Booklets written for the Centenary Celebrations at Stawell Methodist ChurchFawn card cover with Phot of a church snd black printBelow Photo. Present Stawell Church 1858-1958. Centenary of Methodism in Stawell and District. Minister: Rev J. R. Lawson. Circuit Stewards: Messrs W.D. Stewart, A. Howells. Trust Secretary: Mr. E.K. Gidleystawell religion

A Short History of the Churches who formed the Stawell Uniting Church.Pale blue card cover with red print over a blue photograph of a churchStawell Uniting Church and Community Centre A Short History of the Chrched who formed the Stawell Uniting Church Compiled by Marie Hemley and Rev Graeme Suttonstawell religion

A Brief history of the Presbyterian Church StawellLight Blue card cover with dark blue tape om spine Blak handwritten text.St Matthew's Presbyterian Church, Stawell Ninetieth Anniversary 1860-1950 Centenary 13 April 1969stawell religion

stawell religion

stawell religion

stawell religion

Richard G Glisson Christ Church Great Western from his teacher with love Charles F Beststawell religion

Wesleyan Church Choir taken in August 1899 by Herbert's Studio Stawell.Black and white photograph of a group of 12 females plus one male seated centre front. Taken in Herbert's Studios Stawell.Taken August 1899 Wesleyan Group Mrs. R. Gray Wakeham St Stawell Herbert's Studios Stawell Methodist Church Choir Matilda Miller need Hanes in front. Daughter of John and Martha Hanes nee Hall. Deep Lead. Born 1879. Died W.A. 1958 Mrs Richard Herbert Miller/\wesleyan, religion, choir

Congregational Church Children’s Choir Stawell 1923 Back Row: L-R Emma Evans Olive Warne Jean Wood Marie Evans Reverend Mr Cleavely, May Holloway Marjorie Bainbridge Mollie Heywood Maisie Riley Front Row: L-R Ida Abrahams Bess Sumner Ena Holloway Alice Heal Ilma Phillips Lorna Huttley Marg Heywood Edda Lawrence Reclining at front: Scott HeywoodBlack and white photograph of a group of young people, including a minister standing in the centre of the back rowchoir, religion

Morrl Morrl Catholic Church Built in Glenorchy 1884 and transported to Morrl Morrl by Bullock Team.stawell religion

compiled for the Centenary Celebrations 16th, 17th & 18th April 1976Blue card cover with two photos one top left, one bottom right and black print1876 -1976 Prepared for the occasion of the 100th Anniverary Celebration of the Inauguration of "The Ararat Methodist Circuit" in 1876. Below left Photo The Great Western Methodist Church 1976. "A Historical Record of the Methodist Circuit" Centenary Celebrations, 16th, 17, 18th, April 1976 Superintendent Minister: The Revd. Charles J. King. Circuit Stewards: Mr Adam Bell, Ararat, Mr Ian Price, Willaura Circuit Treasurer: Mr Ian Foster, Ararat Left of bottom right photo: "Wesley" Methodist Church as in 1876 Built 1874stawell religion

History of the Evening fellowship of the ChurchesWhite card cover with double green border and Green text inside border.Underlined Text:. The Stawell Uniting Church Evening Fellowship - A Long Heritage 103 Years. (Divide) (Text Not Underlined) The Uniting Church Evening Fellowship 1977-2017 The Presbyterian Evening Guild 1951-1976 The Metodist Evening Guild 1914 -1976stawell religion

History of the St Matthews Church(2 Copies 1 trimmed on A4 Size) Photocopy white paper with black print and B/W/ Photo of a church.Jubilee History 1860-1911 St Matthews Presbyterian Churchstawell religion

