Cypriot White Painted Ware from the Middle/Late Cypriot Bronze Age.The interior with brown band, the angled rim with three sets of lines and wavy line between, a broad band on tall neck, pierced with two string holes, above and below, a broad band on flattened globular body with frieze of vertical lines flanked by wavy vertical lines and alternating with sets of two vertical wavy lines, to broad concentric band, the underside with broad band flanked by sets of stripes. cypriot

Off white wedding invitation with silver printing and rough edges and watermarks. Front watermark is: Charta Egypta with vertical lines about 3 cm apart. Back watermark is: English Made NM with vertical lines about 3 cm apart.document, invitations, wedding, foster & wilson collection, mr & mrs g. c. mitchell, mr & mrs wilson, freda mitchell, ernest christie, baptist church hargreaves st., 'clydagh'

Item awarded to David Dixon, RAN, R112262, refer Cat No 5215.5 for his service details.Ribbon Bar - Cotton braid, Navy and Yellow Vertical stripes. Defence4 Force Service Medal.ribbon bar, award, ran, navy

Spirit level Length 500mm x 55mm x 28mm Has a vertical and horizontal level.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Pittock saddler's box: set square handwood and brass vertical, with steeel horizontal (showing rust)nil

Brass vertical clock with pendulum and mechanisms hanging below face. Materials: Brass/Metal compositetennis

Part of a selection of garments knitted by ‘Tina Knitwear’. Tina Knitwear was a successful made to order knitwear business in Brighton from the mid-1960s to around 2010, run by Assunta and Franco Liburti. Daughter Melissa Persi writes: Our parents Assunta (Mum) and Franco (Dad) Liburti ran a successful made to order knitwear business in Brighton from the mid-1960s to around 2010. Assunta was affectionately known to her family as Assuntina, therefore the business was named "Tina Knitwear" after her. Assunta and Franco were born in the beautiful seaside town of Terracina in Italy in 1933 and 1930 respectively. As was so common in Italy in the 1950s, Assunta who was in her late teens and early twenties learnt the intricate skills of machine knitting, dressmaking and pattern making. Franco on the other hand, learnt the building trade with his 2 brothers and specialised in bricklaying and tiling. As was so common after the war, Assunta and Franco yearned for a better life so they decided that they would get engaged and then migrate to Australia to be married and raise their family in Australia, a land of much opportunity which they no longer felt their beloved Italy held for them. Assunta migrated to Australia first in 1957 and later Franco joined her in 1958 where they were married. For the first few years, Franco (also known as Frank) worked as bricklayer /tiler on buildings such as the Robert Menzies building at Monash University in Clayton and various buildings in the Melbourne CBD. Assunta on the other hand put her machine knitting skills to use working in factories doing piece machine knitting for various knitwear companies. The hours were long, the conditions were difficult, and travel was onerous without a car. After their 2 older children were born, it was decided that dad would leave the building trade and they would start their own made to order knitwear business. That way they could work from home and raise their family together. Mum taught dad everything he needed to know so he could operate the knitwear machinery. They purchased COPPO knitting machines from Italy and a Linking machine from Germany. Initially they had a knitwear shopfront in Bay Street Brighton where a store assistant would take the orders and client’s measurements and Assunta would then make the garments from a small workshop in their home. Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. Assunta being the perfectionist and highly skilled machinist that she was, decided that she needed to oversee the entire process from meeting the client, to taking their order, right thru to the fittings and completion of the garment. It therefore made sense that they should close the shop front and run their business from their own home in Brighton and hence “Tina Knitwear” was born. Together, for more than 40 years they ran their very respected and successful business and were well known in the Bayside area. They specialised in made to order knitwear for both men and women using mainly pure wool (from Patons, Wangaratta Mills, Japan and Italy) but also lurex and estacel. Over those years, many of their clients became their close friends. It wasn't unusual for clients to come to order garments and then end up in the kitchen chatting over a cup of Italian espresso coffee and homemade biscuits. Some of their clients were especially memorable and became lifelong friends. Mrs Connell was a dear friend of mum’s, each year she would buy tickets for the “Gown of the Year” fashion show. She would insist on taking Assunta and her 2 daughters so that we could see the latest fashions. Then there was their dear friend Ms Griffiths. She had been a Matron nurse at the Queen Victoria Hospital when she met my parents in the 1970s. She returned to live in New Zealand in the 1980s but came back to Melbourne every year to stay for 2 weeks with the sole purpose of visiting my parents (she adored them) and order garments. For those 2 solid weeks, mum and dad would only knit for Ms Griffiths and she would go back to New Zealand with at least 5 or 6 new outfits. I actually think she enjoyed mum’s homemade pasta almost as much as her new clothes! Over the years, my parents learnt to speak English very well given that majority of their clients were not Italian speaking. Their oldest child John born in 1960 learnt to speak English with the help of those clients who were such a big part of our childhood. Mum and dad always went above and beyond to ensure their clients were satisfied. Mum was an absolute perfectionist and it showed in her attention to detail and the quality of their beautiful work. You only need to look at the garments that have stood the test of time or speak to their clients to know that this is true. Their clients would always comment on how well their clothes would last and much of their clients came via word of mouth and recommendations. Occasionally there would be disagreements because mum had found an error in dad's knitting (either a wrong stitch or a sizing mistake mainly) and would ask him to redo a piece, he would argue back saying that it was fine, but we always knew who would win the argument and that the piece would get remade! Similarly, we recall discussions where mum would ask dad to find a particular colour of wool in the garage where the stock was kept. He would try to convince her that they were out of stock of that colour and that the client should choose a different colour. She would insist they had it and then after hours of searching, he would return into the house sheepishly holding the wool! Our childhood is full of beautiful memories of mum and dad always being present, clients coming and going, mum humming her favourite songs as she worked often late into the night and sometimes, we even fell asleep to the hum of the machinery. They put their heart and soul into "Tina Knitwear" and took pride in providing only the best quality garments for their clients. In Italian there is a saying “lei ha le mani d’oro” which literally translated means “she has hands of gold”. Franco enjoyed his work but for Assunta, it was more than just work and there is no better way to describe her skills, passion and dedication to her machine knitting… she truly did have “hands of gold”. We will forever be grateful that our parents’ life journey gave us the opportunity to live in a home filled with creativity, dedication and passion, amazing work ethic and mutual respect, lifelong friendships and a lifetime of love. Two-tone brown jumper with vertical ribbed pattern, raglan sleeves, ribbed collar and cuffs. knitwear, clothing, italy, migrants, brighton, knitting machine, linking machine, garments, business, family, community

