Uniform jacket, Black doublet style with gold braid around stand-up colar, fastened with 7 silver, diamond shaped, scotch thistle buttons. Black braid around cuffs, and pocket and tail flaps. Black cord epaulettes on shoulders, left has a cord lanyard loop. 3 strips of gold braid on sleeve cuffs, front pocket flaps (2), tail flaps (2). Gold, daimond shaped, scotch thistle button on epaulettes, pocket flats, cuffs, one between tail flaps (another is missing). Black lining in body, white striped lining in sleeves, Padded shoulders, Label "David Lack Pty Ltd, uniform specialist Melbourne."Label "David Lack Pty Ltd, uniform specialist Melbourne."flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, uniform, historical uniform, melbourne clothing, schttish thistle button

black and white photograph, good conditionOriginal mounted photograph. Given to the Society of St Kilda by A.M.W Courtney, Scotch College, Swanbourn, WA 6010. per favour of Miss Anthony, Latrobe Library 23/2/82

Daguerreotype of man in hinged tooled leather case. Photo on right hand side of case . Padded velvet on let hand side with a cutaway pattern in the centre Scotch thistle, rose of England, Irish leaves. The photo surrounded by a gilt oval and edged by gilt raised pattern. Horseshoe clips fasten the case.347 in inkphotography, photographs / slides / film

John Arnold Seitz (1883-1963) was the Director of Education from 1936-1948. Prior to joining the State Education system he was a senior master at Scotch College, Melbourne, from 1910-1914. He then became Headmaster of Hamilton College, 1915-1921.Certificate printed on beige paper. Name and signature added Certificate number - 25646 Signature of Director: A J Seitz Certificate made out to Geoffrey L Allen

John Arnold Seitz (1883-1963) was the Director of Education from 1936-1948. Prior to joining the State Education system he was a senior master at Scotch College, Melbourne, from 1910-1914. He then became Headmaster of Hamilton College, 1915-1921.Beige coloured paper with ink printing.Certificate presented to Rodney W Gilbert Signed by Director of Education: J A Seitz Dated: December 1948 Certificate number: 38295

John Arnold Seitz (1883-1963) was the Director of Education from 1936-1948. Prior to joining the State Education system he was a senior master at Scotch College, Melbourne, from 1910-1914. He then became Headmaster of Hamilton College, 1915-1921.Beige coloured paper with ink printing.Certificate presented to William B Nunn Signed by Director of Education: J A Seitz Dated: December 1948 Certificate number: 38282

An orange butter scotch tin, yellow Pascall barley sugar tin both empty. A red hard cover book titled, 'Blackie's Science for Beginners - Agriculture.' London, Blackie & Son, Limited, 50 Ol.d Bailey, E.C. Glasgow and Dublin. Inside are the words 'Lydia Pethard NcCaskill St. Numurkah Sep. 26, 1901.lydia chancellor, collection, ephemera, tourism, tins, tin, travel, recreation, calendar, science, sciences, books, pets, animals, wales, united kingdom, agriculture, blackie's science for beginners series

Ballarat Tram No. 26, in Barkly St, near Main St. - 23.3.1962. Tram has dash canopy lighting, but small white strip. Has large briquettes roof ad and White Horse scotch whiskey ad on front. In back is vacant block and land and corner store. Young lady walking across the road to catch the tram.'SEC Ballarat, No. 26 in Barkly St. near Main St., Ballarat East, 23/3/62' in blue ink.tramways, trams, ballarat, barkly st, tram 26

A programme for the 57th Christmas Concert held for Legacy widows at the Melbourne Town Hall on 5 December 2022. Performers included The Australian Children's Choir, Scotch College Pipes and Drum Band and a jazz duo. Approximate 200 widows attended for a light lunch and the entertainment.A record of the long standing events provided by Melbourne Legacy for its beneficiaries.White A5 programme with colour print for the Christmas Concert in 2022.concert, christmas, widows

