Showing 155 items
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Queen Victoria Women's Centre
Photograph, c.1995
Colour photograph. Rooftop during restoration works. Five women standing by the south east turret in white hard hats during a tour of the building. Left to right: Chair Janet England, Minister for the Arts Lorraine Elliot, Architect Yvonne von Hartel, Minister for Women's Affairs Jan Wade, General Manager Glenys Sharma. official events, historic buildings, parliamentary representatives, architects, building construction -
Surrey Hills Historical Society Collection
Photograph, Humberstone's Royal Hotel Surrey Hills
Humberstone's Royal Hotel was a substantial 2-storey building on the corner of Canterbury and Broughton Road. The hotel was built in 1887 to replace an older hotel (Delany's Hotel) built further east in 1856. It was de-licensed in 1921 after a "Local Option Poll" and became Tower House Day & Boarding School under Miss Marion Beetson from 1922 until 1932. It was demolished in 1932. There were 25 students in the 1920's, mostly boarders from outside Surrey Hills and all primary school students. The school room was detached from the main building and there was 6 acres of playing area. The old bar was the business office, the girls' dormitory the old dining room. Marion Beetson was the teacher, Mary Beetson managed the household. Their father was an Indian Army officer. The younger children wore a school blazer with the T.H.C. badge on the pocket. Miss Susan Kelsall visited to give piano lessons and Prof. Kelsall taught French. Miss Marion Beetson died in Castlemaine on 8 February 1952. Information courtesy of Mrs Louise Bell, Castlemaine, ex-student. See SHP0867a and SHP0867b, photos of Louisa in T.H.C. uniform. Photograph of line sketch of Humberstone's Royal Hotel, Surrey Hills. In the foreground is a horse and cart with 5 men standing in front of the hotel. Main entrance is on the corner of the intersection with large windows. There are 8 on one side and 3 on the other with 4 arches on both upper and ground floors. Turret style edging hides the rooftop with two chimneys visible. Pencilled on back "Spare - have in/ our photo files"delany's hotel, miss marion beetson, humberstone's royalhotel, surrey hills, canterbury road, broughton road, hotels, accommodation, royal hotel, tower house day and boarding school, 1880-1890, mary beetson -
8th/13th Victorian Mounted Rifles Regimental Collection
Weapon - 76mm shell
This shell type is used in the main armament of the interim Fire Support Vehicle (FSV) developed using the turret from the Saladin Mk2 Heavy Armoured Car on an M113A1 Armoured Personnel Carrier. The vehicle was developed by the Australian army. 8/13 Victorian Mounted Rifles was equipped with FSVs in the 1980s.76 mm shell rendered inert for display purposes.shell, gun, fsv, vmr -
Warrnambool and District Historical Society Inc.
Artefact, Courting chain, 19th century
A courting chain was carved by a man and given to the girl he was courting. This was a common European practice in the past, with Welsh courting chains surviving from the 17th century, though the practice may have gone back even further than that. The chain indicated that man was a capable artisan and was occupying his hands in a healthy way, particularly when the lady was present. The many types of loops and chains carved all had symbolic meanings. The cage with the wooden balls inside was said to indicate the desire of the man for children and the number he would like. The symbolism of the arm and hand with the two digits touching is not known. This courting chain has no known local provenance but it is an interesting object as an example of the customs of the past. It will be useful for displays. This is a wooden carved courting chain. One end is in the shape of an arm and hand with the thumb and first finger touching at the tips. Then there are three chains linked to the arm with a peg inserted into another loop at the end. Next, joined to this, is another loop attached to a wooden cage which has two wooden balls inside. The chain is finished with a carved turret structure at the end. courting chains, history of warrnambool -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Leopard Tank, Krauss-Maffei Wegmann GmbH & Co KG, Leopard Tank ARN 27765, 1970
The tank provides heavy and direct firepower against enemy targets. Its main armament is a 105mm gun which can fire high explosive, armour-piercing, anti-personnel and smoke ammunition. The main gun can engage a pin point target at distances up to 2500m and area targets up to 8000m As with other members of the Leopard family, the gun tank is powered by a V-10 four stroke, supercharged diesel engine developing 610kW. It has a maximum speed of about 62km/h and can "snorkel" through water. These tanks were never used outside Australia and have never been used in combat.Crew 4: Crew Commander, Gunner, Operator, Driver Engine MTU supercharged V-10, (37.4 litres) Fuel Capacity 985 litres Hull Armour 70mm Turret Armour Classified Main Armament L7A3 105mm rifled gun Length 9.54m (with gun in combat position) Width 3.37m Height 2.62m (4.8m with radio aerials) leopard tank -
Bendigo Military Museum
Print - PRINT RAN, FRAMED, Post 1978
Painting courtesy of John Bastock.Colour print of HMAS Sydney 1918 at sea. Launching a Sopwith aeroplane from a flying off platform atop her 6 inch gun turret. There is another ship in background visible RHS past bow of the Sydney. Print is No 3 in a series of 25. Mounted with white border with gold metal frame, masonite backing & wire hanging strap. Printed RHS bottom on border under print: “ROYAL AUSTRALIAN NAVY 75TH ANNIVERSARY” Printed RHS bottom corner on print: “John Bastock”print, ran, anniversary, 75th -
Bendigo Historical Society Inc.