John O'LOUGHLIN Born Snowtown, South Australia In 1980 John O'Loughlin's life changed when he started wheel throwing ceramic vessels. During this time he discarded the superfluous and unnecessary clutter collected on the journey of life, yet retaining the essence of what mattered to him. John O’Loughlin's later artworks engages with the way in which organised religion, specifically the Catholic Church, deals with the translation of the spiritual into the material. Informed by his extensive travels and studies, O’Loughlin’s ceramics reference the reliquaries and church artefacts that connect the life of this world with that of faith in another world. Completing undergeduate and post graduate works at Federation University John O'Loughlin's honours thesis was entitled "Ways and Means of Meaning, The Use of Symbol and Surface as Expressive Media in Ceramic Sculpture". The University provided a serious ceramic studio equipped with all the research tools for advanced ceramic exploration. Access to raw materials and a variety of kilns combined with excellent lecturers, mentors and technicians inspired, motivated and challenged him to push his accumulating knowledge to higher levels. O'Loughlin's working method in the studio is one of quiet, determined interaction with clay, idea and content. Experimentation with a variety of temperatures, firing methods and atmospheric conditions has produced a broad tonal and textural palette. He has worked with various clay bodies overlaid with coloured oxides, slips and engobes as the foundation for many of his works. O'Loughlin ufilised raised surfaces from old cemetery tombstones using the impressed forms and textures in his constructions. This research led him to the use of dry engobes to create a sense of antiquity, with crusty and distressed surfaces that resemble objects neglected in the oceans. These objects seem covered with the accretions and accumulations of history when re-discovered and brought to the surface as miraculous objects of mystery and magic. (https://www.thefreelibrary.com/John+O%27Loughlin%3A+a+man+re-invented.-a0216897107, accessed 12 September 2020) in 2007 John completer a Masters at the University of Ballarat. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Botanical inspired wheel thrown goblet with decorative incised leaves on stem and flower head shaped cup. Glazed 'JOL' on bottom.art, artwork, goblet, botanical, ceramic, john o'loughlan, alumni

John O'LOUGHLIN Born Snowtown, South Australia In 1980 John O'Loughlin's life changed when he started wheel throwing ceramic vessels. During this time he discarded the superfluous and unnecessary clutter collected on the journey of life, yet retaining the essence of what mattered to him. John O’Loughlin's later artworks, such as 'Reliquary No. 20' engages with the way in which organised religion, specifically the Catholic Church, deals with the translation of the spiritual into the material. Informed by his extensive travels and studies, O’Loughlin’s ceramics reference the reliquaries and church artefacts that connect the life of this world with that of faith in another world. Completing undergeduate and post graduate works at Federation University John O'Loughlin's honours thesis was entitled "Ways and Means of Meaning, The Use of Symbol and Surface as Expressive Media in Ceramic Sculpture". The University provided a serious ceramic studio equipped with all the research tools for advanced ceramic exploration. Access to raw materials and a variety of kilns combined with excellent lecturers, mentors and technicians inspired, motivated and challenged him to push his accumulating knowledge to higher levels. O'Loughlin's working method in the studio is one of quiet, determined interaction with clay, idea and content. Experimentation with a variety of temperatures, firing methods and atmospheric conditions has produced a broad tonal and textural palette. He has worked with various clay bodies overlaid with coloured oxides, slips and engobes as the foundation for many of his works. O'Loughlin ufilised raised surfaces from old cemetery tombstones using the impressed forms and textures in his constructions. This research led him to the use of dry engobes to create a sense of antiquity, with crusty and distressed surfaces that resemble objects neglected in the oceans. These objects seem covered with the accretions and accumulations of history when re-discovered and brought to the surface as miraculous objects of mystery and magic. (https://www.thefreelibrary.com/John+O%27Loughlin%3A+a+man+re-invented.-a0216897107, accessed 12 September 2020) This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Four wheel thrown goblets, two with decorative stems. art, artwork, john o'loughlin, ceramics, goblets

John O'LOUGHLIN Born Snowtown, South Australia In 1980 John O'Loughlin's life changed when he started wheel throwing ceramic vessels. During this time he discarded the superfluous and unnecessary clutter collected on the journey of life, yet retaining the essence of what mattered to him. John O’Loughlin's later artworks, such as 'Reliquary No. 20' engages with the way in which organised religion, specifically the Catholic Church, deals with the translation of the spiritual into the material. Informed by his extensive travels and studies, O’Loughlin’s ceramics reference the reliquaries and church artefacts that connect the life of this world with that of faith in another world. Completing undergeduate and post graduate works at Federation University John O'Loughlin's honours thesis was entitled "Ways and Means of Meaning, The Use of Symbol and Surface as Expressive Media in Ceramic Sculpture". The University provided a serious ceramic studio equipped with all the research tools for advanced ceramic exploration. Access to raw materials and a variety of kilns combined with excellent lecturers, mentors and technicians inspired, motivated and challenged him to push his accumulating knowledge to higher levels. O'Loughlin's working method in the studio is one of quiet, determined interaction with clay, idea and content. Experimentation with a variety of temperatures, firing methods and atmospheric conditions has produced a broad tonal and textural palette. He has worked with various clay bodies overlaid with coloured oxides, slips and engobes as the foundation for many of his works. O'Loughlin ufilised raised surfaces from old cemetery tombstones using the impressed forms and textures in his constructions. This research led him to the use of dry engobes to create a sense of antiquity, with crusty and distressed surfaces that resemble objects neglected in the oceans. These objects seem covered with the accretions and accumulations of history when re-discovered and brought to the surface as miraculous objects of mystery and magic. (https://www.thefreelibrary.com/John+O%27Loughlin%3A+a+man+re-invented.-a0216897107, accessed 12 September 2020) This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Lidded ceramic form.art, artwork, john o'loughlan, ceramics, available, available ceramics