John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) A bird with outstretched wings is positioned vertically above leaves within the title which forms a circlebookplate, printmaking, australian bookplate design award, keith

Black and white bound photocopy of the 1957 yearbook, which is white with 1957 in the top left corner above a WHS logo above a black vertical line above the text WANGARATTA HIGH SCHOOL. Vertically along the right side of the page is the word KORRUMBEIA1957 KORRUMBEIA WANGARATTA HIGH SCHOOL

Comparatively few weatherboard houses in Kew survived from the early years of settlement into the second half of the 20th century. One such property was ‘Reno’, which once stood on the east side of St John’s Parade. Its earliest recorded owner was the architect Samuel Cocking who lived there from c.1865 until his death in 1888. The original landholding was bordered by Cotham Road, Glenferrie Road, Wellington Street, and Charles Street. The southern portion of this land included a fine orchard, with many imported trees. The old summer house, at first in the orchard, was later removed to the house garden. The MMBW Detail Plan No.1576 (1904) shows the remaining portion of the original land holding, including a semi-circular pathway at the front, and garden features such as an aviary, a fountain and grotto, and a fernery. None of these are apparent in photographs dating from the 1960s, where the garden, which once included rare plants provided by Baron Von Mueller, surrounds the cottage in a tangled frenzy. Despite a ‘local significance’ classification by the National Trust, the house was demolished in 1977.Wallpaper fragment from ‘Reno’. These two large fragments of wallpaper have a formality of design that is accentuated by the wide borders and narrow vertical lines that separate the repeated designs of rose garlands in vases on a vertical trellis design. The design is in tones of pink and green with gilding.reno, st john's parade, kew, samuel cocking, wallpaper

The flag of Sardinia was adopted as the official flag of the newly formed Kingdom of Italy in 1861. The flag incorporates the armorial bearings of the Royal House of Savoy, the family who ruled Italy until it voted to become a republic in 1948. Civil flag of the Kingdom of Italy featuring three vertical panels of green (hoist) white and red cotton, sewn together. Sewn into each side of the centre (white) panel is a representation of the coat of arms of the House of Savoy - a blue-bordered red square, quartered by a white cross. This flag would later become the flag of the Kingdom of Italy, and the tricolor without the Savoyard escutcheon remains the flag of Italy. The exact date of the creation of this flag is uncertain, however as it was in use in Italy until the formal establishment of the Italian Republic, it may have been made between 1848 and 1946. This particular flag was brought back at the conclusion of WWII and donated to the Terang RSL Sub-branch.The Civil flag of the Kingdom of Italy is comprised of a red, white and green vertical cotton panels, which have been stitched together by cotton. Each panel is approximately 915 cm wide by 1.610 metres high. The centre panel has an appliquéd Savoy shield, with a centred white cross on red background, surrounded by a blue shield shaped border.