Plan - MARKS COLLECTION: DRAWING OF ENTRANCE HALL FORTUNA VILLA
Laminated drawing of entrance hall to Fortuna Villa. Drawing is hand coloured and depicts stone building, entrance steps leading to double glass doors with side lights beside and above doors. Turret on top of building. On bottom of drawing is written 'Elevation' on top of plan Proposed Entrance Hall Fortuna Villa for G. Lansell Esq. Signed by W. Beebe, Architect.bendigo, buildings, fortuna villa -
Bendigo Military Museum
Painting - NAVY PAINTING, FRAMED, 1948
Painting is mounted with light blue border in a brown wooden frame with glass front, cream paper backing & a wire hanging strap. Water colour painting of a warship at sea. The ship is grey with 4 twin main gun turrets. It also holds an Albatross Aircraft, 2 funnels & 2 wireless masts. The painted sky shows patchy clouds, the sea is a blue green colour with small white waves. HMAS Perth Artist Ray Parkin 1948hmas perth, ww2, ran, paintings -
Flagstaff Hill Maritime Museum and Village
Flag - The Mission to Seafarers, circa 2000
The flag represents The Mission to Seafarers worldwide organisation. From about the year 2000 particular flag was once flown from Flagstaff Hill's masthead on top of the turret on the St Nicholas Seamen's Church but this practice ceased around 2010 for safety reasons. The Australian beginnings were in 1856 when the Church of England (Anglican Church) established the ‘Society for Promoting Missions to Seamen Afloat, at Home and Abroad. Lord Shaftesbury was the first President and Mr William Kingston was the first Secretary. Its Constitution declared: (1)) the Object is the spiritual welfare of the seafaring classes at home and abroad. (2) In pursuance of this Object, Society will use every means consistent with the principles and received practice of the Church of England. Mr Kingston’s wife and sister designed a flag to clearly depict the Society’s Objects. It depicted the first of the three angels in Revelation 14, who possessed ‘an eternal gospel to proclaim to those who dwell on the earth, to every nation and tribe and language and people. The ‘Flying Angel’ (the angel of Revelation) became the official logo of the Society and gained great popularity. In July 2000 the Missions to Seamen changed its name to the Mission to Seafarers to better reflect the group's function, an unbiased society that cares for all who earn their living at sea. The Logo was modernised and simplified, the word changed to 'seafarer' to be gender-neutral. The angel logo no longer holds a book (Bible). The organisation states: “The Mission to Seafarers is an Anglican organisation ... The Mission offers fellowship and a warm welcome in centres where seafarers can relax away from their ships, meet local people and contact their homes, from ports around the world. The Mission provides and promotes” … “The Mission to Seafarers now has a presence in 200 ports in 50 countries worldwide. This makes us the largest sea-port-based welfare organisation in the world. We provide support to seafarers 365 days per year, regardless of their rank, nationality, gender or religion” This flag was a gift from the Mission to Seafarers Victoria at the time of the organisation's change of name from the Missions to Seamen. It was flown from the Masthead on top of the turret on the St Nicholas Seamen's Church at Flagstaff Hill from the years 2000 to around 2010. The donation of this flag signifies the ongoing association between the historical organisation and St Nicholas Seamen's Church building at Flagstaff Hill', which displays an extensive collection of furniture and furnishings from that organisation's Williamstown branch. The design on the flag is an example of several updates of the flag over the organisation's lifetime.Flag, fine linen, The Mission to Seafarers. Rectangle of blue fabric with white text around white flying angel logo. Flag has a plastic hook on top of the halyard.Printed "THE MISSION TO SEAFARERS" and logo of FLYING ANGEL symbolflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, missions to seamen victoria, mission to seafarers, flying angel’s club, st nicholas seaman’s church williamstown, mission to seafarers flag, flag, missions to seamen, turret -
Bendigo Historical Society Inc.
