, Samuel Ebenezer (& Brother Robert & Mother Mary ?)" Buildings - "Studio Portrait, Garden" Associated with - J G Whorwell Dover Englad

Life, family and career of John Samuel White (1837-1926), Greensborough resident, politician and long-time municipal councillor. Additional information from D. Slattery: "John Samuel White Family issue daughter Elizabeth Ann b 1863 Kyneton died 1896 South Yarra aged 30 BDM3867 Married 1891 Robert John Smith issue Victor Robert b 1892 d 1892 2mths, Elizabeth Ann b 1896 d 1898 2yrs "5 p., typescript, one sepia photographjohn samuel white, politicians

Mills. Samuel Mills and his son Ted on horse drawn "Sam Mills Fruitier & Greengrocers" cart in Main Street outside Town Hall Hotel. Possibly 1908stawell business transport

This book includes the classic poem ‘Rime of the Ancient Mariner’ by Samuel Taylor Coleridge, the lines of which are set out in twelve pages of double columns. Each section of the poem is titled, such as 'Part the Sixth'. The twenty lithographed line drawings by J. Noel Paton RSA illustrate major events of the story and repeat the applicable verse below them. Most of the drawings have the initials of the artist and the lithographer on the bottom corners, below which are printed their names. The margins of the poem contain printed author's notes. Interestingly, the printer's name is added as a footnote on page 12, at the end of the poem. The book is included in the Rare Books collection of Flagstaff Hill. Its description closely matches one of two copies of the book held by the British Museum. There have been other publications of Coleridge’s poem over the years, based on various editions of his poem and illustrated by other artists. When this book was first published, Paton’s illustrations were available individually for the public to purchase. The author, Samuel Taylor Coleridge (1772-1834), was a notable late 18th to early 19th century English poet. He was the youngest of fourteen children. His father was a vicar as well as the master of a grammar school, with Samuel attended. Coleridge's longest poem, 'Rime of the Ancient Mariner', was written about 1797-1798 and tells of the experiences and adventures of a sailor. It was included in a collection of poetry titled 'Lyrical Ballads', jointly written with his friend William Wordsworth. The volume is considered the beginning of the Romantic era of British poetry. Coleridge acknowledges William Wordsworth in this poem, in ‘Part the Forth’ with the footnote “For the two left lines of this stanza, I am indebted to Mr Wordsworth. It was on a delightful walk from Nether Stowey to Dulverton, with him and his sister, in the autumn of 1797, that this poem was planned, and in part composed”. Sir Joseph Noel Paton RSA (1821-1901) is a well-known Scottish-born artist and painter of historical artwork, created the line illustrations in 1863, highlighting the main points of the poem. In the same year he also illustrated Charles Kingsley's 'Water Babies'. He was appointed Queen’s Limner for Scotland from 1866. The book was published in 1863 by the Art Union of London, an organisation whose members paid an annual subscription, and who received an annual prize of a work of art. The organisation was established in 1837 and membership quickly grew until the 1870's. Membership then slowly dropped off until the organisation was would up in 1912. Lithographer William Husband McFarlane, of Edinburgh, Scotland, created the black and white lithograph outlines from Paton’s drawings, illustrating many of the lines of the poem. The book of poetry and Illustrations was then printed by Neill & Company, Edinburgh, in 1763. The company was formed by Patrick Neill in 176. The company was known for inventing one of the early mechanical typesetting machines, which was used for the Company's publications as well as sold to other companies even into the early 1900s. The firm continued in business until 1973. This copy of the book was presented to Emily Taylor Smith by her father on September 16, 1867, four years after it was published. There is no further information available about Emily at this point in time.This Victorian era book of poetry with illustrated prints, the 'Rime of the Ancient Mariner' by Samuel Taylor Coleridge, is considered to be a rare book. The British Museum holds two copies, one of which is very similar in description. The book is significant for containing a poem written by the renowned British poet Samuel Coleridge, who acknowledges the contribution of a couple of the lines to his friend William Wordsworth. The book's significance is increased for being included in a collection of poetical works jointly written by Coleridge and his friend William Wordsworth, entitled 'Lyrical Ballads' and published in 1797. The printer of the book, Neill & Company, was known for pioneering an early mechanical typesetting machine. It’s significance also includes the collection of Victorian artwork within. Coleridge's poem is significant for being included in 'Lyrical Ballads', which is considered to signify the beginning of the Romantic era of British poetry. Book: large, burgundy linen covered, hard cover, with gold embossed title and images, landscape orientation. Title: Coleridge's Rime of the Ancient Mariner. Author: Samuel Taylor Coleridge Illustrator: J. Noel Paton, R.S.A. Publisher: Art-Union of London in 1863. Lithographer: W.H. McFarlane in Edinburgh, Scotland, 1863. Printer: Neill & Company, Edinburgh, Scotland Contents include the lines of a poem, with lithograph illustrations above applicable short verse. The cover and fly page have the same emblems. A personal inscription is hand written in nib pen inside the book.Printed: "COLERIDGE'S RIME OF THE ANCIENT MARINER" "ILLUSTRATED BY J. NOEL PATON, R.S.A." "ART-UNION OF LONDON, 1863" " W.H. McFARLANE, LITHOGr, EDINBURGH" "Printed by Neill & Company, Edingurgh" Emblems embossed on cover, and a repeat printed on fly page, include stars encircling a crucifix and a snake entwined around a cross bow with a branch in its mouth.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, coleridge's rime of the ancient mariner, rime of the ancient mariner, ancient mariner, samuel coleridge, j. noel paton, art-union of london, 1863, rare book, samuel taylor coleridge, art union of london, w.h. mcfarlane, william husband macfarlane, sir joseph noel paton, poem, emily taylor smith, 1867, romantic period, william wordsworth, lithograph, poetry, lyrical ballads, british romantic movement, literary work, neill & company edinburgh, j. noel paton rsa, mechanical typesetting, alexander neill fraser, mechanical typesetting machine