Silver cup, mounted on black plastic 100 mm high base, two vertically mounted handles.trophy, mess property, trophy, mess property

Cross/crucifix, wooden with circle around intersect. The vertical arm is elongated. The three tip point are rounded.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Spirit level wooden with a horizontal and vertical levels, with brass fittings maker Parry and Rott, Ltd Birminghamflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, spirit level

A glass prism of equilateral triangular shape mounted by a ball-joint to a vertical brass stand and brass base. scientific instrument, prism, optics

Found in an above ground rubbish pile at Days Mill & Farm. This bottle would have contained poison.Small bright blue glass bottle. The bottle have several sides with vertical ridges and a raised inscription."NOT TO BE TAKEN"william day, ann day, joseph day, robert day

Cypriot White Painted Ware from Middle/Late Cypriot Bronze AgeWith round mouth, long neck with lines, the body with two panels of striped diamonds between vertical lines. cypriot

Tall clear glass vase with vertical linear pattern. Has fluted edge, and starburst design on base.vases, functional object, containers

Used to measure electrical current. Cylindrical reflecting vertical galvanometer. Case made of black enamelled metal and standing on three legs for levelling.Label “Part 2”. Label “Purchase of University Commission”. Plaque on front “Reflecting galvanometer, link in aperiodic link out ballistic, H. Tinsley & Co. Ltd No. 41545”

General Account Income/Expenditure books for the Bendigo RSL Sub Branch which flow on into the early years of Bendigo District RSL Sub Branch Inc. .1) For the years 1983 - 1988. .2) For the years 1989 - 1996. Front cover in texta says "1997" .3) For the years 1998 - 2003. Refer Cat No's 8020 & 8073P for the formation of Bendigo District RSL Sub Branch Inc .1) Book, green covers, blue ruled lines with red and blue vertical lines, entries in blue pen, a small amount in black pencil. .1) Book, green covers, blue ruled lines with red and blue vertical lines, entries are in blue pen and black pencil. .3) Book, green covers, blue ruled lines with blue and black vertical lines, entries are in blue pen and black pencil. Measurements are an average of the three..1) On front cover in black texta pen, "General A/C 83 - 88". Printed in gold, "Analysis Book Collins 800 series" .2) On front cover in black texta, "1989 - 1997". Printed in gold same as .1) .3) On front cover pasted on a sheet of white paper with typed, "GENERAL ACCOUNT", in pencil on, "1998 - 2003"brsl, smirsl, accounts

Account books Income/Expenditure for the Bendigo RSL Sub Branch which flows on into the early days of Bendigo District RSL Sub Branch Inc. .1) Three Acc's listed, Club Building Fund 1983 - 1999, Welfare Patriotic Fund 1987 - 1999, Bissett Acc 1994 - 1999. .2) Three Acc's listed, Building Patriotic Fund 2000 - 2003, Welfare Patriotic Fun 2000 - 2003, Estate Bissett, 2000 - 2003. Refer Cat No's 8020 & 8073P for the formation of the Bendigo District RSL Sub Branch Inc..1) Book, green covers, blue ruled lines with red and blue vertical lines, entries are in blue pen and black pencil. .2) Book, dark green covers, blue ruled lines with blue and black vertical lines, entries are in blue pen and black pencil..1) On front cover in black texta, "Club Bldg, Welfare ..............". In gold print "Analysis book Collins 800 series". .2) On front cover in gold print, "Collins 800 Analysis book 27 money columns - 13245"brsl, smirsl, accounts

Cypriot White Painted Ware from the Cypro-Archaic PeriodThe rim painted black, the top of the neck with two encircling lines, a band at the bottom, the strap handle with vertical stroke to shoulder, flanked by vertical strokes, two angled strokes below, the shoulder with two pairs of concentric circles on each side and a set of horizontal lines below. cypriot

Surveying instrument for measuring horizontal and vertical anglesmetal instrument in boxsurveying equipment