Photograph - VICTORIAN HOUSE WITH TURRET
Sepia photograph mounted on brown embossed board. Large house, stone and brick, corrugated iron roof, gable at side. Round turret with conical roof, s\castellated parapet over square porch at right. 4 chimneys visible. At back, roof which is higher than remainder of roof, with windows along side. Adult male standing oin verandah. Garden with shrubs and grass. Bull nose verandah with iron lace.buildings, residential, victorian -
Bendigo Historical Society Inc.
Photograph - THE EYRIE: QUARRY HILL, pre 1932
black and white photo, 'The Eyrie' turretted and gabled roof line. Picket fence, brick pillars on gatewah with gravel path up on right to pine trees. Overgrown garden, with palm trees. On stick on label ' date unknown pre 1922 when steps were put in palms now well grown. Verandah canopy no longer striped wooden gates gone. House restored in 1998. To original colour scheme and verandahs now striped.buildings, residential, the eyrie -
Uniting Church Archives - Synod of Victoria
Brick, c 1865
Flemington Wesleyan Methodist Church, Mount Alexander Road built in 1865. A Wesleyan church of which the nave of 1865 is typical in its use of brick and contrasting dressings and is a minor variant in the Methodist tradition of token Gothic, with pointed windows and brittle detailing; the spiky octagonal turrets and classical finial being somewhat novel, the porch and the transept (1883) being later additions. Classified: 18/09/1975 Demolished: 07/1999. [http://vhd.heritagecouncil.vic.gov.au/places/65363]Flemington Wesleyan Methodist Church brick. flemington wesleyan methodist church -
Phillip Island and District Historical Society Inc.
Photograph, 1876
Left of photograph Bergin & Co, Griffiths Point Store in very large lettering. Residence above store, four open windows. Woman in white blouse and long black skirt entering one of two doors. The weatherboard building right on street. Next door San Remo Hotel. Bar entry on left. Large window on brick wall. Weatherboard upper storey with verandah and elaborate pillars wrought iron work and big turret attic towards back.Beautiful blown-up picture of the store and hotel side by side. Store open for business. Lady enteringlocal history, photography, photographs, slides, film, griffiths point store, san remo hotel, black & white photograph, miss elms san remo -
Surrey Hills Historical Society Collection
Work on paper - War Savings Stamp, 6d WW2 war savings stamp, 1941-1944
These stamps were issued during WW2 and designed to be stuck into a war savings stamp booklet. When these were filled, you could redeem them for a £1 or £5 War Bond. This specimen is not watermarked indicating it was a re-issue of the earlier version with a watermark. Issued between August 1941 and March 1944. Designed and produced by the Government Stamp Printer. Although the stamp has been called the "Spitfire" for over 70 years, the image of the plane depicted is either a Boulton-Paul Defiant (with a turret mounted behind the cockpit) or a Hurricane rather than a Spitfire. A 6d stamp Australian War Savings stamp in Imperial Blue and white. Loosely held in a philatelic mount. stamps, war savings stamps, planes, second world war, fundraising -
Ballarat Tramway Museum
Photograph - Geelong power station, Melbourne Electric Supply Co (MESCo), c1926
Photograph shows Geelong power station after completion. Power house building on the SW corner of Corio Tce. and Yarra Sts, Geelong, with new furnace room on the left, turret removed from the corner of the building, a third floor added on the Corio Tce. side but offices and concreted company name above where the trams entered the depot from the street not yet built. Date between 1924 and 1928 (based on photograph of Pengelly tramcar arriving and recently received, secondhand Melbourne tramcar). The ground floor offices facing Corio Tce. appear to be boarded up.Yields information about the Geelong Power station c1926Black and white print on paper.Plate number 1-8 in ink on back of photo.tramways, geelong, mesco, power station -
Ballarat Tramway Museum
Photograph - Geelong power station, Melbourne Electric Supply Co (MESCo), c1926