Queen Victoria’s appreciation of German artist Franz Xaver Winterhalter (1805-1873) began after she saw portraits by him of other European monarchs. Accordingly, between 1842 and 1861 he made fifteen visits to England and painted over 100 portraits of Her Majesty, the royal family and other friends and dignitaries. In 1843 Winterhalter was commissioned to paint matching portraits of Queen Victoria and Albert, the Prince Consort. These originals hang in the Garter Throne Room at Windsor Castle and are part of the UK Royal Collection. Many legitimate copies of Winterhalter’s portrait were produced and presented to the Parliaments of the British Empire, including the Parliament of Victoria. Such copies are referred to as “After F. X. Winterhalter” and artists responsible include William Corden and John Prescott Knight. When creating copies, artists were not restricted by the size of the original portrait. Walterhalter’s original is 2.7m x 1.7m whereas copies can reach an impressive 4.5 metres in height. The portrait that hangs in Queens Hall at the Parliament of Victoria is not signed. Comparison with other copies of the work suggest that the Parliament’s painting may have been completed by William Corden. The Government Art Collection (United Kingdom), has a Queen Victoria copy in their collection and Parliament’s portrait has similar traits. A copy by John Prescott Knight which hangs in the Legislative Council in the Parliament of Tasmania is quite different, particularly with reference to the shape of the young Queen’s face, which is rounder in the Corden portraits.This portrait of Queen Victoria was presented as a gift by the British Government to the Parliament of Victoria in April 1860. Painted on fine linen supplied under Royal Warrant by the workshop Winsor and Newton, London, the frame has been embellished with elaborate wooden carvings. Framed portrait, oil on linen, of Queen Victoria. Victoria is posed in front of a curtain partially obscuring a building (possibly Buckingham Palace) in the background. Timber frame with a layer of gesso and decorative composition ornaments. There are rose, scotch thistle, clover leaf and Acanthus ornaments. A carved wood and composition element crown, resting on a tassled pillow sits on top of the frame.Canvas unsigned. Verso printed: ‘WINSOR AND NEWTON / Rathbone Place, London’. Embossed stamp into stretcher wood, stamped ‘Winsor and Newton’ in black ink.victoria queen of great britain, 1819-1901, winterhalter, franz xaver, 1805-1873, corden, william, queens hall, parliament of victoria

Scotch hands have also come to be known as butter beaters, butter hands, butter workers or butter pats depending on what part of the world or time period you were in. They are wooden spatulas used when making butter used to press freshly churned butter to remove the watery buttermilk during the butter finishing or working process, also as an aid to distribute salt through the butter. Removing the buttermilk and adding salt helps to prevent rancidity in finished butter, with one side of the paddle ribbed or grooved to allow the buttermilk to drain away from the butter during pressing. The ungrooved side may be used for shaping the butter into its final form. The highest quality Scotch hands are made out of sycamore wood, but they can also be made out of metal.An everyday item in most farm households from the 17th up until the mid 20th centuries significant as it gives a snapshot into the domestic lives of people with farms or small holdings that made their own butter either for sale or for their own use.A pair of Butter Slices (pat) wooden flat with shaped handle. Side for shaping butter is textured Textured with horizontal linesflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill-maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, domestic item, butter pats, butter making, dairy item

Scotch hands have also come to be known as butter beaters, butter hands, butter workers or butter pats depending on what part of the world or time period you were in. They are wooden spatulas used when making butter used to press freshly churned butter to remove the watery buttermilk during the butter finishing or working process, also as an aid to distribute salt through the butter. Removing the buttermilk and adding salt helps to prevent rancidity in finished butter, with one side of the paddle ribbed or grooved to allow the buttermilk to drain away from the butter during pressing. The ungrooved side may be used for shaping the butter into its final form. The highest quality Scotch hands are made out of sycamore wood, but they can also be made out of metal.An everyday item in most farm households from the 17th up until the mid 20th centuries significant as it gives a snapshot into the domestic lives of people with farms or small holdings that made their own butter either for sale or for their own use.A pair of Butter Slices (pat) wooden flat with shaped handle. Side for shaping butter is textured Textured with horizontal linesflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill-maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, domestic item, butter pats, butter making, dairy item