St. Patrick’s Tennis Club Opening c 1929 -1931. St Patrick Church in background. The photo was taken at St Patrick's tennis courts. Possible the opening. The tall gentleman standing near front, slightly right, hat in hand wearing button hole with his wife holding a Rosey is the mayor and Mayoress Mr. & Mrs. C. Brown. Gentleman near left front in collar & tie is Mr. Cowman.Black and white photograph of a large group of people assembled for a special occasion. Church building in background.stawell sport religion

Order of service for the Dadswells Bridge Hall centenary, Church Service.Pale Blue/Grey Paper with black PrintDadswell Bridge Hall Centenary Church Service 18th - 19th 2005 I Look to the mountains; Where will my help come from? My Help will come from the Lord, Who made heaven and earth..... Psalm 121stawell religion

Compiled for the 130th Anniversary of public worship at the Great Western Uniting ChurchWhite thin Card, with pencil outline of a church and two trees. Great Western 130 Years of Worshipstawell religion

Brick Christ Church of England built on a site granted 1862 on Church Hill. Completed in 1863 and demolished in later years and replaced by housing. 4 photographs of brick church in bush settings.0001 Church of England Stawell West 0001-2 Thur. 29 Feb 1940 in Sun Paper of Fri.12 Jan 1940 page 21 Mr. & Mrs. Edward Stephens was married in the church of England Stawell on 11th Jan 1867 now used as a boys Scout Hall.stawell building religion

White card cover, star with heart in centre below which is a b/w photo of the Christ Church Great Western.Christ Church Great Western 1911 - 1986 IHSstawell religion

Christ Church. Church of England on Church Hill Stawell. Built 1862. Part of a collection of Photographs by Mr. O.G. Armstrong as commissioned by the Shire of Stawell in 1866 for the Inter-colonial and Paris Exhibition in Melbourne in 1866. This was the first brick church in Stawell, the Christ Church, Stawell West, and was built on Church Hill off Seaby Street in approximately 1862. Opposite the original Manse in Seaby Street it was used for services in 1863. The present Church of England the Holy Trinity is situated in Main Street and was opened and dedicated on Trinity Sunday, May the 26th, 1872. Brick Church with small bell tower. Gum trees in front and at left.stawell religion

Presbyterian Church Reefs Pleasant Creek. Built 1860. Part of a collection of Photographs by Mr. O.G. Armstrong as commissioned by the Shire of Stawell in 1866 for the Inter-colonial and Paris Exhibition in Melbourne in 1866. This first Presbyterian church was built in Church Street and was of a modest design as it was to be only a temporary house of worship. The first services were held here on Sunday, August the 23rd, 1860. The present church, St Matthews Uniting Church is situated in Scallon Street and the first service were held there in 1869. House on left with picket fence and striped verandah roofing. Wooden Church Building on right.stawell religion

Wooden Catholic Church Reefs built about 1865. Part of a collection of Photographs by Mr. O.G. Armstrong as commissioned by the Shire of Stawell for the Inter-colonial and Paris Exhibition in Melbourne in 1866. This wooden building was built about 1865 on a site held by minors right, near the present Stawell Courthouse. It was situated on a track later to become Patrick St. The present St Patricks church is built of granite, quarried in the nearby Black Range with facings of Grampians Freestone and was opened in 1873. Wooden Church with large bell tower with door at front. The edge slope of Big Hill can be seen at right.stawell religion

Wesleyan Church Main Street Reefs. Opened 1863. Part of a collection of Photographs by Mr. O.G. Armstrong as commissioned by the Shire of Stawell for the Inter-colonial and Paris Exhibition in Melbourne in 1866. This brick church, later known as the Wesley Centre, was opened for service on Christmas Day 1863. It was situated in the Main Street alongside the Town Hall which was constructed in 1872. The church was demolished for a car park in the 1980’s. Brick church building with two ornate towers beside front doors.stawell religion