Photograph shows Geelong power station after completion. Power house building on the SW corner of Corio Tce. and Yarra Sts, Geelong, with new furnace room on the left, turret removed from the corner of the building, a third floor added on the Corio Tce. side but offices and concreted company name above where the trams entered the depot from the street not yet built. Date between 1924 and 1928 (based on photograph of Pengelly tramcar arriving and recently received, secondhand Melbourne tramcar). The ground floor offices facing Corio Tce. appear to be boarded up.Yields information about the Geelong Power station c1926Black and white print on paper.Plate number 1-8 in ink on back of photo.tramways, geelong, mesco, power station -
Flagstaff Hill Maritime Museum and Village
Postcard - Picture Postcard, Louis Wain (illustrator / artist), 1880s to 1930s
The picture postcard is illustrated in a simple, child-like manner. It has a personal message on the back, perhaps sent by an adult called Lily to a young relative or friend. Its rough edges indicate that it may have been torn out of a book or from a sheet of cards. It is one of the hundreds of illustrations by artist Louis Wain, quoted as being "one of the most popular commercial illustrators in the history of England" (IllustrationChronicles.com). English artist Louis Wain (1860-1939) was famous for his illustrations of cats, many of which he gave human characteristics and personalities. Wain married Emily. They owned a cat called Peter who was a great comfort to Emily through her cancer illness and consequent death after only a few years of marriage. At 22 years old Wain gave up his job as a teacher to work full time as an illustrator. He was able to produce hundreds of drawing a year for journals, books, postcards and advertisements. Later he wrote and illustrated children's books. However he didn't benefit much from copyrighting his work as he sold his work to publishers together with the copyright, so reproductions of his works didn't earn him money. Wain said that he owned his career as a cat artist to Peter. Wain spent over a decade in mental asylums before his death in 1939.This picture postcard is an example of the work of Louis Wain, English artist of the 19th and early 20th century. He is famous for his drawings of cats, which he continued producing throughout his life. He is also known for producing the world's first screen cartoon cat, called "Pussyfoot". In 1972 Wain's work was presented at an exhibition in the Victorian and Albert Museum.Rectangular picture postcard printed on think cream card. Picture on postcard is outlined in black and coloured in roughly painted watercolours. The drawing has two cats dressed in armour standing and fighting in front of a turreted castle. The picture is a black framed outline. The artist's printed signature is in the bottom left corner. The artist is Louis Wain. The reverse has a vertical dividing line and a square outline for a postage stamp's location. It also has printed headings. There is a handwritten Pencil inscription. The postcard's left side and lower edge have rough uneven edges.Signature: "Louis Wain." Printed headings: "POST CARD" "THIS SPACE MAY BE USED FOR COMMUNICATION" "THE ADDRESS TO BE WRITTEN HERE" Handwritten on back: "To Dr R - - - - - - / with love / from Lilly"flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, postcard, picture postcard, louis wain, fighting cats, child's postcard, cat artist, animal portraits, national cat club, fencing, illustrator, children's books, children's author, children's illustrator, watercolour, cats dressed as humans, cats dressed as knights, popular art, victorian art -
Bendigo Historical Society Inc.
Photograph - NEWSPAPER CUTTING: JOHN HANLON KNIPE CASTLE, 1972
Photographs (2) and newspaper cutting Newspaper cutting 2268a ( photocopy ) photocopied and attached to board. Article was researched by Edith Lunn. Article from Bendigo Advertiser April 15th. , 1972. On rear of board, two black and white photos ( 20 x 14 ) of Knipe's castle. 2268b: close up photo taken from street of Knipe's Castle, showing turrets, corner view. 2268c: photo taken from Bendigo CBD looking up toward Forest St. and Valentine Sts area. Knipe's Castle is visible on skyline.buildings, house, knipe's castle, bendigo, john hanlon knipe, castle, edith lunn -
Bendigo Historical Society Inc.