Food, clothing and other products were in short supply in Australia during World War II. The first controls over the production and distribution of products were introduced in 1940, partly due to disruption of shipping. In 1942, after Japan entered the War, comprehensive rationing was introduced to manage shortages and control civilian consumption. The first product to be rationed was clothing on 12 June 1942. Each adult was allowed 112 clothing coupons per year. Tea rationing was introduced the following month, followed by sugar, butter and then meat. After the War, rationing was gradually phased out. Clothing rationing was abolished on 24 June1948. The last rationed product was tea, which ended in July 1950.A soft green/brown rectangular leather wallet with metal clasp. Wallet contains W.W.11 ration books and identity cards. Ration cards are for clothing, meat, tea and butter, motor spiritsIdentity cards - Annie Penuel Richardson Bete Bolong; John Gilbert Richardson Bete Bolong Meat Ration card - J.G. Richardson, Scotch College; Annie P. Richardson ; Frank E. Richardson Bete Bolongwallet rationing w w 11 personal-effects money

In 1895 artist Gordon Coutts was commissioned by Elizabeth Harding (Mrs. Silas Harding), a wealthy pastoralist, to paint this portrait of Prince Albert. The portrait was completed by 1896 and is a copy of an original by German artist Franz Xaver Winterhalter (1805-1873). In 1843 Winterhalter was commissioned to paint matching portraits of Queen Victoria and Albert, the Prince Consort. These originals hang in the Garter Throne Room at Windsor Castle and are part of the UK Royal Collection. Queen Victoria’s appreciation of Winterhalter began after she saw portraits by him of other European monarchs. Accordingly, between 1842 and 1861 he made fifteen visits to England and painted over 100 portraits of Her Majesty, the royal family and other friends and dignitaries. There are a number of notable differences in the original Winterhalter work and this painting. The local artist Coutts has changed the colour of the Prince’s cloak from deep blue/black to red (perhaps as a result of working from a black and white photograph). Other differences include extra satin shoulder ribbons, a simplification of the furnishings, notably the floor, and an inexact representation of the medallions worn; collars of the Order of the Garter, Bath, and the Golden Fleece. The painting is framed to match the official copy portrait of Queen Victoria, with the coat of arms of Prince Albert of Saxe-Coburg and Gotha, fixed atop the frame in place of the royal crown.Framed portrait, oil on cotton, of Prince Albert. The Prince Consort wears the robes of the Order of the Garter, holds a Field-Marshal’s baton, and is posed in front of a curtain and colonnade. Timber frame with a layer of gesso and decorative composition ornaments. There are rose, scotch thistle, clover leaf and Acanthus ornaments. The coat of arms that sits on top of the frame is a combination of carved timber and composition elements.Signed lower right corner in red brushpoint: ‘after Winterhalter / By Gordon Coutts / 1896’.albert, prince consort of victoria, queen of great britain, 1819-1861, winterhalter, franz xaver, 1805-1873, coutts, gordon (1865-1938)

Photograph: group of seven young men seated or standing dressed in suits waitcoats , ties and hats. Shown in background a bicycle, beer bottles and 2 outbuildings. One decorated with scotch thistle, Irish shamrock, english rose and a flag of unknown origins. Photo under glass, mounted on grey card and framed with a very ornate wood and plaster moulded frame cream in colour with some gilding.W.H. Grose, Photographerperson, group, male group

1.Postcard with 'A Prosperous New Year'. Illustration with four leaf clovers, horseshoe and clock showing midnight 2 Postcard with illustration of small child standing by the sea.'The Boss at the Seaside' printed at the bottom of the card. 3 Postcard showing photograph of Scotch College Melbourne. 4 Postcard showing photograph of Flinders St Melbourne. 5 Postcard 'Port Melbourne Pier' showing two ships'A Prosperous New Year',' The Boss at the Seaside'documents, postcards

John Ward was a Senior Journalist with Church and Nation. Educated at Scotch College he joined the Sun News Pictorial as a cadet and graduated to senior rounds work. After ten years he joined industry as a public relations practitioner and advertising photographer eventually moving to freelance marketing consultancy. He holds an Associate Fellowship with the Australian Institute of Marketing.B & W waist length photograph of John Ward"c&n 28/5 p 24 S/S J Ward"ward, john

David Harris Prest (1931 - 2018) was brought up in Crystalbrook South Australia. He attended Prince Alfred College and was a resident at Lincoln Methodist College, taught in schools in South Australia, New South Wales and Cambridge United Kingdom before becoming head of Scotch College in Perth. He was Principal of Wesley College Melbourne 1972 - 1991. Head and shoulders photograph of David PrestPrest D.H.prest, david, wesley college