The Samuel Wadham Wing was the second purpose-built accommodation building at International House at the University of Melbourne. The building was officially opened by Lord Richard Casey (1890–1976) on 23 March 1963.

A short article about Arthur Samuel Poulter and his service in World War 1. At the time of his enlistment he was living at Yanndaga Western Australia, he was related to the Poulter family of Greensborough.One page, text and colour images.world war 1 project, arthur samuel poulter

Egypt 1916. Taken by Private Samuel Rich in 1916. Other photographs taken by Samuel Rich during WWI are available at items 3973-3987.Digital copy of black and white photographsamuel rich, world war 1, egypt

The Sphinx, Egypt 1916. Taken by Private Samuel Rich in 1916. Other photographs taken by Samuel Rich during WWI are available at items 3973-3987.Digital copy of black and white photographsamuel rich, world war 1, egypt

Street scene, Egypt 1916. Taken by Private Samuel Rich in 1916. Other photographs taken by Samuel Rich during WWI are available at items 3973-3987.Digital copy of black and white photographsamuel rich, world war 1, egypt

In 1912 Mr.D.Baird was a member of the Learmonth ANA Branch no 75.He also served as a Ballarat Shire Councilor from 1928 to 1960,and was President in 1931,40,46,and 56.Photo is part of a set of original photos showing all 1912 members of the Learmonth ANA Branch No 75. Black and white photo of D.Baird,rectangular with arched top.To the left are decorative features in white ink and his name is inscribed in white at the base.It is in the second row and second from right in a collection of photos of all members of the 1912 Learmonth ANA Branch No 75. LEARMONTH ANA BRANCH NO 75. PRESENTED TO C.MEDWELL ESQ. BY HIS FELLOW MEMBERS AS A MARK OF ESTEEM & APPRECIATION OF VALUABLE SERVICES RENDERED TO THE BRANCH AS SECRETARY. LEARMONTH 1912.baird d, learmonth ana branch no 75 1912, ballarat shire councilor 1928 60

Brass stripe or bar awarded to Australian Service personnel while on Active ServiceSignificantThin brass barFront: Service wounded stripe. ss. Ltd-8 No 4 Prov Pat