Photograph - LESLIE JOHN BAGUST COLLECTION: THE MALL, 1940
Leslie John Bagust Collection. Black & White Photo The Mall From View Point Bendigo 1940. In the foregrounds shown a van, cyclist, and car.Left of centre is the Bendigo Baby Health Centre with a white statue at its right side. The background has a white statue of Queen Victoria,part of the RSL hall and the Post Office Clock tower.Top centre above the tree line is the turret of the Shamrock Hotel. To the right is a part Streetscape of Pall Mall. Deep in the background is the tower of the School of Mines.Numerous car are parked under the trees lining the street.bendigo, tourism, the mall from view point bendigo -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Transmission Assembly, Ferret Scout Car, Daimler, c 1950
The Ferret Scout Car , was developed by the British Army in the late 1940s and came into production in the 1950s. The Ferret first saw service in the British Army in 1952, and a little later in Australia. There were many series and Marks of the Ferret. In Australia two were primarily used. The Mark1, which had no turret and a crew of three, and the Mark2, with a turret and a crew of two. The Australian Army used the Ferrets as scout cars until the 1960s, they were disposed of by public auction in the early 1970s. The Ferret is a light armoured car, intended for light reconnaissance work, they are very mobile and were well suited to their role. The vehicle was designed by Daimler, as a further development on the successful Daimler Dingo of WW2. The Ferret is fully armoured and the standard model of the Ferret Mk2 was further strengthened shortly after its design and became the Mk2/3 (this is the usual model referred as the Mk2). The motor was Roll Royce B60 motor, giving the vehicle a power to weight ratio of 29.35 break horse power per tonne, the vehicle weighs 3.6 tonnes, although a combat weight would be 4.3 tonnes. It is four wheel drive, constant, and has a top speed of 93 k.p.h. (approx 50 m.p.h.). Fuel consumption is only about 34 litres per kilometer. The Ferret is 3.8 metres long by 1.9 metres wide and is 1.9 metres high, not including radio aerials. The ground clearance is .33 of a metre and the track width is 1.5 metres.Ferret Scout Car - B60 No 1 Mk 6A transmission assembly incorporating engine, fluid coupling, gear box and transfer box.Engine Number 12993 List Number 35418 Modification plate marked to Mod 3. ferret scout car, transmission -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Transmission Assembly, Ferret Scout Car
The Ferret Scout Car Mark 2, was developed by the British Army in the late 1940s and came into production in the 1950s. The Ferret first saw service in the British Army in 1952, and a little later in Australia. There were many series and Marks of the Ferret. In Australia two were primarily used. The Mark1, which had no turret and a crew of three, and the Mark2, with a turret and a crew of two. The Australian Army used the Ferrets as scout cars until the 1960s, they were disposed of by public auction in the early 1970s. The Ferret is a light armoured car, intended for light reconnaissance work, they are very mobile and were well suited to their role. The vehicle was designed by Daimler, as a further development on the successful Daimler Dingo of WW2. The Ferret is fully armoured and the standard model of the Ferret Mk2 was further strengthened shortly after its design and became the Mk2/3 (this is the usual model referred as the Mk2). The motor was Roll Royce B60 motor, giving the vehicle a power to weight ratio of 29.35 break horse power per tonne, the vehicle weighs 3.6 tonnes, although a combat weight would be 4.3 tonnes. It is four wheel drive, constant, and has a top speed of 93 k.p.h. (approx 50 m.p.h.).Fuel consumption is only about 34 litres per kilometer. The Ferret is 3.8 metres long by 1.9 metres wide and is 1.9 metres high, not including radio aerials. The ground clearance is .33 of a metre and the track width is 1.5 metres.ferret scout car, transmission -
Bendigo Historical Society Inc.
Document - MARKS COLLECTION: ARCHITECTS AND CIVIL ENGINEERS CONDITIONS OF CONTRACT
2 blue printed pages outlining regulations of the VICTORIAN Institute of Architects plus 4 handwritten pages of specifications of stairs = turret as proposed to be erected in addition to Fortuna Villa Sandhurst, the residence of G. Lansell. Introductory comments in the specification state: 'The Contractors attention is hereby drawn to the fact - at the outset - that the whole work is to be composed of the very best materials as hereafter detailed, and to be done by the best workmen in the best manner'. Issues covered in the specification include excavation, removal of earth, schedule price for digging and stonework, pressed bricks, pugged mortar, joints, neck, dome roof (diagram of roof included) .bendigo, buildings, fortuna villa -
Rutherglen Historical Society
Photograph - Image, 1970s