David Harris Prest (1931 - 2018) was brought up in Crystalbrook South Australia. He attended Prince Alfred College and was a resident at Lincoln Methodist College, taught in schools in South Australia, New South Wales and Cambridge United Kingdom before becoming head of Scotch College in Perth. He was Principal of Wesley College Melbourne 1972 - 1991. Head and shoulders photograph of David Prest c. 1970sPrest D.H.prest, david, wesley college

David Harris Prest (1931 - 2018) was brought up in Crystalbrook South Australia. He attended Prince Alfred College and was a resident at Lincoln Methodist College, taught in schools in South Australia, New South Wales and Cambridge United Kingdom before becoming head of Scotch College in Perth. He was Principal of Wesley College Melbourne 1972 - 1991. Head and shoulders photograph of David Prest c. 1970sPrest D.H.prest, david, wesley college

David Harris Prest (1931 - 2018) was brought up in Crystalbrook South Australia. He attended Prince Alfred College and was a resident at Lincoln Methodist College, taught in schools in South Australia, New South Wales and Cambridge United Kingdom before becoming head of Scotch College in Perth. He was Principal of Wesley College Melbourne 1972 - 1991. Waist length photograph of David Prest seated at a desk.Prest D.H.prest, david, wesley college

John Ward was a Senior Journalist with Church and Nation. Educated at Scotch College he joined the Sun News Pictorial as a cadet and graduated to senior rounds work. After ten years he joined industry as a public relations practitioner and advertising photographer eventually moving to freelance marketing consultancy. He holds an Associate Fellowship with the Australian Institute of Marketing.B & W head and shoulders photograph of John Ward "John Ward C&N 22/7/1987 page 3."ward, john

Rev. Farquhar Chisholm (1878 - 1953), Presbyterian minister, was born in Inverness, Scotland and ordained in 1908 in Kerang. He was a minister in country Victoria and Ballarat and was chaplain of Scotch College from 1919 - 1926. Farquhar Chisholm organised the building funds for Morongo Presbyterian Ladies' College Geelong and the Freemasons' Hospital and was a past grand chaplain of the Masonic Grand Lodge.Matte, black and white studio head and shoulders portrait of Rev. Farquhar Chisholm who is looking to his right and wearing his clerical collar. There is pencil and ink hand writing on the back of the photograph.rev farquhar chisholm, south melbourne presbyterian church, masonic lodge, morongo presbyterian ladies' college geelong, scotch college melbourne

Greeting Card: Rectangle in shaped with a mauve velvet border. In the centre on a cream silk background is an ornate design with Scotch thistle and clasped male and female hands in a plastic like material. A heart painted in blue of Forget Me Not flowers and green leaves with 'DINNA FORGET' in silver. Has gold metal ribbon on the front. A ribbon is attached at the top for hanging. The back is made of card with slits for support. Box 625ephemera, mementoes, cards, greeting card, forget me not.

Lapel medal belonging to John Garbutt. John Garbutt was Principal of Ballarat College 1877 - 1909. He was educated at Geelong National Grammar School and in 1860 was the first dux of the college. First class Honourman Arts and Laws at Melbourne University 1866; Two years a master at Geelong College; seven years master and three years senior master at Scotch College, Melbourne. Circular silver medal with ornate decoration to top and bottom with green ribbon attached to top with engraved silver fasteners; engraved writing on face of medal.Front:Geelong National Grammar School 1858ballarat-college, principal-john-garbutt, 1860, 1858, geelong-national-grammar-school, dux

Medal awarded to John Garbutt. John Garbutt was Principal of Ballarat College 1877 - 1909. He was educated at Geelong National Grammar School and in 1860 was the first dux of the college. First class Honourman Arts and Laws at Melbourne University 1866; Two years a master at Geelong College; seven years master and three years senior master at Scotch College, Melbourne. Ornate gold circular medal with garland decoration around circumference and engraved lapel pin attached to top; engraving on face.Face: Geelong National Grammar School / John Garbutt / Dux / of the school / 1860principal-john-garbutt, geelong-national-grammar-school, 1960, dux, ballarat-college, principal