All Saints Estate is a family owned winery established in 1864 and located on the banks of the Murray River in Wahgunyah, North East Victoria. Original owners George Sutherland Smith, and John Banks, arrived from Caithness, Scotland in 1852. They were just 23 and 20 years of age. Choosing to settle in the Wahgunyah area, they used their training as engineers from the Edinburgh Railway Institute to build a bridge over the Edwards River at Deniliquin. They were also involved in the construction of several buildings in Beechworth including the Presbyterian Church, part of the Gaol and the original hospital of which the granite facade still remains today. Smith and Banks began growing vines at ‘Sunday Creek’ closer to Wahgunyah than the present All Saints Estate winery, before relocating to build the 'All Saints castle' just three miles north of Wahgunyah, in 1864. The partners took up 100 acres and proceeded with planting vines in earnest whilst also constructing pise cellars made from the estate soil. The All Saints Estate castle was based on the design of ‘The Castle of Mey’, including turrets and a tower. The castle was constructed mainly of handmade bricks that were fired in the All Saints Estate Brick Kiln (classified on the Victorian Heritage Register) on the property. However, only the battement parapets of the lower wall and a turrets were copied, not the main castle style. The Castle of Mey, most recently owned by the late Queen Mother, was where George Sutherland-Smiths’ father was a carpenter and joiner.Black and white photograph showing a view, up a road between the Elm Tree entry drive of All Saints Winery wineries, north east victoria, wine industry, all saints winery, rutherglen, wahgunyah, winemaking, castle, winery -
Rutherglen Historical Society
Image, 1970s
All Saints Estate is a family owned winery established in 1864 and located on the banks of the Murray River in Wahgunyah, North East Victoria. Original owners George Sutherland Smith, and John Banks, arrived from Caithness, Scotland in 1852. They were just 23 and 20 years of age. Choosing to settle in the Wahgunyah area, they used their training as engineers from the Edinburgh Railway Institute to build a bridge over the Edwards River at Deniliquin. They were also involved in the construction of several buildings in Beechworth including the Presbyterian Church, part of the Gaol and the original hospital of which the granite facade still remains today. Smith and Banks began growing vines at ‘Sunday Creek’ closer to Wahgunyah than the present All Saints Estate winery, before relocating to build the 'All Saints castle' just three miles north of Wahgunyah, in 1864. The partners took up 100 acres and proceeded with planting vines in earnest whilst also constructing pise cellars made from the estate soil. The All Saints Estate castle was based on the design of ‘The Castle of Mey’, including turrets and a tower. The castle was constructed mainly of handmade bricks that were fired in the All Saints Estate Brick Kiln (classified on the Victorian Heritage Register) on the property. However, only the battement parapets of the lower wall and a turrets were copied, not the main castle style. The Castle of Mey, most recently owned by the late Queen Mother, was where George Sutherland-Smiths’ father was a carpenter and joiner.Black and white photograph showing a view, up a road between the Elm Tree entry drive of All Saints Winery On back of photo: "250% [upper case D in small circle] All Saints"wineries, north east victoria, wine industry, all saints winery, rutherglen, wahgunyah, winemaking, castle, winery -
Federation University Historical Collection
Photograph - Photograph - Black and White, W.G.(Geoff) Little, Open Day at the Former Ballarat Gaol, 1964, 07/03/1964
On 7 March 1964 the Former Ballarat Gaol was opened to the public resulting in a large turnout. These photos were taken during the visit and show various sections, inside and outside, of the gaol. .1) Shows the ground queued up; .2) Front entrance, people starting to move inside; .3) Looking through the bars; .4) view of the curved wall with sentry's walk and guard's tower; .5) Looking through bars to stone wall; .6) Walking down the narrow steps from the top of the wall. This would have been used by guards; .7) Area showing the individual cell doors; .8) People in cell area. An upper level is shown. The gallows is on this level; .9) Stairs leading up to the gallows; .10) Turret above the cell block; .11) Cell area; .12) Cobbled area.Twelve black and white images taken at the open day of the Former Ballarat Gaol, held by the Ballarat Branch of the National Trust on 7 March 1964.ballarat gaol, ballarat school of mines, gaol, bluestone, national trust tours, entrance to gaol, sentry's walk, guard's tower, cells, gallows, stairs to gallows, cobbled area, geoff little -
Uniting Church Archives - Synod of Victoria
Postcard, undated
The Wesleyan Methodist Church at Clunes is a distinctive bluestone building in the Gothic style and was designed by the Ballarat architect J.A. Doane. Construction began in 1864 and the church was further extended in 1871. The building consists of a broad nave and transepts with galleries, these having cast iron balustrades. The facade incorporates a slate-roofed octagonal turret and spire and a four-light perpendicular Gothic window. The interior includes windows with quarry glass panes and coloured borders; those on either side of the organ incorporate scrolled texts and may be by the Melbourne makers Ferguson & Urie. With declining congregations, the property was purchased by Wesley College in 1999 and now forms part of its Clunes campus. The church building has received a very extensive restoration, including structural strengthening, the opening out of the interior to its original dimensions and the installation of a new floor. Ref: https://www.ohta.org.au/organs/organs/ClunesUC.html Colour postcard showing a street view of the Clunes Methodist Church,clunes wesleyan methodist church, wesley college -
Uniting Church Archives - Synod of Victoria
Postcard, undated
The Wesleyan Methodist Church at Clunes is a distinctive bluestone building in the Gothic style and was designed by the Ballarat architect J.A. Doane. Construction began in 1864 and the church was further extended in 1871. The building consists of a broad nave and transepts with galleries, these having cast iron balustrades. The facade incorporates a slate-roofed octagonal turret and spire and a four-light perpendicular Gothic window. The interior includes windows with quarry glass panes and coloured borders; those on either side of the organ incorporate scrolled texts and may be by the Melbourne makers Ferguson & Urie. With declining congregations, the property was purchased by Wesley College in 1999 and now forms part of its Clunes campus. The church building has received a very extensive restoration, including structural strengthening, the opening out of the interior to its original dimensions and the installation of a new floor. Ref: https://www.ohta.org.au/organs/organs/ClunesUC.html Sepia postcard showing a street view of the Clunes Methodist Church,clunes wesleyan methodist church, wesley college -
Uniting Church Archives - Synod of Victoria
Postcard - Photograph, January 2002
The Wesleyan Methodist Church at Clunes is a distinctive bluestone building in the Gothic style and was designed by the Ballarat architect J.A. Doane. Construction began in 1864 and the church was further extended in 1871. The building consists of a broad nave and transepts with galleries, these having cast iron balustrades. The facade incorporates a slate-roofed octagonal turret and spire and a four-light perpendicular Gothic window. The interior includes windows with quarry glass panes and coloured borders; those on either side of the organ incorporate scrolled texts and may be by the Melbourne makers Ferguson & Urie. With declining congregations, the property was purchased by Wesley College in 1999 and now forms part of its Clunes campus. The church building has received a very extensive restoration, including structural strengthening, the opening out of the interior to its original dimensions and the installation of a new floor. Ref: https://www.ohta.org.au/organs/organs/ClunesUC.html B & W exterior view of the Clunes Methodist Church, from the side.clunes wesleyan methodist church, wesley college -
Uniting Church Archives - Synod of Victoria
Postcard - Photograph, January 2002
The Wesleyan Methodist Church at Clunes is a distinctive bluestone building in the Gothic style and was designed by the Ballarat architect J.A. Doane. Construction began in 1864 and the church was further extended in 1871. The building consists of a broad nave and transepts with galleries, these having cast iron balustrades. The facade incorporates a slate-roofed octagonal turret and spire and a four-light perpendicular Gothic window. The interior includes windows with quarry glass panes and coloured borders; those on either side of the organ incorporate scrolled texts and may be by the Melbourne makers Ferguson & Urie. With declining congregations, the property was purchased by Wesley College in 1999 and now forms part of its Clunes campus. The church building has received a very extensive restoration, including structural strengthening, the opening out of the interior to its original dimensions and the installation of a new floor. Ref: https://www.ohta.org.au/organs/organs/ClunesUC.html B & W exterior view of the Clunes Methodist Church.clunes wesleyan methodist church, wesley college -
Uniting Church Archives - Synod of Victoria
Postcard - Photograph, 2002
The Wesleyan Methodist Church at Clunes is a distinctive bluestone building in the Gothic style and was designed by the Ballarat architect J.A. Doane. Construction began in 1864 and the church was further extended in 1871. The building consists of a broad nave and transepts with galleries, these having cast iron balustrades. The facade incorporates a slate-roofed octagonal turret and spire and a four-light perpendicular Gothic window. The interior includes windows with quarry glass panes and coloured borders; those on either side of the organ incorporate scrolled texts and may be by the Melbourne makers Ferguson & Urie. With declining congregations, the property was purchased by Wesley College in 1999 and now forms part of its Clunes campus. The church building has received a very extensive restoration, including structural strengthening, the opening out of the interior to its original dimensions and the installation of a new floor. Ref: https://www.ohta.org.au/organs/organs/ClunesUC.html B & W exterior view of the Clunes Wesley College development. The image shows school buildings on a block next to the former Clunes Methodist Church.clunes wesleyan methodist church, wesley college